Illinois Archives

Wilmette Landmarks: Robert and Suzanne Drucker House

Posted on March 27, 2023 by Hunter

As part of our Wilmette Landmark series, today we’ll cover a home steeped in an architect’s very own familial bonds. A home that has been on the National Register of Historic Places since 2013 — The Robert and Suzanne Drucker House. Designed by one of Chicago’s iconic Modernist architects, Harry Weese.

An Overlooked Modernist

His practice was inexhaustibly creative. Rooted in the Modernist and Brutalist architectural styles which laid the groundwork for efficient and functional living spaces. His most famous work, the Washington Metro system, not only showcases Weese’s unique design approach but also illustrates how he prioritized the user experience with his coffered concrete vaults and meticulous attention to detail. Weese never shied away from innovation, all the while quietly detaching himself from the architectural dominance of Mies van der Rohe and Frank Lloyd Wright.

The Drucker House

Quietly closed off from view, the front of the Drucker home is a wonderful expression of Weese’s personal brand of Modernism — a synthesis of International Style, Scandinavian, and Midwestern influences. The home’s geometry is obscured by slatted screens and maturing cedar trees. The house is L-shaped. Consisting of two wings running parallel to the street and the other angled in a way that allows for sunlight. This L-shaped arrangement also allows for an expansive view of the front yard.

The back of the home, on the other hand, embraces its deep rectangular lot and thoughtfully placed windows. Along with a screened porch resembling film reel that takes advantage of natural light to cast the home’s image. The indoor and outdoor living space almost seem to be brought together through this effect, all while maintaining complete privacy.

Side view of Robert and Suzanne Drucker House. Photo: Susan Benjamin

Weese built the Drucker house for his sister Suzanne and her family. It largely reflects Weese’s experimental approach to Modern design, and is informed by geometry rather than ornamentation. Furthermore, the house exhibits a remarkable focus on flexibility instead of adhering to a traditional layout that — when combined with how the Drucker family lived — created a universally functional residence that could accommodate the family’s lifestyle.

In its interior, the home is compartmentalized into zones delineated by screens and bookspaces. Each room flows effortlessly from one to another, the kitchen in particular being planned with convenience and ample storage in mind. In 1963, as the Drucker family began to grow, a second floor was added to provide more space.

As Optima® continues to embrace all that Wilmette has to offer, taking the time to highlight unconventional pioneers who blurred the boundaries of style and functionality is always a pleasure. We encourage you to take a slow drive to see this magnificent home and all that it has to offer on 2801 Iroquois Rd in Wilmette, IL.

The Oak Circle Historic District

Posted on March 6, 2023March 6, 2023 by Hunter

How A 156 Year-Old Chicago Suburb Withstood The Test of Time

Nestled in a corner of Wilmette, IL the 156-year old suburb north of Chicago and located on the Lake Michigan shore, stands the Oak Circle Historic District. It is a small grouping of 15 early twentieth-century houses. Each built primarily in the Craftsmen style with magnificent detailing from the Prairie School of Architecture, both which were born from the Arts and Crafts movement.

Amazingly, the original integrity of 14 of the houses have survived the onslaught of time, enabling them to join the National Register of Historic Places in 2001.

Walking through the peace and tranquility of the Oak Circle Historic District leaves one bewildered of how graceful the path is. The curvature of the street adds considerable charm and status to Wilmette’s signature brick-paved streets. Venturing deeper, the houses reveal themselves — similar in style while each remains wonderfully and amazingly varied. The Prairie style motifs unabashedly present themselves from one home to the next — horizontal planes, leaded glass windows, the use of brick and wood — all coexisting in aesthetic harmony.

Red vitrified brick. Photo: Historic Pavements

Twelve of the houses on Oak Circle are bungalows, the house type most closely associated with the Arts and Crafts Movement in America. The bungalows, along with the other homes on the block, showcase a variety of features found in Craftsman architecture, as well as the distinctive bands of windows with geometric patterns of small-pane glazing associated with the Prairie style.

