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Women in Architecture: Ada Louise Huxtable

As part of our “Women in Architecture” series, we’re examining the life and work of luminary architectural critic, Ada Louise Huxtable, who proved that a pen could be as mighty as any structure.

Born in 1921 in New York City, Ada Louise Huxtable pursued her passion for architectural history, culminating in a master’s degree from New York University’s Institute of Fine Arts. However, her broadest impact came when she broke a glass ceiling as the first full-time architecture critic for The New York Times, in 1963. This was a cultural shift, bringing architectural discourse from the drafting tables to the dining tables of everyday readers.

Will They Ever Finish Bruckner Boulevard?

Amid the changing skyline of New York City, with events like the heart-wrenching demolition of Penn Station and the emergence of modern architectural wonders, Huxtable offered crisp, hard-hitting, pointed, and elegant critiques. She ventured beyond aesthetic judgment, assessing structures for their context, their dialogue with the urban environment, and their societal implications.

One of the hallmarks of Huxtable’s career was her advocacy for architectural preservation. She awakened a sense of loss in the public, making them realize the cultural and architectural wealth embedded in historic structures. But her criticism wasn’t just limited to the annals of the past. Contemporary designs, when lacking in vision or disconnected from their surroundings, didn’t escape her discerning eye. 

Frank Lloyd Wright: A Life

While her newspaper columns reached a vast audience, Huxtable extended her influence through her books. Over the span of her career she authored several titles, dissecting architectural trends, urban developments, and the intricate relationship between society and design. With books like Will They Ever Finish Bruckner Boulevard? and Frank Lloyd Wright: A Life among others, she penned a total of seven significant works, each contributing to architectural discourse.

Because of the depth and breadth of her contributions, Huxtable earned recognition across numerous fronts. In 1958, she received a Guggenheim Fellowship. In 1970, she became the first recipient of the Pulitzer Prize for Criticism, an accolade that underscored her trailblazing efforts in the field. Alongside this, she secured a MacArthur Fellowship, firmly cementing her position as one of the foremost voices in architectural criticism.

The Unreal America

Huxtable continued to spearhead architectural preservation efforts well into her later years. And in spite of passing at the age of 91 in 2013, she serves as a powerful reminder of how a single voice can challenge us to see, think about, and engage with our built environment in deeper and more meaningful ways.

The Soleri Bridge and Plaza

Modern structures that serve as both functional and breathtaking forms of art speak to us at Optima®, including the Soleri Bridge and Plaza at the Scottsdale Waterfront, in close proximity to Optima Sonoran Village®. The bridge and its adjoining plaza, envisioned by the renowned artist, architect, and philosopher Paolo Soleri, have become emblems of Scottsdale’s artistic soul, resonating deeply with locals and tourists alike.

The bridge is an architectural spectacle that functions as a dynamic, organic solar calendar. Anchored by two towering 64-foot pylons, its south side spans 27 feet, tapering to 18 feet on the north. Its precise alignment with true north allows it to play a mesmerizing game with the sun. The 6-inch gap between the pylons lets the sun cast an ever-changing shaft of light, marking solar events as the seasons shift. On the summer solstice, the sun at its zenith leaves no shadow, while on the winter solstice, the shadow stretches its longest, almost reaching the bridge itself. 

Soleri Solar Calendar and Solstice Shadow. Photo: Jennifer Gill

Adjacent to the bridge, the plaza is an expansive 22,000-square-foot expanse, adorned with monolithic panels reminiscent of the aesthetics of Cosanti and Arcosanti. Each of these earth-cast panels, crafted meticulously over eight months using desert earth, water, and cement, weighs 3,500 pounds, and bears the intricate handwork of Soleri and his personal assistant, Roger Tomalty. The panels frame the plaza and lead towards the Goldwater Bell assembly, a fusion of Soleri’s commitment to architecture and ecology.

