We’re constantly on the hunt for cultural gems to introduce to residents in our communities, so it’s a pleasure to spotlight a cornerstone of Chicago’s vibrant art scene: The National Museum of Mexican Art (NMMA). Situated in the heart of the Pilsen neighborhood, this museum is a testament to the depth, diversity, and dynamism of Mexican culture.
Founded in 1982 by Carlos Tortolero, NMMA emerged from a vision to represent Mexican, Chicano, and Latino arts and culture. Today, it stands as a bridge between Mexico’s past and the evolving identity of Mexican-Americans in the contemporary U.S.
NMMA’s collection is awe-inspiring, boasting over 10,000 pieces spanning 3,000 years. From ancient artifacts to modern-day masterpieces, every corner of the museum narrates tales of creativity, resilience, and passion. Whether you’re captivated by traditional folk art, contemporary sculpture, intricate textiles, or evocative photography, there’s a narrative waiting for you.
Day of the Dead Exhibit at the National Museum of Mexican Art. Photo: Roxy Delgado
One of the standout exhibitions that has become an annual tradition, is the Day of the Dead (Día de los Muertos) showcase. This inspired installation dives deep into the fascinating rituals associated with this revered celebration, presenting art that is reflective and celebratory.
The museum is not just about viewing art; it’s an immersive learning experience. With a host of educational programs, workshops, and guided tours, visitors are invited to explore the contexts, histories, and techniques behind the artworks.
“Somos Pilsen.” Photo Credit: Mateo Zapata
Beyond the art itself, the museum’s location in Pilsen, a neighborhood full of Mexican heritage, enriches the experience. The vibrant murals, local eateries, and community events complement a visit to the museum.
As we admire the modern wonders of Chicago, we also treasure the institutions that ground us in cultural richness. Embark on a journey to the National Museum of Mexican Art, and emerge with a renewed appreciation for the beauty and complexity of Mexican art and culture. Best of all, admission is always free. Visit Tuesday through Sunday from 10 am to 5 pm.
At Optima®, we relish the opportunity to immerse our residents in experiences enriched by cultural discovery and aesthetic delight…which is exactly what you can expect when you wander through a captivating wonder nestled in the heart of Chicago – the Garden of the Phoenix.
Situated within the lush expanses of Jackson Park, the Garden of the Phoenix, once known as the Osaka Garden, gracefully expresses the timeless allure of traditional Japanese aesthetics. With a history that dates back to the World’s Columbian Exposition in 1893, it stands as a picturesque landscape on its own, while also serving as the canvas for cross-cultural dialogue between Japan and the United States.
As global nations joined the Exposition, Japan, in particular, sought to cast an enduring impression in Chicago. And with the inception of the Phoenix Pavillion between 1891-93, the U.S. received its first glimpse of the refined nature of Japanese architecture and landscape design. It even drew the attention of a young Frank Lloyd Wright and served as a revelation in his practice.
In 1935, the land surrounding the Phoenix Pavilion was transformed into a picturesque Japanese strolling garden that harmoniously blended with its surrounding environment. However, the escalating tensions between Japan and the U.S. during World War II took a toll on the garden, which fell into disrepair for decades due to a lack of funding. In 1981, the Chicago Park District completed efforts to restore and reimagine the garden, working with luminary landscape architect Daneji Domoto. Once the work was completed, the garden was renamed ‘Osaka Garden’ to honor Chicago’s sister city relationship with Osaka, Japan, strengthening this unique cross-cultural bridge.
Over the past several decades the garden has enjoyed waves of transformation. In 2013, the garden welcomed a new resident, Skylanding, a mesmerizing art installation by Yoko Ono. With 12 large steel lotus petals rising from the earth, Ono’s vision of peace and harmony came alive, inviting visitors into a unique, multi-sensory encounter.
Yoko Ono’s Skylanding sculpture, Jackson Park. Photo: Richard Bartlaga
Today, the Garden of the Phoenix breathes harmony and balance within the energetic pulse of Jackson Park and will be home to the Obama Library. As a symbol of rejuvenation, resilience, and enduring friendship, the garden offers a cherished sanctuary within Chicago’s vibrant cityscape.
