We’re constantly on the hunt for cultural gems to introduce to residents in our communities, so it’s a pleasure to spotlight a cornerstone of Chicago’s vibrant art scene: The National Museum of Mexican Art (NMMA). Situated in the heart of the Pilsen neighborhood, this museum is a testament to the depth, diversity, and dynamism of Mexican culture.
Founded in 1982 by Carlos Tortolero, NMMA emerged from a vision to represent Mexican, Chicano, and Latino arts and culture. Today, it stands as a bridge between Mexico’s past and the evolving identity of Mexican-Americans in the contemporary U.S.
NMMA’s collection is awe-inspiring, boasting over 10,000 pieces spanning 3,000 years. From ancient artifacts to modern-day masterpieces, every corner of the museum narrates tales of creativity, resilience, and passion. Whether you’re captivated by traditional folk art, contemporary sculpture, intricate textiles, or evocative photography, there’s a narrative waiting for you.
Day of the Dead Exhibit at the National Museum of Mexican Art. Photo: Roxy Delgado
One of the standout exhibitions that has become an annual tradition, is the Day of the Dead (Día de los Muertos) showcase. This inspired installation dives deep into the fascinating rituals associated with this revered celebration, presenting art that is reflective and celebratory.
The museum is not just about viewing art; it’s an immersive learning experience. With a host of educational programs, workshops, and guided tours, visitors are invited to explore the contexts, histories, and techniques behind the artworks.
“Somos Pilsen.” Photo Credit: Mateo Zapata
Beyond the art itself, the museum’s location in Pilsen, a neighborhood full of Mexican heritage, enriches the experience. The vibrant murals, local eateries, and community events complement a visit to the museum.
As we admire the modern wonders of Chicago, we also treasure the institutions that ground us in cultural richness. Embark on a journey to the National Museum of Mexican Art, and emerge with a renewed appreciation for the beauty and complexity of Mexican art and culture. Best of all, admission is always free. Visit Tuesday through Sunday from 10 am to 5 pm.
At Optima®, we celebrate the fusion of art, culture, and community as much as we cherish the design and aesthetics of our residences. Today, we’re shining the spotlight on a powerful symbol of peace, resilience, and cultural exchange that stands proudly in our home city – Skylanding, the first permanent public art installation in the Americas by the internationally acclaimed artist and peace activist, Yoko Ono.
Situated in the heart of the Garden of the Phoenix in Jackson Park, Chicago, Skylanding is not only a remarkable work of art; it is a tribute to the spirit of harmony and renewal. Ono’s creation comprises twelve towering steel lotus petals that appear to have gracefully landed, or are just landing, on earth from the sky. The imagery of the petals, reaching between nine and twelve feet high, masterfully uses the symbolic meaning of the lotus – purity and rebirth – to convey a powerful message.
Skylanding is as rich in history as it is in symbolism. Its site is where the Phoenix Pavilion, a gift from Japan to Chicago during the 1893 World’s Columbian Exposition, once stood. The pavilion, sadly lost to arson in 1946, left behind a vacant space that has been transformed into a beacon of hope and peace through Ono’s artwork. In her words, Skylanding is “a place where the sky and earth meet and create a seed to learn about the past and come together to create a future of peace and harmony, with nature and each other.”
Sky Landing by Yoko Ono, North Side of Wooded Island. Photo: Raed Mansour
The installation is not just a visual treat, but it also offers a unique multi-sensory experience. The towering petals are designed to capture the changes in sunlight, wind, and weather, creating an ever-evolving spectacle that mirrors the city’s vibrant spirit and resilience.
Skylanding is a reminder of the strength that lies in unity and the enduring power of peace. It invites us all to take a moment from our busy lives, stand beneath its impressive steel petals, and absorb its symphony of art, history, and culture it represents.
The next time you find yourself strolling through Jackson Park, we highly recommend taking the time to experience Skylanding. Its poignant story and the tranquil beauty is bound to leave you inspired and enriched!
At Optima®, we have a keen appreciation for the confluence of form and function in architecture. It is with this sense of admiration that we turn our spotlight to a piece of Chicago’s history that is as breathtaking as it is groundbreaking. This iconic gem, standing sentinel over the city, is none other than the Ceres sculpture, an embodiment of Modernist art and a testament to the vision and talent of Modernist American sculptor, John Bradley Storrs.