The story behind the project is as captivating as the structures themselves. A luminary in his field, Soleri has brought to life a concept he terms “arcology.” The bridge and plaza exemplify this philosophy, sharing an appreciation for our inherent connection to the sun and nature. Despite designing bridges for six decades, the Soleri Bridge was a first-of-its-kind commission for the then 91-year-old maestro.

Initiated by Scottsdale Public Art in 1990, the journey of the bridge and plaza from conception to completion was one of evolution and collaboration. As the canal’s surroundings transformed over two decades, so did the bridge’s design. The addition of the Waterfront Residences and commercial areas in 2007 provided the bridge with a context. Following funding and city approvals in 2008, the project took flight.

Soleri Bridge and Goldwater Bell. Photo: Yisong Yue

The unveiling of the bridge on December 11, 2010, was nothing short of a spectacle. A thousand-strong crowd converged on Old Town Scottsdale to witness the dedication. The event, a week shy of the winter solstice, showcased the bridge’s solar prowess, as attendees observed the sun’s shadow move between the pylons. 

The Soleri Bridge and Plaza encapsulate Scottsdale’s rich heritage, blending history with contemporary artistry. They stand as a testament to a city that cherishes the past, celebrates the present, and looks forward to the future, all while emphasizing the harmony between humanity and nature.

Women in Architecture: Elizabeth Diller

In our ongoing “Women in Architecture” series, we’re highlighting Elizabeth Diller, a visionary who turns metaphors into brick and mortar and continues to challenge conventional architecture. 

The Life of Elizabeth Diller

Elizabeth Diller was born in 1954 in Łódź, Poland, and moved with her parents, who were Holocaust survivors, to the United States when she was six. She was deeply affected by the social unrest of the late 1960s, which ultimately led her to enroll in the Cooper Union School of Architecture in 1970 which, at the time, was a creative hotbed and home to avant-garde design.

Initially, Elizabeth intended to pursue art or filmmaking, but ultimately found herself captivated by alternative methods of space-making. Even then, she was much more interested in the East Village music and art scene than in her classes. It wasn’t until Elizabeth met one of Cooper Union’s design professors, Ricardo Scofidio, that she became fully invested in design. After graduation, Diller and Scofidio became both romantic and creative partners, and emerged as prominent conceptual artists, focusing on comically dark design hacks and advancing the idea that “anything can be architecture” in their 1994 book, Flesh. This conceptual approach that challenged traditional architecture also earned them the coveted MacArthur Fellowship (known as the “Genius Grant”) in 1999.

On the Blur Building. Photo: Projectes I-II grup 12b

Notable Works

By 2000, Diller Scofidio projects were gaining considerable traction and scale, as demonstrated by their design for the Blur Building at the Swiss Expo in 2002. Utilizing a cloud of mist produced by 31,500 high-pressure nozzles over Lake Neuchâtel, this project encapsulated the team’s belief that architecture isn’t just about concrete unmovable structures, but can be an immersive, sensory experience. And as the partnership expanded to include Charles Renfro, the trio transformed the very essence of what a building could represent. 

Approaching the High Line, 2009. Photo: StaceyJean

In 2006, their firm took on the ambitious project of renovating a historic elevated train line in Manhattan’s Chelsea neighborhood. The result? The High Line, an urban park that floats amidst the skyscrapers, becoming an iconic piece of the city’s architectural landscape.

During the 2010s, Diller’s stature in the world of architecture expanded greatly as the firm undertook a host of ambitious, institutional and municipal projects, culminating in designing a massive extension to New York City’s Museum of Modern Art (MoMA) in 2019 as spaces for  modern and contemporary installations. Beyond allowing the museum to grow its exhibition footprint, this project redefined urban space, blurring the lines between public and private, museum and city.

MoMA Museum of Modern Art. Photo: Salon NYC

Just north of Chelsea, this stunning structure boasts a movable shell, allowing it to be reconfigured based on how the interior space is programmed. More recently, the team has undertaken numerous cultural and institutional projects, including the London Centre for Music and revitalizing the historic Geffen Hall at Lincoln Center, further securing a place for Diller and her partners in the architectural canon by creating a new language of contemporary design. 

