interior design Archives - Page 4 of 6

David Hovey Sr., FAIA, the Artist

Posted on April 13, 2022 by Hunter

Art and architecture are united through a connection of aesthetics. Both emerge from a creative vision to engage the senses and express their unique identity. As we continue to explore the rich stories detailing the career of David Hovey Sr., FAIA, in the newly published catalogue raisonné, it’s a pleasure to unearth the vision behind some of his most ambitious works.

Alex Marshall, in his thoughtful essay entitled “Brilliant Journey,” reflects on the dimension of David Hovey Sr., FAIA,’s career as an artist:

“In front of Optima Signature (2017) on Illinois Street near Michigan Avenue in Chicago and at Camelview Village in Scottsdale are objects composed of smooth, brightly colored steel plates with cutouts in whimsical patterns of swoops, sharp points, and angles. They contrast with the buildings, which have horizontal and vertical lines.

“The objects are works of art, sculptures designed by Hovey Sr. He has taken his love of exploring the possibilities of materials and the creation of spaces, and channeled them to aesthetic ends.

“‘Architecture is about function, as well as aesthetics,’ Hovey Sr. said. ‘While sculpture is really just about aesthetics. You don’t have that functional component. You can do whatever you want. I like that.

“‘Because of my years of working with it as an architect, I feel I’ve developed a special understanding of steel, its material structure, and what can be done with it visually. I’m trying to do something that can’t be done in wood, canvas, or plastic. So I use very thin steel plates, and join them together so that they become very three-dimensional, and create curves and voids and form. It doesn’t really matter if they are a foot high or fifteen feet high.

“Although he has been exploring the idea for years, Hovey Sr.’s practice as a sculptor took a leap forward when he decided to put one of his own pieces in front of Camelview Village in Scottsdale. The municipal government had required Optima to spend $400,000 on a piece of art in front of the building. Hovey Sr. decided to do it himself, using all the money to fabricate, transport, and install the art.

“The process is this: Hovey Sr. makes sketches of his designs, and then gives them to a fabrication shop. The shop produces digital versions of Hovey Sr.’s sketches, and then uses these computerized drawings to make the three-dimensional pieces composed of different planes of steel. The expensive laser cutting machines, some about the size of a small car, draw as a child might draw on a piece of paper, except with a laser that burns precise holes and lines into the plates of metal, to produce what Hovey has set down.

“‘I wanted to take advantage of the most recent technology, so the sculpture I was doing wouldn’t look like something from the nineteenth or twentieth century; it would look like something from the twenty-first century.

“Hovey Sr.’s sculptures also reflect his own temperament. ‘I’m one of those people who like to be active so if I have an hour or two free, I would rather be doing sculpture. It’s my way of relaxing.”

Stay tuned for more inspiring and enlightening excerpts from David Hovey Sr., FAIA. To learn more about the stunning sculptures created by David Hovey Sr., FAIA, that live in Optima communities, explore our website here.

David Hovey Sr., FAIA, A Modernist Philosophy Emerges

Posted on March 16, 2022March 21, 2022 by Hunter

As we continue to explore the new David Hovey Sr., FAIA catalogue raisonné, it’s a pleasure to linger over the expansive, thoughtful essay penned by distinguished architecture writer and long-time associate, Cheryl Kent. This examination of Hovey’s career entitled, “The Achievement,” provides new perspectives on his career that give us greater appreciation for what he has cared deeply about, and the impact he has made.

In speaking about Hovey’s core beliefs, Kent explains:

“David Sr. continues as CEO and a principal architect. Now in his mid-seventies, he is beginning to pull back and leave more responsibility to his heirs. Still, he continues to work every day, ‘helping’ as he says ‘wherever I’m needed.’ In 2004, Optima opened an Arizona office but it has been building in the Phoenix-Scottsdale area since 2000. Today, Optima projects routinely gross over one million square feet and sometimes more than two. Over the course of the company’s existence, it has built nearly six thousand residential units with another 950 now in the works. And the pace has picked up. In its early years, the firm did approximately one project a year; now it is likely to have projects in construction in both markets at the same time, and sometimes more than one in each.

