Skokie Northshore Sculpture Park Unfolded

At Optima®, our appreciation for public sculpture runs deep. For those who are always on the lookout for memorable leisurely activities, we have a truly special recommendation. The Skokie Northshore Sculpture Park, situated just south of Optima Verdana®, presents a captivating mix of artistic wonder and natural splendor to explore. 

The history of the Skokie Northshore Sculpture Park began when the land along McCormick Boulevard and the north channel of the Chicago River had deteriorated into a “neglected eyesore” and was in desperate need of revitalization. This land was owned by the Metropolitan Water Reclamation District of Greater Chicago. In the mid-1980s, the Village of Skokie envisioned transforming it into a recreational haven, complete with jogging paths, biking trails, and picnic areas for visitors to enjoy. Concurrently, a group of citizens saw this as a canvas for displaying large-scale contemporary sculptures.

Jim Agard – Gapingstock. Photo: Skokie Northshore Sculpture Park

By 1988, Skokie Northshore Sculpture Park was realized. Through the combined efforts of the Village and its citizens, the park was transformed into an amenity rich, open-air art exhibit. Today, the park stretches two miles, from Dempster Street to Touhy Avenue, and proudly houses over 60 sculptures. These art pieces come from local, national, and international artists, making it a repository of diverse artistic expressions.

Visitors are encouraged to delve deeper through expert-guided tours which offer rich insights into the stories behind each sculpture and the artists who created them. Additionally, the park has fostered an educational environment, hosting tailored workshops and sessions. These sessions are designed to cater to schools, groups, and individuals, ensuring a comprehensive understanding of sculpture and art.

Ted Gall – Charger I and II. Photo: Skokie Northshore Sculpture Park

Skokie Northshore Sculpture Park is open year-round with free admission, underscoring the park’s dedication to making art accessible to all. It’s a haven for joggers, cyclists, and families who enjoy picnics. Additionally, the park is fully accessible, accommodating individuals with disabilities. 

While the park is open seven days a week, access is limited between 11 PM and 4:30 AM. For art lovers and nature enthusiasts alike, Skokie Northshore Sculpture Park provides an unforgettable experience!

Culinary Modernism: Cloth and Flame

From mountain sides and deserts to urban rooftops and beyond, Cloth & Flame has been curating extraordinary dining experiences as experiential journeys — transcending the bounds of traditional restaurants and leading diners into a world where nature, architecture, and gourmet cuisine intertwine.

Cloth & Flame is the brainchild of the Phoenix-based husband-and-wife team, Matt Cooley & Olivia Laux, visionaries who believe that dining could be so much more than just food on a plate. To them, it’s about fostering connections and creating memories. With events in breathtaking locations across all 50 states, from Alaskan mountainsides and Arizona deserts to Oregon forests, their reach is as vast as their vision. Their events offer a respite from the digital age’s hustle, transporting guests to serene locales.

Cloth and Flame Event in Arizona. Photo: Cloth and Flame

In a recent event promoted as “Flagstaff Fadeway,” Cloth & Flame brought an exclusive long-table dinner to the stunning lawn of the High Country Motor Lodge in Flagstaff, part of a weekend music festival inspired by the beauty of Northern Arizona. The festival offered its few hundred guests the opportunity to experience deeply intimate musical performances, kicking off with a five-course menu.

In an era when dinner events can be predictable, routine affairs, Cloth & Flame breaks the mold, ensuring that every event is a surprise and that no two experiences are the same. And with all of the outdoor venues, Cloth & Flame demonstrates profound respect for the environment. They look for spectacular settings and provide the landowners an alternative income source, potentially preserving these areas from development. Moreover, a portion of their dinner proceeds is directed to conservancies dedicated to protecting our planet’s wild and wonderful spaces.

Aspen Forest, Arizona. Photo: Hailey Golich

At Cloth & Flame dinners, strangers become friends under starlit skies, conversations flow unhindered, and in this temporary commune, bonds are forged that last a lifetime. Cloth & Flame’s invitation is open to everyone. Whether you have a culinary dream to chase or are simply open to exploring theirs, gastronomic adventure is on the horizon.

