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Garden of the Phoenix in Jackson Park

At Optima®, we relish the opportunity to immerse our residents in experiences enriched by cultural discovery and aesthetic delight…which is exactly what you can expect when you wander through a captivating wonder nestled in the heart of Chicago – the Garden of the Phoenix.

Situated within the lush expanses of Jackson Park, the Garden of the Phoenix, once known as the Osaka Garden, gracefully expresses the timeless allure of traditional Japanese aesthetics. With a history that dates back to the World’s Columbian Exposition in 1893, it stands as a picturesque landscape on its own, while also serving as the canvas for cross-cultural dialogue between Japan and the United States. 

As global nations joined the Exposition, Japan, in particular, sought to cast an enduring impression in Chicago. And with the inception of the Phoenix Pavillion between 1891-93, the U.S. received its first glimpse of the refined nature of Japanese architecture and landscape design. It even drew the attention of a young Frank Lloyd Wright and served as a revelation in his practice. 

In 1935, the land surrounding the Phoenix Pavilion was transformed into a picturesque Japanese strolling garden that harmoniously blended with its surrounding environment. However, the escalating tensions between Japan and the U.S. during World War II took a toll on the garden, which fell into disrepair for decades due to a lack of funding. In 1981, the Chicago Park District completed efforts to restore and reimagine the garden, working with luminary landscape architect Daneji Domoto. Once the work was completed, the garden was renamed ‘Osaka Garden’ to honor Chicago’s sister city relationship with Osaka, Japan, strengthening this unique cross-cultural bridge.

Over the past several decades the garden has enjoyed waves of transformation. In 2013, the garden welcomed a new resident, Skylanding, a mesmerizing art installation by Yoko Ono. With 12 large steel lotus petals rising from the earth, Ono’s vision of peace and harmony came alive, inviting visitors into a unique, multi-sensory encounter.

Yoko Ono's Skylanding
Yoko Ono’s Skylanding sculpture, Jackson Park. Photo: Richard Bartlaga

Today, the Garden of the Phoenix breathes harmony and balance within the energetic pulse of Jackson Park and will be home to the Obama Library. As a symbol of rejuvenation, resilience, and enduring friendship, the garden offers a cherished sanctuary within Chicago’s vibrant cityscape.

Nic Behrends Team Member Spotlight

At Optima®, every individual on our team brings a unique story and perspective that enriches our community. We recently had the pleasure of catching up with Nic Behrends, Optima Lakeview’s Leasing Consultant. From a rich background in hospitality to his heartwarming transition into the world of real estate, Nic shares his journey and insights about what makes Optima stand out. Dive in below:

Tell us a bit about your background and the role you play at Optima.

My background is actually not in real estate. I spent over two decades in hospitality during which I also ran a non-profit focused on bartenders for several years. During my time in hospitality, people kept telling me I would be a great real estate agent, so eventually, I was convinced to get my leasing license. I worked as an agent for a couple of years and realized chasing all over town wasn’t my cup of tea and that I would be much happier managing buildings. I learned that I can be an expert in one specific community and get to know the residents instead of grinding through different prospects, and now I’m one of Optima Lakeview’s Leasing Consultants!

How did you first begin your journey at Optima?

I interviewed with Optima and immediately fell in love with the team and how they illuminated the brand for me. Everything I learned about Optima was far more attractive than any of the other properties I had interviewed with, so I knew I had to work here. Everyone encouraged me to be myself and understand how I could bring my true self to the position, and once I was encouraged to bring that person out, sales just started erupting for me. It’s been great to work in a place where I know that I’m not judged because maybe I’m not the most proficient typist or super skilled in Excel, but I can relate to people. 

How do you view the concept of community at Optima? How does it differ from other properties/buildings?

It’s unique that with Optima, we are all a part of this community. The fact that I see our chief engineer working out in the gym alongside a resident, sharing tips with each other, or I see another staff member at the pool with his partner exemplifies that we’re not just the staff here, we’re also members of the community, and the residents respect that and treat us as neighbors since we’re all here together. In most of the other communities that I interacted with as a broker, there was always an issue with control or power, and there is usually a disconnect between the residents and the staff. But at Optima, everyone is heard. Residents see that we care about what’s going on in their lives and it makes everything much more warm and happier. 