Elizabeth Diller’s journey redefines the essence of architecture, merging innovation with functionality. Her transformative works extend beyond physical spaces to influence the cultural fabric of society. And her legacy is not solely in the impressive silhouettes of her buildings but in the way she inspires future generations to envision and craft the world anew.

Women In Architecture: Rivera Marín

As part of our ongoing “Women In Architecture” series, we’re sharing background on a trailblazing architect and educator who rooted her work in humanitarianism, Ruth Rivera Martín. From her radical contributions to Mexican architecture to the inspiration she instilled in her students, Martín’s impact is unquestionable. Learn more about her life and accomplishments below:  

The Life of Ruth Rivera Marín

Rivera Marín was born in Mexico City on June 18, 1927. Born into an environment of artistic flair, Ruth Rivera Marín hailed from a lineage steeped in creativity and brilliance. The daughter of iconic muralist Diego Rivera and writer Guadalupe Marín, she lived in a world where artistry was the language of expression. This rich background not only influenced her early life but also provided a foundation that would shape her approach to architecture.

Eager to carve her own niche, Rivera Marín pursued her architectural education at the College of Engineering and Architecture at the National Polytechnic Institute. With determination, she emerged as its first female student, breaking conventional norms. Under the mentorship of architectural luminaries like Mario Pani and Hannes Meyer, Rivera Marín honed her skills, adopting a unique vision that merged traditional elements with modern passions. 

Museum of Modern Art Chapultepec
Museum of Modern Art Chapultepec, Pedro Ramírez Vázquez, Carlos A. Cazares Salcido and Ruther Rivera Martín, 1964 Courtesy of Matthew Rutledge

Notable Works and Achievements

Rivera Marín’s illustrious career is a blend of iconic designs and transformative contributions to the field of architecture. In a world predominantly led by men, she rose as the first female professor of architecture at the National Polytechnic Institute, paving the way for future generations of women in the field. Beyond this, her pivotal role in founding the National College of Architects speaks volumes of her dedication to elevating architectural standards and practices in Mexico.

Anahuacalli Museum
Anahuacalli Museum, Ruth Rivera Marín, Juan O’Gorman and Diego Rivera, 1964

Her design elements reflected a deep understanding of urban development. She was instrumental in crafting various housing projects in Mexico City, where her creations transcended traditional designs. Her most recognized work was the Anahuacalli Museum in Coyaoacán, which she built with her father and fellow architect Juan O’Gorman. Each of her designs resonated with Mexican modernity, finding a perfect balance of aesthetic allure and functional utility.

Arguably her most profound impact lies in her role as an educator. Rivera Marín’s tenure as a professor has touched the lives of countless students, instilling in them a love for architecture and design. Especially for female students, she was more than just a professor; she was a beacon of inspiration, showing them that with passion and perseverance, they too could redefine the boundaries in the architectural landscape.

Ruth Rivera Marín’s contributions are deeply etched in Mexican architectural history. Her edifices stand as landmarks of her visionary prowess. However, beyond brick and mortar, her true legacy is in the minds she influenced and the paths she paved for future architects. She remains an enduring symbol of dedication, talent, and groundbreaking achievements, inspiring countless individuals to dream big and break barriers.

Phoenix’s Fabulous Fox West Coast Theater: Then and Now

At the intersection of Washington and First Street in downtown Phoenix, the Fabulous Fox West Coast Theater once stood as an emblem of the city’s cinematic and architectural heritage. For locals and visitors, it was a chapter of shared memories, community, and an ode to a bygone era. 

The Fabulous Fox was part of a chain of marquee-lit venues that began to pop up in cities across the U.S. in the 1920s, just as the motion picture industry — and the novel entertainment of “going to the movies” — took America by storm. Officially opening its doors in July 1931, it was strategically located down the street from the legendary Adams Hotel. This locale once housed the first Phoenix City Hall and fire station, adding layers of history to the theater’s presence.

