Hunter, Author at Optima

Inside The Newest Tower at Optima Kierland Apartments: A Closer Look at the New and Evolving Amenities With Barbie Clemons

Posted on May 15, 2023May 15, 2023 by Hunter

Get ready to experience the ultimate luxury apartment living! The long-awaited completion of 7190 Optima Kierland Apartments in Scottsdale has finally arrived, and we’re thrilled to give you an exclusive look into all of its evolving amenities. We sat down with Barbie Clemons, General Manager at Optima Kierland Apartments, who shared all the details about what makes the tower’s incredible new amenities stand out from the rest:

What is the current state of the luxury amenity experience in Scottsdale? How has the definition of luxury amenities changed in recent years?

Everybody’s spending a lot more time on amenities. You can see it in Scottsdale being a resort town; people want that resort-style living and to have everything at their fingertips. In recent years, we’ve seen buildings adding more events to their rosters, making sure that they have a gym, pools, hot tubs, etc. And then you start seeing other communities sprinkling in a cardio room and some of those more niche amenities to set them apart. For example, there’s a brand new building up the street from us that has a spa atmosphere where they’ve built a massage room and some of those spa-like amenities.

But that’s something that Optima has always done, because we’ve always gone to the next level with our amenities. This gives us the unique opportunity to always be ahead of the curve, delivering experiences and features that residents are just starting to dream about!

What are residents/potential residents at 7190 most interested in?

At our new tower, Kierland 7190, we added a separate pickleball court. People are very excited about this addition because pickleball is such a phenomenon. In our other Kierland properties, we’ve transformed our basketball courts so residents can play basketball or pickleball. But in 7190, we now have a separate space that’s specifically for pickleball, and people are so excited about that.

They’re also excited about the Olympic-length pool on our rooftop here. It’s probably the longest pool I’ve ever seen on a rooftop, and it’s absolutely beautiful. Something else that has drawn people into our newer buildings is the rooftop track. We have a quarter-mile track that goes around the roof of our buildings, where residents can walk or jog and enjoy the views of McDowell Mountain, as well as a spa and cold plunge, and like our other buildings, lounge seating, fire pits, and an outdoor bar and kitchen.

7190 Optima Kierland Apartments’ outdoor covered Pickleball arena

What are some of Optima Kierland 7190’s evolved amenities?

There are so many! The rooftop track is a newer one, and the Olympic-length pool on the rooftop and pickleball court are some of the others. We also have a yoga studio that includes its own separate Pilates room. We’ve added full-blown pet spas and one of our most fun new additions, a golf experience. We also have our golf simulator and sports lounge indoors, and then outside, we have a new putting green and chipping area where residents can play on different types of terrain, which is unique.

What sets these amenities apart from other buildings in the community?

Kierland stands apart because each of our five buildings has its own set of amenities, which is so distinctive relative to other apartment communities where the amenities are centralized and shared by all of the residential buildings. So whichever Kierland tower you choose, you’re only sharing with the intimate community you’re already familiar with. It’s really a lifestyle that we sell here, not apartment living. We’re showing residents that they can have everything at their fingertips and not have to go to a Lifetime Fitness or something like that outside of our community if they don’t want to, we’ll bring it all to them.

How are your residents responding to the amenity experience at 7190?

What we’re hearing from residents is that they are genuinely excited about the fact that they don’t have to leave the community to have an amazing quality of life. Our residents don’t have to go to cryotherapy or visit another golfing place to play on a simulator. Everything is right here within easy reach. We also have everything from huddle rooms to conference rooms, making it extremely easy for residents to work from home. We have spaces to enjoy and activities for people to play, from racquetball and pickleball to our pool, ping pong, shuffleboard, and bocce ball. I mean, there’s something for every single person in these buildings.

If residents are retiring, selling their homes, and downsizing into apartment living for the first time in 30 years, their grandkids are going to have a ton of places to go and enjoy. Additionally, new to the 7190 tower, we have implemented a 24/7 door staff so residents will have someone available 24 hours a day as part of our staff!