The 12 bungalows also exhibit a variety of floor plans. Some are one-story, some one-and-a-half, but no two are exactly alike. True to the Arts and Crafts ideal of being close to nature, the bungalows share a distinctive horizontal emphasis in tandem with the midwestern landscape.

Oak Circle is a treasure trove of sights waiting to be explored. Just only blocks away from the Wilmette public library and a 7-minute walk from Optima Verdana®, it’s a delightful architectural and historical landmark with boundless charm that reminds both residents and visitors why Wilmette remains a vibrant, delightful community!

Landscape + Light: David Wallace Haskins at the Edith Farnsworth House

Posted on February 23, 2023February 23, 2023 by Hunter

For the architectural icon Ludwig Mies van der Rohe, his impact continues to resonate throughout the worlds of design, architecture, and art. For our spotlight series, we’re happy to introduce the most recent exhibition of Chicago conceptual artist David Wallace Haskins, Landscape + Light, at the Edith Farnsworth House, which engages in a fantastic dialogue with one of van der Rohe’s most legendary homes.

The Edith Farnsworth House, formerly the Farnsworth House, is an historical house designed and constructed by van der Rohe between 1945 and 1951. The house was constructed as a one-room weekend retreat in Plano, Illinois. A rural community 60 miles southwest of downtown Chicago, and was opened to the public in 2004 as a National Historic Landmark.

Over the past decade, Haskins has had the opportunity to create experiential sculptures and architectural interventions in response to various works by van der Rohe. Haskins is one of the few midwestern artists working in the tradition of the Light & Space movement and considers Mies to be one of its earliest pioneers as he was creating minimalist works of light and space thirty years before the movement took hold in southern California in the 1960s.

As part of the solo exhibition for his 2022 artist-in-residence — Landscape + Light is composed of three installations across the Farnsworth wooded property including The Memory of Glass, Image Continuous, and Stone Landing.

Edith Farnsworth House — Memory of Glass, Photo: courtesy of David Wallace Haskins

Memory of Glass examines the recent scientific discovery that certain types of glass retain memories in a form resembling neurons. It envisions Farnsworth House as hearing and remembering an ambient soundscape that has washed over it for the last 70 years. Haskins engineered a way for these sonic memories to emanate from the house. The structure’s 12 large glass panels to reverberate as floor-to-ceiling glass speakers. Sound is both sent inward and outward, further blurring the lines between the indoors and outdoors. “Dissolving the boundary between the interior and exterior world” Haskins notes.

Landscape + Light is also the world premiere of the site-specific sculpture, Image Continuous from Haskins’ Skycube series — fabricated from a ton of skyscraper glass, which is actually half of the glass van der Rohe used to glaze Edith’s home. This visually perplexing sculpture turns the sky inside-out. Thus engaging the spectator as a participant as their position in space shifts.

Concerning its sculptural presence, Haskins explains: “We tend to ignore the sky as it enwraps and illuminates the landscape, but with Image Continuous, the dynamic is reversed — the landscape enwraps the sky, giving it presence and form. We forget the sky, or troposphere, starts at the ground and rises 10 miles high. Here, we see ourselves in the landscape in relationship with the sky. Whilst allowing us to behold its presence in a truly personal and embodied way.”

The final installation of Landscape + Light consists of a large meditative monolith from Haskins’ Stone Koan series, made from the original Italian travertine that van der Rohe used to cover the stairs and terrace of Farnsworth House from 1951-2021. Due to severe weathering, these stones were replaced in 2021, allowing Haskins to utilize them to create a number of Stone Koans and a smaller Skycube.

With our heads and hearts firmly rooted in the Modernist tradition. It’s a joy for the Optima team to see how the legacy of Mies van der Rohe continues to inspire contemporary artists. And if you’re a lover of all things Modernist, you won’t want to miss this extraordinary experience.

Landscape + Light continues through May 2023. Visit the Edith Farnsworth House website to learn more about visits and tours.

