development Archives

Women in Architecture: Margarete Schütte-Lihotzky

Posted on November 29, 2023 by Hunter

As part of our ongoing “Women in Architecture” series, we’re turning our attention to Margarete Schütte-Lihotzky — an architect whose visionary designs and commitment to social consciousness have left an indelible mark on the field. Her story stands out as a testament to creativity, resilience, and an unwavering dedication to innovative design. Join us as we dive into the extraordinary life and career of this influential figure:

The Life of Margarete Schütte-Lihotzky

Margarete Schütte-Lihotzky was born on January 23, 1897, in Vienna, Austria. Growing up in this vibrant city, she was captivated by its blend of historical charm and modern ambition, fostering a deep appreciation for architecture from a young age. The dynamic cityscape became a canvas for her budding architectural imagination.

Frankfurt Kitchen, Margarete Schütte-Lihotzky, 1926

Her educational journey began at the University of Applied Arts Vienna, where she faced the challenge of being the first woman to attend the school. Undeterred, Lihotzky excelled in her studies, laying the foundation for a groundbreaking career. In school, she studied under the famed Australian architect, Oskar Strnad and before graduating, was awarded a handful of prizes for her work.

Notable Works and Achievements

Schütte-Lihotzky’s architectural legacy is defined by designs that transcend mere structures, becoming narratives of history, environment, and society. Much of her early work involved designing settlements and affordable housing projects across Europe. Eventually, she was approached by German architect, Ernst May, to help construct an affordable public housing project called New Frankfurt.

Perhaps her most groundbreaking contribution to New Frankfurt is the Frankfurt Kitchen, a marvel of efficiency and modern design. This kitchen was a pioneering attempt to apply scientific principles to domestic kitchen design. It aimed to optimize space and workflow, featuring built-in storage, sliding doors, and specialized work areas—a revolutionary concept that transformed the way we think about kitchen spaces.

A floorplan for Lihotzky’s Frankfurt Kitchen, University of Applied Arts Vienna

Later in her career, Lihotzky provided her expertise to projects across the world, from the creation of the kindergarten schools in Bulgaria and Germany to consultant jobs in China and Cuba. Alongside her revolutionary work, she has received various design awards and achievements, including the Architecture Award from the City of Vienna in 1980 and the Austrian Decoration for Science and Arts in 1992.

Margarete Schütte-Lihotzky’s enduring legacy lies not just in her architectural creations but in the inspiration she provides for architects, especially women. Her life’s work serves as a reminder that architecture is a powerful medium for storytelling, heritage preservation, and the design of a sustainable future.

Women in Architecture: Elizabeth Diller

Posted on November 6, 2023 by Hunter

In our ongoing “Women in Architecture” series, we’re highlighting Elizabeth Diller, a visionary who turns metaphors into brick and mortar and continues to challenge conventional architecture.

The Life of Elizabeth Diller

Elizabeth Diller was born in 1954 in Łódź, Poland, and moved with her parents, who were Holocaust survivors, to the United States when she was six. She was deeply affected by the social unrest of the late 1960s, which ultimately led her to enroll in the Cooper Union School of Architecture in 1970 which, at the time, was a creative hotbed and home to avant-garde design.

Initially, Elizabeth intended to pursue art or filmmaking, but ultimately found herself captivated by alternative methods of space-making. Even then, she was much more interested in the East Village music and art scene than in her classes. It wasn’t until Elizabeth met one of Cooper Union’s design professors, Ricardo Scofidio, that she became fully invested in design. After graduation, Diller and Scofidio became both romantic and creative partners, and emerged as prominent conceptual artists, focusing on comically dark design hacks and advancing the idea that “anything can be architecture” in their 1994 book, Flesh. This conceptual approach that challenged traditional architecture also earned them the coveted MacArthur Fellowship (known as the “Genius Grant”) in 1999.

On the Blur Building. Photo: Projectes I-II grup 12b

Notable Works

By 2000, Diller Scofidio projects were gaining considerable traction and scale, as demonstrated by their design for the Blur Building at the Swiss Expo in 2002. Utilizing a cloud of mist produced by 31,500 high-pressure nozzles over Lake Neuchâtel, this project encapsulated the team’s belief that architecture isn’t just about concrete unmovable structures, but can be an immersive, sensory experience. And as the partnership expanded to include Charles Renfro, the trio transformed the very essence of what a building could represent.