Born in Chicago in 1885, John Storrs was a sculptor who left an indelible mark on the world of American Modernism. Schooled at some of the finest art institutions, including the Pennsylvania Academy of Fine Arts, the School of the Art Institute of Chicago, and the Académie Julian in Paris, Storrs’ work blends the classical with the modern, and the human with the industrial.
His contribution to the Modernist movement was unique in its ability to bridge contrasting worlds. His work was firmly grounded in the traditional forms of sculpture, yet boldly embraced the dynamism and aesthetic of the burgeoning machine age. His sculptures captured the soul of a society caught in a transformative period with the comforts of the old world, giving way to promises of the new.
John Bradley Storrs, Photo: Chicago History Museum
Perhaps nowhere is this more apparent than in Storrs’s iconic Ceres sculpture. Perched atop the Chicago Board of Trade Building, rising majestically at the southern end of the LaSalle Street canyon, Ceres is a tribute to the Roman goddess of agriculture — a fitting emblem for a building that was home to the largest grain exchange in the United States.
This 31-foot figure, however, is no ordinary depiction of a goddess. Storrs deviated from the typical portrayal of deities in classical realism. Instead, he rendered her in a form that was abstract and streamlined, reflecting the popular Art Deco style of the 1930s. This faceless figure, devoid of any discernible features, was a deliberate departure from tradition. Storrs recognized that from the ground, the details of Ceres’s face would be lost. In response, he sought to create a silhouette, an impression, something that would be striking against the backdrop of the Chicago skyline.
Initially, the abstract representation of Ceres drew mixed reactions. However, over the years, it has come to be celebrated as an integral part of Chicago’s architectural landscape — a symbol of the city and a beacon of the Art Deco era.
We are endlessly fascinated by the harmonious architectural aesthetics and symbolic functionality found in Ceres. This beloved Chicago icon remains a timeless testament to Storrs’ profound creativity, encapsulating the spirit of Modernism, standing as a monument to an era that dared to redefine the rules of art and architecture.
Chicago’s vibrant public art is just one of the many things that make the city so magical. From Cloud Gate and Crown Fountain in Millennium Park to Art on theMART and Lakeview’s storied murals, otherworldly art installations bring life to nearly every neighborhood. Today, we’re spotlighting an organization that has filled the city with meaningful public art and provided a space to foster community engagement for 50 years, the Chicago Public Art Group.
History of the Chicago Public Art Group
The Chicago Public Art Group (CPAG) was founded in 1972 by William Walker and John Weber, inspired by the destruction of a mural Walker had completed in 1967 on the side of a tavern in Bronzeville. The 20-by-60-foot mural, known as The Wall of Respect, was created to protest Black erasure and honor 50 heroes in the Black community.
The wall featured a montage of portraits, including those of Aretha Franklin, Gwendolyn Brooks and Miles Davis. It featured seven sections that split the public figures: statespeople, athletes, rhythm and blues, religion, literature, theater and jazz. After its completion, the mural instantly became a mark of cultural pride and a popular tourist attraction on Chicago’s South Side. The mural was vandalized in 1971, but its spirit lives on through public art across the country and especially within the CPAG today.
Mount Greenwood Musical Playground, James Brenner
After the mural’s destruction, Walker and Weber formed the CPAG to forge partnerships with artists and communities across Chicago to transform the urban landscape. From used walls and streets to urban structures, the organization used every tool they had access to amplify their voices.
Celebrating 50 Years
Today, CPAG is celebrating its 50th year after creating nearly 1,000 works of art throughout the Chicago area. From the Martin Luther King, Jr. Living Memorial in Chicago Lawn to the Mount Greenwood Musical Playground, the organization has completed murals, sculptures, earthworks, playgrounds, mosaics and everything in between.
Martin Luther King, Jr. Living Memorial, Chicago Lawn, Sonja Henderson & John Pitman Weber
And although each piece resides in a different neighborhood, they are all rooted in the same three core principles: everyone deserves to experience great art, every community deserves a voice and art-making, and public art encourages community investment. CPAG also continues to share the same values they’ve held for 50 years, uniting artists and organizations to produce art that reflects the beauty of the surrounding community.