Optima has a unique set of values that differentiates it from other company cultures. How does that affect the quality of your work life? What values matter most to you?

Being bold. It takes a lot to put your true self out there and to let the walls down. And to be in a building that lets me do that has allowed me to progress in my career very rapidly. Becoming not only successful but also happy in this career has come from the opportunities that being bold has given me. All of our work here is done with intent and purpose, so in every action, we’re acting bold. It’s been an amazing opportunity to work with Maike and the team here because everyone truly embodies that value. 

What are some things you’ve learned during your time at Optima?

What I’ve learned most here at Optima is that there is a way to do this business that is beneficial to both the property owner and the residents. When you produce a premium building that you can stand behind, you’ve got to be willing to put in the effort and show residents that we’re invested in their lives and are here to help them at all costs. Too often, at other properties, the solution is a rebuttal with a demand that you live with it, and here, we’re always looking for a way to solve problems. 

What makes you most proud to be a part of the Optima team?

What I’m most proud of is the fact that I made a huge career change after doing the same thing for 20-plus years and made it into an environment that makes me feel valued. I walk into the most amazing building and am greeted by spectacular residents every morning. I work with a team that is not only going to work as hard or harder than me but also respects me for who I am. I’m over the moon to tell everybody how happy I am here and how proud I am to know I made it onto this team. 

Odile Decq: The Rockstar of Modern Architecture

In the dynamic world of architecture, there are creators, and then there are revolutionaries – those who dare to redefine the conventions of the craft. Today, we shine a spotlight on one such rockstar of the architectural world – Odile Decq. Born in Laval, France, Decq first delved into the disciplines of history and art history, later shifting her focus to the vast, creative expanse of architecture. This foundational base in the arts became the cornerstone for her future architectural exploits, fueling her rebellious yet constructive spirit.

Decq’s works echo her unique vision, transcending conventional design norms and boldly experimenting with innovative elements. Every project she has embraced manifests her distinct design philosophy – a play of bold geometric forms, the artful manipulation of light, and the fluidity of lines. It’s as if each design is an architectural manifesto that dares to defy the ordinary and push boundaries.

A prime showcase of her ethos is the Phantom Restaurant within Paris’s Opera Garnier. Here, Decq’s prowess is fully displayed in her ability to juxtapose contemporary design elements within a historic setting, engendering an intriguing dialogue between the past and the present, between tradition and modernity.

L’Opéra Restaurant, Palais Garnier, Paris│ | © Art2welp / Wikimedia Commons

Beyond her design exploits, Decq has made significant contributions to architectural education. With the establishment of the Confluence Institute for Innovation and Creative Strategies in Architecture in Lyon, France, Decq was able to translate her design philosophy into an educational context, fostering innovation and creative problem-solving in future architects.

Decq’s architectural flair and contributions have not gone unnoticed. She has been recognized with prestigious accolades, including the 2016 Jane Drew Prize and the 2017 Lifetime Achievement Award from the Royal Institute of British Architects (RIBA). Her rise to prominence in the industry has been marked not only by the brilliance of her designs but also her unrelenting commitment to equality and progressive thinking in architecture.

Confluence Institute for Innovation and Creative Strategies, Lyon, France. Photo: Jeanne Menjoulet

Her legacy extends far beyond the physical structures she has designed and the students she has mentored. As a true rockstar of modern architecture, Decq has blazed a trail for future generations, particularly for women in a traditionally male-dominated field. Her work continues to inspire, challenging conventions and reshaping the architectural landscape.

Today, as we celebrate Odile Decq and her remarkable journey, we honor her pioneering spirit and her unique contribution to the field of architecture. Her commitment to challenging norms, her avant-garde designs, and her impactful initiatives truly exemplify the essence of a rockstar architect, who not only shapes the world around us but also how we perceive and interact with it.