John Lautner’s Journey Through Space and Form

Posted on May 10, 2023March 12, 2024 by Hunter

At Optima®, we are always delighted to showcase the works of Modernist architects who have made waves in the field. One such architect, whose innovative designs and extraordinary imagination have left a lasting impression, is John Lautner. Today, we’ll explore the unique characteristics of Lautner’s architectural style, highlighting his inspirations and the significance of his contributions to the field.

John Lautner (1911-1994), born in Marquette, MI, had a distinctive style that was shaped by his early apprenticeship under the legendary Frank Lloyd Wright, as well as by his own profound interest in engineering, organic architecture, and the natural world. Lautner’s designs are characterized by their seamless integration with the environment, imaginative use of materials, and bold, sculptural forms.

One of the fundamental aspects of Lautner’s architectural style was his ability to harmoniously blend his structures with their surrounding landscape. Drawing inspiration from Wright’s organic architecture principles, Lautner believed that buildings should not only respect their natural environment but also enhance it. His designs often feature extensive use of glass, allowing for unobstructed views and creating a synchronicity between the interior and exterior spaces.

His fascination with engineering and materiality allowed him to push the boundaries of conventional architectural design. He frequently employed innovative construction techniques, such as the use of cantilevers, to create seemingly gravity-defying spaces. Additionally, Lautner’s designs often incorporated a diverse range of materials, including concrete, steel, and timber, as well as experimental materials like sprayed-on concrete (gunite).

One of Lautner’s most notable projects showcasing his innovative use of materials is the Chemosphere (1960), a futuristic octagonal house perched atop a single concrete column in the Hollywood Hills. The house appears to float above the landscape, demonstrating Lautner’s ability to create a sense of weightlessness and otherworldly charm.

Lautner’s architectural style is characterized by a sense of spatial fluidity, as he sought to create open, flowing interiors that defied conventional notions of rooms and boundaries. His designs often feature sweeping curves and dramatic angles, resulting in dynamic, visually captivating spaces.

The Elrod House (1968) in Palm Springs, for example, demonstrates Lautner’s mastery of spatial fluidity. With its iconic conical roof and open-plan living spaces, the house appears to grow organically from the rocky landscape. This seamless connection between interior and exterior spaces is further emphasized by the use of retractable glass walls, which allow the residents to fully experience the surrounding desert environment. Also, did we mention that the Elrod House was featured in the 1971 James Bond film, Diamonds Are Forever?

While Lautner’s architectural style was undoubtedly influenced by his time spent working under Wright, his experiences working with other luminary architects like Richard Neutra and Rudolph Schindler helped him shape a unique vision and dedication to experimentation.

We take immense pleasure in celebrating the contributions of Modernist architects like John Lautner, whose groundbreaking designs continue to inspire and captivate. His iconic structures stand as testaments to the power of imagination and the importance of embracing the ever-evolving landscape of design.

Scottsdale Architecture Spotlight: Hotel Valley Ho

Posted on May 8, 2023March 12, 2024 by Hunter

Arizona, and particularly Scottsdale, has long been a hotspot for architectural innovation, blending the region’s natural beauty with groundbreaking design. From Frank Lloyd Wright’s Taliesin West to Paolo Soleri’s Acosanti, the state is home to a variety of remarkable structures that push the boundaries of architectural thought. One standout example is the iconic Hotel Valley Ho, a mid-century modern masterpiece nestled in the heart of Scottsdale. Today, we’re exploring the hotel’s fascinating history, stunning architectural features and commitment to preservation and sustainability.

Nestled in the heart of Scottsdale, the Hotel Valley Ho opened its doors in 1956. The hotel was designed by Edward L. Varney, a prominent mid-century modern architect and a student of Frank Lloyd Wright, the hotel sought to combine the glamor of Hollywood with the natural beauty of Arizona. Over the years, the Hotel Valley Ho has hosted numerous celebrities and undergone multiple renovations to maintain its charm and relevance.

The Hotel Valley Ho stands as a shining example of mid-century modern architecture. Its sleek, minimalist design is characterized by clean lines, flat planes, and expansive glass walls that seamlessly integrate indoor and outdoor spaces. The hotel’s iconic cantilevered roof lines and butterfly roofs give it a futuristic appeal while providing shape and protection from the elements.