For those interested in becoming involved with the organization, CPAG mentors, trains, inspires and supports children and adults across the city and provides everyone with the tools and confidence they need to bring their visions to life. Learn more about how you can get involved and discover more of CPAG’s inspiring art creations here!
With bustling art communities in both cities, Chicago and Scottsdale are regularly home to some of the most widely recognized exhibitions throughout the country. From a lush garden installation in Chicago to an interactive building exhibit in Scottsdale, both have plenty of thrilling shows to enjoy this autumn. For Optima residents looking to experience some of the most inspiring shows of the year, here are the ones you can’t miss:
Chicago
Roughly 25 miles Southwest of Chicago, the Morton Arboretum is home to one of the area’s most stunning exhibitions of the year, Human+Nature. The outdoor art exhibition features eight unique sculptures that range from 15 to 26 feet tall. The artist, Daniel Popper, used hard-wearing materials like glass-fiber reinforced concrete to construct the sculptures to endure Chicago’s winter weather. While Popper used the arboretum and its mission as the inspiration for many of the sculptures, he encourages visitors to connect to the stunning surroundings and discover a meaning of their own. Human+Nature runs through May 2023, and you can reserve tickets here.
Human+Nature, Daniel Propper, Morton Arboretum
Through February 2023, Chicago’s Driehaus Museum off of the Magnificent Mile is home to Capturing Louis Sullivan: What Richard Nickel Saw. The exhibition captures the demolition of many of Sullivan’s buildings in Chicago in the 1960s and 70s through the lens of activist Richard Nickel. Ultimately, the exhibit celebrates Sullivan’s architectural legacy and the unwearying efforts many activists took to save it. Reserve tickets here.
The Chicago Botanic Garden is observing its 50th anniversary throughout 2022! Flourish: The Garden at 50 is an ongoing installation celebrating the connections between art and nature. Through September 25, 2022, the garden features artwork from both local and foreign artists. The event features pop-ups and performances, including a mariachi band on September 24 and 25 and various exhibitions looking towards its future. Find tickets to the celebration here.
Scottsdale
Found in the heart of Mesa, the i.d.e.a. Museum’s latest exhibition, Imagine, Design, Build!, invites its guests into an environment rich in color and experience. The interactive exhibit features 40 works by 15 artists around the world, ranging from paintings to LED installations. With a focus on the science and art of design, visitors beyond the gallery have various interactive opportunities, like designing a building of their own! Find tickets here.
The Scottsdale Museum of Contemporary Art is also home to various thrilling exhibitions this fall. Ending on October 9, 2022, Brad Halhamer: Swap Meet showcases the work of Native American artist Brad Kahlhamer. From its sculptures to musical performances, the diverse exhibition explores the uncertainty of identity and the nomadic art practice.
Three Parallels, Phillip K. Smith III, Scottsdale Museum of Contemporary Art
Opening October 29, 2022, Phillip K. Smith III: Three Parallels is another exhibit coming to SMoCA as part of their Architecture + Art series. The site-specific installation presents itself as an interactive exhibit for visitors. Using vibrant colors, light shifts and large-scale mirrors, each step in the exhibition provides a new perception of the exhibit’s space. Tickets for both exhibitions at SMoCA can be found here.
And the list doesn’t end here! So with autumn in full gear, grab friends and family to enjoy these two special cities in artfully exciting ways.
Chicago is home to a myriad of stunning public art experiences, where each complement their encompassing environment. In this spirit, the city’s largest work of public art, and the largest permanent digital art project in the world, Art on theMART, embraces its surroundings unlike any other installation in Chicago.
The now-beloved contemporary art project originated in September of 2018 as more than 30,000 fled to the Chicago Riverwalk to watch the historic Merchandise Mart building transform into a work of art. Following its launch, Art on theMart has hosted nightly projects created by countless artists, ranging from the current exhibitioner Nick Cave to the inaugural artist Jason Salavon.
Every evening, 34 projects – sprawled across the Riverwalk itself – help project multiple works of digital art across its 2.5-acre facade. TheMART takes advantage of the latest immersive art technology, using various mapping techniques to ensure every projection fits perfectly to the Art Deco details of theMart.
