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The Benefits of Living Under Green Roofs

At Optima, our commitment to crafting vibrant communities extends beyond architecture — it embraces a vision of harmonious living with nature. In properties like Optima Verdana®, Optima Kierland Apartments® and Optima Sonoran Village®, we’ve taken this commitment to new heights — quite literally, with green roofs elements that redefine modern living.

Amidst the greenery, residents find not only a physical haven but a sanctuary for the mind year-round. The lush landscapes stimulate cognitive skills, and echoes the enriching effects of art, where the subjective nature of greenery allows residents to explore their creativity and free thinking.

In the spirit of art therapy, our green roof communities become a refuge for stress reduction. The calming influence from a communal herb garden or native flowers and trees, provides a mental retreat, minimizing worries amid life’s challenges. It’s an oasis that mirrors the positive impact of art in promoting relaxation and inspiration.

Living with greenery encourages residents to delve into their own emotional landscapes. The transformative experience of nature’s presence becomes a sensorial, emotional, and sometimes even spiritual journey. Here, Optima’s commitment to well-being extends beyond physical spaces to nourish the soul.

Green roof elements at Optima Kierland Apartments®
Green roof elements at Optima Kierland Apartments®

Optima’s green roofs don’t just enhance the lives of residents; they also embody our commitment to environmental stewardship. By providing insulation and mitigating the urban heat effect, these green roofs contribute to energy efficiency, aligning seamlessly with our dedication to sustainable design and living. They also play a crucial role in stormwater management by absorbing and retaining rainwater, reducing runoff and minimizing flood risks.

Green roofs actively improve air quality by capturing pollutants, offering a breath of fresh air in urban environments. Beyond architectural features, they become habitats for wildlife, enhancing local biodiversity and promoting a holistic approach to community development.

In the heart of Optima’s green roof communities, residents experience a dual benefit: enhanced well-being and a commitment to sustainability. The greenery surrounding our residents tells a tale of cognitive enrichment, stress reduction, emotional healing, and environmental stewardship. As we invite nature into our designs, we reaffirm our dedication to access to greenery and sustainable living.

Conceptualizing the Future of Furniture

During the spring semester of 2022, the Department of Architecture at the Massachusetts Institute of Technology conducted Course 4.041 — Advanced Product Design. The focus of the course was to “develop concepts of sustainability for a more ecologically-responsible and digitally-enabled future.” According to the course syllabus, students would be asked to “reinterpret and conceive of new typologies, redefining what ‘furniture’ means from the ground-up.” Today, we’re spotlighting just a handful of their future facing designs. 

To make the course even more interesting, MIT teamed up with Emeco, an iconic American furniture company to provide students with access to Emeco’s manufacturing technology as they conceptualized sustainable furniture. The students’ design solutions have been dubbed The Next 150-year Chair, based on Emeco’s 1006 Navy chair developed in 1944, which, according to the manufacturer, has a “150-year lifespan.”

Associate Professor Skylar Tibbits explained that “Today, a 150-year chair means making something that lasts a long time, which is a great thing to do. But the question is whether that will be the same for the next 150 years – should the goal still be to make things that last forever? That’s one approach, but maybe there’s something that could be infinitely recyclable instead or something that’s modular and reconfigurable.”

La Junta designed by María Risueño Dominguez

Over the spring term, five students explored their unique approaches to answering the question. Their results featured a number of complete furniture pieces and components that were exhibited at Emeco House, the company’s converted 1940s sewing shop, in Venice, CA in late November. 

María Risueño Dominguez developed a furniture component based on longevity. Her research on furniture consumption and interviews with people involved in the furniture industry resulted in a concept called La Junta – a cast-aluminum joint with multiple different inserts shaped to fit a variety of components.

Rewoven Chair designed by Faith Jones

Amelia Lee developed a product designed to last through different stages of childhood. It is made from a single sheet of recycled HDPE. Modeled on a rocking chair, the piece can be turned on its side to function as a table.

Zain Karsan set out to improve metal 3D printing technology for the frames of his chairs, focusing on a technique for dispensing molten material at high-speed to explore new ways to think about form and joining parts.

Faith Jones designed the ReWoven Chair, with an aluminum frame and a recycled (and replaceable) cotton sling, as an exploration into how to maintain comfort and sustainability.