In the vibrant Chicago suburb of Oak Park, a stone’s throw from the city and not far west from our very own Optima Signature®, sits a landmark of immense literary significance. It’s the Ernest Hemingway Birthplace Museum, an exquisite Victorian home that offers a unique window into the early life of one of America’s most iconic and influential writers, born in 1899. It stands as a testament to the formative years of a writer whose unique style revolutionized 20th-century literature.
The Hemingway Birthplace Museum is not just about the physical space that Hemingway inhabited; it’s also about the ideas and experiences that shaped his work. The Museum brings his Oak Park influences to light, providing context for many of the themes that would later appear in his work.
Ernest Hemingway Birthplace Museum Interior
When you step outside the Museum into the broader community, you’ll encounter the Frank Lloyd Wright Home and Studio, another example of the ways in which Oak Park preserves and celebrates its literary heritage.
Ernest Hemingway’s Birthplace Museum is a splendid representation of the early influences that shaped a literary giant. Its interior spaces immerse you in visual reflections of the beginnings of the writer’s adventurous life, offering a deeper understanding of his work and the man himself. In celebrating Hemingway’s legacy, we are reminded of the timeless power of creativity and the lasting impact of well-crafted design.
Frank Lloyd Wright Home And Studio. Photo: Teemu008
Guided tours of the museum provide visitors with a chance to step back in time and immerse themselves in the ambiance of Hemingway’s childhood. From the bedroom where he was born to the parlors where he might have first spun his tales, every corner of the house offers a unique glimpse into his early life and influences.
In the dynamic world of architecture, there are creators, and then there are revolutionaries – those who dare to redefine the conventions of the craft. Today, we shine a spotlight on one such rockstar of the architectural world – Odile Decq. Born in Laval, France, Decq first delved into the disciplines of history and art history, later shifting her focus to the vast, creative expanse of architecture. This foundational base in the arts became the cornerstone for her future architectural exploits, fueling her rebellious yet constructive spirit.
Decq’s works echo her unique vision, transcending conventional design norms and boldly experimenting with innovative elements. Every project she has embraced manifests her distinct design philosophy – a play of bold geometric forms, the artful manipulation of light, and the fluidity of lines. It’s as if each design is an architectural manifesto that dares to defy the ordinary and push boundaries.
A prime showcase of her ethos is the Phantom Restaurant within Paris’s Opera Garnier. Here, Decq’s prowess is fully displayed in her ability to juxtapose contemporary design elements within a historic setting, engendering an intriguing dialogue between the past and the present, between tradition and modernity.
Beyond her design exploits, Decq has made significant contributions to architectural education. With the establishment of the Confluence Institute for Innovation and Creative Strategies in Architecture in Lyon, France, Decq was able to translate her design philosophy into an educational context, fostering innovation and creative problem-solving in future architects.
Decq’s architectural flair and contributions have not gone unnoticed. She has been recognized with prestigious accolades, including the 2016 Jane Drew Prize and the 2017 Lifetime Achievement Award from the Royal Institute of British Architects (RIBA). Her rise to prominence in the industry has been marked not only by the brilliance of her designs but also her unrelenting commitment to equality and progressive thinking in architecture.
Confluence Institute for Innovation and Creative Strategies, Lyon, France. Photo: Jeanne Menjoulet
Her legacy extends far beyond the physical structures she has designed and the students she has mentored. As a true rockstar of modern architecture, Decq has blazed a trail for future generations, particularly for women in a traditionally male-dominated field. Her work continues to inspire, challenging conventions and reshaping the architectural landscape.
Today, as we celebrate Odile Decq and her remarkable journey, we honor her pioneering spirit and her unique contribution to the field of architecture. Her commitment to challenging norms, her avant-garde designs, and her impactful initiatives truly exemplify the essence of a rockstar architect, who not only shapes the world around us but also how we perceive and interact with it.