Alexander Girard: A Vibrant Symphony of Modern Design

In the grand scheme of modern architecture and design, each virtuoso brings their unique understanding, forever shaping the field. Today, we celebrate one such figure, Alexander Girard, whose contributions have resonated through time, echoing his innovative spirit, unparalleled creativity, and ceaseless passion for design.

Born in 1907 in New York City and raised in Florence, Italy, Girard was an architect, interior designer, furniture designer, textile artist, and much more. His work was a vibrant fusion of colors, patterns, and cultures, weaving together aesthetics from around the world to create a visual language that was uniquely his own.

Braniff Airplane Makeover. Photo: Michael Dant

An integral part of the American mid-century modernist movement, Girard worked alongside luminaries such as Charles and Ray Eames and George Nelson at Herman Miller. His work, however, extended beyond the confines of a singular style or discipline. From his iconic textile designs to his whimsical braniff airlines makeover, Girard was a master of imbuing spaces and objects with a sense of joy and vibrancy. His designs always held a humanistic approach, seeing each project as an opportunity to enhance the daily lives of people.

His interior design for the Miller House in Columbus, Indiana, stands as a testament to his extraordinary talent. This residence, considered a landmark of modernist architecture, perfectly illustrates how Girard’s playful approach to design transformed the idea of what a domestic interior could be.

Miller House Interior, regarded as the world’s first conversation pit. Photo: Newfields

Beyond his professional work, Girard was an ardent collector of folk art, believing in its ability to inspire and influence contemporary design. His vast collection found a home in the Museum of International Folk Art in Santa Fe, a testament to his global perspective and appreciation for diverse cultures.

His bold use of color, his human-centric approach to design, and his innovative interpretations continue to inspire architects and designers worldwide. As we appreciate the rich tapestry of modern design, the work of Alexander Girard stands as a timeless composition of innovation, creativity, and humanism — a celebration of life, color, cultural diversity, and a reminder of how design can bring joy and meaning into our everyday lives.

The Arthur B. Heurtley House: A Testament to Frank Lloyd Wright’s Design Evolution

Just a few miles west from Optima Signature®, in the heart of Oak Park, sits a quiet, residential gem that stands as yet another testament to the genius of America’s most iconic architect, Frank Lloyd Wright. This architectural marvel, the Arthur Heurtley House, isn’t just a house, but an embodiment of Wright’s early Prairie School style that continues to endure as a remarkable example of design innovation and integrity.

Constructed in 1902 during a transformative epoch in Wright’s illustrious career, the Heurtley House is an expression of Wright’s creative evolution. The robust brick structure and distinct horizontal orientation lay over the landscape seamlessly, epitomizing Wright’s commitment to designing in sympathy with nature – a signature of his design philosophy.

Arthur B. Heurtley House Floor Plan

Look closer, and the house’s intricate design elements come into sharp focus. The low-pitched hip roof with deep overhangs, the bands of art glass windows, and the central chimney mass all contribute to an emphasis on the home’s horizontality while offering an elegant vertical counterpoint. The material palette – a medley of Roman brick, limestone, and plaster – not only reinforces the building’s robust character but also harmonizes the house with its environment, establishing continuity that is both visually striking and inviting.

Inside, the Heurtley House continues to narrate the story of Wright’s architectural vision. The choice of natural materials, from the art glass windows to wooden trims and panels, exudes a warm, homey charm. The open floor plan, a distinctive characteristic of Wright’s Prairie style, allows a free flow of space and the dining room has a vaulted, wood banded ceiling with a prow shaped bay of art glass and a ribbon of leaded windows facing west, seamlessly inviting a flood of natural light.

Living Room, Arthur B. Heurtley House. Photo: James Caulfield

The interior furnishings, custom-designed by Wright as part of the home’s construction, ensure a consistent aesthetic narrative throughout the house. This meticulously detailed approach, down to the furniture, reveals Wright’s relentless pursuit of architectural harmony and holistic design.