Designed by the acclaimed architect S. Charles Lee, this 1,800-seat marvel swiftly became the center of entertainment in the city — perhaps due, to some degree, to being the first air-conditioned hall in Phoenix, offering respite from Arizona’s heat.

Beyond its steel and terra-cotta faced concrete walls, the Fox Theater captured the shared experience of collective gasps, laughter, and moments of poignant silence. And as Phoenix came alive as a 20th century American city, the Moderne-Deco façade, the grand billboard announcing the week’s films, and the flashing marquee lights were integral to its vibrant downtown nightscape.

Ticketing booth at the Fabulous Fox West Coast Theater
Ticketing booth at the Fabulous Fox West Coast Theater. Photo: Phoenix Gazette

Inside the building, guests were greeted by a floating staircase, futuristic lamp posts, crystal chandeliers, and elaborate frescos. These intricate designs, combined with the desert-themed candy counter, reflected an eclectic blend of global luxury and local charm.

Despite its significance, the theater lost its luster with a shift of commercial activity to the suburbs. By 1975, with the property under Phoenix ownership, the decision was made to demolish it, followed by an auction, where remnants of its architectural elegance, from chandeliers to ceiling panels, were sold.

Today, the ground where the Fox Theater once stood is part of the city’s evolving landscape. Once lying vacant and later serving as a parking lot for the America West Arena, is now poised as the site for RED Development’s mixed-use project, including a Fry’s Food Store.

For longtime residents and history buffs, it remains a cherished memory, and as Phoenix continues to grow and change, it’s vital to remember and celebrate the landmarks, like the Fox Theater, that laid the city’s cultural foundation.

Noble-Seymour-Crippen House – Chicago’s Oldest Existing Building

Optima® is always thrilled to illuminate the quiet corners that resonate with historical depth. One such gem, tucked away in the Norwood Park neighborhood, is the Noble-Seymour-Crippen House. More than a mere building, this house is a piece of Chicago’s history, a testament to its rich past and the dreams of its earliest settlers.

The Noble-Seymour-Crippen House, with roots tracing back to 1833, is not only older than the City of Chicago itself but also stands as its oldest existing house. Its age, however, isn’t the only characteristic that makes this house noteworthy. Every brick, beam, window and wall, tells a tale of the city’s journey and the individuals who crafted its narrative.

The residence, initially a modest one-story frame farmhouse, was the brainchild of settler and entrepreneur Mark Noble. However, as Chicago burgeoned, so did the house’s grandeur.

By 1868, Thomas Seymour, its new owner, and a prominent member of Chicago’s Board of Trade, transformed it into a sprawling two-story Victorian haven.

Margaret Crippen’s Bedroom. Photo: Norwood Park Historical Society

Yet, the true distinction of the Noble-Seymour-Crippen House lies in its ties to the city’s pioneers: Mark Noble, Thomas Seymour, and the later contributions of the Crippen family. Each influenced Chicago’s burgeoning tapestry. Their legacies, encapsulated within the house’s walls, serve as a living testament to their contributions.

The house, designated a Chicago Landmark in 1987, is the proud home of the Norwood Park Historical Society, where visitors can go on a historical odyssey through Chicago’s early epochs. Its woodwork, decorative elements, and aura transport you back in time, providing a tangible connection to the city’s origins.

For those who enjoy exploration, the Noble-Seymour-Crippen House isn’t merely a landmark; it serves as a journey, a step back in time during the city’s formative years. As we revel in the grand architectural marvels of today, places like this remind us of our city’s foundation. Next time you find yourself longing for a touch of historical elegance, visit the house, and immerse yourself in another page of Chicago’s vibrant story.

Wilmette Spotlight: Wilmette Historical Museum

We believe in grounding our cutting-edge architectural designs in the rich tapestry of history. Which is why we’re always eager to introduce our residents to landmarks that echo the past and cast their influence on modern design. One such treasure nestled in the heart of Wilmette and near Optima Verdana® is the Wilmette Historical Museum.