The rooms and pool at Hotel Valley Ho. Photo: C.C. Chapman, 2011, Flickr Creative Commons CC-BY-NC-ND 2.0 Deed

One of the most striking features of the Hotel Valley Ho is its use of materials, including concrete, steel, and native Arizona stone, which all pay homage to the state’s desert landscape. Additionally, the interior boasts vibrant colors, geometric patterns, and custom-designed furnishings that embody the essence of mid-century modern design.

Beyond its architectural prowess, The Hotel Valley Ho offers luxurious amenities to cater to every guest’s needs. The property is home to two separate pools: The OH Pool, which features a lively atmosphere complete with a bar and cabana, and the more serene OHasis Pool, perfect for relaxation. Guests can also enjoy the award-winning VH Spa, a state-of-the-art fitness center, and exceptional dining options, including the ZuZu restaurant, which serves inventive American cuisine. The hotel’s central location provides easy access to Scottsdale’s vibrant art galleries, shopping and outdoor activities.

Hotel Valley Ho lobby. Photo: C.C. Chapman, 2011, Flickr Creative Commons CC-BY-NC-ND 2.0 Deed

In addition to its luxurious accommodations, the Hotel Valley Ho has demonstrated a commitment to preservation and sustainability over the years. A comprehensive restoration project in 2005 revitalized the hotel’s historic features and expanded its footprint. Modern amenities and sustainable practices, such as energy-efficient LED lighting, solar panels for heating pool water and a robust recycling program have been incorporated throughout the property. This commitment ensures that future generations can experience the magic of this mid-century modern masterpiece.

The Hotel Valley Ho truly offers an unforgettable experience, seamlessly blending luxury, history and sustainability. Its timeless design and dedication to preserving its heritage make it a must-visit destination for architecture enthusiasts and travelers alike.

Edward Dart: A Bullseye Through The Heart of Architecture

Posted on May 3, 2023March 12, 2024 by Hunter

At Optima®, we revel in highlighting the remarkable work of Modernist architects who have significantly influenced our urban environments. Today, we direct our focus to Edward Dart, an architect whose distinctive vision and commitment to modern design have left an enduring imprint on the architectural landscape of Chicago.

The Life of Edward Dart

Edward Dart was born in New Orleans, Louisiana, in 1922. He received his architectural education at the prestigious Yale School of Architecture, studying with luminaries including Richard Neutra, Louis Kahn, and Eero Saarinen. Dart moved to Chicago in 1949, where he joined the firm of Loebl, Schlossman & Bennett. Dart’s immense talent was quickly acknowledged, and he became a partner in the firm in 1959. His unique architectural approach merged the principles of Modernism with an attentiveness to the natural environment, resulting in the creation of striking structures that harmoniously blended with their surroundings.

Throughout his career, Dart concentrated on designing buildings that were both functional and aesthetically pleasing, seamlessly integrating them into the natural landscape. His residential designs frequently featured expansive windows, open floor plans, and the use of natural materials such as stone and wood. This design philosophy allowed Dart’s structures to be both visually stunning and environmentally sensitive.

St. Procopius Abbey (1967) in Lisle, IL., Photo: Jason Haskins, Flickr Creative Commons

Notable Works and Achievements

Dart died suddenly at the age of 53 in 1975. Over his short career he was enormously productive and prolific, having completed over 100 projects. He was listed in Who’s Who in America, and won 18 awards from the American Institute of Architects (AIA), including two (a Distinguished Building Award in 1971 and a National Honor Award in 1973). He was made a Fellow of the AIA, the highest honors that the organization can bestow, at the age of 44.

Some of his most significant works include: St. Procopius Abbey (1967) in Lisle, IL, a striking Modernist structure featuring an elegant combination of exposed concrete and brick, reflecting Dart’s penchant for using natural materials in his designs. Another notable work is the St. Augustine’s Episcopal Church (1958) in Gary, IN. With its soaring, angular roofline and floor-to-ceiling windows, the church is a prime example of Dart’s ability to create awe-inspiring spaces that remain harmonious with their environment. Each of these buildings reflects his unique interpretation of Modernism and his singular ability to create spaces that resonate with their surroundings.