An Eero, A Deere, and Clouds: How John Deere and Eero Saarinen Inspired Georgia O’Keeffe’s Largest Painting

Posted on February 13, 2023February 13, 2023 by Hunter

Sometime in 1965, on a hot summer day at her Ghost Ranch house in New Mexico, Georgia O’Keeffe would find the motivation to complete her most grandiose painting yet, Sky Above the Clouds IV. Little did we at Optima® know, however, that the luminary architect and industrial designer, Eero Saarinen, alongside legendary agricultural corporation, John Deere, would play a pivotal role in the creation of this monumental painting.

Tracing back to June 4th, 1964 is when the story behind Clouds IV gets interesting. O’Keeffe attended the opening of the new headquarters of Deere in Moline, Illinois. Designed by the office of Eero Saarinen, the structure’s pre-rusted Cor-Ten steel exterior tested the limits of 1960s corporate architecture, veering towards an industrial aesthetic quite unique from Saarinen’s usual swooping curves, as seen with the Gateway Arch in St. Louis.

Picture the opening ceremony — a lavish and extravagant affair, showcasing top-of-the-line farm machinery, along with an evening river cruise — with politicians, corporate czars and design stars in attendance. So why was Georgia O’Keeffe, “The Mother of American Modernism” there to begin with? Well, archival photos show that she was mingling with this elite crowd against a backdrop of John Deere tractors. In just about every photo she is seen with her close friend and fellow New Mexican, designer Girard Alexander. Girard had invited O’Keeffe for two reasons. He wanted to showcase his 180-foot-long collage installation documenting the culture and development of John Deere. More importantly, however, was his belief that an O’Keeffe painting would further transform the interior of their cutting edge new headquarters.

Upon her return to New Mexico. O’Keeffe executed a detailed sketch depicting the uniform cumulus clouds that she thought of whenever flying from one destination to another — hence, Sky Above the Clouds I-IV. Where would an O’Keeffe painting go in a building whose every element had been designed and polished to near perfection?

Deere & Company World Headquarters, interior of executive dining room. Photo: Ezra Stoller

From its pre-rusted steel exterior, down to the last coat rack and door handle. Girard knew of such a place: the executive dining room. This room was equipped with tantalizing Siamese silk ceiling panels that hung perpendicular to its sublime Portuguese white marble walls. The architectural effect was, by all intents and purposes, cloud-like. Sky Above the Clouds IV would have only elevated this effect, Girard thought, but the Deere team didn’t see it that way, unfortunately, and the commission was axed.

Georgia O’Keeffe in Garage — Georgia O’Keeffe in Ghost Ranch Garage with “Sky above Clouds IV” (1966), Photo: Ralph Looney

She was in the midst of a busy year. Full of other work, international travel, and even a harrowing knee injury that she was recovering from. Fortunately for us, O’Keeffe persisted in her desire to see Clouds IV to the end. She completed the work, at the age of 77, in the summer of 1965.

In 1970, Sky above Clouds IV was scheduled to be included in a retrospective of O’Keeffe’s work at the Whitney Museum of American Art, New York, the Art Institute of Chicago and the San Francisco Museum of Art. After being shown in New York and Chicago, the painting remained on loan to the Art Institute because it was too large to pass through the doors at the museum in San Francisco. Ten years later, due to the diligence of O’Keeffe and local patrons, the painting joined the museum’s permanent collection. Today, this 8-foot by 24-foot masterpiece hangs above one of the Art Institute’s grand staircases for all to see.

Optima + Sustainability Series: EV Parking

Posted on February 8, 2023 by Hunter

The evidence that electric and hybrid vehicles are gaining traction is on the roads everywhere. From personal vehicles to rideshares and public transport, we are, as a nation, beginning to embrace the importance of reducing carbon emissions by replacing the fossil fuels that traditional gasoline-powered engines use with forms of clean energy.

Encouraged by the funding made available to help states fund public charging infrastructure, and Illinois’ ambitious goal to get one million electric vehicles (EVs) on the road by 2023, EVs are becoming increasingly desirable. And those who own and manage residential buildings are faced with the challenge to provide ample access to EV battery charging stations that residents need.