Over a century later, the Arthur Heurtley House continues to shine as a beacon of architectural brilliance and its presence — a tribute to Wright’s vision and the timeless beauty of his Prairie style. As always, we take immense delight in celebrating these iconic modernist structures. They not only enrich our architectural landscape but also provide a rich source of inspiration for our own commitment to design, innovation, and community.

The Writers Theatre in Glencoe

Tucked in the vibrant downtown of the Glencoe community — just down the road from Optima Verdana®, stands the Writers Theatre, a monument to the creative spirit and architectural prowess. A testament to the convergence of the arts, architecture, and community, the Writers Theatre is a touchstone of cultural life across the North Shore. At Optima®, we share a deep appreciation for such special places that elevate design and aesthetic experiences while enriching the community.

Conceived in 1992, the Writers Theatre was designed to celebrate the raw power and intimacy of the written word. It is a professional theater company that, since its inception, has nurtured a strong commitment to the appreciation of intricate writing and profound performances. This dedication has earned the theatre numerous awards, including the 2016 Regional Theatre Tony Award and being called “America’s finest regional theater company” by The Wall Street Journal.

The current structure, designed by the internationally acclaimed architect Jeanne Gang of Studio Gang Architects, was unveiled in 2016, offering a splendid canvas for the theatre’s vision — to be a socially vibrant venue that redefines the audience-performer interaction. And Gang’s design does just that, by providing a sense of inclusion and participation that blurs the lines between the stage and the audience.

The Writers Theatre’s Alexandra C. & John D. Nichols stage

As you step inside, you’ll notice the theatre houses two stages. The primary Alexandra C. & John D. Nichols stage, accommodating 250 people, captures the essence of a traditional theatre, while the secondary Gillian theatre, a more intimate space, caters to 99 patrons, making each performance a personal experience. Architecturally, the building’s wood truss system is both aesthetically striking and acoustically vital, further enhancing the audience’s experience.

A rooftop pavilion and patrons’ lounge are not just architectural details but social spaces. In essence, the Writers Theatre transcends the function of a theatre, transforming into a hub for community activities and social interaction.

The Writer’s Theatre’s patrons lounge and pavilion, Courtesy of Steve Hall and Hedrich Blessing

Looking into the Writers Theatre’s story, we see an embodiment of Optima®’s values— the fusion of beautiful design, functional spaces, and community enrichment. We take great pride and joy in showcasing gems like the Writers Theatre, a testament to what can be achieved when creative storytelling meets architectural brilliance.

As we celebrate the Writers Theatre and its remarkable journey, we’re reminded of the importance of places that are not just seen, but felt. Spaces that invite you in, captivate your senses, and leave an enduring impression. And at Optima®, we remain committed to creating and appreciating spaces that, like the Writers Theatre, stand as enduring testaments to design, culture, and community. Explore some of their upcoming events and shows here!

Phoenix Architecture Spotlight: The David and Gladys Wright House

At Optima®, we have an unending fascination for architectural masterpieces, especially those that have shaped and defined the Modernist movement. Today, our focus rests upon an extraordinary residence, the David and Gladys Wright House, designed by none other than the father of architecture himself, Frank Lloyd Wright.

Located in Phoenix, Arizona, this house stands out as one of Wright’s most innovative residential designs. Constructed in 1952 for his son David and daughter-in-law Gladys, this home reveals the intimate connection Wright shared with his family, articulated in his distinctive architectural language.

Crafted towards the end of his prolific career, the David and Gladys Wright House reflects Wright’s refined understanding of organic architecture and his remarkable ability to adapt to the character of the site. The house, built with native concrete blocks, rises in a spiral form from the desert landscape, its curvilinear design echoing the shape of the nearby mountains.

David and Gladys Wright House, Photo: Andrew Pielage

The unique spiraling form of the house is a significant departure from the typical linear construction seen in many of Wright’s works, and it manifests his deep reverence for the natural world. The spiraling design ascends gracefully from the ground, turning 360 degrees to provide panoramic views of Camelback Mountain and the surrounding landscape.

