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The Softline Opera Chair: A Symphony of Possibilities

As we continue to tour the public spaces at Optima® communities to highlight the curated collection of Modernist furnishings, such as the Eames chair, or tulip table, etc. We find it just as important to highlight recent advances of Modernist furniture design, propelled forward by the likes of Eero Saarinen, Charles and Ray Eames, Florence Knoll, and so many other masters of design. Today we introduce you to the OPERA chair at Optima Lakeview®, by SOFTLINE.

Brief History 

SOFTLINE has been creating and producing innovatively designed furniture for a global market since 1979. The enterprise was founded as a division of K. Balling-Engelsen A/S, a Danish producer of technical polyurethane foam. For decades, this high-quality, flexible foam has been the material of choice for furniture production due to its unique properties.

In 2003, they became an independent, privately-owned enterprise with a factory in Denmark, where the upholstery is performed by hand, based on Scandinavian traditions and utilizing eco-friendly materials.

OPERA chair by Busk+Hertzog
OPERA chair by Busk+Hertzog at Optima Lakeview®

OPERA

The OPERA chair designed by Busk+Herzog serves a symphony of possibilities at Optima Lakeview® in its ability to elegantly blend modern and contemporary styles. From its high armrests, to provide privacy for all matters of which you may want to hide, to its backrest and cushion that completely envelopes your body.

The OPERA can also be used as a versatile lounge chair in larger configurations, much like PLANET, or in smaller configurations like PIERCE. Both of these elegant iterations can be found together just steps away at Optima Kierland® in Scottsdale. The OPERA chair provides a human-scale sense of privacy, as well as a space for contemplation or conversation in our business center. This striking piece is the perfect place for our residents to relax in solitude without being completely separated from friends, and we’re delighted to include this iconic design to Optima’s® Modernist collection!

A Look at Frank Lloyd Wright’s Unsold Designs

On December 9, 2022, Christie’s auction house held a special auction to release a collection of rare drawings, glasswork and furniture produced by legendary architect Frank Lloyd Wright. The collection was put up for sale by Grand Rapids-based Steelcase Corporation, the iconic American furniture manufacturer that enjoyed a unique relationship with the famed architect. Today, we’re taking a look at the treasured work:

In the mid-1930s, Wright was working on his seminal corporate design for the Johnson Wax Headquarters, commissioned by S.C. Johnson & Son in Racine, Wisconsin. He approached Steelcase with the hopes of working with them to manufacture furniture for the building. Decades later, in 1985, Steelcase bought the Meyer House — a home designed by Wright in 1909 in Grand Rapids, Michigan — to celebrate the spirit of innovation and collaboration between Wright and Steelcase that began during the Johnson Wax Headquarters project. Steelcase set out to uncover the original designs of the home, and after several years of extensive research, they accumulated a number of Wright’s original drawings that documented the architect’s vision. After a two-year restoration that included demolition of a 1922 addition to the home and fanatical attention to hundreds of interior and exterior details, the Meyer House stands as the most complete and authentic restorations of all of Wright’s designs.

An executive desk and armchair designed by Wright for SC Johnson’s headquarters

Taken together, the projects represent unique and different moments in Wright’s career. The Meyer House is a prime example of his Prairie School era, a period of roughly 15 years in the early 1900s when commissions most often came from affluent families before he shifted focus to more. These designs typically feature hip roofs with long eaves, art glass ribbon windows and strong horizontal lines. 

Wright designed multiple residential structures in this style for about 15 years in the early 1900s before shifting focus to more democratic architecture. The S.C. Johnson building, on the other hand, is considered Wright’s corporate masterpiece; today it remains one of the most important examples of the American corporate office building. 

The unique glasswork designed by Wright for the Meyer House

The pieces included in Christie’s auction come from these two projects and include the executive desk master and executive arm chair master from the S.C. Johnson project and windows from the Meyer house. Wright’s original drawings for the furniture he designed for both the Johnson Wax Headquarters and the Meyer House were also sold, including schematics for an officer’s chair from the S.C. Johnson building and the sofa and living room table from the Meyer House. 

It’s not often that fans of Frank Lloyd Wright fans have the opportunity to acquire processual works — in this case, drawings, windows and furniture that reveal the process that Wright and his clients used to produce masterpieces.

Conceptualizing the Future of Furniture

During the spring semester of 2022, the Department of Architecture at the Massachusetts Institute of Technology conducted Course 4.041 — Advanced Product Design. The focus of the course was to “develop concepts of sustainability for a more ecologically-responsible and digitally-enabled future.” According to the course syllabus, students would be asked to “reinterpret and conceive of new typologies, redefining what ‘furniture’ means from the ground-up.” Today, we’re spotlighting just a handful of their future facing designs. 

To make the course even more interesting, MIT teamed up with Emeco, an iconic American furniture company to provide students with access to Emeco’s manufacturing technology as they conceptualized sustainable furniture. The students’ design solutions have been dubbed The Next 150-year Chair, based on Emeco’s 1006 Navy chair developed in 1944, which, according to the manufacturer, has a “150-year lifespan.”

Associate Professor Skylar Tibbits explained that “Today, a 150-year chair means making something that lasts a long time, which is a great thing to do. But the question is whether that will be the same for the next 150 years – should the goal still be to make things that last forever? That’s one approach, but maybe there’s something that could be infinitely recyclable instead or something that’s modular and reconfigurable.”

La Junta designed by María Risueño Dominguez

Over the spring term, five students explored their unique approaches to answering the question. Their results featured a number of complete furniture pieces and components that were exhibited at Emeco House, the company’s converted 1940s sewing shop, in Venice, CA in late November. 

María Risueño Dominguez developed a furniture component based on longevity. Her research on furniture consumption and interviews with people involved in the furniture industry resulted in a concept called La Junta – a cast-aluminum joint with multiple different inserts shaped to fit a variety of components.

Rewoven Chair designed by Faith Jones

Amelia Lee developed a product designed to last through different stages of childhood. It is made from a single sheet of recycled HDPE. Modeled on a rocking chair, the piece can be turned on its side to function as a table.

Zain Karsan set out to improve metal 3D printing technology for the frames of his chairs, focusing on a technique for dispensing molten material at high-speed to explore new ways to think about form and joining parts.

Faith Jones designed the ReWoven Chair, with an aluminum frame and a recycled (and replaceable) cotton sling, as an exploration into how to maintain comfort and sustainability.

Jo Pierre’s interest in maintaining comfort within dense physical settings resulted in a chair called Enhanced Privacy — a plastic partition designed for domestic spaces that includes a hanging sheet of plastic that can be filled with water to block sound and diffuse light.

As both a design process and a collaboration between academia and industry, The Next 150-year Chair Project established a refreshing model for how we might conceptualize the future of furniture while pushing the boundaries of sustainable design and novel materials.

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