prairie school Archives

Are Stained Glass Windows Out of Style?

Posted on July 17, 2023March 7, 2024 by Hunter

At Optima®, we’re always fascinated to spotlight the unique elements of architecture and design that have had a profound impact in history. This time, we’re focusing on the renaissance of a timeless art form that is seamlessly bridging the gap between the traditional and the contemporary — Stained Glass Windows.

Stained-glass windows, or art glass windows, often appreciated for their utility and beauty, have roots tracing back to ancient Rome. They blossomed into prominence between 1150 and 1500, adorning the cathedrals of Europe with intricate, vibrant patterns. But the modern era is experiencing a resurgence of this art form. Today, stained glass windows aren’t confined to churches or Victorian homes but have made an enchanting comeback in contemporary design.

Arthur B Heurtley House. Photo: yooperann, Flickr Creative Commons

Famed architects have leveraged the beauty of stained glass in their designs. Frank Lloyd Wright, for instance, frequently incorporated art glass into his iconic works, including the remarkable Arthur Heurtley House in Oak Park. Here, he integrated stained glass windows into the home’s design, creating intricate geometric patterns that brought warmth, privacy, and an unparalleled aesthetic charm. The use of art glass also reveals itself in the Oak Circle Historic District, a small grouping of 15 early twentieth-century houses, built primarily in the Craftsmen style with magnificent detailing from the Prairie School of Architecture.

Craftsman style house with art glass windows in Oak Circle. Photo: Jameson Sotheby’s International Realty

Stained glass windows are more than just pleasing aesthetics. They are crafted with a fascinating process. The basic ingredients for glass, sand, and wood ash are melded into a beautiful symphony of colors with the addition of powdered metals. These pieces of colored glass are assembled into captivating designs that tell stories, highlight themes, or merely add an artist’s touch to any space.

Why are stained glass windows reclaiming their spot in modern design, you ask? Their versatility, for one, is unmatched. Customizable to fit any stylistic preference, they can embody soft, subtle color combinations or bold, elaborate displays. But their versatility extends beyond just aesthetics. Though windows are the most common form, stained glass has been creatively integrated into room dividers, doors, and even fireplace screens.

In the Szafraniec Chapel at Wawel Cathedral, by Jozef Mehoffer; 1908.
Photo: Slices of Light, Flickr Creative Commons

Moreover, these artistic installations are a boon to privacy. Stained glass windows can block unattractive views without compromising on natural light. This interplay of privacy and luminosity creates intimate spaces infused with a stunning spectrum of colors.

Stained glass windows also serve as a profitable investment. They’re known to increase the value of your home in more ways than one. From enhancing your home’s curb appeal to augmenting its market and perceived value, stained glass windows serve as an alluring asset.

We’re thrilled to see the innovative ways in which stained glass windows are being used in modern design. Every architectural element tells a story and contributes to the overall narrative of the space. Stained glass windows are a testament to this belief – a beautiful blend of art, history, functionality, and design. In the end, they give us pause, reminding us that while architecture serves as a canvas, it’s our creativity that paints the picture.

The Arthur B. Heurtley House: A Testament to Frank Lloyd Wright’s Design Evolution

Posted on July 5, 2023 by Hunter

Just a few miles west from Optima Signature®, in the heart of Oak Park, sits a quiet, residential gem that stands as yet another testament to the genius of America’s most iconic architect, Frank Lloyd Wright. This architectural marvel, the Arthur Heurtley House, isn’t just a house, but an embodiment of Wright’s early Prairie School style that continues to endure as a remarkable example of design innovation and integrity.

Constructed in 1902 during a transformative epoch in Wright’s illustrious career, the Heurtley House is an expression of Wright’s creative evolution. The robust brick structure and distinct horizontal orientation lay over the landscape seamlessly, epitomizing Wright’s commitment to designing in sympathy with nature – a signature of his design philosophy.

Look closer, and the house’s intricate design elements come into sharp focus. The low-pitched hip roof with deep overhangs, the bands of art glass windows, and the central chimney mass all contribute to an emphasis on the home’s horizontality while offering an elegant vertical counterpoint. The material palette – a medley of Roman brick, limestone, and plaster – not only reinforces the building’s robust character but also harmonizes the house with its environment, establishing continuity that is both visually striking and inviting.

Inside, the Heurtley House continues to narrate the story of Wright’s architectural vision. The choice of natural materials, from the art glass windows to wooden trims and panels, exudes a warm, homey charm. The open floor plan, a distinctive characteristic of Wright’s Prairie style, allows a free flow of space and the dining room has a vaulted, wood banded ceiling with a prow shaped bay of art glass and a ribbon of leaded windows facing west, seamlessly inviting a flood of natural light.