840 Michigan was a 24-unit complex in suburban Evanston built in 1985.

“It is significant that Hovey accomplished this over decades when his design philosophy, modernism — and he does embrace it as a philosophy — was out of step with the architectural mainstream. When many architects had embraced postmodernism beginning in the 1970s arguing for conventional historical references non-cognoscenti could understand and still other architects turned to deconstructivism that no one could understand, Hovey was steadfast in his belief in the tenets of modernism, in the future, in technology, in material honesty, in structural expression, and in architecture’s ability to improve life for people. Architecture, Hovey insists, must be expressive of its time and employ the latest technology. He has made a highly successful career of well-designed housing in a modernist idiom.”

When Hovey tackled North Pointe on the site of an old warehouse in Evanston in 1990, he used a dynamic plan to include 118 townhouses with penthouses and two mid-rise condominiums.

The projects in the early years of Hovey’s career allowed him to hone his practice by continuing to take on greater challenges in location, scope, size and materials — all the while staying true to his core beliefs and principles.

New Book Release: Reflections on the Career of David Hovey Sr., FAIA

Posted on March 7, 2022March 16, 2022 by Hunter

Hot off the press is the spectacular retrospective of the 40+ year career of David Hovey Sr., FAIA, Optima’s CEO and Founder. David Hovey Sr., released by Images Publishing, is a collector’s item that arrived on bookshelves in January 2022. The monograph opens with a beautiful introductory essay by the late luminary architect Helmut Jahn, who wrote about their decades-long friendship and Hovey’s “staggering” influence on architecture. Entitled “Living Beautifully,” Jahn explains:

“The best thing that can be said about the work of David Hovey Sr. in his chosen field of multi-family and single-family housing is that he builds unique and inventive dwellings for people to live beautifully. That he chooses to play not just the role of the architect but also that of developer, contractor, construction manager, sales and leasing agent, and building operator makes the achievement even more remarkable. As his own client and CEO of his company, Optima, Hovey demonstrates that it’s possible to successfully execute the very different skills of an architect and a developer by applying tremendous knowledge and tenacity and assuming great responsibility. Many who have tried to work as an architect-developer have failed because they did not find the right balance. David Hovey expanded the role of the architect to the level of a master building and in this, he is without equal in his generation.”

In the words of friend and chronicler, Jahn talks about the arc of Hovey’s career:

“Hovey’s built work is a testament to constant refinement and improvement, each project a step along a path to take on new and bigger challenges, never being afraid of making a mistake by doing something new. The achievements of an architect become more evident with the passing of time. The good buildings become more important, the others will be forgotten.”

In Jahn’s reflections on Hovey’s deep understand of the complex issue of climate change, he shares his thoughts this way:

“David Hovey’s work should be recognized for more than its architectural design. This is particularly evident in his desert buildings where he addresses the important issue of climate change that challenges architecture today. Authorities measure energy consumption as the primary factor in building construction. Looking at energy efficiency alone is the wrong measure. We don’t have an energy problem, we have an emissions problem. Carbon dioxide is the principal culprit in climate change and the building industry contributes a considerable amount of it to the atmosphere.

“In Hovey’s buildings, there are strategies that address climate issues. This is demonstrated in the use of many prefabricated lightweight materials for load-bearing or non-load-bearing, enclosing parts. This extends to the use of recycled steel. Hovey regularly employs effective sun-shading devices. His strategies include LED lighting as well as energy-saving heating, air conditioning, and ventilation systems. Sustainability is assured by design and not through additional equipment or devices, which don’t pay off over time. Here, the mind of the architect and developer in one person can best design and build buildings where nothing can be taken away to come closer to perfection. Only through knowledge, determination, and a deep sense of responsibility can these energy goals be achieved, as the buildings show.”