At Optima, we have always been sustainability-focused across our entire integrated business model — from design to building materials to landscaping – and EV parking. We began providing EV parking spaces in 2016 and 2017 at 7160 Optima Kierland and Optima Signature with 8 EV parking spaces, which represented only a small portion of the overall spaces in the garage.

Now in April 2023, Optima Verdana in Wilmette will open with 24% of the total spaces dedicated to EVs. In all of our communities — in both Illinois and Arizona — we have continued to increase EV capacity every year based upon resident demand, with the capacity to reach a full 100% at many projects. In recognition for our commitment to EV parking, Optima Sonoran Village won the Salt River Project Champions of Sustainability Award in the Building Communities for Electric Vehicles category.

In a recent Bisnow article that explores how future-facing multifamily developers are preparing for the future of electric vehicles, David Hovey Jr., AIA, Optima president and chief operating officer, observes, “Just from a sustainability perspective, obviously, demand is getting higher from both people wanting to be more sustainable … and cities wanting to be more sustainable, as well as just overall demand.”

Sustainability remains one of our most precious values at Optima. And we’re proud to be part of a growing community of property owners and managers that seeks to support sustainable practices on behalf of our residents.

Chicago Public Art Spotlight: Agrifolia Majoris

Posted on January 30, 2023 by Hunter

With deep affection for Chicago and its commitment to public art, we can’t get enough of the monumental sculptures that abound in the city of big shoulders, from locked-land to lakefront. Today, we’re spotlighting Agrifolia Majoris by Nancy Rubins.

Nancy Rubins is an American sculptor, represented by the global gallery, Gagosian and Rhona Hoffman Gallery. She’s widely known for her otherworldly yet familiar assemblages of objects — toasters, hair dryers, canoes, mobile trailers, cast iron animals, plane parts — the list of objects continues to grow.

As seen with Agrifolia Majoris, Rubins situates these forms in relation to one another using steel wiring, all of them cantilevering over the people that stand beneath them. The tension of these objects bound together investigates their static nature as sculptures, thus revealing their monumentality and ever-lasting plasticity.

Blooming from its concrete base floats Agrifolia Majoris, recently installed (June 2022) just north of legendary Promontory Point on the lakefront in Hyde Park. To the observer or passerby, the sculpture seems to explode into a vortex of metallic animals fabricated from cast iron, each held together solely by steel wiring. This form multiplies into a variety of animals — alligators, hogs, elk, buffalo, and even a horse, much like the equestrian sculpture we recently covered, Impulsion in Scottsdale.

While completed in 2017, the installation at Promontory Point did not go as smoothly as one may have hoped. A supercell storm, with winds clocking in at 84 mph at O’Hare Airport, bypassed downtown Chicago entirely — but swept through Hyde Park instead, causing the installers to seek shelter. This left Agrifolia Majoris to brave the night ungrounded. One hundred and fifty trees fell that night. Thirty of which were found along the Lakefront near 51st Street, but the Majoris remained intact.

Dense Bud, 2016, installation view, Chicago © Nancy Rubins. Photo: Brian Guido

Agrifolia Majoris, brimming with character and charm, isn’t the only Rubins work sharing the Chicago spotlight. Dense Bud, located on the North Side in Edgewater, at roughly 5300 N. DuSable Lake Shore Drive, is made of cast iron and a subdued patina of bronze, hinting towards the passage of time. The heavier animals featured — hippos and wolves — spill out of its concrete base. These two sculptures are part of Rubins’ sculptural series Diversifolia (meaning ‘separated leaves‘), and function as “bookends” to the lakefront.

Rubins’ sculptures join the long list of legendary public artworks across the city, including Picasso’s armadillo, the Calder Flamingo and Crown Fountain by Jaume Plensa.