Approaching the High Line, 2009. Photo: StaceyJean

In 2006, their firm took on the ambitious project of renovating a historic elevated train line in Manhattan’s Chelsea neighborhood. The result? The High Line, an urban park that floats amidst the skyscrapers, becoming an iconic piece of the city’s architectural landscape.

During the 2010s, Diller’s stature in the world of architecture expanded greatly as the firm undertook a host of ambitious, institutional and municipal projects, culminating in designing a massive extension to New York City’s Museum of Modern Art (MoMA) in 2019 as spaces for modern and contemporary installations. Beyond allowing the museum to grow its exhibition footprint, this project redefined urban space, blurring the lines between public and private, museum and city.

MoMA Museum of Modern Art. Photo: Salon NYC

Just north of Chelsea, this stunning structure boasts a movable shell, allowing it to be reconfigured based on how the interior space is programmed. More recently, the team has undertaken numerous cultural and institutional projects, including the London Centre for Music and revitalizing the historic Geffen Hall at Lincoln Center, further securing a place for Diller and her partners in the architectural canon by creating a new language of contemporary design.

Elizabeth Diller’s journey redefines the essence of architecture, merging innovation with functionality. Her transformative works extend beyond physical spaces to influence the cultural fabric of society. And her legacy is not solely in the impressive silhouettes of her buildings but in the way she inspires future generations to envision and craft the world anew.

Noble-Seymour-Crippen House – Chicago’s Oldest Existing Building

Posted on September 11, 2023 by Hunter

Optima® is always thrilled to illuminate the quiet corners that resonate with historical depth. One such gem, tucked away in the Norwood Park neighborhood, is the Noble-Seymour-Crippen House. More than a mere building, this house is a piece of Chicago’s history, a testament to its rich past and the dreams of its earliest settlers.

The Noble-Seymour-Crippen House, with roots tracing back to 1833, is not only older than the City of Chicago itself but also stands as its oldest existing house. Its age, however, isn’t the only characteristic that makes this house noteworthy. Every brick, beam, window and wall, tells a tale of the city’s journey and the individuals who crafted its narrative.

The residence, initially a modest one-story frame farmhouse, was the brainchild of settler and entrepreneur Mark Noble. However, as Chicago burgeoned, so did the house’s grandeur.

By 1868, Thomas Seymour, its new owner, and a prominent member of Chicago’s Board of Trade, transformed it into a sprawling two-story Victorian haven.

Margaret Crippen’s Bedroom. Photo: Norwood Park Historical Society

Yet, the true distinction of the Noble-Seymour-Crippen House lies in its ties to the city’s pioneers: Mark Noble, Thomas Seymour, and the later contributions of the Crippen family. Each influenced Chicago’s burgeoning tapestry. Their legacies, encapsulated within the house’s walls, serve as a living testament to their contributions.

The house, designated a Chicago Landmark in 1987, is the proud home of the Norwood Park Historical Society, where visitors can go on a historical odyssey through Chicago’s early epochs. Its woodwork, decorative elements, and aura transport you back in time, providing a tangible connection to the city’s origins.

For those who enjoy exploration, the Noble-Seymour-Crippen House isn’t merely a landmark; it serves as a journey, a step back in time during the city’s formative years. As we revel in the grand architectural marvels of today, places like this remind us of our city’s foundation. Next time you find yourself longing for a touch of historical elegance, visit the house, and immerse yourself in another page of Chicago’s vibrant story.

Garden of the Phoenix in Jackson Park

Posted on August 28, 2023 by Nancy

At Optima®, we relish the opportunity to immerse our residents in experiences enriched by cultural discovery and aesthetic delight…which is exactly what you can expect when you wander through a captivating wonder nestled in the heart of Chicago – the Garden of the Phoenix.

Situated within the lush expanses of Jackson Park, the Garden of the Phoenix, once known as the Osaka Garden, gracefully expresses the timeless allure of traditional Japanese aesthetics. With a history that dates back to the World’s Columbian Exposition in 1893, it stands as a picturesque landscape on its own, while also serving as the canvas for cross-cultural dialogue between Japan and the United States.

As global nations joined the Exposition, Japan, in particular, sought to cast an enduring impression in Chicago. And with the inception of the Phoenix Pavillion between 1891-93, the U.S. received its first glimpse of the refined nature of Japanese architecture and landscape design. It even drew the attention of a young Frank Lloyd Wright and served as a revelation in his practice.