Inside, Wright’s naturalistic design philosophy continues — the interior floor plan unfolds like a nautilus shell, with rooms radiating from the central hearth, embodying the hearth’s symbolic role as the heart of the home. The characteristics Wright touches—built-in furniture, extensive use of natural light, and harmonious color palettes—are in full swing here, creating a seamless dialogue between the exterior and interior spaces.

David and Gladys Wright House interior

Notable, too, is the home’s thoughtful integration of modern technology for its time. It was designed with innovative features such as energy-efficient passive solar heating, natural cooling, and a functional, open kitchen that was ahead of its time.

Despite facing threats of demolition, the house has been preserved thanks to the concerted efforts of preservationists, historians, and fans of Wright’s work. Today, the David and Gladys Wright House stands as a testimony to Wright’s genius and his enduring influence on Modernist architecture.

At Optima®, we’re continually captivated by such Modernist masterpieces that speak volumes about the era’s architectural ethos. Frank Lloyd Wright’s David and Gladys Wright House, with its distinctive design blending built form and natural environment, remains a profound source of inspiration and a vivid embodiment of Wright’s creative brilliance. 

Edward Dart’s St. Augustine Episcopal Church

At Optima®, we are continually fascinated by the architectural masterpieces that exemplify the harmony between design and the narratives they hold. Today, we cast the spotlight on an architectural gem from the Mid-century Modern era, St. Augustine’s Episcopal Church in Gary, Indiana, designed by Edward Dart.

In the steel town of Gary, just across the Illinois border from Chicago, 30 African-Americans chartered a new Episcopal mission in 1927. The congregation weathered its early years to grow strong and financially stable by the mid-1950s, leading to the decision to commission their own place of worship. The conception of this project was nurtured by the Great Migration, which saw many African-Americans migrating from the South to Gary, drawn by job opportunities in the thriving steel industry.

By 1955, St. Augustine’s (fondly referred to as ‘St. Aug’s’) embarked on the purchase of a pipe organ. When discussions veered towards the building of their own church, the organ sales representative suggested Edward Dart, an architect whose style would come to define the church’s distinctive look. 

The collaboration between Edward Dart, a white architect from New Orleans, and St. Aug’s, a Black Episcopal mission, was unusual for the mid-1950s. Yet, over the course of four years, their shared vision resulted in an architectural design that incorporated local materials like Indiana limestone, honoring both the community’s roots and Dart’s signature style. Completed in 1959 at a cost of $120,000, St. Augustine’s Episcopal Church received the AIA Citation of Merit and the Church Architectural Guild’s Honor Award almost immediately. 

St. Augustine’s Episcopal Church in Gary, IN. Photo: National Register of Historic Places

Despite the acclaim, the church’s congregation remained largely unseen, their presence neutralized in the predominantly white architectural narrative of the era. This erasure was eventually rectified in 1961 when the mission was granted full parish status, two years after the building was completed. Today, the congregation stands strong and the church continues to radiate its original beauty.

At Optima®, we find structures like St. Augustine’s Episcopal Church deeply fascinating, serving as profound expressions of the era’s architectural ethos that enrich our understanding of space, design, and community. St. Augustine’s Episcopal Church remains an enduring testament to Dart’s genius, a beacon of the Mid-century Modernist spirit that continues to captivate architects and designers worldwide.

Modernist Designs Revisited: Don’t Worry Darling

Modernist design. You see it everywhere, from the sleek lines of towering buildings like Chicago’s 875 N Michigan Ave to your favorite coffee shop’s decor. We can’t escape it, and why would we want to? Museums celebrate it, architects can’t get enough of it and recently, movie makers have used it to help to tell stories of their own. Today, we’re taking a deep dive into the stylish world of the movie Don’t Worry Darling and its use of modernist design: 

Think back to a period spanning from the mid-1930s to the mid-1960s. It was a time when visionaries like Ludwig Van der Rohe, Le Corbusier, and Walter Gropius were stirring things up in the architecture world. They championed a design style that was all about simplicity and functionality. It was all clean lines, smooth organic curves, and a deep respect for the materials used. 