Growing Your Own Herbs at Optima Verdana®

Posted on January 17, 2023 by Hunter

The stellar Rooftop Sky Deck and communal courtyard at Optima Verdana® abound with gorgeous greenspace and reflective hardscape surfaces to reduce heat. Our residents can delight in the outdoors year-round for both recreation and relaxation. And for those with green thumbs, dedicated planters atop the Sky Deck will be home to a seasonal herb garden.

Check your kitchen cabinets, your cupboards, your drawers! If you spend any time cooking, you probably have dried thyme, basil, and even a bit of parsley or oregano. These earthly delights known as herbs are easily accessible from most grocery stores, but imagine what it would be like if you grew them yourself?

In spite of their simplicity, herb gardens are magical places and offer many gifts — from cooking, to medicine, to unique fragrances. Growing your own herbs also serves as an exercise in gratification, and so much more:

Great for All Skill Levels

First, herb gardens are great for beginner gardeners because they require minimal effort and are easier to grow than vegetables. They don’t require large plots of land, and grow well in pots, planters and other containers. Herbs don’t need much fertilizing, which is a huge plus for beginners, and they can handle a wide range of temperatures that’s ideal for Chicago’s seasons.

Redefining the Word “Fresh”

When your recipes call for fresh herbs, what could be more delightful — and satisfying — than heading to your herb garden with a pair of kitchen shears and picking or cutting what you need? And because you can harvest your herbs while you’re cooking, they will always be fresh and fragrant.

Variety is the Spice of Life

Knowing that you have easy access to what you’re growing, you may find yourself with an appetite for expanding your repertoire with dishes that specifically call for fresh herbs. This is a real treat, since the flavors are so much more robust and the option to have full leaves, stems and flowers in your preparations is a real bonus.

The herb garden also offers the opportunity to experiment with new flavor combinations. Take advantage of your herbs and try out a new recipe or two. Try growing herbs that are uncharted territory for you, this will likely lead to taking new risks in your cooking. Which in turn will enrich your life with new and flavorful experiences.

As you head into the fall and winter months, you can harvest your herbs and dry them indoors. This will tide you over until spring arrives and it’s time to plant again.

Creating A Healthy, Budding Community

The herb garden at Optima Verdana® is part of the powerful community experience of connecting with others around a shared purpose. All it takes is one seed to sow a relationship and build a budding new friendship with a neighbor. This convenience of access offers residents physical exercise, fresh air and the meditative qualities of connecting to the earth.

If you’re looking for ideas for dishes that will put your fresh herbs in the spotlight at your next dinner or event, The Food Network offers quite a few!

Tales from Wilmette: How an old laundry became a center for pioneering climate research

Posted on October 11, 2022 by Hunter

As the town of Wilmette continues the celebration of its 150th anniversary, it stands to reason that its rich history is full of fascinating stories and quirky characters. One such story comes to us from the annals of the Wilmette Historical Museum (WHM), which published a fascinating article entitled, “The Cold War on Washington Street,” detailing how Wilmette’s SIPRE – the Snow, Ice, and Permafrost Research Establishment was founded. The article’s author, Patrick Leary, retired from the WHM in 2020 after a 21-year tenure as its curator. As the piece unfolds, Patrick explains:

“By 1950, as American troops fought in the Korean winter and the chill of the Cold War settled over the world, U.S. Army planners had come to realize that they needed to know much more about the icy regions that lay between America and the Soviet Union. Most urgently, they needed to know how to build things – roads, radar stations, underground bunkers, airfields, missile silos – in places where the ground is forever frozen, the ice is a mile deep, and the snowfall never melts. This intensive research program required a special laboratory like no other, and in 1951, the Army found just the right place for it: an abandoned laundry at 1215 Washington Avenue in Wilmette, half a block west of Green Bay Road.

They called it SIPRE – the Snow, Ice, and Permafrost Research Establishment. As a location, Wilmette had the advantage of being within easy reach of researchers at Northwestern University, while the sturdy, three-story structure itself, with its big rooms and alley-side garage, well suited the Army’s purposes.”