While all of the projections showcased at Art on theMART utilize the giant facade of theMart to showcase bright colors and complex imagery to catch the attention of viewers, the installations also comprise bespoke audio elements, creating an even more immersive experience.
Art on theMART, THINKING OF YOU. I MEAN ME. I MEAN YOU, Barabara Kruger
Current exhibitions include explore by Jonas Denzel and Billiken by Shkynna Stewart and Wills Glasspiegel beginning at 9 p.m. and at 9:30, Ba Boom Boom Pa Pop Pop by Nick Cave, running concurrently with the Furthermore installation at the Museum of Contemporary Art Chicago. Only a 15-minute walk from Optima Signature, prime locations to witness the marvelous exhibition are found across the river from theMart on Chicago’s Riverwalk and West Wacker Drive.
Optima Communities wouldn’t be the same without the striking artwork that fills their public spaces, ensuring a playground of form and color around every corner. Recently, we sat down with artist Ellison Keomaka – who previously contributed to 7140 Optima Kierland and our other Arizona properties – to discuss the process and inspiration behind the 80 unique artworks that now call Optima Lakeview home.
What did the creative process look like when first conceiving and planning the artwork? How did the architecture and design of the building influence and inspire your piece?
When we first began talking about the project, I didn’t realize I was going to be creating artwork for the majority of the building, which was kind of a first for me. And after touring Optima Lakeview in 2021, I realized that I was going to be able to take advantage of its grand layout.
Funlove 0022 and 0011 by Ellison Keomaka at Optima Lakeview
I set out to create a modular system where I could make everything unique. And yes, some paintings share the same colors, but each one is still different. I created the paintings in sets of, on average, seven pieces, separated by size and painted to adapt to any space. My ultimate goal was for building residents and visitors to see something new when walking the corridors and never see the same painting twice. So that was my aesthetic mission — to create an experience for the people in the building to have an indoor gallery where they can see all these different pieces come together.
We’ve learned that you’re often experimental, using anything from soil to fabric to add texture to your artwork – what materials did you use for these particular pieces, and why?
I used a significant amount of spray painting here. Street art has been a huge influence on my career and I wanted to incorporate that into my work. I find spray paint offers a very unique texture, so I used it liberally in these particular paintings. I also used pages from magazines, many of which were from the 50s and 60s. In a few of the works, I was able to incorporate original Chicago Cubs advertisements as a way to add a subtle historical element.
Ellison Keomaka working on the Creamsicle series, Courtesy of Ellison Keomaka
What role does color play in this work?
I worked with Optima’s signature use of bold, bright contrasting colors when creating much of the work. When I toured Optima Lakeview, I was able to see the colors of the atrium, specifically the vibrant red beams used throughout the skylights. And even though the building wasn’t completely finished, I knew exactly what color palette I wanted to incorporate.
I also tried to push the envelope with some of the colors. Some of the blues are off-blues or a little bit away from the primary color. And then there are the paintings that are yellow, red and blue – Primary 3 – that look simple but were actually very challenging for me in their own way because, as an artist, I always like to do more instead of trying to do less. There are also spray-painted pieces that include brownish blues, called Smores, which I originally called Earth Wind and Fire after the band from Chicago. They include this coffee brown with really bright blues mixed into it, which I thought was a fun way to bring warmth into the pieces while still maintaining a bold standard of color.
Airmax 001 by Ellison Keomaka at Optima Lakeview
You’ve talked to us before about how working with music is a large part of your artistic practice. Did music have any role in your creative process for Optima Lakeview’s art?
I think it always does for me. For the first pieces I created, the YBG series, I remember listening to The Weeknd’s After Hours album. I had all of the pieces lined up and was dancing around, having so much fun with them. It was almost like a childlike experience where I didn’t have any rules and was very free with the motions. There was no rhyme or reason, and I let the shapes do their thing. I used an acrylic paint pen to pull some bold black sweeping lines. They reflected the freedom of movement I felt while listening to music. So again, the music made it pretty fun.
Ellison Keomaka working on the Creamsicle series, Courtesy of Ellison Keomaka
Four particularly special pieces live in Optima Lakeview’s lobby – the Mindscapes. How do those differ from the other pieces in Optima Lakeview and what makes them so unique?
