Of the many interior design pieces within our buildings, the egg chair is arguably the most distinct. Its round shape, curved edges and cocoon-like nature are as inviting as they are fascinating. A staple accent in many Optima projects, the Egg chair has its own colorful past that has led it to its present-day prominence throughout the world of interior design.
A Scandinavian Start
In the mid-1950s, the Scandinavian Airlines System enlisted Arne Jacobsen to design downtown Copenhagen’s Royal Hotel. Jacobsen, a Danish architect and designer, is one of the best-known designers of the 20th century and one of the pioneers of Danish modern design. He was a crucial contributor to architectural Functionalism and his keen sense of proportion is most well-known throughout his wide range of furniture designs.
In designing the Egg chair, Jacobsen kept in mind both function and form with a chair that would allow travelers passing through the hotel to relax, swivel and recline. The high, curving sides allowed for a bit of privacy, a much-needed amenity after a long journey. The chair was lightweight at only 17 pounds, allowing the hotel staff to move and rearrange them as necessary. Even 60 years after its first debut, the Egg chair is still an iconic piece of design history, beloved by both residential and commercial spaces.
Optima Old Orchard Woods | Skokie, IL
The Eggs at Optima
Throughout our residential spaces, Egg chairs serve as a complementary accent piece to our Modernist buildings, reflecting the same passion for form and function. The curvaceous seat is adaptable, pairing well with everything from white walls to colorful surroundings. As they did when they were first designed, egg chairs serve a variety of functional purposes: a fresh pop of color, a nod to the Modernist style, a place to relax at the end of the day or a cosy reading spot to enjoy your favorite book. However they’re utilized, these design icons are a Modernist staple and one of our favorite pieces of unique furniture.
It’s no secret that we love color at Optima, and we carefully curate our interior furniture, textures and designs to reflect the vibrancy of our spaces. Our curated artwork is no exception, and throughout the halls of projects such as Optima Signature, Alexander Calder’s bright works greet residents with bold tones and distinct shape. A multimedia artist whose influence spans across decades, Calder’s work creates a meaningful connection to a rich piece of art history.
Calder’s Past
Born in Pennsylvania in 1898, Calder came from a family of artists; his grandfather and father both had rich careers as sculptors and his mother was a professional portrait artist. Though his family had artistic roots, they supposedly did not want him to follow in their footsteps. Calder began studying mechanical engineering in New Jersey, bouncing between jobs all while still being inspired by create. By the 1920s, Calder had moved back to New York to pursue a career as an artist.
Calder’s Artistic Career
After studying in New York, Calder moved to Paris where he studied, established a studio and met his future wife. While living in Paris, Calder joined the ever-growing network of avant-garde artists, including Fernand Léger, Jean Arp and Marcel Duchamp. Throughout his life, Calder maintained a strong connection to France, naming many of his works in French regardless of their location. After a lifetime of impactful creativity and exploration, Calder died unexpectedly of a heart attack in 1976, leaving behind an expansive and far-reaching legacy.
Calder’s Legacy
Over his career, Calder produced a wide range of work, spanning from sculpture, to stage sets, paintings, prints and jewelry. Like previous generations of Calders, he was also a recognized large-scale sculptor. Flamingo, one of his more notable works in Chicago, adorns the Federal Plaza with beautiful form and the famous “Calder Red” color. We’re thrilled and honored to have the works of Alexander Calder throughout our buildings, and hope they bring a bright source of inspiration to those who view and enjoy them.
Reflecting back to 1978, one of the first pillars of the Optima promise was a dedication to a multidisciplinary approach. David Hovey Sr, then new to the architecture world, wanted to escape from the corporate red tape that surrounded a traditional architect-developer relationship. Oftentimes, he observed that bankers and corporations were given more power over specific projects and the integrity of the building was overlooked. His vision was that architecture would lead the process, and the first iteration of the Optima Business Model was born.
Our process is a vertical one; we oversee architecture, development, general contracting, sales brokerage, property management and support. Because we’ve built an integrated process and are involved with every step, we welcome potential challenges and take pride in seeing our projects through from start to finish. Our model gives us a distinct advantage over others in the industry, and allows us to have a flexible and fluid project timeline.