Cloth & Flame serves up a return to authenticity, to the raw beauty of nature, and to the simple pleasure of a meal shared in good company. So, the next time you yearn for a break from the ordinary, remember that somewhere, atop a mountain or in the heart of a desert, a table awaits you. And at this table, you’ll not just find food, but an experience, a story, and perhaps, a piece of yourself that you never knew existed.

Interested in embarking on a culinary journey with Cloth & Flame? Follow the link here.

The Soleri Bridge and Plaza

Modern structures that serve as both functional and breathtaking forms of art speak to us at Optima®, including the Soleri Bridge and Plaza at the Scottsdale Waterfront, in close proximity to Optima Sonoran Village®. The bridge and its adjoining plaza, envisioned by the renowned artist, architect, and philosopher Paolo Soleri, have become emblems of Scottsdale’s artistic soul, resonating deeply with locals and tourists alike.

The bridge is an architectural spectacle that functions as a dynamic, organic solar calendar. Anchored by two towering 64-foot pylons, its south side spans 27 feet, tapering to 18 feet on the north. Its precise alignment with true north allows it to play a mesmerizing game with the sun. The 6-inch gap between the pylons lets the sun cast an ever-changing shaft of light, marking solar events as the seasons shift. On the summer solstice, the sun at its zenith leaves no shadow, while on the winter solstice, the shadow stretches its longest, almost reaching the bridge itself. 

Soleri Solar Calendar and Solstice Shadow. Photo: Jennifer Gill

Adjacent to the bridge, the plaza is an expansive 22,000-square-foot expanse, adorned with monolithic panels reminiscent of the aesthetics of Cosanti and Arcosanti. Each of these earth-cast panels, crafted meticulously over eight months using desert earth, water, and cement, weighs 3,500 pounds, and bears the intricate handwork of Soleri and his personal assistant, Roger Tomalty. The panels frame the plaza and lead towards the Goldwater Bell assembly, a fusion of Soleri’s commitment to architecture and ecology.

The story behind the project is as captivating as the structures themselves. A luminary in his field, Soleri has brought to life a concept he terms “arcology.” The bridge and plaza exemplify this philosophy, sharing an appreciation for our inherent connection to the sun and nature. Despite designing bridges for six decades, the Soleri Bridge was a first-of-its-kind commission for the then 91-year-old maestro.

Initiated by Scottsdale Public Art in 1990, the journey of the bridge and plaza from conception to completion was one of evolution and collaboration. As the canal’s surroundings transformed over two decades, so did the bridge’s design. The addition of the Waterfront Residences and commercial areas in 2007 provided the bridge with a context. Following funding and city approvals in 2008, the project took flight.

Soleri Bridge and Goldwater Bell. Photo: Yisong Yue

The unveiling of the bridge on December 11, 2010, was nothing short of a spectacle. A thousand-strong crowd converged on Old Town Scottsdale to witness the dedication. The event, a week shy of the winter solstice, showcased the bridge’s solar prowess, as attendees observed the sun’s shadow move between the pylons. 

The Soleri Bridge and Plaza encapsulate Scottsdale’s rich heritage, blending history with contemporary artistry. They stand as a testament to a city that cherishes the past, celebrates the present, and looks forward to the future, all while emphasizing the harmony between humanity and nature.

The 2023 Canal Convergence

As residents of Optima Sonoran Village® know, Scottsdale is a treasure trove of vibrant cultural events, artistic showcases, and community gatherings. Among these, the Canal Convergence stands out, brilliantly illuminating the Scottsdale Waterfront every year, beckoning both locals and visitors for an immersive experience of art, light, and much more.

Sym by AlexP. Photo: Canal Convergence

The Canal Convergence, a free, annual 10-night extravaganza, beautifully melds light, art, and water along the waterfront. Each year, artists from around the globe captivate audiences with their large-scale public artworks. For 2023, attendees will be treated to mesmerizing pieces like Sym by AlexP, the playful Flario by Walter Productions, the geometric Dice by Montreal-based studio Iregular, the fluid Aquatics by Philipp Artus, and several other awe-inspiring installations like Light Forest, Octavius, Ripple, and Spectrum Swing. Beyond these installations, the event is also a hub for live performances, music, dance, creative workshops, and so much more, including food trucks and a beer and wine garden.