Living Room, Arthur B. Heurtley House. Photo: James Caulfield

The interior furnishings, custom-designed by Wright as part of the home’s construction, ensure a consistent aesthetic narrative throughout the house. This meticulously detailed approach, down to the furniture, reveals Wright’s relentless pursuit of architectural harmony and holistic design.

Over a century later, the Arthur Heurtley House continues to shine as a beacon of architectural brilliance and its presence — a tribute to Wright’s vision and the timeless beauty of his Prairie style. As always, we take immense delight in celebrating these iconic modernist structures. They not only enrich our architectural landscape but also provide a rich source of inspiration for our own commitment to design, innovation, and community.

Women in Architecture: Isabel Roberts

Posted on November 16, 2022 by Hunter

As part of our ongoing “Women in Architecture” series, we’re spotlighting one of America’s most overlooked architects. As one of only two women in the original Prairie School, Isabel Roberts immediately became an inspiration for women architects in the early 20th century. Learn more about her riveting life and career below:

The Life of Isabel Roberts

Isabel Roberts was born on March 7, 1871, in Mexico, Missouri. Her parents were natives of the eastern coast; her father was a mechanic from Utica, New York, and her mother was from Prince Edward Island, Canada. Growing up, Roberts and her family moved often; traveling from Missouri to Providence, Rhode Island, to South Bend, Indiana.

The Isabel Roberts House, by Frank Lloyd Wright Studio, 1908

At 18 years old, Roberts moved to New York City, where she studied architecture at the Atelier Masqueray-Chambers from 1899-1901. The atelier was the first in the nation to teach architecture with the principles used by École des Beaux-Arts in Paris. Architects Emmanuel Louis Masqueray and Walter B. Chambers founded the school to forge more rewarding educational and professional opportunities for women in architecture at the time.

Notable Works and Achievements

In 1901 after completing school at the Atelier Masqueray-Chambers, Roberts moved to Illinois to take a position under Frank Lloyd Wright in his Oak Park office. She worked with Wright alongside a team of six others, which included Marion Mahony Griffin, the only other woman in the group that would become known as the Prairie School.

Eola Park Bandshell, Ryan and Roberts, 1924

Roberts’ impact while working for Wright is commonly underestimated as she contributed her design expertise to various projects, primarily after he left Oak Park for Europe in 1909. Some of her most notable projects include K.C. DeRhodes House in South Bend, Indiana – a commission for a friend of the Roberts family – the Laura Gale House in Oak Park and the Stohr Arcade Building in Chicago.

St. Cloud Veterans Memorial Library, Ryan and Roberts, 1923

Commissioned by Isabel’s mother, Mary, the Isabel Roberts House in River Forest, Illinois, was another of Roberts’ illustrious designs with Wright. Completed in 1908, the home’s intricate arrangement contained a warm brick hearth at its core and utilized a mixture of half-story levels to connect living areas. The Prairie School design featured other innovative additions for the time, including a vaulted ceiling, diamond-paned windows and a grand octagonal balcony.

Women in Architecture: Marion Mahony Griffin

Posted on November 8, 2021 by Hunter

Often unrecognized for her immense contributions to the Prairie School, Marion Mahony Griffin was a leader in the architectural world for many years, paving the way for the countless women who followed her. Today, as part of our ongoing “Women in Architecture” series, we’re exploring the inception of the iconic architect and designer and where her extensive experience led her.

The Life of Marion Mahony Griffin

A Chicago native, Mahony was born in 1871 to Jeremiah Mahoney, a journalist, and Clara Hamilton, a teacher. After the tragic events of the Great Chicago Fire, in which her family’s house was destroyed, her family relocated to the Chicago suburb of Winnetka where she spent the majority of her childhood. Inspired by how rapidly the landscape around her was changing — and encouraged by her cousin Dwight Perkins, an American architect — Mahony was drawn to the idea of furthering her education at the Massachusetts Institute of Technology.

Mahoney graduated from MIT in 1894 and was only the second woman to receive an architecture degree from the school (after the World’s Columbian Exposision’s Women’s building designer, Sophia Hayden). She soon moved back to Chicago where she became the first woman in modern history to sit for, and be granted, an architectural license in the United States, benefiting from the fact that Illinois was the first state in America to allow women to hold licenses.

While in Chicago, Mahony spent two years working with her cousin Dwight Perkins at his studio in Steinway Hall (which Perkins also designed), where a diverse crowd of innovative artists and architects from the Prairie School could always be found. Soon after she left her cousin’s firm, she discovered another young Chicago architect also working in the building, Frank Lloyd Wright. Hired as Wright’s first employee, Mahony worked on and off with him for the next 14 years and became a significant contributor to his practice.