In 1935, the land surrounding the Phoenix Pavilion was transformed into a picturesque Japanese strolling garden that harmoniously blended with its surrounding environment. However, the escalating tensions between Japan and the U.S. during World War II took a toll on the garden, which fell into disrepair for decades due to a lack of funding. In 1981, the Chicago Park District completed efforts to restore and reimagine the garden, working with luminary landscape architect Daneji Domoto. Once the work was completed, the garden was renamed ‘Osaka Garden’ to honor Chicago’s sister city relationship with Osaka, Japan, strengthening this unique cross-cultural bridge.

Over the past several decades the garden has enjoyed waves of transformation. In 2013, the garden welcomed a new resident, Skylanding, a mesmerizing art installation by Yoko Ono. With 12 large steel lotus petals rising from the earth, Ono’s vision of peace and harmony came alive, inviting visitors into a unique, multi-sensory encounter.

Yoko Ono's Skylanding — Yoko Ono’s Skylanding sculpture, Jackson Park. Photo: Richard Bartlaga

Today, the Garden of the Phoenix breathes harmony and balance within the energetic pulse of Jackson Park and will be home to the Obama Library. As a symbol of rejuvenation, resilience, and enduring friendship, the garden offers a cherished sanctuary within Chicago’s vibrant cityscape.

Nic Behrends Team Member Spotlight

Posted on August 21, 2023 by Hunter

At Optima®, every individual on our team brings a unique story and perspective that enriches our community. We recently had the pleasure of catching up with Nic Behrends, Optima Lakeview’s Leasing Consultant. From a rich background in hospitality to his heartwarming transition into the world of real estate, Nic shares his journey and insights about what makes Optima stand out. Dive in below:

Tell us a bit about your background and the role you play at Optima.

My background is actually not in real estate. I spent over two decades in hospitality during which I also ran a non-profit focused on bartenders for several years. During my time in hospitality, people kept telling me I would be a great real estate agent, so eventually, I was convinced to get my leasing license. I worked as an agent for a couple of years and realized chasing all over town wasn’t my cup of tea and that I would be much happier managing buildings. I learned that I can be an expert in one specific community and get to know the residents instead of grinding through different prospects, and now I’m one of Optima Lakeview’s Leasing Consultants!

How did you first begin your journey at Optima?

I interviewed with Optima and immediately fell in love with the team and how they illuminated the brand for me. Everything I learned about Optima was far more attractive than any of the other properties I had interviewed with, so I knew I had to work here. Everyone encouraged me to be myself and understand how I could bring my true self to the position, and once I was encouraged to bring that person out, sales just started erupting for me. It’s been great to work in a place where I know that I’m not judged because maybe I’m not the most proficient typist or super skilled in Excel, but I can relate to people.

How do you view the concept of community at Optima? How does it differ from other properties/buildings?

It’s unique that with Optima, we are all a part of this community. The fact that I see our chief engineer working out in the gym alongside a resident, sharing tips with each other, or I see another staff member at the pool with his partner exemplifies that we’re not just the staff here, we’re also members of the community, and the residents respect that and treat us as neighbors since we’re all here together. In most of the other communities that I interacted with as a broker, there was always an issue with control or power, and there is usually a disconnect between the residents and the staff. But at Optima, everyone is heard. Residents see that we care about what’s going on in their lives and it makes everything much more warm and happier.

Optima has a unique set of values that differentiates it from other company cultures. How does that affect the quality of your work life? What values matter most to you?

Being bold. It takes a lot to put your true self out there and to let the walls down. And to be in a building that lets me do that has allowed me to progress in my career very rapidly. Becoming not only successful but also happy in this career has come from the opportunities that being bold has given me. All of our work here is done with intent and purpose, so in every action, we’re acting bold. It’s been an amazing opportunity to work with Maike and the team here because everyone truly embodies that value.

What are some things you’ve learned during your time at Optima?

What I’ve learned most here at Optima is that there is a way to do this business that is beneficial to both the property owner and the residents. When you produce a premium building that you can stand behind, you’ve got to be willing to put in the effort and show residents that we’re invested in their lives and are here to help them at all costs. Too often, at other properties, the solution is a rebuttal with a demand that you live with it, and here, we’re always looking for a way to solve problems.