The Wilmette Historical Museum is more than a mere repository of artifacts and old photographs. It’s another page in the Wilmette village’s history, inviting its visitors to walk through time. Housed in a charming, vintage 1896 building, the museum itself stands as a testament to the architectural prowess of a bygone era. With its Victorian elegance juxtaposed against the modernity of Wilmette’s streetscape, the museum offers a tangible link between past and present.

Upon entering, you’re welcomed by a rich collection of exhibits, each meticulously curated as a panorama of Wilmette’s evolution. From its indigenous origins, through its growth spurred by the railroads, to its transformation into a modern suburb, the museum narrates tales that inspire admiration for those who shaped this beautiful village.

What sets the Wilmette Historical Museum apart is its unique perspective on architecture and urban planning. The exhibits delve into the minds of the architects, town planners, and everyday citizens who dreamed of a thriving, harmonious community. Through sketches, blueprints, and firsthand accounts, the museum provides a deep dive into the principles that influenced Wilmette’s development.

Wilmette Historical Museum Interior, Photo Credit to Wilmette Historical Museum

In the heart of it all is a lesson on balance. How a village, rich in heritage, managed to integrate modernity without sacrificing its soul. How town planners and architects worked in tandem, ensuring that each brick laid or tree planted resonated with Wilmette’s overarching vision.

For our residents with an appreciation for the deep roots from which our contemporary residences spring, a visit to the Wilmette Historical Museum promises a rewarding experience! They’re open Monday-Thursday and Sunday from 1pm-4:30pm.

Garden of the Phoenix in Jackson Park

At Optima®, we relish the opportunity to immerse our residents in experiences enriched by cultural discovery and aesthetic delight…which is exactly what you can expect when you wander through a captivating wonder nestled in the heart of Chicago – the Garden of the Phoenix.

Situated within the lush expanses of Jackson Park, the Garden of the Phoenix, once known as the Osaka Garden, gracefully expresses the timeless allure of traditional Japanese aesthetics. With a history that dates back to the World’s Columbian Exposition in 1893, it stands as a picturesque landscape on its own, while also serving as the canvas for cross-cultural dialogue between Japan and the United States. 

As global nations joined the Exposition, Japan, in particular, sought to cast an enduring impression in Chicago. And with the inception of the Phoenix Pavillion between 1891-93, the U.S. received its first glimpse of the refined nature of Japanese architecture and landscape design. It even drew the attention of a young Frank Lloyd Wright and served as a revelation in his practice. 

In 1935, the land surrounding the Phoenix Pavilion was transformed into a picturesque Japanese strolling garden that harmoniously blended with its surrounding environment. However, the escalating tensions between Japan and the U.S. during World War II took a toll on the garden, which fell into disrepair for decades due to a lack of funding. In 1981, the Chicago Park District completed efforts to restore and reimagine the garden, working with luminary landscape architect Daneji Domoto. Once the work was completed, the garden was renamed ‘Osaka Garden’ to honor Chicago’s sister city relationship with Osaka, Japan, strengthening this unique cross-cultural bridge.

Over the past several decades the garden has enjoyed waves of transformation. In 2013, the garden welcomed a new resident, Skylanding, a mesmerizing art installation by Yoko Ono. With 12 large steel lotus petals rising from the earth, Ono’s vision of peace and harmony came alive, inviting visitors into a unique, multi-sensory encounter.

Yoko Ono's Skylanding
Yoko Ono’s Skylanding sculpture, Jackson Park. Photo: Richard Bartlaga

Today, the Garden of the Phoenix breathes harmony and balance within the energetic pulse of Jackson Park and will be home to the Obama Library. As a symbol of rejuvenation, resilience, and enduring friendship, the garden offers a cherished sanctuary within Chicago’s vibrant cityscape.