Ward W. Willits House, Highland Park, Illinois, 1902, One of the numerous intricate watercolor renderings Mahony created for Wright during her employment, Courtesy of Frank Lloyd Wright Foundation

J. C. Blythe House, 1913, One of the eight Prairie style homes designed and built in Rock Crest – Rock Glen Historic District, Mason City, Iowa

Career and Achievements

While working for Wright, Mohony provided intricate architectural renderings for his designs, becoming an essential participant in his work and leaving her without credit — a recurring theme throughout her career. Today, the renderings are acknowledged as her creations and she is recognized as one of the greatest architectural illustrators.

Mahony completed numerous independent projects while working for Wright including Evanston’s All Souls Unitarian Church. The intimate church featured an abundance of alluring stained glass in its skylights, windows and numerous other light fixtures.

Eventually, Mahony left Wright’s studio to work with her husband, Walter Burley Griffin, a fellow architect and leading member of the Prairie School. Together, Griffin and Mahony created their most renowned work, the design of Prairie School residences in Mason City, Iowa, Rock Crest – Rock Glen. The nationally-recognized historic district features eight elaborate Prairie School homes that surround the city’s Willow Creek.

Melbourne’s Capitol Theatre, Marion Mahony Griffin, 1924

In 1914 the couple relocated to Australia, where Mahony’s watercolor renderings of Griffin’s design were chosen as the plan for the country’s new capital, Canberra. In Australia, Mahony’s commission’s increased dramatically. One of her final and most well-known works is Melbourne’s Capitol Theatre. The theatre’s opulent decor and avant-garde ceilings and walls were designed to invoke a crystalline cave, and showed a new side of Mahony’s architectural gifts.

Today, Mahony’s extensive experience and portfolio speak for themselves, and she is finally recognized as a trailblazer for architecture and design, and as an original member of the Prairie School.

The Legacy of Frank Lloyd Wright

Posted on December 16, 2020 by Nancy

Modernism wouldn’t be the discipline it is today without the greats that defined it. A name well-known throughout the world, Frank Lloyd Wright is heralded as the “greatest American architect of all time” by the American Institute of Architects. His contributions to architecture have touched all of us at Optima and countless others, leaving behind a monumental legacy.

The Life of Frank Lloyd Wright

Frank Lloyd Wright was born in Richard Center, Wisconsin on June 8, 1867 to a preacher father and teacher mother. His young life was spent travelling for his father’s ministry position, and his parents’ divorce when he was 18 set his family back even further financially. To help out, Wright worked at the same university at which he was studying: University of Wisconsin. Despite his commitment to his family, Wright’s dream of becoming an architect pulled him away from school when he left Madison two years later to move to Chicago.

Frank Lloyd Wright Home and Studio in Oak Park, Illinois

In Chicago, Wright tried working for two different firms before landing at Adler and Sullivan, where he worked under Modernist master Louis Sullivan for six years. At 22, Wright married Catherine Lee Tobin and entered into a five-year-contract with Sullivan in exchange for the loan money Wright would need to build him and his wife their home in Oak Park, a Chicago suburb. Tempted by the need to provide for his family, Wright took on independent residential commissions even though it violated his contract with Sullivan. When Sullivan found out, the two parted ways and did not repair their relationship until twenty years later. It was this separation, however, that pushed Wright out on his own and allowed him to grow his prolific independent career.

Falling Water, 1964, Frank Lloyd Wright.

The Work of Frank Lloyd Wright

After his separation from Sullivan, Wright started his own firm in 1893. Wright’s career spanned an impressive seven decades, a time period over which he developed his distinctive point of view and style. Wright saw architects as the poets of their time — an artistic historian of sorts. He believed in creating structures that lived in harmony with the natural world, a point of view which he called “organic architecture.”

Wright brought American design to the forefront and was the leader of the Prairie School movement, a distinctly American midwestern style. Hallmarks of Prairie School design include low-pitched roofs, overhanging eaves and open floor plans. These expansive residences mirrored the endless landscape of the Midwestern prairies, and employed materials such as wood to further integrate the manmade with its environment.

Ennis House, 1924, Frank Lloyd Wright — a Textile style/Mayan Revival home

Later in his career, Wright also worked in the textile style out West, as well as pioneering a new dichotomy with his 60-house Usonian series. The Usonian homes were another way Wright carved out a language that was distinctly American, uninfluenced by any international predecessors. These homes were marked by their flat roofs and cantilevered overhanging — which became the source of the term “carport.” While out West, Wright also established Taliesin West and other structures near the greater Phoenix area, some of which are close to our Optima communities in Arizona. Just as we’re inspired by the desert scape, Wright was similarly enchanted with the surrounding foliage and existing architecture.

Cedar Rock (Lowell Walter House), 1948, Frank Lloyd Wright — a Usonian house

With his 70-year career, 500+ completed projects and numerous accolades, this is only the tip of the iceberg in the legacy left behind by Frank Lloyd Wright. It is all these contributions and more that will forever cement Wright as a master of American architecture.

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