Jo Pierre’s interest in maintaining comfort within dense physical settings resulted in a chair called Enhanced Privacy — a plastic partition designed for domestic spaces that includes a hanging sheet of plastic that can be filled with water to block sound and diffuse light.

As both a design process and a collaboration between academia and industry, The Next 150-year Chair Project established a refreshing model for how we might conceptualize the future of furniture while pushing the boundaries of sustainable design and novel materials.

Gjenge Makers: Transforming Tradition and Community

Sustainable design is a valuable part of our ethos at Optima as we strive to create vibrant communities built with the surrounding natural environment at the forefront. Now more than ever before, changemakers across the world are expanding the possibilities for what sustainable designs resemble. Today, we’re spotlighting a leader in sustainable design and affordable construction: Gjenge Makers and its founder, Nzambi Matee.  

In 2017, Nzambi Matee, then an engineer working for Kenya’s oil industry, threw everything she knew away to create a startup aimed to address the need for affordable and sustainable construction materials in her home country of Kenya and across the world. Her first thought immediately went to plastic, a material creating pollution problems across Eastern African countries like Kenya, where Matee has resided her whole life. 

Thanks to her academic background, including a major in material science, along with experience working as an engineer, Matee understood which plastics would easily bind together and built the needed machinery, allowing her to mass produce the building alternative. Today, Gjenge collects waste materials from local factories and other recyclers and then uses a mixture of plastic and sand to form durable bricks and tiles. 

Gjenge Brick’s various colors

The designs aren’t just sustainable and durable. Matee and the Gjenge team wanted the finished products to emulate a sense of beauty, and today, bricks come in an array of colors, including red, blue, brown and green. Since its founding, Gjenge has transformed more than 22 tons of plastic into various alternative building materials and created more than 100 jobs for local garbage collectors, women and youth. 

We can’t wait to continue exploring the ways innovative architecture can contribute to a healthier, more sustainable world, especially with changemakers like Matee impacting the lives of others daily.

Why Biophilic Design Matters

Since Optima’s founding, we have thoughtfully developed environments where nature and architecture coexist. This principle of sustainability – known throughout architecture as biophilic design – is becoming increasingly popular across the world throughout all types of built environments.

The process of biophilic design isn’t anything new to the world of architecture; however, in recent years, the design principle has seen a renaissance. Today, biophilic design is used within modern architecture as a method to fulfill the inherent connection between humans and nature. 

Because our natural habitats have increasingly become built environments, designers and architects have discovered the significant value of adding biophilic elements into all kinds of structures to enhance the relationship between natural and built environments. The framework for designing these biophilic environments consists of employing both direct and indirect experiences of nature. Direct experiences incorporate everything from natural light, fresh air and organic landscapes, while indirect experiences include utilizing natural materials and colors and ecological attachments to a location. Everything from skylights to green walls to fountains all apply the conventions attached to the design principle. 

Health Benefits

Beyond creating connectivity to natural environments, biophilic design also supplies an ample amount of benefits to both its surroundings and those who inhabit them. One of the most prolific benefits attached to the design principle is the improvement of air quality. Designs that employ vibrant greenery absorb the natural toxins in the air, ultimately enhancing the atmosphere.

Having access to vegetation and other models of biophilia also has a direct impact on happiness and wellbeing. When design principles like natural light and ventilation are introduced into built environments, a greater appreciation forms – establishing a more welcoming, advantageous space. 

Biophilic Design in Optima

Throughout our communities at Optima, we use biophilic design to improve the lives of our residents and complement their beautiful surroundings and communities. In our latest project, Optima Lakeview, we’re employing biophilic design throughout many elements of the architecture.

The development features a stunning atrium that includes our signature vertical landscaping system within it. At the atrium’s top, an expansive skylight fills the space below it with an abundance of natural light. Optima Lakeview is also home to a variety of private terraces and setbacks featuring lush vegetation and ensuring residents a seamless transition from outdoor to indoor environment.

From the materials used in construction to the greenery placed throughout a building, more and more architects are discovering how to include biophilic design within their builds, connecting their built environment with the natural world around them.