Stay tuned for other inspiring excerpts from David Hovey Sr., along with stunning images of completed structures and his extraordinary sketches. For those who wish to purchase the book, it is available through a number of booksellers online.

Exploring Paolo Soleri’s Cosanti

Posted on March 2, 2022April 4, 2024 by Hunter

Scottsdale and its surroundings offer some of the country’s most historic art and architectural sites, including Taliesin West and its museum of contemporary art – SMoCA. Because of the popularity of these marquee locations, some of the area’s other unique contributions are often overlooked. Today, we’re spotlighting one of the community’s most ambitious architectural and design feats, Cosanti.

Cosanti’s History

Found in Paradise Valley, Arizona, less than a 15-minute drive from Optima Kierland Apartments, Cosanti is a standout in its suburban neighborhood. The Gallery and design studio were designed and built by the Italian-American architect, urban designer and philosopher, Paolo Soleri. Soleri, who built the project in 1956, lived with his wife on the five-acre property only a few miles from Taliesin West, where he studied under renowned architect Frank Lloyd Wright just ten years earlier.

The interior of Cosanti’s Earth House where Soleri resided until 2013, Courtesy of Cosanti Originals

The structure’s name originates from Soleri’s Italian roots. Cosanti combines the two Italian words for ‘object’ and ‘before’, and the word itself means, ‘There are things more important than objects’ – a philosophy Soleri lived by. This attitude extends beyond the structure’s name and into its architecture, where he introduced his own philosophy of arcology. The term recognizes the importance between built and lived environments, similar to that of sustainable or regenerative design.

Otherworldly Architecture

Cosanti’s otherworldly design elements easily separate it from its modern surroundings. Some of the build’s most alluring features are its outdoor studio, performance spaces, swimming pool, Soleri’s residence, and of course, his famous ‘Earth House’.

Cosanti’s earth-cast wind-bells produced of bronze and ceramics, Courtesy of Cosanti Originals

To create the Earth House, Soleri utilized an earth-casting technique, where his team formed dense mounds of earth and then covered them in concrete molds. After developing, the earth under each mold became excavated and concrete structures built partly underground appeared – a building method that allows the structure to utilize natural insulation from the earth.

Soleri also used terraced landscaping, courtyards and garden paths to separate branches of the unique campus and further connected the environment to its natural surroundings using earth-cast wind-bells.

Today, the Arizona Historic Site offers local residents and tourists free guided tours of the visionary structure and property. To explore the grounds and more of Cosanti yourself, visit their website here.

Modernist Treasures: A Visit to Columbus, Indiana

Posted on February 28, 2022April 3, 2024 by Hunter

When you’re feeling a bit of wanderlust and looking for beauty in unexpected places, hit the road and make a beeline to Columbus, Indiana. Just 3-½ hours by car from Chicago and 50 miles south of Indianapolis, Columbus is a small city by American standards — and yet finds itself ranked 6th in the nation for architectural innovation and design by the American Institute of Architects.

As the website for Columbus explains, “Columbus is an improbable town. Every year thousands of visitors arrive to explore its streets and study its buildings, for it is one of the rare places on earth where the idea that architecture can improve the human condition has been put to the test. It’s a small, southern Indiana community with no apparent call to destiny that remarkably became an architectural ‘mecca.’”

The evolution of Columbus into an extraordinary experiment in modernist architecture began in the early 1940s when the industrialist J. Irwin Miller began commissioning world renowned architects to come to the city and undertake the design of commercial and municipal buildings.

A tour through the city will take you to a host of treasures including First Christian Church by Eliel Saarinen, the Irwin Union Bank, Miller House, and North Christian Church by Eliel’s son Eero Saarinen, and the Cleo Rogers Memorial Library by IM Pei. These commercial buildings and houses of worship expressed the deep beliefs held by J. Irwin Miller about the power of great architecture to shape the civic experience.

Besides being meticulously preserved, the buildings are situated in proximity to impressive public art installations that include works by Henry Moore, Dale Chihuly, Jean Tinguely, and Robert Indiana.