The Mindscapes are a grand project I’ve been developing for the past couple of years. They’re each a visual time capsule that are just really fun to observe. They capture a dream state of imagination with abstract colors and shapes but then incorporate these very clear images of historical moments or memories. Everything found in them is relevant to Chicago, from old newspaper clippings about Lakeview restaurants and high schools to Cubs momentos. Each piece is totally unique, and they all include little hidden stories. Again, I wanted people to be able to walk around, stare at a painting for a little while and come back to see something they hadn’t seen before.
A piece from the Mindscapes series by Ellison Keomaka at Optima Lakeview
Anything else we should know about the creative process for this piece or the work itself?
A few of the pieces are inspired by landmarks in the neighborhood, specifically Red Totem, which is based on Kwanusila found in Lincoln Park. When I was doing my research on the community, I found the totem and liked the colors, which I then used in the painting. Others, like the Fun Love series, were more dynamic because they all had the white splatter that almost becomes energizing when you look at them. Those took the longest time for me to feel like they were complete, because of all the layers of paint that had to dry.
The 80 paintings that fill Optima Lakeview mirror the vibrant aesthetics that we strive to create in our communities. As with every piece of artwork that we display in our built environments, Ellison Kemoaka’s bold and inspiring work brings a unique story for residents as well as anyone who passes through the space to discover.
When people think of public art in Chicago, their minds often wander to Millennium Park, where iconic pieces like Crown Fountain and Cloud Gate live. However, throughout the city, art is discoverable in every neighborhood. Today, we’re exploring the community-art project: AMENDS. In addition to being an interactive project, the expansive goal of AMENDS is to lay the foundation for the eradication of racism.
Created by internationally-renowned artists Nick Cave and Bob Faust, AMENDS is a multifaceted project living at the Chicago creative space, Facility. The collaborators first envisioned the project after the death of George Floyd in 2020. The engaging experience encourages individuals to publicly share confessions and apologies that recognize how they may be independently responsible for the continued expansion of racism.
The adversarial action is simple but an extremely intimate and impassioned way to acknowledge where individuals make change and, with hope, where society can too. AMENDS consists of three dynamic phases, each expanding on the project over time.
The first phase,“Letters to the World Toward the Eradication of Racism,” is an assemblage of letters, quotes and notes brought to life by Chicago community leaders on the windows of Facility. The remarks contain various raw and emotional expressions that are on view to everyone in the public.
“Dirty Laundry,” the second phase of AMENDS, Photo from Facility
“Dirty Laundry,” the second phase of AMENDS, progresses at Carl Schurz Public High School across the street from Facility. “Dirty Laundry” challenges the public to address any roles they have played in advancing racism throughout their lives. The declarations of apology metamorphose into yellow ribbons that are tied to clotheslines, creating a public collection of community remorse.
Building upon the previous phases, “Called to Action” asks for participation on a much larger scale. In the form of a hashtag — #AMENDS — the final chapter encourages people across the world to voice their avowals and invite ensuing change for the near future. Bringing together artists, community leaders and everyday people, AMENDS serves as a beacon for Chicago and pushes to keep the city moving forward.
The power of public art is rooted in its ability to welcome beauty into communities. At the same time, it can be a driving force for inquiry, engagement and participation. The values inherent in public art are also core to the character of Optima, which we express through our commitment to incorporating thoughtful art programs into each community we build.
As part of our ongoing “Women in Architecture” series at Optima, we’re taking a look at another spearheading female figure: Amanda Williams. Similar to many of the women in this series, she is a pioneer in her field. Trained as an architect, Williams blurs the line between visual arts and modern architecture. Learn more about her remarkable life and work below.
The Life of Amanda Williams
Amanda Williams was born in 1974 in Evanston, Illinois. However, she grew up in Chicago’s Southside Gresham neighborhood. She graduated from Cornell University in 1997, where she studied architecture and was a member of one of the nation’s most prominent honor societies. After graduating, Williams moved to San Francisco and worked for a commercial architecture firm for six years before returning to her hometown to focus on her love of painting.
Back in Chicago, Williams discovered The Center Program. The Hyde Park Arts Center’s capstone program is a one-of-a-kind opportunity for groundbreaking artists. While in the program, fellow artist Trisha Van Eck challenged Williams to take her talents a step further and paint on a larger architectural scale. Her response led to some of her most recognized and celebrated work today.