What makes you most proud to be a part of the Optima team?

What I’m most proud of is the fact that I made a huge career change after doing the same thing for 20-plus years and made it into an environment that makes me feel valued. I walk into the most amazing building and am greeted by spectacular residents every morning. I work with a team that is not only going to work as hard or harder than me but also respects me for who I am. I’m over the moon to tell everybody how happy I am here and how proud I am to know I made it onto this team.

Odile Decq: The Rockstar of Modern Architecture

Posted on July 26, 2023July 26, 2023 by Hunter

In the dynamic world of architecture, there are creators, and then there are revolutionaries – those who dare to redefine the conventions of the craft. Today, we shine a spotlight on one such rockstar of the architectural world – Odile Decq. Born in Laval, France, Decq first delved into the disciplines of history and art history, later shifting her focus to the vast, creative expanse of architecture. This foundational base in the arts became the cornerstone for her future architectural exploits, fueling her rebellious yet constructive spirit.

Decq’s works echo her unique vision, transcending conventional design norms and boldly experimenting with innovative elements. Every project she has embraced manifests her distinct design philosophy – a play of bold geometric forms, the artful manipulation of light, and the fluidity of lines. It’s as if each design is an architectural manifesto that dares to defy the ordinary and push boundaries.

A prime showcase of her ethos is the Phantom Restaurant within Paris’s Opera Garnier. Here, Decq’s prowess is fully displayed in her ability to juxtapose contemporary design elements within a historic setting, engendering an intriguing dialogue between the past and the present, between tradition and modernity.

L’Opéra Restaurant, Palais Garnier, Paris│ | © Art2welp / Wikimedia Commons

Beyond her design exploits, Decq has made significant contributions to architectural education. With the establishment of the Confluence Institute for Innovation and Creative Strategies in Architecture in Lyon, France, Decq was able to translate her design philosophy into an educational context, fostering innovation and creative problem-solving in future architects.

Decq’s architectural flair and contributions have not gone unnoticed. She has been recognized with prestigious accolades, including the 2016 Jane Drew Prize and the 2017 Lifetime Achievement Award from the Royal Institute of British Architects (RIBA). Her rise to prominence in the industry has been marked not only by the brilliance of her designs but also her unrelenting commitment to equality and progressive thinking in architecture.

Confluence Institute for Innovation and Creative Strategies, Lyon, France. Photo: Jeanne Menjoulet

Her legacy extends far beyond the physical structures she has designed and the students she has mentored. As a true rockstar of modern architecture, Decq has blazed a trail for future generations, particularly for women in a traditionally male-dominated field. Her work continues to inspire, challenging conventions and reshaping the architectural landscape.

Today, as we celebrate Odile Decq and her remarkable journey, we honor her pioneering spirit and her unique contribution to the field of architecture. Her commitment to challenging norms, her avant-garde designs, and her impactful initiatives truly exemplify the essence of a rockstar architect, who not only shapes the world around us but also how we perceive and interact with it.

Al Beadle: The Mid-Century Modern Master in Phoenix

Posted on April 10, 2023 by Hunter

When it comes to mid-century modern architecture in Arizona, the name Frank Lloyd Wright tends to come to mind first. It’s exciting to note, however, that there have been other luminary architects who made enormous contributions to modernist architectural traditions here in the desert. Today, we are happy to introduce one of these under-the-radar designers — a true pioneer in his time whose work continues to inspire practitioners and homeowners alike.

Born in 1927, Al Beadle grew up in St. Paul, Minnesota. He served with the United States Navy Construction Battalion, the Seabees, in the South Pacific during World War II. His experiences included building piers, designing command bases, and constructing hospitals. After his time in the military, where he acquired much of his architectural prowess, Beadle eventually moved to Phoenix where he would make his mark on the city’s architectural scene. Starting his own architecture and build firm in 1967, Beadle believed in the principles of minimalism, efficiency, and the seamless integration of indoor and outdoor spaces.

Beadle’s unique design approach is evident in his many residential and commercial projects throughout the Phoenix area. His signature style often features clean lines, flat roofs, expansive glass walls, and a keen attention to detail. His buildings effortlessly blend with their desert surroundings, creating a harmonious balance between the built environment and the natural landscape.