Exploring Paolo Soleri’s Cosanti

Scottsdale and its surroundings offer some of the country’s most historic art and architectural sites, including Taliesin West and its museum of contemporary art – SMoCA. Because of the popularity of these marquee locations, some of the area’s other unique contributions are often overlooked. Today, we’re spotlighting one of the community’s most ambitious architectural and design feats, Cosanti

Cosanti’s History

Found in Paradise Valley, Arizona, less than a 15-minute drive from Optima Kierland Apartments, Cosanti is a standout in its suburban neighborhood. The Gallery and design studio were designed and built by the Italian-American architect, urban designer and philosopher, Paolo Soleri. Soleri, who built the project in 1956, lived with his wife on the five-acre property only a few miles from Taliesin West, where he studied under renowned architect Frank Lloyd Wright just ten years earlier. 

The interior of Cosanti’s Earth House where Soleri resided until 2013, Courtesy of Cosanti Originals

The structure’s name originates from Soleri’s Italian roots. Cosanti combines the two Italian words for ‘object’ and ‘before’, and the word itself means, ‘There are things more important than objects’ – a philosophy Soleri lived by. This attitude extends beyond the structure’s name and into its architecture, where he introduced his own philosophy of arcology. The term recognizes the importance between built and lived environments, similar to that of sustainable or regenerative design

Otherworldly Architecture

Cosanti’s otherworldly design elements easily separate it from its modern surroundings. Some of the build’s most alluring features are its outdoor studio, performance spaces, swimming pool, Soleri’s residence, and of course, his famous ‘Earth House’. 

Cosanti’s earth-cast wind-bells produced of bronze and ceramics, Courtesy of Cosanti Originals

To create the Earth House, Soleri utilized an earth-casting technique, where his team formed dense mounds of earth and then covered them in concrete molds. After developing, the earth under each mold became excavated and concrete structures built partly underground appeared – a building method that allows the structure to utilize natural insulation from the earth. 

Soleri also used terraced landscaping, courtyards and garden paths to separate branches of the unique campus and further connected the environment to its natural surroundings using earth-cast wind-bells. 

Today, the Arizona Historic Site offers local residents and tourists free guided tours of the visionary structure and property. To explore the grounds and more of Cosanti yourself, visit their website here.

Women in Architecture: Neri Oxman

As part of our ongoing “Woman in Architecture” series, we’re shining a spotlight on one of the world’s inspiring creatives, Neri Oxman. With a rich background in architecture and a drive to create, there was no question whether she would become the ingenious architect and designer she is today. Today, we’re diving into Oxman’s momentous life, work and achievements. 

The Life of Neri Oxman

Oxman was born on February 6, 1976, in Haifa, Israel. Both of her parents taught architecture, and growing up, Oxman spent much of her childhood immersing herself in her parent’s studio, which helped her establish a desire for creation at a young age. 

Originally, Oxman attended medical school in Israel, but after just two years, she realized that her interests belonged elsewhere. She began her architecture studies at Technion Israel Institute of Technology but eventually transferred to the Architectural Association School of Architecture in London – one of the most prestigious architecture schools in the world – where she graduated in 2004.

In 2005, Oxman traveled to the United States, where she began her Ph.D. studies in architectural design and computation at the Massachusetts Institute of Technology (MIT). Throughout her research at MIT, Oxman discovered her passion for environmental design and digital morphogenesis – a type of generative art. Oxman also launched her own research project titled material ecology – a term she coined – to experiment with generative design. 

Design Philosophy

Oxman launched her research project material ecology – a term she coined – in 2006 while studying at MIT to experiment with more facets of generative design. Material ecology, Oxman’s design philosophy, combines aspects of 3-D printing techniques with biology, engineering and computer sciences to build objects and structures through natural growth instead of assembly. 

The advanced philosophy also places humanity in harmony with nature, which is a principle of sustainable and regenerative design. Through her work, Oxman hopes to shift from consuming nature as a geological resource to instead editing nature as a biological resource. Oxman’s philosophy has led her to utilize biological shapes and textures throughout many of her designs. 

Notable Work and Achievements

Much of Oxman’s early work involved only 3-D printing. At MIT, she founded the Mediated Matter research group where she has created almost all of her structures and designs – large and small. Oxman’s innovative 3-D projects range in size from complex enclosures to detailed pieces of clothing.