In the grand scheme of modern architecture and design, each virtuoso brings their unique understanding, forever shaping the field. Today, we celebrate one such figure, Alexander Girard, whose contributions have resonated through time, echoing his innovative spirit, unparalleled creativity, and ceaseless passion for design.
Born in 1907 in New York City and raised in Florence, Italy, Girard was an architect, interior designer, furniture designer, textile artist, and much more. His work was a vibrant fusion of colors, patterns, and cultures, weaving together aesthetics from around the world to create a visual language that was uniquely his own.
Braniff Airplane Makeover. Photo: Michael Dant
An integral part of the American mid-century modernist movement, Girard worked alongside luminaries such as Charles and Ray Eames and George Nelson at Herman Miller. His work, however, extended beyond the confines of a singular style or discipline. From his iconic textile designs to his whimsical braniff airlines makeover, Girard was a master of imbuing spaces and objects with a sense of joy and vibrancy. His designs always held a humanistic approach, seeing each project as an opportunity to enhance the daily lives of people.
His interior design for the Miller House in Columbus, Indiana, stands as a testament to his extraordinary talent. This residence, considered a landmark of modernist architecture, perfectly illustrates how Girard’s playful approach to design transformed the idea of what a domestic interior could be.
Miller House Interior, regarded as the world’s first conversation pit. Photo: Newfields
Beyond his professional work, Girard was an ardent collector of folk art, believing in its ability to inspire and influence contemporary design. His vast collection found a home in the Museum of International Folk Art in Santa Fe, a testament to his global perspective and appreciation for diverse cultures.
His bold use of color, his human-centric approach to design, and his innovative interpretations continue to inspire architects and designers worldwide. As we appreciate the rich tapestry of modern design, the work of Alexander Girard stands as a timeless composition of innovation, creativity, and humanism — a celebration of life, color, cultural diversity, and a reminder of how design can bring joy and meaning into our everyday lives.
As part of our ongoing “Women in Architecture” series, we’re sharing the story of Glenda Kapstein, an activist for architectural innovation and environmental consciousness. Her impressive body of work has not only redefined the architectural landscape of her home country but has also served as an inspiration for architects worldwide. Discover the remarkable journey of her life and career below:
The Life of Glenda Kapstein
Born and raised in Santiago, Chile, Glenda Kapstein was a curious and imaginative child. The city’s skyline, with its mix of colonial charm and modern ambition, made it the perfect place to fall in love with architecture at a young age. One of her earliest inspirations was Cantalao, a project dedicated to the culture and people of Chile, promoted by Chilean poet Pablo Neruda.
Kapstein decided to pursue architecture as a career, enrolling at the University of Valparaíso in 1959 and spent two years of school studying across Europe before finally graduating in 1967. Following her graduation, she moved to Spain to work with Spanish Architects Antonio and José Camuñas, who were hired to complete more than 3,000 houses in and around Madrid. Kapstein continued to pick up a mixture of jobs, from working as the Regional Director of Tourism in Antofagasta, Chile, to teaching at the Catholic University of the North (UCN). However, she eventually left to help UCN establish an architecture department and create a study laboratory of her own. With her laboratory, Kapstein was able to explore her interests in how climate dictates architecture.
The House of Spiritual Exercises of the Alonso Ovalle Foundation in Antofagasta, 1991, Courtesy of Carla Monforte Kapstein
Fuelled by the desire to broaden her perspectives, in 1994, Kapstein pursued her Master’s degree from the prestigious Pontificia Universidad Católica de Chile. The university’s broad and holistic approach to architecture further nurtured her growing passion and seeded her design philosophy with the importance of context and cultural relevance. There, she was surrounded by an inspiring blend of cultures, perspectives, and design philosophies that further refined her approach toward architecture.
Notable Works and Achievements
In her professional work, Kapstein worked to shape architecture that was not just aesthetically appealing but also ecologically responsible and socially sensitive. She viewed architecture as a powerful medium to express the historical, environmental, and social context of a place. As a result, her designs sought to harmoniously blend these elements, creating spaces that were both functional and meaningful.