St. Augustine’s Episcopal Church in Gary, IN. Photo: National Register of Historic Places

Beyond Dart’s expertise in churches, Dart designed the “House of the Fifties” for Good Housekeeping Magazine, a model house for Popular Mechanics, and won the National Association of Homebuilders competition in 1951. One of his largest projects, Water Tower Place in Chicago, was completed after his death, and went on to become one of Chicago’s landmark buildings and one of the most-loved and most successful mixed-use retail, business, and residential centers in America.

George Frederick Keck: How A Modernist Master Shaped the Chicago Skyline

Posted on April 26, 2023March 12, 2024 by Hunter

Chicago has long been a hotbed for Modernist architecture, with the likes of Ludwig Mies van der Rohe, Frank Lloyd Wright, and Walter Gropius all calling the city home at various points in their careers. At Optima®, we are always delighted to showcase the groundbreaking work of Modernist architects who have left an indelible mark on our urban landscape. Today, we are opening the aperture to focus on George Fred Keck, an architect whose innovative designs and pioneering spirit greatly influenced the development of modern architecture in Chicago and beyond.

Born in 1895 in Watertown, Wisconsin, George Fred Keck was destined to become a trailblazer in the world of Modernist architecture. After studying at the University of Illinois at Urbana-Champaign, Keck established his own firm with his brother William in 1926 — Keck & Keck. The siblings’ shared passion for Modernism and sustainability led them to create designs that were both environmentally-conscious and ahead of their time.

Keck-Gottschalk-Keck Apartments. Photo: Ryerson & Burnham Archives Archival Image Collection

Keck’s most famous work is undoubtedly the House of Tomorrow, a groundbreaking design he created for the 1933 Chicago World’s Fair, also known as the Century of Progress Exposition. The house showcased innovative ideas such as floor-to-ceiling glass walls, central air conditioning, and even an attached garage with an electric door opener. These cutting-edge features not only made the House of Tomorrow a sensation at the fair, but also laid the groundwork for the modern home as we know it today.

With Keck’s commitment to sustainable design came a fascination with solar energy. In the early 1940s, he and his brother William designed the first solar-powered house in the United States. Known as the Keck-Gottschalk-Keck Apartments and located at 5551 South University Avenue in Hyde Park, this remarkable dwelling relied on south-facing windows and a solar heating system to maximize the capture and use of solar energy. This early foray into sustainable design would pave the way for future architects to embrace environmentally conscious practices.

House of Tomorrow. Photo: Chicago History Museum, Hedrich Blessing Collection

As we celebrate the life and work of George Fred Keck, we at Optima® are once again reminded of the transformative power of Modernist architecture. Keck’s innovative designs, environmental consciousness, and commitment to pushing the boundaries of architectural form have left an unforgettable mark on the city of Chicago and on the world of architecture.

Alison and Peter Smithson: The Dynamic Duo That Transformed Modern Architecture

Posted on April 24, 2023March 12, 2024 by Hunter

Today, Optima® is delighted to highlight both the exceptional career of Alison Smithson (1928-1993) and the influential partnership with Peter Smithson (1923-2003), her husband and lifelong collaborator. As visionary British architects, they jointly shaped the modernist architectural movement with their pioneering New Brutalist approach, drawing inspiration from the works of Mies Van der Rohe and Le Corbrusier. Their collaborative efforts have left a lasting legacy in the field, inspiring future generations of architects, both men and women.

Alison Smithson was born in Sheffield, England, and pursued architecture at the King’s College, Durham in Newcastle (later the Newcastle University School of Architecture, Planning and Landscape), then University of Durham, between 1944 and 1949. It was during her studies that she met Peter Smithson. United by their passion for architecture, Alison and Peter shared a desire to challenge the conventional norms of their time.

Hunstanton School in Norfolk, 1949-1959. Photo: Wikiarquitectura

The Smithsons’ professional partnership was defined by groundbreaking projects that had significant impact on the modernist architectural movement. One of their early works, the Hunstanton School in Norfolk, exemplified the New Brutalist movement with its minimalist design and exposed structural elements. Other iconic projects include the Economist Building in London, the Robin Hood Gardens housing complex, and their own home, the Smithson House, in Wiltshire.