Wilmette’s old SIPRE location at 1215 Washington Ave in Wilmette

Patrick explains how the SIPRE staff of civilian scientists and engineers set out to understand polar conditions. They carried out their work by analyzing ancient ice crystals taken from the depths of glaciers in the Greenland ice cap that were mined during summer expeditions and shipped by refrigerated plans and trucks to the lab on Washington Street. SIPRE’s work continued in Wilmette for ten years, during which time the staff grew from 17 to more than 80, and its footprint expanded to new office space in the Odd Fellows building and a lab in Evanston. In 1961, SIPRE relocated to Hanover, New Hampshire near Dartmouth University when it merged with another agency to become the Cold Regions Research and Engineering laboratory.

The history of this fascinating organization comes to life through Patrick’s thoughtful reflections on how a unique moment in world affairs and America’s response intersects with Wilmette’s own story. You can read the full story here.

Team Member Spotlight: Amanda Johnson

Posted on January 20, 2022January 26, 2022 by Hunter

At Optima, our communities would not thrive without the outstanding work from our spirited team of individuals. We recently sat down with Amanda Johnson, Marketing Associate at Optima, to discuss why she loves being part of such a passionate team and what she has learned throughout her experience here.

Tell us a bit about your background and the role you play at Optima.

Before joining Optima, I held various Marketing and Graphic Design positions for a handful of industries including Interior Design, Travel & Tourism, Hospitality, and Commercial Real Estate. Today, I’m the Marketing Associate at Optima and work alongside the Marketing Director, Ali Burnham, to manage and implement all aspects of the company’s marketing and brand management strategy on both a corporate and property level.

What drew you to Optima?

Tarryn, Optima’s wonderful People Experience Recruiter, reached out to me on LinkedIn and spoke with such positivity and excitement about the role and company, so I naturally had to learn more. Immediately after meeting with Ali, I became even more excited about the opportunity and the wide variety of projects I could potentially work on ranging from resident event flyers to presentations and digital advertisements to demographic research. It seemed like a job I could never get bored with where there was always something different to work on.

But the projects weren’t the only thing that drew me in. Optima’s culture, values, and mission stood out to me. To me, it’s always been important to find a company that aligns with my own values and beliefs (i.e. good work-life balance, volunteer opportunities, relationship-building events, etc) and Optima seemed like a great fit. The rest is history!

How do you view the concept of community at Optima?

The concept of community is more-so a feeling at Optima. It’s easy for people to work together or live under the same roof, but it’s the strong sense of community that we strive for– we want them to feel at home. We’re constantly looking for ways to improve the everyday lives of our residents and team members.

For example, we have a growing number of families at our properties with young children. Of course, we have many events that cater towards adults, but we wanted more ways to get the kids involved. In efforts to do so, we came up with a Kids’ Club at each of our properties which includes a rotating calendar of events, giveaways, and a move-in folder full of goodies (i.e. property treasure hunt, Optima coloring book, crayons, Kids’ Club passport, etc). Whether it’s through experiences, conveniences, or a change in design or features, we encourage feedback and take the initiative to go above and beyond.

Optima has a unique set of values that differentiates it from other company cultures. How does that affect the quality of your work life? What values matter most to you?

“Speed and detail set us apart” is the value that resonates the most with me. I work on projects for all properties plus our corporate office that have different priorities and deadlines, so it’s essential that I stay organized and don’t lose sight of the mission and end goal.

I collaborate with each team, whether it’s the Architect, Construction, or Leasing & Management teams, while taking account of team member and resident feedback to develop strategies and marketing materials or collateral from those conversations. It’s important to be detailed throughout the entire process— from the ideation phase to the final design or solution.

What are some of the things you have learned in your time at Optima?

Where do I even begin? I’ve learned so much at Optima and am constantly learning every day, which is something I don’t think I’ll ever get tired of. New knowledge is so valuable.

I’ve learned that when more people are involved in a project, the longer the process is. But, in return, the result is the best that it could be. Solo creating and editing is fun, but to be able to collaborate and bounce ideas off one another is extraordinarily beneficial.