Paradise Gardens

One of Beadle’s most iconic projects is the Paradise Gardens community. Developed between 1958 and 1964, this neighborhood showcases a collection of mid-century modern homes that embodies Beadle’s design philosophy. These homes are characterized by their post-and-beam construction, open floor plans, and large windows that blur the lines between indoor and outdoor living spaces.

Beadle House 11

Another noteworthy example of Beadle’s work is Beadle House 11, which he designed for himself and his family. Completed in 1963, this stunning residence exemplifies the architect’s minimalist approach, with its floor-to-ceiling windows, exposed steel beams, and sense of effortless elegance.

Beadle House 11 remodeled interior. Photo: ©2016 Modern Phoenix LLC

Today, Al Beadle’s architectural legacy lives on in the many buildings he designed throughout Phoenix and the surrounding areas. His work continues to be celebrated by architects, designers, and mid-century modern enthusiasts who appreciate the timeless quality of his designs. Preservation efforts are underway to ensure that Beadle’s architectural gems remain intact for future generations to enjoy.

In a city like Phoenix, where the natural beauty of the desert meets the sleek sophistication of modern design. Those who call this place home or are simply visiting, should consider checking out Al Beadle’s architectural masterpieces. From the effortlessly cool Paradise Gardens community located on 32nd Street to 36th Street and Mountain View, to the striking Beadle House 11 on 4323 E McDonald Dr, there’s no shortage of Beadle-designed gems to explore and appreciate.

Wilmette Landmarks: Robert and Suzanne Drucker House

Posted on March 27, 2023 by Hunter

As part of our Wilmette Landmark series, today we’ll cover a home steeped in an architect’s very own familial bonds. A home that has been on the National Register of Historic Places since 2013 — The Robert and Suzanne Drucker House. Designed by one of Chicago’s iconic Modernist architects, Harry Weese.

An Overlooked Modernist

His practice was inexhaustibly creative. Rooted in the Modernist and Brutalist architectural styles which laid the groundwork for efficient and functional living spaces. His most famous work, the Washington Metro system, not only showcases Weese’s unique design approach but also illustrates how he prioritized the user experience with his coffered concrete vaults and meticulous attention to detail. Weese never shied away from innovation, all the while quietly detaching himself from the architectural dominance of Mies van der Rohe and Frank Lloyd Wright.

The Drucker House

Quietly closed off from view, the front of the Drucker home is a wonderful expression of Weese’s personal brand of Modernism — a synthesis of International Style, Scandinavian, and Midwestern influences. The home’s geometry is obscured by slatted screens and maturing cedar trees. The house is L-shaped. Consisting of two wings running parallel to the street and the other angled in a way that allows for sunlight. This L-shaped arrangement also allows for an expansive view of the front yard.

The back of the home, on the other hand, embraces its deep rectangular lot and thoughtfully placed windows. Along with a screened porch resembling film reel that takes advantage of natural light to cast the home’s image. The indoor and outdoor living space almost seem to be brought together through this effect, all while maintaining complete privacy.

Side view of Robert and Suzanne Drucker House. Photo: Susan Benjamin

Weese built the Drucker house for his sister Suzanne and her family. It largely reflects Weese’s experimental approach to Modern design, and is informed by geometry rather than ornamentation. Furthermore, the house exhibits a remarkable focus on flexibility instead of adhering to a traditional layout that — when combined with how the Drucker family lived — created a universally functional residence that could accommodate the family’s lifestyle.

In its interior, the home is compartmentalized into zones delineated by screens and bookspaces. Each room flows effortlessly from one to another, the kitchen in particular being planned with convenience and ample storage in mind. In 1963, as the Drucker family began to grow, a second floor was added to provide more space.

As Optima® continues to embrace all that Wilmette has to offer, taking the time to highlight unconventional pioneers who blurred the boundaries of style and functionality is always a pleasure. We encourage you to take a slow drive to see this magnificent home and all that it has to offer on 2801 Iroquois Rd in Wilmette, IL.

The Softline Opera Chair: A Symphony of Possibilities

Posted on March 20, 2023 by Hunter

As we continue to tour the public spaces at Optima® communities to highlight the curated collection of Modernist furnishings, such as the Eames chair, or tulip table, etc. We find it just as important to highlight recent advances of Modernist furniture design, propelled forward by the likes of Eero Saarinen, Charles and Ray Eames, Florence Knoll, and so many other masters of design. Today we introduce you to the OPERA chair at Optima Lakeview®, by SOFTLINE.