Alison and Peter Smithson were known for pushing the boundaries of modernist design and reimagining architectural norms. They sought to create buildings that were functional and also contextually sensitive and responsive to the needs of their occupants. By blending elements of Brutalism, modernism, and regionalism in their designs, the Smithsons carved out a unique architectural identity. They played a crucial role in the formation of Team 10, a group of designers who aimed to redefine architectural discourse, moving away from the rigid functionalism of the International Style.

The Smithsons’ innovative designs and unwavering commitment to challenging conventions have left an indelible mark on architectural history. As a woman practitioner, Alison Smithson paved her own way, while Peter Smithson’s steadfast support and collaboration underscored the importance of teamwork and partnership in the profession.

The Smithson House in Wiltshire. Photo: seier+seier, Flickr Creative Commons

At Optima®, we take immense pride in honoring the work of Alison and Peter Smithson. Their unique partnership, innovative approach to design, and significant influence on architectural movements have contributed greatly to the field. By celebrating their collaboration, we aim to inspire future generations of architects to embrace diverse perspectives and partnerships in the pursuit of architectural excellence.

Ralph Haver: The Unsung Brilliance of A Mid-Century Arizona Architect

Posted on April 19, 2023April 19, 2023 by Hunter

Ralph Haver’s work may not have gained the same international recognition as his contemporaries Frank Lloyd Wright, Richard Neutra, or Eero Saarinen, but there’s no mistaking his defining influence on Arizona Mid-Century Architecture.

Haver was born in Pasadena in 1915. He attended Pasadena Junior College and later studied architecture at the University of Southern California (USC) before the United States entered World War II. After a stint in the military with the U.S. Army Corp of Engineers, he moved to Phoenix, and started his own architectural practice. In 1945, he founded Haver, Nunn & Associates, partnering with fellow architect, Jimmie Nunn. The duo focused on designing affordable tract homes that were stylish, functional, and suited to the desert climate.

Northwood Haver Home in Phoenix. Photo: ©2016 Modern Phoenix LLC

His passion for simple, affordable, and elegant design made him an instant hit among Arizonans who were seeking a fresh architectural perspective.

While Wright’s organic architecture and luxurious designs were the talk of the town, Haver was working diligently behind the scenes. He envisioned a world where every family could live in a well-designed, modern home without breaking the bank. And thus, the “Haver Home” was born.

Haver Homes For All

Haver’s homes were designed for the average family. Their clean aesthetic and open floor plans allowed homeowners to bask in the natural beauty of Arizona while having a comfortable, stylish abode.

Marlen Grove Haver Home. Photo: ©2020 Modern Phoenix LLC

With the thousands of Haver Home designed and built, their iconic design elements included low-sloping roofs, expansive windows, and a post-and-beam construction, similar to that of another Arizona contemporary we wrote about recently, Al Beadle. These elements allowed for a seamless integration of indoor and outdoor spaces, maximizing both beauty and functionality.

Ralph Haver and his firm didn’t limit themselves to residential projects. They also designed schools, churches, and commercial buildings, leaving their mark on many aspects of Arizona’s mid-century architectural landscape. Many of their projects were concentrated in neighborhoods like Marlen Grove, Town and Country, and Windemere.

Windermere Haver Home. Photo: ©Modern Phoenix LLC

Although Ralph Haver passed away in 1997, his work continues to influence architects and homeowners, and his designs have become highly sought-after by those looking to own a piece of Arizona’s unique modernist architectural heritage. In fact, many neighborhoods throughout Phoenix and Scottsdale still boast a high concentration of Haver Homes, lovingly maintained and restored by their proud owners. These communities serve as a testament to Haver’s enduring vision of affordable, stylish living for all. At Optima®, we’re inspired by the innovative spirit of Ralph Haver and his dedication to creating beautiful, functional living spaces.

In the Shadows of Giants: The Overlooked Genius of Harry Weese

Posted on April 17, 2023March 12, 2024 by Hunter

When we talk about the architectural giants of the Modern era, names like Frank Lloyd Wright and Ludwig Mies van der Rohe come to mind. These masters of design have left an indelible mark on our cities and towns, and their legacies continue to inspire and influence generations of architects. But what about those talented visionaries who have been overshadowed, whose work is often overlooked in the annals of architectural history? Today we’ll take a look at one such figure, Harry Weese, a brilliant architect who made a significant impact on the world of design, yet never quite garnered the same level of recognition as his contemporaries.