First Christian Church, Eliel Saarinen, 1942

Adding to the caché and allure of Columbus is a feature film that has drawn even greater attention to this unique metropolis. Columbus is a 2017 American drama written, directed, and edited by Kogonada was shot on location in 2016 over a period of 18 days. The film follows the son of an esteemed architecture scholar who gets stranded in Columbus and strikes up a friendship with a young architecture enthusiast who works at the local library. The film premiered at the 2017 Sundance Film Festival and was released in the United States by the Sundance Institute, receiving broad acclaim from critics.

When planning a visit to Columbus, visit the city’s comprehensive website for a guide to the city’s architecture or to schedule a tour. And if you want to get inspired in advance, you can stream the film Columbus on Amazon Prime.

Curated Furniture at Optima Lakeview: the Bertoia Side Chair

Posted on February 14, 2022 by Hunter

Our love of mid-century classic furniture can be found throughout all of the Optima communities. And with our soft spot for iconic seating, it’s no surprise that the famed Bertoia Side Chair is a staple in many of our amenity spaces. Let’s take a closer look.

About Harry Bertoia
Born in San Lorenzo, Italy in 1915, Bertoia built an international reputation as an artist, sound art sculptor and modern furniture designer. After leaving his home at the age of 15 to join his older brother Oreste in Detroit, Harry embarked on a career that centered on the exploration of modernist ideas and ideals, often in collaboration with some of the greatest thinkers and visionaries of that era.

In 1936, a one-year scholarship to the School of the Detroit Society of Arts and Crafts allowed Harry to study painting and drawing. He entered and placed in many local art competitions, said to be the most awarded student up until that time. The following year, another scholarship took him to the Cranbrook Academy of Art in Bloomfield Hills, Michigan. Working among some of the most famous artists and designers of the modernist age, including Eero and Eliel Saarinen, Charles and Roy Eames and Florence Knoll, Bertoia’s creativity and mastery of materials flourished.

Bertoia as Furniture Designer
Bertoia was first exposed to furniture design at Cranbrook when Eero Saarinen and Charles Eames entered and won the Organic Furniture Design Competition sponsored by the Museum of Modern Art. In fact, Bertoia developed his initial chair design ideas while working with Charles Eames and others in California in the late 1940s, which he later incorporated into his work.

Bertoia eventually left Eames to join the Point Loma Naval Electronics Laboratory. While there, he learned how to study the human body to design control panels and knobs that focused on comfort for reach and grip. This sensitivity to ergonomics contributed significantly to Bertoia’s fascination with designing well-fitting practical chairs.

In 1950, at the invitation of former classmate Florence Knoll and her husband Hans, Harry moved to eastern Pennsylvania to work at their emergent furniture company Knoll, Inc. Florence had seen Harry’s work at Cranbrook, heard he had left Eames, and knew that he had enormous promise as a furniture designer. The Knolls offered him the opportunity to design what he wished with full credit and complete recognition of his work, which was their policy with all designers.

About the Bertoia Side Chair
Once on staff at Knoll, Bertoia was asked to develop hospital furniture, but he preferred to work with healthy bodies. He gravitated towards metal as his material of choice, and he continued to experiment with it until he landed on the concept of the wire grid, which could be shaped at will. with it until arising at the wire grid concept that could be shaped at will to conform to the human body. This was a radical departure from the use of rigid wood, which was characteristic of the late 1940s and early 1950s furniture. He not only created the airy welded metal design of the chairs, but also devised the production molds used for mass manufacture.

Knoll produced the first Bertoia chairs in 1952 — an amazing collection of furniture that reflects a profoundly beautiful study in space, form and function. As with other designers of his time, including Mies van der Rohe, Bertoia found infinite elegance in an industrial material, elevating it beyond its utility into a work of art.

Today, the Bertoia collection remains one of the great achievements of mid-century modern furniture design by one of the master sculptors of the last century and a proud part of the Knoll heritage.