Intermediate space within The House of Spiritual Exercises of the Alonso Ovalle Foundation in Antofagasta, 1991, Courtesy of Carla Monforte Kapstein
The most iconic example of Kapstein’s vision is the House of Spiritual Exercises of the Alonso Ovalle Foundation in Antofagasta. Built in 1991, this project stands out as a beacon of sustainable architecture, with its design seamlessly integrating with the natural landscape. The build, executed under Kapstein’s leadership with fellow architect Osvaldo Muñoz, is characterized by various intermediate spaces linking the interiors with the exterior desert. It incorporates innovative, energy-efficient features that minimize environmental impact while providing a state-of-the-art space to celebrate Chile’s rich biodiversity and cultural heritage. The project was a finalist for the Mies van der Rohe Pavilion Award for Latin American architecture in 1998 and the PLEA International Award in 2003, and was sadly demolished in 2019 for unknown reasons against the wishes of Kapstein’s family.
Another testament to Kapstein’s architectural philosophy is her work on the expansion of the Hotel Tulor in San Pedro de Atacama, a desert tourism hotspot. Still committed to ecological responsibility and cultural resonance, Kapstein incorporated local materials and traditional construction methods, resulting in an addition that seamlessly blended with the desert landscape and paid homage to the Atacama people’s heritage. Her design employed sustainable practices like passive cooling and heating to reduce energy consumption. The Hotel Tulor project underlines Kapstein’s distinct approach to architecture, combining innovation, sustainability, and cultural sensitivity, further establishing her as one of Chile’s most influential architects.
Rooms at Hotel Tulor, San Pedro de Atacama, made of adobe, wood and stone
Glenda Kapstein’s life and career are a testament to her commitment, creativity, and vision. Her journey serves as an inspiration for aspiring architects, especially women, reminding us all that architecture is not just about creating structures, but about creating stories, preserving heritage, and designing a sustainable future.
At Optima®, we are always excited to share unique architectural experiences that reflect our passion for design. So mark your calendars, Modern enthusiasts, we have some fantastic news for you! The second biennial Modernism Road Rally Tour of Homes is returning to celebrate the Mid Century Modern architectural legacy of Chicagoland. Launched in 2021, this biennial event takes place in different community areas of Chicagoland. This year’s edition will lead you through the captivating south suburban enclaves of Flossmoor and Olympia Fields.
The 2023 Modernism Road Rally Tour showcases homes designed by renowned midcentury architects such as Keck & Keck, Edward Dart, and Bertrand Goldberg, as well as architects like Edward Humrich, John McPherson, and John S. Townsend. Participants will have the opportunity to admire the exteriors and enjoy limited interior tours of select homes, offering an intimate glimpse into these architectural gems.
The event organizers have partnered with the Foundation for the Preservation of Flossmoor History for this year’s edition. A percentage of the proceeds will contribute to the restoration of the historic Wagner Building, which is scheduled to open in time for Flossmoor’s Centennial in 2024.
Conservatory Vintage & Vinyl, situated in the charming 1920s-era downtown Flossmoor, will serve as the event headquarters. After exploring the architectural marvels, participants can join the post-event party at the Flossmoor Station Restaurant & Brewery, a former railroad stop transformed into a lively social hub.
Flossmoor, founded in 1924, experienced a construction slowdown during World War II, followed by rapid postwar development. Its neighboring community, Olympia Fields, started in 1913, primarily as golf cottages surrounding the famous Olympia Fields Country Club. Post-World War II, the legendary modernist subdivisions of Graymoor and Country Club Woods were developed, boasting numerous outstanding examples of Mid Century Modern architecture.
Participants can purchase tickets for the tour, post-tour party, and sculpture tour online. The event also offers a trolley shuttle service along the entire tour route on Saturday, included in the ticket price (reservation required at the time of ticket purchase). Event check-in will be available at Conservatory Vintage & Vinyl for all paid attendees on Friday, June 23, from 12:00 PM to 6:00 PM, and Saturday, June 23, from 8:00 AM to 6:00 PM.