Harry Weese was born in 1915 in Evanston, Illinois. Even from a young age, he displayed a keen interest in architecture. His passion led him to study architecture at the Massachusetts Institute of Technology (MIT) and later at the Cranbrook Academy of Art, where he formed lifelong friendships with renowned architects; Eero Saarinen, and Charles and Ray Eames. Despite this impressive educational background, Weese struggled to find his footing in the competitive world of architecture, but that didn’t stop him from garnering attention.

Seventeenth_Church_of_Christ_Scientist_Chicago_2019-1498 — Seventeenth Church of Christ Scientist, Chicago. Photo: Paul R. Burley, CC BY-SA 4.0 Deed

His career began to gain momentum in the 1950s, as he designed several noteworthy buildings in Chicago. One of the earliest examples of his work, the Seventeenth Church of Christ, Scientist, showcased his ability to blend functionality with aesthetics, while respecting the religious context of the building.

As the years passed, Weese gradually earned the respect of his peers and clients. He designed everything from public buildings and universities to private residences, each project showcasing his unique approach to architecture. His firm completed over 200 new buildings and renovations that span mostly across the midwest, but his commissions also took him across the globe to Ghana, India, Saudi Arabia, and Singapore.

One of Weese’s most enchanting designs can be found in the idyllic town of Wilmette. Known as The Robert and Suzanne Drucker House, this private residence epitomizes Weese’s ability to harmoniously blend nature and architecture. The home features an open-plan layout, with large windows that invite the outdoors in, creating a seamless connection between the interior and exterior spaces. The Drucker House is a testament to Weese ‘s skill in crafting spaces that are both functional and aesthetically pleasing, while respecting the environment and the needs of its occupants.

Chicago River Cottages designed by Harry Weese. Credit: Jonathan Byrne CC BY-NC 2.0 Deed

Beyond residential architecture, Weese made significant contributions to the field of urban planning and revitalization. He was deeply concerned about the decline of American cities and the loss of their architectural heritage. In the 1960s and 1970s, he embarked on several ambitious projects to preserve and reinvigorate urban spaces. One of his most notable accomplishments was the restoration of the Chicago Riverfront, transforming a previously neglected area into a vibrant, bustling hub of activity.

Washington, D.C. Metro System. Photo: Sara Cottle/Unsplash

Weese’s vision extended far beyond Chicago, as he also worked on the design of the Washington, D.C. Metro system. His innovative approach to public transportation and his commitment to creating aesthetically pleasing, user-friendly stations helped to shape the face of the nation’s capital and earned him widespread acclaim.

For those who have the privilege of experiencing Harry Weese’s work firsthand, the impact of his designs is undeniable. His creations have left a lasting mark on the communities they inhabit, and at Optima®, we’re proud to be a part of a shared sensibility and set of architectural traditions.

Isamu Noguchi’s Freeform Sofa: A Timeless Classic in Optima Signature®

Posted on April 12, 2023 by Hunter

In the realm of iconic furniture design, few pieces stand the test of time quite like the Vitra Freeform Sofa by Isamu Noguchi. This groundbreaking piece, unveiled in 1946, remains celebrated and sought-after, embodying the perfect balance between art and functionality that is at the heart of the Optima® experience, and can be enjoyed in the public spaces within our Optima Signature® community.

Born in 1904, Isamu Noguchi was an innovative artist and designer who left an indelible mark on the worlds of sculpture, landscape architecture, and furniture design. As a Japanese-American artist, Noguchi deftly blended Eastern and Western influences to create works of art that transcends cultural boundaries. His designs encompassed a myriad of materials, including wood, stone, and metal, and reflected a keen understanding of the relationship between form and function.

Noguchi’s collaboration with Swiss furniture company Vitra led to the creation of the Freeform Sofa in 1946. At a time when post-World War II design was dominated by stark, linear forms, Noguchi’s organic, sculptural piece was a breath of fresh air. The Freeform Sofa was conceived as an artistic expression that pushed the boundaries of conventional furniture design. It wasn’t just a piece of furniture, but a work of art that elevated the aesthetics of any space it inhabited.