Dice by Iregular.

What makes each Canal Convergence special is its central theme. This year, it dives deep into “The Power of Play,” highlighting its profound significance in our lives. Play isn’t reserved just for children; it’s a vital aspect of human existence, molding our learning, creativity, and social interactions. As the sun sets and the artworks come to life, attendees can immerse themselves in the wonders of play, feeling its influence firsthand.

For those ready to dive into this magical experience, the event runs from Nov. 3–12, 2023, at the Scottsdale Waterfront. Starting from 6 p.m. each evening, the event extends until 10 p.m. on the 3rd, 4th, 10th, and 11th of November, and until 9 p.m. on the other nights. For those wondering about parking, there’s ample free space in the parking garages around Old Town Scottsdale.

Octavious by Petter Hazel.

To residents and beyond, the Canal Convergence is a heartfelt celebration of creativity, unity, and reflection. Don’t miss the chance to be part of this enchanting blend of play, light, and art!

Great Chicago Writers: Gwendolyn Brooks

It’s always a pleasure to talk about literary giants with Chicago roots who have had profound impacts on both local history and the broader literary world. It goes without saying that no conversation about Chicago greats could happen without exploring the life and work of the legendary Gwendolyn Brooks.

Born in Topeka in 1917, Brooks relocated to Chicago while still an infant. The city’s pulsating cultural heartbeat and intricate socio-political fabric soon formed the canvas for her poetic masterpieces. Behind her ambition stood her parents: her father, a janitor with dreams of becoming a doctor, and her mother, a schoolteacher and a classically trained pianist. Both supported Gwendolyn’s passion for reading and writing.

By the age of 13, Brooks had already marked her literary beginnings, publishing her first poem, “Eventide,” in American Childhood. Her poetic prowess grew from there, and by 17, she became a regular contributor to the Chicago Defender. After her time at junior college and a stint working for the National Association for the Advancement of Colored People (NAACP), Brooks further refined her craft in various poetry workshops and alongside Chicago literary peers, Richard Wright and Langston Hughes. This diligent nurturing of her talent culminated in her first poetic collection, A Street in Bronzeville, in 1945.

Gwendolyn Brooks: The Oracle of Bronzeville Monument found in Brooks Park

Brooks’s identity as an influential African American poet, author, and educator is underscored by her portrayal of the day-to-day challenges faced by African Americans. Her poetry and prose traversed a spectrum of themes – from intimate personal experiences to the African American quest for justice and recognition.

Gwendolyn’s vast literary repository boasts significant works. A Street in Bronzeville (1945) offers insights into urban Black life in Chicago. Annie Allen (1949) is a poignant exploration of a young Black girl’s journey to womanhood, and it also made Brooks the first Black poet to win the Pulitzer Prize in 1950. Maud Martha (1953), her only novel, depicts the complexities of prejudice from both white people and lighter-skinned African Americans. In 1960, she wrote The Bean Eaters, showcasing her evolving poetic style and featuring the renowned We Real Cool. Over the course of her career, Gwendolyn Brooks authored over 20 poetry collections.

A Street in Bronzeville, Gwendolyn Brooks, 1945

She also garnered numerous honors, including the establishment of the Gwendolyn Brooks Cultural Center at Western Illinois University in 1970 and her appointment as Illinois’s poet laureate in 1976. Several schools have been named in her honor, reflecting her enduring impact on education. In 1985, she was appointed Consultant in Poetry to the Library of Congress. The centenary of her birth in 2017 was celebrated with special events, reinforcing her lasting literary influence.

Interested in delving deeper into Gwendolyn Brooks’ literary world? Explore her expansive collections available on the Poetry Foundation.

Great Chicago Writers: Jane Addams

It’s such a pleasure spotlighting legendary Chicagoans who have left a lasting impression on our local history and beyond, including the twentieth-century icon, Jane Addams.