Lakeview’s Hidden Architectural Treasures

Posted on February 9, 2022 by Hunter

Filled with an appreciation for arts, culture, and everything in between, Chicago’s Lakeview neighborhood is home to some of the city’s most brilliant and iconic buildings. Forever inspired by the architecture surrounding us, we’ve been out and about to spotlight a few of the many architectural treasures found near our newest development, Optima Lakeview:

Landmark Century Cinema

Landmark Century Cinema, one of the neighborhood’s most opulent structures, opened its doors in 1925 at 2828 N Clark Street. The structure, originally named Diversey Theater, was designed by Edward Eichenbaum of Levy and Klient, a prominent architectural firm that was known for their theater designs at the time. The stunning theater was built with a Spanish Baroque Style façade which has remained in excellent condition throughout the building’s life.

Throughout the building’s nearly century-long existence, it has undergone several renovations and name changes. In honor of the Century of Progress World Fair hosted in Chicago from 1933-34, the building became the Century Theater. With the name change came a complete remodeling of its interior space, which introduced various Art Deco elements to the theater.

In 2000, the Landmark Theater Chain bought the property, prompting the name change to Landmark Century Cinema. With the purchase came further restorations and renovations across the historic structure. Today, Landmark Century Cinema exhibits its original Baroque terracotta facade and updated neo-Art Deco interior.

Schubas Tavern

What was once a beloved tied house – a bar created to serve only a single brand of beer – is now a historic tavern featuring some of Lakeview’s most stunning interior and exterior architecture. Built by architectural firm Frommann and Jebsen, Schubas Tavern originated as a Schlitz Beer tavern in 1903.

The company operated the tavern for over 80 years until the building was bought by Schubas in 1989. With restoration at the front of their minds, Schubas refreshed the historic bar’s 30-foot Brunswick mahogany bar, tin ceilings, walnut wainscoting along with exterior fixtures that included the famous Schlitz globe logo. Often frequented for its showstopping concerts and events, one of the most significant renovations for the building was its timber performance stage, which has been host to a variety of big names, including Janelle Monet, Billie Eilish and The Nationals.

The bar’s newest architectural addition, Tied House, exhibits a modern reinvention of the iconic tavern. The new restaurant and bar utilizes traditional tavern materials, including brick patterns, copper accents and ceiling tiles, while transforming them in a modern fashion.

Marshfield Trust and Savings Building

Dramatically rising from its compact triangular lot at 3325 N Lincoln Ave, the former Marshfield Trust and Savings Building showcases various unique architectural elements that still radiate today. The historic bank building was constructed in 1924 by Architect William Gibbons Uffendell and Contractor Arthur Brundage, who would later become President of the International Olympic Committee.

The lanky flatiron building, which utilizes Classical Revival Styles of architecture, showcases an ornate terracotta exterior that features various elaborate designs. Two-story arched windows stretch along both sides of the building’s façade and meet in the middle to reveal the building’s main entrance, which is framed with an eye-catching bracketed cornice above its doors.

With the opening of Optima Lakeview fast approaching, we couldn’t be more thrilled to continue showcasing what makes our new vibrant community so special.

Women in Architecture: Charlotte Perriand

Posted on January 26, 2022 by Hunter

A trailblazer for women designers, Charlotte Perriand always found a way to reinvent her work with the ever-changing aesthetics of interior design and architecture in the 20th century. She forged herself as a leader of the avant-garde cultural movement, which influenced new perspectives and values in the design world. Today, as part of our ongoing “Women in Architecture” series, we’re exploring the life of this exceptional designer and some of her most celebrated creations.

The Life of Charlotte Perriand

Perriand was born in Paris, France in 1903. She lived with her mother, who was a talented seamstress, and her father, who worked as a tailor in the city. Because of the lively energy of her surroundings, Perriand found a deep appreciation for city life but also relished her frequent visits to her grandparents’ home in the French Alps, where the natural environment was peaceful and calm.