Returning to Oak Park: Ernest Hemingway’s Birthplace Museum

In the vibrant Chicago suburb of Oak Park, a stone’s throw from the city and not far west from our very own Optima Signature®, sits a landmark of immense literary significance. It’s the Ernest Hemingway Birthplace Museum, an exquisite Victorian home that offers a unique window into the early life of one of America’s most iconic and influential writers, born in 1899. It stands as a testament to the formative years of a writer whose unique style revolutionized 20th-century literature.

The Hemingway Birthplace Museum is not just about the physical space that Hemingway inhabited; it’s also about the ideas and experiences that shaped his work. The Museum brings his Oak Park influences to light, providing context for many of the themes that would later appear in his work.

Ernest Hemingway Birthplace Museum Interior

When you step outside the Museum into the broader community, you’ll encounter the Frank Lloyd Wright Home and Studio, another example of the ways in which Oak Park preserves and celebrates its literary heritage. 

Ernest Hemingway’s Birthplace Museum is a splendid representation of the early influences that shaped a literary giant. Its interior spaces immerse you in visual reflections of the beginnings of the writer’s adventurous life, offering a deeper understanding of his work and the man himself. In celebrating Hemingway’s legacy, we are reminded of the timeless power of creativity and the lasting impact of well-crafted design. 

Frank Lloyd Wright Home And Studio. Photo: Teemu008

Guided tours of the museum provide visitors with a chance to step back in time and immerse themselves in the ambiance of Hemingway’s childhood. From the bedroom where he was born to the parlors where he might have first spun his tales, every corner of the house offers a unique glimpse into his early life and influences.

Then and Now: The Remarkable Rebirth of the Hotel Adams

At Optima®, we revel in opportunities to explore the layers of architectural history and cultural significance found in the places we reside. In the heart of Phoenix, one structure stands as a testament to the city’s vibrant evolution over time: the Hotel Adams.

The journey for this architectural gem began in 1894, during Arizona’s territorial days, when Phoenix was a city of merely 5,000 residents. Attorney J.C. Adams, a recent arrival from Chicago, sought to enrich the city’s modest accommodations. Leveraging his financial connections, Adams constructed the city’s first luxury hotel, a grand Queen Anne-style building that immediately elevated Phoenix’s stature.

Adams lobby (pictured in 1920) (Photo: McCulloch Brothers Inc. / Arizona State University Libraries)

With balconies, private bathrooms in many rooms, fireplaces for heat, and an innovative cooling system featuring electric fans blowing air over giant ice blocks, the Adams Hotel wasn’t just elegant, but innovative for its time.

In 1910, the Adams Hotel succumbed to a devastating fire, and rose from its ashes as a five-story, Mission Revival-style structure, rebuilt on the same site with fireproof, reinforced concrete. Reopened in time for the statehood celebration in 1912, the Hotel Adams once again became a hub of social, political, and cultural activity.

The Hotel Adams located at Central Avenue and Adams Street,
1960. (Photo: Douglas C. Towne)

From its storied lobby, which housed Arizona’s first commercial radio station, to its altruistic pledge during World War II to always have a room available for servicemen, the Hotel Adams remained a symbol of the city’s community spirit.

As Phoenix evolved, so did Hotel Adams. In 1973, the decision was made to replace the aging building with a modern hotel to support the new Civic Center. The result was the 17-story, 538-room hotel that today is known as the Renaissance Phoenix Downtown Hotel. Yet, within its modern shell, the Renaissance Phoenix retains the spirit of the Hotel Adams.

The now Renaissance Phoenix Downtown Hotel

The basement area is a testament to the hotel’s tenacious spirit. Encased by concrete walls poured back in 1910, it’s now home to Melinda’s Alley, a clandestine hangout known for its rotating cocktail menu.

As we celebrate the extraordinary journey of the Hotel Adams, we are continually inspired by such symbols of resilience and reinvention. These architectural narratives speak to the enduring power of creating spaces that carry forward the spirit of evolution, community, and cultural significance. We’re proud to be a part of Arizona’s rich architectural history, and we look forward to the stories yet to be told.

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