Born in 1860 in Cedarville, IL into a prosperous family, Because Addams’ family allowed her to benefit from education from an early age, she was able to graduate from the Rockford Female Seminary. Later, Addams traveled to Europe, where she was introduced to London’s Toynbee Hall, a trailblazing settlement house that worked to address the causes and impacts of poverty in the city’s East End. Her visit to Toynbee Hall left a lasting impression, paving the way for her co-founding Hull House in Chicago in 1889 — one of the earliest settlement houses in the U.S. that has become the Jane Addams-Hull-House Museum at the University of Illinois-Chicago campus.

Hull House offered educational and social services to immigrants and Chicago’s underserved communities, positioning Addams as a leader of the Progressive Era. Her advocacy spanned a multitude of diverse causes: women’s rights, peace, public health, and broad-spectrum social reform. In recognition of her contributions, Addams was honored as the first American woman to receive the Nobel peace prize in 1931.

Jane Addams-Hull-House Museum. Photo: Sean Marshall

Her experiences at Hull House — and with the Progressive movement more broadly — set Addams on her trajectory as a gifted writer. Her writing career was already in full throttle in 1909 with the release of The Spirit of Youth and the City Streets, which shared Addams’ keen understanding of the unique needs of urban youth. She used the book to advocate for enhanced recreational spaces and deeper engagement for Chicago’s underserved young people, while illuminating the dire consequences of growing up in an environment where poverty and lack of access to a better quality of living prevail.

Having found an audience for her explorations of daily life in Chicago, Addams published Twenty Years at Hull-House in 1910, giving readers a look at life inside the settlement house and its impact on the community. 

Inside the Hull House. Photo: At Home in Chicago

The Long Road of Woman’s Memory, which Addams’ completed in 1916, is another exceptional factual account of her expansive impact on women’s rights in America. In it, she gracefully navigates the terrain of personal and collective memories to demonstrate their influence on women’s lived experiences and the larger tapestry of history.

Over the course of her career, Jane Addams authored 11 books and hundreds of essays, editorials, and columns. And more than a century later, the resonance of Addams’s literary contributions remains undeniably profound, echoing through time into our modern world. 

Keen on exploring Addams’ legacy further? Then enjoy a visit to the Jane Addams-Hull-House Museum. The hours of operation are 10:00am to 4:50pm, Tuesday to Friday, and on Sundays from 12:00 to 4:50pm. A suggested donation for admission is $5 per person (University of Illinois Chicago faculty, staff, and students are granted complimentary entry).

Visit the Shakespeare Garden at Northwestern University

With Optima’s passion for having nature within reach, it’s no wonder that we are drawn to sumptuous gardens in and around the communities where we build. Imagine our delight in discovering the Shakespeare Garden on the Northwestern University campus, with its rich mix of history and modernity.

Planted in 1917, the Shakespeare Garden has had its home on Northwestern’s Evanston campus for over a century. Emerging from the vision of The Garden Club of Evanston members, it was crafted both as a wartime gesture of solidarity with Britain and to commemorate the 300th anniversary of Shakespeare’s passing.

Measuring 70 by 100 feet, this garden sits just north of the Frank W. Howes Memorial Chapel, bordered by hawthorn hedges that create an intimate haven. As you enter, the garden reveals a curated collection of flora mentioned in Shakespeare’s works. From fragrant lavender and vibrant marigolds and daffodils in Winter’s Tale, to the rosemary and pansies in Hamlet.

Jens Jensen, the illustrious Danish-American landscape architect, brought this garden to life. Known for his influential works on Chicago’s West Side, including Garfield Park and Columbus Park, Jensen took inspiration from Sir Francis Bacon’s essays on gardens. On entering the Shakespeare Garden, you are greeted by two Hawthorn trees, symbolic bridges between the Prairie and the garden. These trees, along with the foundational hawthorns that germinated from French seeds, have stood the test of time, providing a consistent backdrop to this historic site.