At a young age, Perriand discovered a passion for the arts. As her talents continued to flourish, Parriand’s mother encouraged her to push herself by attending École de l’Union Centrale des Arts Décoratifs in Paris. From 1920-1925 she studied under the renowned artist and decorator Henri Rapin, who helped bring her unique ideas to life.

During her time at École de l’Union Centrale des Arts Décoratifs, Perriand learned to incorporate popular aesthetics such as ornate patterns, warm materials like wood and soft textiles like cotton. Dissatisfied by the status quo, Perriand pushed her interests and fed her curiosity by enrolling in classes made available through large department stores that housed their own design workshops. Encouraged by the reactions to her creations that incorporated glistening surfaces, reflective metals and blunt geometric forms, she began to submit her work to expositions throughout Paris. Perriand’s most notable entry at the time was Le Bar sous le toit, or Bar in the Attic, at the prestigious Salone d’Automne, in1927. This installation of furniture, finishes and a built-in bar reflected the current machine-age landscape and displayed a bold design featuring nickel and other metals. Emboldened by the reactions of her peers, Perriand quickly began embracing these taboo materials in her work, conveying exciting new interpretations of modern design.

An initial sketch for Bar in the Attic, Charlotte Perriand, Paris 1927, courtesy of Intérieurs Fig. 40

Career and Achievements

After the success from Bar in the Attic, Perriand had a difficult time discovering what her next move should be in the art world. She took advice from a friend, jewelry designer Jean Fouquet, and immersed herself in the intensive literature of Le Corbusier. Dazzled by his work, Perriand reached out with her portfolio for a position at his atelier. After a hasty dismissal, she showed Le Corbusier her acclaimed Bar in the Attic project, which caused him to reverse his decision and hire her on the spot.

The Grand Confort, designed by Charlotte Perriand, Le Corbusier and Pierre Jeanneret

While working for Le Corbusier and his cousin, Pierre Jeanneret, Perriand contributed to the design of some of their most celebrated furniture pieces: the basculant sling chair (known as LC1), the Grand Confort (LC2 and LC3) and the chaise lounge chair (LC4). However, her impact reached far beyond furniture; Perriand brought to life the trio’s vision of modern luxury as Equipment for the Home for the 1929 Salon d’Automne, which included an entire apartment set with a bold kitchen and bathroom.

Perriand left Le Corbusier’s atelier in 1937 after ten years of extraordinary growth and accomplishment. Her expertise led her across the world, but she eventually traveled back to the French Alps, where her roots enticed her to work on her largest – and final – project, Les Arcs. Composed of three different structures and built over a nearly-20 year period, Les Arcs brought to life a new style of living with an open-plan interior and an exterior integrated into the surrounding natural environment.

Les Arcs, designed by Charlotte Perriand, courtesy of Matthew Rachman Gallery

The bedrooms of the famous ski resort were built with minimal design elements. Thoughtful design was instead prioritized in communal spaces, like the great rooms, where windows opened to vibrant sunlight and views of the pristine natural surroundings.

Throughout her illustrious career, Perriand preferred to look to the future instead of reflecting on her previous work. And on this life journey,Perriand established herself as a fearless forward-facing designer who was eager to reinvent her design philosophy over and over.

Optima Communities: Exploring Wilmette’s Rich History

Posted on January 24, 2022 by Hunter

With groundbreaking underway for Optima Verdana in Wilmette, IL, we’re discovering this vibrant community and all it has to offer — including its rich history.

Bordering Lake Michigan and located 14 miles north of the Chicago Loop, Wilmette is recognized as one of the most prestigious communities in the nation. It started as a small settlement on Chicago’s North Side in 1872 and by the mid-twentieth century, it emerged as a distinctive, desirable suburb with unique vitality, extraordinary walkability along tree-lined, brick streets and a character all its own.