Brief History

SOFTLINE has been creating and producing innovatively designed furniture for a global market since 1979. The enterprise was founded as a division of K. Balling-Engelsen A/S, a Danish producer of technical polyurethane foam. For decades, this high-quality, flexible foam has been the material of choice for furniture production due to its unique properties.

In 2003, they became an independent, privately-owned enterprise with a factory in Denmark, where the upholstery is performed by hand, based on Scandinavian traditions and utilizing eco-friendly materials.

OPERA

The OPERA chair designed by Busk+Herzog serves a symphony of possibilities at Optima Lakeview® in its ability to elegantly blend modern and contemporary styles. From its high armrests, to provide privacy for all matters of which you may want to hide, to its backrest and cushion that completely envelopes your body.

The OPERA can also be used as a versatile lounge chair in larger configurations, much like PLANET, or in smaller configurations like PIERCE. Both of these elegant iterations can be found together just steps away at Optima Kierland® in Scottsdale. The OPERA chair provides a human-scale sense of privacy, as well as a space for contemplation or conversation in our business center. This striking piece is the perfect place for our residents to relax in solitude without being completely separated from friends, and we’re delighted to include this iconic design to Optima’s® Modernist collection!

Women in Architecture: Georgia Louise Harris Brown

Posted on March 13, 2023 by Hunter

As a part of our ongoing “Women in Architecture” series, we’re spotlighting Georgia Louise Harris Brown, a visionary who was able to apply her extraordinary talents across the world. Although she rarely received credit for her outstanding contributions, Brown’s passion for building never diminished. Learn more about her impressive life and career below:

The Life of Georgia Louise Harris Brown

Georgia Louise Harris Brown was born on June 12, 1918, in Topeka, Kansas, to Carl Collins, a shipping clerk, and Georgia Watkins, a school teacher. As a child, her interests revolved around the arts and tinkering with cars and farm equipment with her brother. Brown distinguished herself from school as an exceptionally bright student, which led her to Washburn University, where she studied from 1936 until 1938.

After graduating, Brown traveled to Chicago to visit family but instead fell in love with the metropolitan atmosphere and presence of a strong Black community. Originally planning to stay for the summer, she enrolled in a course at the Armour Institute of Technology – now the Illinois Institute of Technology – taught by Mies van der Rohe and began taking flying lessons, which would become a lifelong passion.

860 and 880 Lake Shore Drive, Chicago, Mies van der Rohe, 1948-51, structural calculations by Brown

However, her plans changed when she enrolled in the school’s engineering and architecture program in the fall of 1938. Brown continued her studies in architecture but moved back to Kansas in 1942. She completed her degrees at the University of Kansas in 1944 and was the first Black woman to do so at the school.

Notable Works and Achievements

Brown returned to Chicago in 1945, where she found a job working for Kenneth Roderick O’Neal, a confidant of Mies and a leading architect at the time. In Chicago, she acquainted herself with other aspiring Black architects, including Beverly Lorraine Green and John Moutoussamy. In 1949, while working for O’Neal, Brown finally received her architecture license, and in the same year, she began working for Frank J. Kornacker Associates, Inc.

The Promontory Apartments, Chicago, Mies van der Rohe, 1946-49, structural calculations by Brown

At Kornacker Associates, Brown developed many structural calculations, including those for the apartment building at 860 Lake Shore Drive. During her time there, she also worked on many side projects for Woodrow B Dolphin, including various churches, houses and office buildings around Chicago. Although, after realizing that her race and gender would hold her back from many opportunities in America, she became interested in moving to Brazil, where she believed she would be held back less.

In 1953, Brown relocated to Brazil but didn’t receive an architecture license for the country until 1970. However, shortly after arriving, she found work with Charles Bosworth, another American who had moved to Brazil to open his own firm. While living in Brazil, Brown contributed designs and managed the completion of several significant builds. Along with various personal homes, many of her projects included large-scale plants and factories, including one for Ford Motors, Pfizer and Kodak.

Kodak Factory, São José, Brazil, 1971, Georgia Louise Harris Brown, Courtesy of University of Rochester Library

While Brown’s contributions to architectural design have often been unrecognized, her expansive knowledge of structural engineering and design always drove her to the leading firm of the time. And while she contended with feeling like an “other” wherever she went, she never held back from challenging the status quo and pursuing her lifelong passion for architecture.

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