Elizabethan-style stone bench. Photo: In Memoriam mmmmarshall
Elizabethan-style stone bench. Photo: In Memoriam mmmmarshall

Over the decades, the Shakespeare Garden has seen numerous enhancements. In 1929, an Elizabethan-style stone bench and a captivating fountain became part of this serene landscape. The fountain, a generous donation by architect Hubert Burnham, showcases a bronze relief of Shakespeare’s visage crafted by the French-American sculptor, Leon Hermant. Further augmentations followed, including the addition of a sundial in 1990 and later, a reshaping of the garden’s layout based on the recommendations of the English garden designer, John Brookes.

Hawthorn Trees in Shakespeare Garden. Photo: Wikipedia Commons

Brookes’ suggestions, which included moving the sundial to the garden’s center and adding antique brick edging, have given the garden a touch reminiscent of traditional English gardens. This shift also marked the garden’s evolution from a knot garden to a more fluid, perennial-focused design.

Northwestern’s Shakespeare Garden is not only a place for quiet reflection but also a venue for countless weddings, tours, and cherished moments. It’s entirely free and open to the public, but special tours and events may have to be scheduled.

Discover The National Museum of Mexican Art

We’re constantly on the hunt for cultural gems to introduce to residents in our communities, so it’s a pleasure to spotlight a cornerstone of Chicago’s vibrant art scene: The National Museum of Mexican Art (NMMA). Situated in the heart of the Pilsen neighborhood, this museum is a testament to the depth, diversity, and dynamism of Mexican culture.

Founded in 1982 by Carlos Tortolero, NMMA emerged from a vision to represent Mexican, Chicano, and Latino arts and culture. Today, it stands as a bridge between Mexico’s past and the evolving identity of Mexican-Americans in the contemporary U.S.

NMMA’s collection is awe-inspiring, boasting over 10,000 pieces spanning 3,000 years. From ancient artifacts to modern-day masterpieces, every corner of the museum narrates tales of creativity, resilience, and passion. Whether you’re captivated by traditional folk art, contemporary sculpture, intricate textiles, or evocative photography, there’s a narrative waiting for you.

One of the standout exhibitions that has become an annual tradition, is the Day of the Dead (Día de los Muertos) showcase. This inspired installation dives deep into the fascinating rituals associated with this revered celebration, presenting art that is reflective and celebratory.

 

Beaded work, New Awakening, 2003 (detail)
Beaded work, New Awakening, 2003 (detail). Photo: Damian Entwisle, Flickr Creative Commons

The museum is not just about viewing art; it’s an immersive learning experience. With a host of educational programs, workshops, and guided tours, visitors are invited to explore the contexts, histories, and techniques behind the artworks.

Beyond the art itself, the museum’s location in Pilsen, a neighborhood full of Mexican heritage, enriches the experience. The vibrant murals, local eateries, and community events complement a visit to the museum.

As we admire the modern wonders of Chicago, we also treasure the institutions that ground us in cultural richness. Embark on a journey to the National Museum of Mexican Art, and emerge with a renewed appreciation for the beauty and complexity of Mexican art and culture. Best of all, admission is always free. Visit Tuesday through Sunday from 10 am to 5 pm.

Garden of the Phoenix in Jackson Park

At Optima®, we relish the opportunity to immerse our residents in experiences enriched by cultural discovery and aesthetic delight…which is exactly what you can expect when you wander through a captivating wonder nestled in the heart of Chicago – the Garden of the Phoenix.

Situated within the lush expanses of Jackson Park, the Garden of the Phoenix, once known as the Osaka Garden, gracefully expresses the timeless allure of traditional Japanese aesthetics. With a history that dates back to the World’s Columbian Exposition in 1893, it stands as a picturesque landscape on its own, while also serving as the canvas for cross-cultural dialogue between Japan and the United States. 

As global nations joined the Exposition, Japan, in particular, sought to cast an enduring impression in Chicago. And with the inception of the Phoenix Pavillion between 1891-93, the U.S. received its first glimpse of the refined nature of Japanese architecture and landscape design. It even drew the attention of a young Frank Lloyd Wright and served as a revelation in his practice. 