Fast forward to today, when Wilmette, with a population of nearly 30,000, has fully matured into a vibrant community. Small businesses and lively restaurants flourish, each bringing a refreshing offering to this thriving, 21st century livable village. The lakefront, parks and gardens are all within easy reach. Culture abounds with music, theater, art and cinema. And the Wilmette schools are considered among the best in the country.

As luck would have it, 2022 marks the 150th anniversary of Wilmette. As celebrations for this important milestone continue throughout the year, Wilmette is proud to showcase its reputation as future-facing while showing a deep appreciation for the past, including a host of events that shine a light on its delightfully eclectic history.

Bahá'í House of Worship — Bahá’í House of Worship

Mark your calendars…

To start the sesquicentennial year, all are welcome to the Wilmette Historical Museum’s annual meeting and lecture via Zoom. John Jacoby, former Village President and Wilmette Beacon columnist, will discuss his recent book Wilmette at 150, a collection of essays on Wilmette. Mr. Jacoby’s talk will explore the lost landmarks of Wilmette. Learn about the stories of the significant buildings and other structures that are no longer in existence, including some of the oldest in Wilmette, such as the Big Tree and the Unity Church. Hear fascinating tales of Dr. Martin Luther King’s visit to the North Shore, the German POW camp in Harms Woods, the colorful history of No Man’s Land, the perseverance of world pushup champion Chick Lister and Public Enemy Number One Baby Face Nelson’s demise on Walnut Avenue.

You can stay connected to all the sesquicentennial happenings on the Wilmette at 150 website. And to attend the meeting and lecture, which will take place Sunday, January 30, 2022, from 2:00pm – 3:30pm,

Register HERE.

Curated Furniture at Optima Lakeview: the Womb™ Chair

Posted on January 18, 2022 by Hunter

One of the ways we honor the Forever Modern promise and keep it relevant at Optima is by curating both public and residential spaces in our communities with timeless furniture. As we put the finishing touches on the furniture selections for the lobby and model apartments at Optima Lakeview, it’s a perfect time to take a closer look at the Womb™ Chair.

In 1946, Florence Knoll, the pioneering architect who led the furniture empire Knoll Associates with her husband Hans, reached out to friend and fellow architect Eero Saarinen to design a lounge chair for the company. In numerous interviews following the release of the chair, Knoll explained, “I told Eero I was sick and tired of the one-dimensional lounge chair … long and narrow … I want a chair I can sit in sideways or any other way I want to sit in it.” She envisioned “a chair that was like a basket of pillows … something I could really curl up in.”

Originally named No. 70, the chair quickly took on its more intuitive name as people raved about its countless positions and the deep sense of comfort and tranquility it provides. “There seemed to be a need for a large and really comfortable chair to take the place of the old overstuffed chair,” Saarinen explained. “Today, more than ever before, we need to relax.”

Apart from its novel appearance, the Womb™ chair is also highly innovative from a structural perspective. To achieve a balance between comfort and a modernist silhouette, Saarinen wanted to construct the chair out of a single piece of material. This led him to a groundbreaking new material that had recently been developed to produce minimalistic, yet-durable hulls for Navy vessels during World War II. He then turned to a New Jersey boat builder to use this reinforced-fiberglass-and-resin to produce a prototype of the cropped, folded cone shape he had designed. The final result — a padded and upholstered fiberglass shell that sits on a polished chrome steel frame — combined simplicity of shape with true comfort and flexibility.

A sketch of the Womb™ chair, designed by Eero Saarinen, courtesy of Bob Ewing

Once released, the Womb™ chair quickly became a cultural icon. A 1958 Coca-Cola advertising campaign showed Santa Claus drinking a Coke in a Womb™ chair. The chair also made an appearance in a New Yorker cartoon as well as a Saturday Evening Post cover by American Painter, Norman Rockwell.

Discover the iconic Womb™ Chairs as part of our invitation to “Expect the Extraordinary” when you visit Optima Lakeview. Experience for yourself what it means to lounge in absolute comfort and modernist simplicity, just as Eero Saarinen and Florence Knoll imagined 75 years ago.

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Tag: interior design