What makes you most proud to be a part of the Optima team?

What makes me most proud to be a part of Optima is everyone’s genuineness and respectfulness towards one another. I always feel heard and appreciated.

This stretches to the resident-side of things as well. We have a passion for making living at our properties an unmatched experience through the relationships we build, services we provide, amenities we have, and innovative design that we create.

What do you hope to accomplish in the year ahead?

In the year ahead, I plan to support my teams as much as possible, design exceptionally, and learn more—especially from my first lease-up at Optima Lakeview!

Chicago Modernist Gems: A Visit to the Schweikher House

Posted on January 3, 2022 by Madeline

As we continue to discover Modernist treasures in and around Chicago, we came upon the work of Paul Schweikher, a visionary architect who studied, lived and worked in Chicago between 1938 and 1953. It’s a welcome surprise that Schweikher House, his home and professional studio, are listed on the National Register of Historic Places, and are open for public tours.

About the Architect

Paul Schweikher graduated with an engineering degree from the University of Colorado Boulder and moved to Chicago to study at The Art Institute. In the 1930s, he began a collaboration with George Fred Keck, a visionary Modernist architect known for his design of the House of Tomorrow at the Century of Progress International Exposition. Equally impressive, Schweikher’s work was included in a major architectural exhibition at the Museum of Modern Art in 1933, the Work of Young Architects in the Middle West. Schweikher went on to establish an architectural practice in 1934; it was in this practice that he designed some of his most celebrated commissions including the David B. Johnson House (Chicago, 1936), Emerson Settlement House (1939, Hinsdale, IL) and Louis C. Upton House (1950, Paradise Valley, AZ).

After being named chairman of the Yale School of Architecture in 1953, Schweikher became head of the Carnegie Mellon School of Architecture in 1958 and retired in Sedona AZ in 1970.

The Schweikher House

Schweikher built the house in 1937-38, after being inspired on a trip to Japan to study the country’s architecture. As both his private residence and his professional architecture studio, the building reflects a unique amalgam of Prairie, Japanese and vernacular architecture — with a strong modernist underpinning.

Photo courtesy of the Chicago History Museum/Hedrich Blessing Archive

The one-story, T-shaped house was a complete remodel of an old barn situated on a 7-½ acre plot of farmland on the outskirts of Chicago in Roselle, IL. Schweikher chose common materials including brick, red cypress wood and glass to reflect his interests in sustainability and engineering. He designed the interior as distinct areas for sleeping, living and working, connected to allow for a constant flow of natural light and air. He built a massive fireplace in the living room to establish the house’s character, while giving the Chicago common bricks center stage. Inspired by the Japanese minimalist architecture he had seen on his travels, Schweikher included a passive solar room, exposed wood beams, built-in furniture, a soaking tub, concealed storage in the paneling in each of the rooms, and shoji screens throughout the building.

After nearly a decade of serving as the Schweikher home and studio, the house was featured in the May 1947 issue of Architectural Forum magazine. By that time, the surrounding gardens designed by Franz Lipp, one of the country’s foremost landscape architects, had matured magnificently. In 1948–50, Schweikher made a series of additions including a formal studio that cantilevers over the large back yard and connects by a breezeway to the main building.

In 1953, when he took up his new position at Yale, Schweikher sold the home to Martyl and Alexander Langsdorf. Over the ensuing decades as owners and occupants, the Langsdorfs maintained the building and grounds with meticulous care, and spearheaded the effort to have it listed on the National Register of Historic Places in 1987. In 1999, they sold the Schweikher House to the Village of Schaumburg in 1999 so it could be preserved as a public house museum, allowing this treasure of timeless architectural value to be experienced, enjoyed and learned from by all.

Scheduling a Visit

The Schweikher House is located at 645 W Meacham Road in Schaumburg, IL. Tickets to docent-led tours can be purchased online; a reservation is required.

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Tag: Illinois