The Freeform Sofa’s distinctive, undulating silhouette sets it apart from other sofas. Its sweeping curves and biomorphic form are inspired by nature, showcasing Noguchi’s desire to create harmony between the organic world and the built environment. It comprises a single, continuous line, gracefully transitioning from the armrests to the backrest and seat, creating a fluid and cohesive form.

The sofa’s slim, solid wood legs are highly reminiscent of the delicate limbs of a tree, providing the necessary support without detracting from the overall elegance of the design. The legs are carefully positioned to ensure stability and balance, allowing the sofa to stand confidently within our Optima Signature® site.

Freeform Sofa Isamu Noguchi, 1946. Photo: Vitra®

Upholstered in high-quality fabric or leather, the Freeform Sofa offers unparalleled comfort. Its ergonomic design conforms to the contours of the human body, providing a luxurious seating experience. The sofa’s timeless appeal lies not only in its aesthetic beauty but also in its ability to adapt to various interior styles, from mid-century modern to contemporary minimalism.

The Vitra Freeform Sofa remains a design icon, a testament to Isamu Noguchi’s genius and his unwavering dedication to creating harmonious, functional works of art. This seminal piece of furniture has inspired countless designers and artists, and continues to be a sought-after addition to various homes, and offices. We are proud to showcase Noguchi’s furniture within our own spaces, designs which amplify and activate the evocative Modernist exteriors and interiors of our buildings.

Al Beadle: The Mid-Century Modern Master in Phoenix

Posted on April 10, 2023March 12, 2024 by Hunter

When it comes to mid-century modern architecture in Arizona, the name Frank Lloyd Wright tends to come to mind first. It’s exciting to note, however, that there have been other luminary architects who made enormous contributions to modernist architectural traditions here in the desert. Today, we are happy to introduce one of these under-the-radar designers — a true pioneer in his time whose work continues to inspire practitioners and homeowners alike.

Born in 1927, Al Beadle grew up in St. Paul, Minnesota. He served with the United States Navy Construction Battalion, the Seabees, in the South Pacific during World War II. His experiences included building piers, designing command bases, and constructing hospitals. After his time in the military, where he acquired much of his architectural prowess, Beadle eventually moved to Phoenix where he would make his mark on the city’s architectural scene. Starting his own architecture and build firm in 1967, Beadle believed in the principles of minimalism, efficiency, and the seamless integration of indoor and outdoor spaces.

Beadle’s unique design approach is evident in his many residential and commercial projects throughout the Phoenix area. His signature style often features clean lines, flat roofs, expansive glass walls, and a keen attention to detail. His buildings effortlessly blend with their desert surroundings, creating a harmonious balance between the built environment and the natural landscape.

Paradise Gardens

One of Beadle’s most iconic projects is the Paradise Gardens community. Developed between 1958 and 1964, this neighborhood showcases a collection of mid-century modern homes that embodies Beadle’s design philosophy. These homes are characterized by their post-and-beam construction, open floor plans, and large windows that blur the lines between indoor and outdoor living spaces.

Beadle House 11

Another noteworthy example of Beadle’s work is Beadle House 11, which he designed for himself and his family. Completed in 1963, this stunning residence exemplifies the architect’s minimalist approach, with its floor-to-ceiling windows, exposed steel beams, and sense of effortless elegance.

Beadle House 11 remodeled interior. Photo: ©2016 Modern Phoenix LLC

Today, Al Beadle’s architectural legacy lives on in the many buildings he designed throughout Phoenix and the surrounding areas. His work continues to be celebrated by architects, designers, and mid-century modern enthusiasts who appreciate the timeless quality of his designs. Preservation efforts are underway to ensure that Beadle’s architectural gems remain intact for future generations to enjoy.

In a city like Phoenix, where the natural beauty of the desert meets the sleek sophistication of modern design. Those who call this place home or are simply visiting, should consider checking out Al Beadle’s architectural masterpieces. From the effortlessly cool Paradise Gardens community located on 32nd Street to 36th Street and Mountain View, to the striking Beadle House 11 on 4323 E McDonald Dr, there’s no shortage of Beadle-designed gems to explore and appreciate.

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Author: Hunter