Silk Pavilion, Neri Oxman, 2013

Some of Oxman’s most famous works utilize fabrications created by animals or other natural processes, including Silk Pavilion. The installation was created in 2013 with the help of 6,500 free-ranging silkworms that wove layers of silk onto a Nyon-framed dome. The completed project resulted in a stunning moon-like pavilion. The method of creation was recreated in 2020 for Oxman’s Silk Pavilion II, which resides in the Museum of Modern Art in New York City. 

Inspired by vibrant marine life, in 2013, Oxman collaborated with renowned fashion designer Iris Van Herpen and materials engineer Craig Carter to create Anthozoa. The 3-D-printed dress used a mixture of hard and soft materials that were crucial to its movement and texture. Oxman worked with Carter again in 2014 for a project called Gemini, a chaise lounge chair consisting of a milled wood frame and a 3-D-printed upholstery. The intricate chair was designed with the intent to recreate a womb-like environment.

Anthozoa, Oxman, Iris Van Herpen and Craig Carter, 2013

Oxman and Mediated Matter have also prototyped various new tools for printing since the group’s founding. A few of the groundbreaking technologies include a printer that can create sections of rooms and an unprecedented glass printer. Alongside her extraordinary work, Oxman has also received many architecture and art awards as well as achievements throughout her career. 

  • Senior Fellow in the Design Futures Council
  • London Design Festival Design Innovation Medal, 2018
  • San Francisco Museum of Modern Art Contemporary Vision Award, 2019
  • Dezeen’s Design Project of the Year for Aguahoja, 2019
  • Honorary Royal Designer for Industry by the Royal Society of Arts, 2021
Gemini, Oxman and Carter, 2014

Oxman’s illustrious career has led her to collaborate with some of the most resourceful designers in the world, further catapulting her unique philosophy into the spotlight of the design world. Today, she continues working with the Mediated Matter group experimenting with different forms of generative design, and teaches at MIT as a tenured professor.

The Future of Sustainable Design in Architecture

At Optima, sustainable design has always been part of our ethos, as we strive to create vibrant communities built with the surrounding natural environment at the forefront. And as technology continues pushing the boundaries of sustainability in architecture, we wanted to explore what the future might possibly hold. 

Historically, sustainable architecture has focused on lush outdoor environments, and at Optima, we know the benefits of urban greenspaces, which is why we have incorporated them into our communities for decades. Urban greenspaces and vertical landscaping are just some of the many sustainable features found in many of our Optima communities that help promote mental and physical health, while mitigating pollution and emulating the feeling of oasis. 

Today, as new age modernism continues to evolve and environmentalism exceeds formalism, designers and architects are developing new ways to create built environments that also benefit the Earth. The newest approach to sustainable architecture is found within regenerative building. 

Regenerative building looks beyond lessening harmful impact; it seeks ways to repair and restore the surrounding environment. In the regenerative design process, innovators conceive ways for each building to produce its own energy, treat its own water and emit a net-positive impact on the environment. 

The Centre for the Built Environment’s living wall which features 24 plant species and 7,000 plants, courtesy of Nova Scotia Community College
The Centre for the Built Environment’s living wall which features 24 plant species and 7,000 plants, courtesy of Nova Scotia Community College

While global contests like Redesign the World are encouraging designers to envision radical solutions to end environmental issues through built communities, some architects have begun to bring regenerative building to life. 

The Kendeda Building for Innovative Sustainable Design, Georgia Tech, courtesy of Justin Chan Photography, Lord Aeck Sargent, and Miller Hull Partnership
The Kendeda Building for Innovative Sustainable Design, Georgia Tech, courtesy of Justin Chan Photography, Lord Aeck Sargent, and Miller Hull Partnership

Buildings like The Kendeda Building For Innovative Sustainable Design found on Georgia Tech’s campus and Portal High School in Irvine, California use green roofs and water collection systems to reduce reliance on negative forms of energy. Other buildings like Nova Scotia Community College’s Centre for the Built Environment take advantage of multiple sustainable design features like living walls, geothermal systems and solar and wind energy to regenerate and restore their surroundings. 