The second biennial Modernism Road Rally Tour is an exciting opportunity for architecture enthusiasts to delve into the fascinating world of Mid Century Modern design in Chicagoland. At Optima®, we are delighted to share this event with you and hope you enjoy exploring the rich architectural heritage of Flossmoor and Olympia Fields. Don’t miss out on this unique experience, and be sure to reserve your tickets here in advance!
Please note that there will be no walk-up ticket sales available.
We’re always moved by stories of lost-and-found in the world of great modernist architecture, and that’s just what we discovered in a recent article by Joseph Giovannini in The New York Times about a French Modern Masterpiece brought back to life by Dominique Perrault and Gaëlle Lauriot-Prévost, the architects leading the charge for master planning the 2024 Olympics in Paris.
Giovannini observes that for many architects, time is measured in the projects they undertake, and that every new project is an opportunity to create something meaningful and lasting. And when Dominique Perrault and Gaëlle Lauriot-Prévost — partners in life and in the firm of Dominique Perrault Architecture went in search of a weekend country house outside of Paris, they were looking to feed their desire to enjoy both the city and nature. As it turns out, they were also looking for a project that would leave a lasting mark on the world.
For years, Perrault Architecture honed their appetite for monumental projects, including the design of the National Library of France in Paris in 1989 when Perrault was only 36. In looking for a country home, on the other hand, Perrault and Lauriot-Prévost were motivated by the desire for something personal, something that would reflect their own tastes and sensibilities rather than building for others.
They considered a host of options in their search for the right property, including repurposing a former factory. Nothing seemed quite right until a real-estate agent specializing in architect-built homes introduced the couple to a Modern masterpiece that had been largely forgotten — the Villa Weil, designed and built by Jean Dubuisson, a third-generation Parisian architect who came out of the École des Beaux-Arts to design Modernist housing blocks that helped build the infrastructure of France as it emerged from the wreckage of World War II. Villa Weil, situated in a protected forest near the medieval town of Senlis, north of Paris, was commissioned by the real estate developer André Weil and completed in 1968.
Mar Vista Residence in Los Angeles, CA. Photo: Andy Wang
Perrault and Lauriot-Prévost saw something special in the house, described by Giovanni as “a straight line of a building streaking across the landscape.” He writes, “Inside and out, the clean white planes, crisp machined corners and squared geometries are derived from International Style Modernism and recast into a new synthesis….The abstract lines and planes, like picture frames, bracket outdoor terraces that are landscaped like the Zen gardens Dubuisson had seen in Japan. Huge sliding glass doors recall the indoor-outdoor relationship of mid century Modernist California houses, by then well known in Europe.”
But the home wasn’t without its issues, since it had languished for years without proper attention. They restored the house with exquisite attention to its original design and materials. Today, Perrault and Lauriot-Prévost enjoy the long-forgotten estate with their two dogs, furnished with original mid-century Modernist furniture sourced online. As Giovanni relates, the couple remains dedicated to “expanding the property to its fullest potential — the basement and barn are being turned into exhibition spaces for a variety of shows and a home for their collection of models and drawings.” At the same time, the vision of the owners is to design and build flats that will host resident artists, architects, and researchers as part of a study center that will expand the life of the semi-private villa into a campus for a larger architecture and design community.
As part of our Wilmette Landmark series, today we’ll cover a home steeped in an architect’s very own familial bonds. A home that has been on the National Register of Historic Places since 2013 — The Robert and Suzanne Drucker House. Designed by one of Chicago’s iconic Modernist architects, Harry Weese.
An Overlooked Modernist
His practice was inexhaustibly creative. Rooted in the Modernist and Brutalist architectural styles which laid the groundwork for efficient and functional living spaces. His most famous work, the Washington Metro system, not only showcases Weese’s unique design approach but also illustrates how he prioritized the user experience with his coffered concrete vaults and meticulous attention to detail. Weese never shied away from innovation, all the while quietly detaching himself from the architectural dominance of Mies van der Rohe and Frank Lloyd Wright.