Don’t Worry Darling, set in 1950s California, sought to embrace all that this era valued; using sets that included open floor plans, large windows and bold colors among other features. Katie Byron, the film’s production designer, looked towards other iconic architects of the time, including Albert Frey and Richard Neutra, for inspiration in her design. And with the help of the many mid-century modern homes that fill the neighborhood in Palm Springs, California, where the movie was shot, Byron’s vision came to life.

While most of the exterior scenes throughout the movie were shot at real locations, many of the interior scenes were shot at sets, excluding one scene shot within Richard Neutra’s Kaufmann Desert House in Palm Springs, one of the most iconic pieces of desert modernist architecture. Built in 1946, the home’s outlining modern features include a flat roof, pale coloring and shaded atmospheres. 

Byron took inspiration from architect Albert Frey by using his favorite color, ‘Frey Blue’ — a teal — as a theme throughout the film. From interior design elements like a bathtub and curtains to exterior elements like pool water. She also utilized Palm Springs City Hall, designed by Frey, an example of Frey’s playful approach to architecture and design. 

By seamlessly integrating real-life architectural masterpieces and carefully constructed sets inspired by iconic mid-century architects, Byron helped Don’t Worry Darling encapsulate the vision of simplicity, functionality, and respect for materials that characterized the era. This exploration of modernism through film emphasizes the lasting appeal and influence of this timeless design movement, which continues to shape our spaces and stories.

2023 Modernism Road Rally Tour

At Optima®, we are always excited to share unique architectural experiences that reflect our passion for design. So mark your calendars, Modern enthusiasts, we have some fantastic news for you! The second biennial Modernism Road Rally Tour of Homes is returning to celebrate the Mid Century Modern architectural legacy of Chicagoland. Launched in 2021, this biennial event takes place in different community areas of Chicagoland. This year’s edition will lead you through the captivating south suburban enclaves of Flossmoor and Olympia Fields.

The 2023 Modernism Road Rally Tour showcases homes designed by renowned midcentury architects such as Keck & Keck, Edward Dart, and Bertrand Goldberg, as well as architects like Edward Humrich, John McPherson, and John S. Townsend. Participants will have the opportunity to admire the exteriors and enjoy limited interior tours of select homes, offering an intimate glimpse into these architectural gems.

The event organizers have partnered with the Foundation for the Preservation of Flossmoor History for this year’s edition. A percentage of the proceeds will contribute to the restoration of the historic Wagner Building, which is scheduled to open in time for Flossmoor’s Centennial in 2024.

Conservatory Vintage & Vinyl, situated in the charming 1920s-era downtown Flossmoor, will serve as the event headquarters. After exploring the architectural marvels, participants can join the post-event party at the Flossmoor Station Restaurant & Brewery, a former railroad stop transformed into a lively social hub.

Flossmoor, founded in 1924, experienced a construction slowdown during World War II, followed by rapid postwar development. Its neighboring community, Olympia Fields, started in 1913, primarily as golf cottages surrounding the famous Olympia Fields Country Club. Post-World War II, the legendary modernist subdivisions of Graymoor and Country Club Woods were developed, boasting numerous outstanding examples of Mid Century Modern architecture.

Participants can purchase tickets for the tour, post-tour party, and sculpture tour online. The event also offers a trolley shuttle service along the entire tour route on Saturday, included in the ticket price (reservation required at the time of ticket purchase). Event check-in will be available at Conservatory Vintage & Vinyl for all paid attendees on Friday, June 23, from 12:00 PM to 6:00 PM, and Saturday, June 23, from 8:00 AM to 6:00 PM.

The second biennial Modernism Road Rally Tour is an exciting opportunity for architecture enthusiasts to delve into the fascinating world of Mid Century Modern design in Chicagoland. At Optima®, we are delighted to share this event with you and hope you enjoy exploring the rich architectural heritage of Flossmoor and Olympia Fields. Don’t miss out on this unique experience, and be sure to reserve your tickets here in advance! 

Please note that there will be no walk-up ticket sales available.

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