As sustainable approaches to design continue to expand over time, we can’t wait to continue exploring how – through architecture – we can change contribute to a healthier, more sustainable environment.

Meet the Winner of the Redesign the World Contest

As champions of leading-edge, thoughtfully-designed spaces built to inspire communities, we enjoy sharing the visionary work of others who continue to impact the world’s landscape. In early 2021, Dezeen, the internationally-acclaimed architecture, interiors and design magazine, launched its Redesign the World 2021 competition. More than 100 firms submitted their ideas for rethinking planet Earth, and Dezeen has provided a platform to showcase the 15 most visionary, radical solutions to ending environmental issues. 

Dezeen launched the contest in partnership with Epic Games and architectural visualization tool Twinmotion. The competition sought revolutionary solutions and asked contestants several ambitious questions, including: where and how will everyone live; how will vital ecosystems flourish; and most importantly, what would a redesigned planet resemble? 

Each proposal consisted of an in-depth narrative, still images and a short video animation depicting the landscape. And, following more than two months of deliberation, Dezeen published all of the top submissions here, including the winning entry: Fernando Donis’ Frame City.

Donis, a celebrated architect known for designing CCTV Headquarters and managing the international architect firm Donis, constructed an idealized environment in which nature and humanity coexist. In his design, Donis established new forms of topography formed by terrace-like structures made of timber, depicting a vibrant natural landscape filled with lush greenery intended to house millions of people. The inspired landscape takes advantage of the most sustainable transportation methods and produces an environment where diverse networks of cultural exchange would thrive.

Like Optima, Donis envisions a world where nature and infrastructure become one, and innovative, thoughtful design leads the direction for an excelling world. You can read more about Fernando Donis and his vision behind Frame City here.  

New Age Modernism: Environmentalism over Formalism

While Modernism has a history over a century deep, modern-day architects designing in the discipline are looking towards the future. Recently, Space Caviar founder Joseph Grima published a manifesto for a new kind of non-extractive architecture, positioning Modernism’s traditional, formalistic approach against a new, environmentalist way of operating.

Moving Away From the “Top-Down” Approach

In a conversation with Dezeen, he says that modern-day architects are considering how Modernism can be a “form of stewardship of the natural environment,” as opposed to just in conversation with the landscape through compositional considerations. At the center of Grima’s manifesto is the idea that architecture should no longer have a top-down approach, where materials are selected for their aesthetics and function, but without consideration for their impact on the environment.

Interestingly enough, Mies van der Rohe’s famous Barcelona Pavilion is employed as a primary example of “top-down” architecture here. The materials used in the project – green marble, travertine and onyx – exemplify Modernism’s “skin and bones” appeal at its most raw. But where did they come from? These are questions that will no longer be ignored, according to Grima.

Setting Our Sights on Sustainability

Grima’s manifesto resonates. At Optima, we create built environments with the surrounding natural environment in mind. Beyond just living in visual harmony with the landscape, we’re invested in fostering a more reciprocal relationship.

Our signature vertical landscaping system at Optima Camelview Village
Our signature vertical landscaping system at Optima Camelview Village

Our signature vertical landscaping system, featured at properties such as Optima Sonoran Village, Optima Camelview Village, and Optima Kierland, plays a crucial role in maintaining a healthy and sustainable environment. The system, with self-containing irrigation and drainage, provides a haven for urban wildlife, promotes evaporative cooling, re-oxygenates the air, reduces dust and smog levels, reduces ambient noise, detains stormwater and thermally insulates and shields residents from the desert sun, all of which contributes to a sustainable urban environment.

Barge wood in the lobby at Optima Signature
Barge wood in the lobby at Optima Signature

Meanwhile, Optima Sonoran Village also served as the pilot project for Scottsdale’s International Green Construction Code, or IgCC. Having earned full certification from the program, Optima Sonoran Village’s attributes include major building elements consisting of 95 perfect local and recycled content materials; energy efficiency as a result of the high-performing glazing, overhangs, building configurations and exterior shading devices; water resource conservation from plumbing fixtures and excellent indoor environmental quality and reduced material emissions from the materials used in the development.

From building construction and materials, to design details like the salvaged barge wood featured in the lobby at Optima Signature, we’re excited to play our role in ushering in this next era of environmentally-minded Modernism.

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