The Drucker House
Quietly closed off from view, the front of the Drucker home is a wonderful expression of Weese’s personal brand of Modernism — a synthesis of International Style, Scandinavian, and Midwestern influences. The home’s geometry is obscured by slatted screens and maturing cedar trees. The house is L-shaped. Consisting of two wings running parallel to the street and the other angled in a way that allows for sunlight. This L-shaped arrangement also allows for an expansive view of the front yard.
The back of the home, on the other hand, embraces its deep rectangular lot and thoughtfully placed windows. Along with a screened porch resembling film reel that takes advantage of natural light to cast the home’s image. The indoor and outdoor living space almost seem to be brought together through this effect, all while maintaining complete privacy.
Side view of Robert and Suzanne Drucker House. Photo: Susan Benjamin
Weese built the Drucker house for his sister Suzanne and her family. It largely reflects Weese’s experimental approach to Modern design, and is informed by geometry rather than ornamentation. Furthermore, the house exhibits a remarkable focus on flexibility instead of adhering to a traditional layout that — when combined with how the Drucker family lived — created a universally functional residence that could accommodate the family’s lifestyle.
In its interior, the home is compartmentalized into zones delineated by screens and bookspaces. Each room flows effortlessly from one to another, the kitchen in particular being planned with convenience and ample storage in mind. In 1963, as the Drucker family began to grow, a second floor was added to provide more space.
As Optima® continues to embrace all that Wilmette has to offer, taking the time to highlight unconventional pioneers who blurred the boundaries of style and functionality is always a pleasure. We encourage you to take a slow drive to see this magnificent home and all that it has to offer on 2801 Iroquois Rd in Wilmette, IL.
Connections often happen in the places where we least expect to find them. At Optima®, a connection sprang from a love of modernization, to an idea, backed by an ever-lasting willingness to adapt through experimentation in the right place, at the right time. Imagine our surprise when a number of world renown architects and designers such as Florence Knoll, Charles and Ray Eames, Eero Saarinen, and Harry Bertoia met at Cranbrook Academy of Art at the right place, at the right time, becoming colleagues, collaborators, and lifelong friends.
The Cranbrook Campus was designed by Eliel Saarinen in the years 1925-1942. He also had help from his wife and artist, Loja, and his kids, Eero and Pipsan at the request of founders — George and Ellen Booth. Everything on campus was highly considered — from the masonry, to the walls, the chairs, textiles, and colors through the use of what they called — total design. When Eero Saarinen, Florence Knoll, Charles and Ray Eames, and Harry Bertoia were on campus, Cranbrook was essentially a crucible for the beginnings of modernism in which many of these luminary architects and designers practiced and perfected their craft.
Cranbrook Academy of Art
In late 2022, the design studio at Herman Miller released a short film entitled, The Cranbrook Connection. The film traces the history of Cranbrook as one of America’s greatest examples of modernist architecture and design, weaving in a thoughtful examination of furniture designed and produced by mid-century visionaries for Herman Miller and Knoll. This sweeping survey brings into sharp focus the staying power of total design, while inspiring us with the power of bringing structure and interior space into harmonic alignment.
During these seminal years, Cranbrook encouraged its students to practice experimentation in design, alongside the use of new materials. Eero and Charles had an interesting obsession with plywood. How it bent, how it felt, and sat in space. They later entered into a number of competitions with and sometimes against one another using this material. At one point, they entered the Organic Design for Home Furnishings competition with a suite of modular furniture using molded plywood chairs, and tables that would come to be the seeds of some of the most successful lines of furniture such as the Eames chair, and Womb chair.
Cranbrook Academy of Art (1940) Eliel Saarienen, Michigan State Historic Preservation Office, Flickr
Today, the Cranbrook Academy of Art remains one of the country’s top-ranked, graduate-only programs in architecture, design, and fine art. Just 75 students are invited to study and live on the Saarinen-designed campus, which features a suite of private studios, state-of-the-art workshops, a renowned Art Museum, and 300 acres of forests, lakes, and streams, all a short drive from Detroit. The focus at Cranbrook is on studio practice in one of 11 disciplines: Architecture, 2D, 3D, and 4D Design, Ceramics, Fiber, Metalsmithing, Painting, Photography, Print Media, and Sculpture.