Throughout her practice, Williams uses vibrant color to draw attention to the complexities and intersections of race, place and value within cities. Her paintings, sculptures and installations are all created to examine how the mundane can be viewed through a new lens and question the state of urban space throughout the country.
Flamin’ Red Hot, Color(ed) Theory, 2014
Notable Work
In 2015, Williams debuted her most famous project, Color(ed) Theory at Chicago’s Architecture Biennial. The critically acclaimed exhibition, featured in The New York Times, examines race and space on Chicago’s South Side. With the help of family and friends, Williams repainted eight abandoned houses in the Englewood neighborhood between 2014 and 2016 as part of the exhibition. Each house was decorated with specific colors Williams found in products targeted towards Black consumers. Still standing today, the eight eye-opening houses continue to push for further discussions on the complexities of race and space Chicago and around the world.
Chicago is home to another one of William’s most well-known pieces. Located at The Arts Club of Chicago, Uppity Negress was a site-specific exterior installation created in 2017. The work investigates the claim of courtyards as either public or private areas and addresses the vast roles that gender and race play in urban accessibility.
While much of Williams’ work is located in or near Chicago, her aptitude for creation has led her across the United States. In early 2019, Williams was chosen alongside acclaimed artist Olalekan Jeyifous to design Brooklyn’s newest monument dedicated to Rep. Shirley Chisholm, part of a larger city-wide initiative known as She Built NYC. The monument is soon to be completed and will sit at the Parkside entrance to the neighborhood’s Prospect Park.
A rendering of Williams and Jeyifous’ Shirley Chisholm Monument
Alongside her transformative work, Williams has been a recipient of many architecture and art awards as well as achievements throughout her career:
Chicago’s 3Arts Award, 2014
United States Artists Fellow, 2018
New Generation Leader, Women in Architecture Awards, 2021
Obama Presidential Center Design Team
Williams has lectured at esteemed schools including Washington University, California College of the Arts, Illinois Institute of Technology and her alma mater. Today, she continues to forge a lane of her own and blend traditional visual art techniques with the complexity of architectural design.
One of the many reasons we love Lakeview — one of our newest Optima communities with the construction of Optima Lakeview — is its thriving, engaging art scene. From giant murals to local programs, there’s something for everyone in the Lakeview creative community.
Year Round by Mauricio Ramirez at 3406 N. Ashland Ave. Photo courtesy of Lakeview Chamber of Commerce
Public Art
Like many other Chicago neighborhoods, Lakeview’s streets are adorned with eclectic and energized murals and public art. Each piece has its own unique personality, many designed and executed by local artists. Guided by the 2011 Lakeview Area Master Plan, the Lakeview Chamber of Commerce, Special Service Area (SSA) 27 and Friends of Lakeview championed the installations to reflect the spirit of Lakeview and brighten up pedestrian routes. Contributing artists include JC Rivera, Louise “Ouizi” Jones, Lauren Asta, Antonio Beniquez, Anthony Lewellen, Mauricio Ramirez, Chad Kouri and more. We love how the colorful artwork creates such a vibrant, welcoming feel to the neighborhood.
This Is Lakeview by Lauran Asta at 3411 N. Paulina St. Photo courtesy of Lakeview Chamber of Commerce
Lakeview East Festival of the Arts
In a typical year, you can find art from more than 150 artists at this annual event and Lakeview tradition. The summer festival also features music performances and fare from local restaurants. In 2020, the festival was moved online and turned into a virtual showcase, which you can still check out. It’s a great way to discover your next favorite local artist and business owner.
Art Classes
If you’re feeling inspired to pick up a new hobby, Lakeview has plenty of ways to learn how to expand your own creativity. Park West Ceramics offers classes and workshops for those who aren’t afraid to get their hands dirty. For little artists, Kidcreate Studio offers classes, camps and art-themed parties for ages 18 months to 12 years. And for a fun night out (or in), Bottle & Bottega offers a classic sip-and-paint class, with at-home kits and virtual options.
Whether you’re an admirer of the arts or a budding artist, Lakeview is a unique contributor to Chicago’s expensive network of artists, photographers, sculptors and creative visionaries.