In 1935, the land surrounding the Phoenix Pavilion was transformed into a picturesque Japanese strolling garden that harmoniously blended with its surrounding environment. However, the escalating tensions between Japan and the U.S. during World War II took a toll on the garden, which fell into disrepair for decades due to a lack of funding. In 1981, the Chicago Park District completed efforts to restore and reimagine the garden, working with luminary landscape architect Daneji Domoto. Once the work was completed, the garden was renamed ‘Osaka Garden’ to honor Chicago’s sister city relationship with Osaka, Japan, strengthening this unique cross-cultural bridge.

Over the past several decades the garden has enjoyed waves of transformation. In 2013, the garden welcomed a new resident, Skylanding, a mesmerizing art installation by Yoko Ono. With 12 large steel lotus petals rising from the earth, Ono’s vision of peace and harmony came alive, inviting visitors into a unique, multi-sensory encounter.

Yoko Ono's Skylanding
Yoko Ono’s Skylanding sculpture, Jackson Park. Photo: Richard Bartlaga

Today, the Garden of the Phoenix breathes harmony and balance within the energetic pulse of Jackson Park and will be home to the Obama Library. As a symbol of rejuvenation, resilience, and enduring friendship, the garden offers a cherished sanctuary within Chicago’s vibrant cityscape.

Great Writers Series: Mary Hunter Austin

The enchanting beauty and rich cultural history of the Southwest, where some of our properties are located, serves as a constant source of inspiration. As part of our new “Great Writers” series, we take immense joy in celebrating individuals whose contributions have cast a lasting glow on the Southwest, mirroring its radiant sunsets. Today, our spotlight is on Mary Hunter Austin, a writer whose connection to the land weaves through her work, reflecting the soul of the Southwest.

West Mitten Butte in Monument Valley Navajo Tribal Park, Arizona
West Mitten Butte in Monument Valley Navajo Tribal Park, Arizona. Credit: Diana Robinson, Flickr Creative Commons (https://www.flickr.com/photos/dianasch/27323134648)

Mary Hunter Austin, born in 1868, spent her life deeply immersed in the exploration and interpretation of the American Southwest’s landscapes. Her passion resonates strongly with us at Optima®, as we see our residents similarly captivated by the extraordinary vistas and cultural richness inherent to Optima Sonoran Village® and Optima Kierland Apartments® properties.

Sonoran Desert Landscape
Sonoran Desert Landscape. Photo: Bureau of Land Management Arizona

Austin’s acclaimed work, “The Land of Little Rain,” transcends conventional narratives, encapsulating the raw and compelling beauty of the Mojave Desert. In this collection of essays, Austin captured the intricacies of desert life — the flora, the fauna, and the Native American cultures — with a poet’s eye and a naturalist’s precision.

Optima Sonoran Village
Optima Sonoran Village
The Land of Little Rain
The Land of Little Rain

In addition to her descriptions of nature, Austin’s work reflected her strong sense of social justice, particularly related to Native American culture, women’s rights, and environmental conservation. In her writing, we see the Southwest not just as a backdrop, but as an active participant in the lives of the people who inhabit it. It is this vibrant, interconnected community that Austin so cherished, and that we are privileged to be a part of.

Delving deeper into Mary’s writings, we find a profound understanding and respect for the forces that shape the Southwest. Her observations were not passive; they formed the groundwork for a vibrant dialogue between humanity and the environment. Austin didn’t merely write about the Southwest — she engaged with it, championed it, and ultimately became one of its most influential advocates.

The Land of Journey's Ending
The Land of Journey’s Ending

At Optima®, we are inspired by Austin’s deep connection to the Southwest. Her detailed and vibrant narratives serve as a testament to the beauty of the region, reminding us of the power of truly getting to know a land and the importance of fostering a harmonious relationship with it. Through this shared love of these lands we find ourselves forever inspired, and captivated, deeply aware that we are not just creating buildings, but crafting experiences that resonate with the vibrant spirit of the American Southwest — a spirit so eloquently portrayed in Austin’s works.

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