From project inception to construction, we’re constantly working on ways to improve and adapt. During the construction of Optima Signature, our architectural team implemented strategies to improve efficiency, including condensing the coordination of mechanical, electrical, plumbing and fire protection systems, and producing documents on-site, reducing the process from days to hours. Originally scheduled for completion in February 2018, our vertical integration methods allowed the building to be completed in June 2017.
Even once a building is finished, we continue to be involved with and invested in our projects. We manage most of our multi-family properties, ensuring everything from amenities to retail spaces enrich the lives of their respective communities. Our intention is always to create a positive, lasting impact on our tenants, communities and environments, and our vertical integration model allows us to pursue that desire more fully.
Our story is influenced and molded by those that came before us. The vision for Optima was seeded during David Hovey Sr.’s time at the Illinois Institute of Technology (IIT), where he studied under the program built by modern architectural legend, Ludwig Mies van der Rohe. To understand where modern design is today, it’s insightful to look back on the legacy of Mies van der Rohe.
Ludwig Mies van der Rohe’s Farnsworth House, designed and constructed between 1945 and 1951. Credit: Victor Grigas on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Mies van der Rohe
Mies was a German-born architect and educator, born in 1886 in Aachen, Germany, with Chicago becoming his adoptive hometown later in life. One of the 20th century’s greatest architects, he designed with an emphasis on open space and revealing materials. His steel-and-glass aesthetic defined modern architecture; he himself referred to it as “skin-and-bones architecture.” Mies didn’t design with style in mind, but rather, considered the philosophy of design within the frame of functionalist and industrial concerns at the time. “Less is more,” the legendary aphorism, was first said by Mies in reference to his architectural work.
Destined for greatness, Mies’ first commissioned project (Riehl House) came to him at the age of 21 while he was working for Bruno Paul. What really set his design aesthetic apart, however, was the Barcelona Pavilion. Designed for the 1929 International Exposition in Barcelona, Spain, the temporary structure was the most powerfully pared-down building imaginable. Consisting of horizontal and vertical slab elements, it fulfilled the minimum requirements to define space — nothing has ever personified “less is more” in quite the same way. As Mies garnered attention, he became the director of the Bauhaus school of design in Germany in 1930. He remained there until the school closed in 1933 under the mounting pressure of the Nazi regime, and it was at this point in time that Mies took his leave from Europe.
An Educator and Architect in America
Mies arrived in the US in 1938, heralding in a new era for his life and the life of architecture in Chicago. He was head of the architecture department of IIT from 1938-1958, and when Mies’ position was announced, he was introduced by the one and only Frank Lloyd Wright himself. It was virtually unheard of for Wright to admire the work of another architect — and vocalize his admiration no less — but in his introductory speech, Wright said of Mies: “I admire him as an architect, respect and love him as a man. Armour Institute, I give you my Mies van der Rohe. You treat him well and love him as I do. He will reward you.”
Wright knew what an influence Mies would have on IIT and on architecture. The period of transition allowed Mies to entirely redesign the school’s program and campus both — he “rationalized” the curriculum by returning to the basics. At IIT, students focused first on learning to envision and draw their creations, then master the features, functions and materials involved in building, in order to finally evolve as architects whose discipline was enmeshed with the fundamental principles of design and construction.
A Lasting Legacy
Mies has left his mark in many places — along the Chicago skyline, across the IIT campus and on our work here at Optima.The fundamental principles behind Modernist design influence how we create and think here, and the innovative and groundbreaking thinking of Mies is something that we seek to embody in our everyday operations. To this legend, we say thank you for paving the way and inspiring us all.
At Optima, we don’t just construct buildings, we create communities. At every step of our process, from selecting location, to construction, to leasing and renting out our retail space, we make decisions leveraging what we can provide to enhance our residents’ lives and the lives of the people in the surrounding neighborhood.
At Optima Signature in Chicago, our retail tenants include Egg Harbor Cafe, Guidepost Montessori School, RUNAWAY Fitness, Bedazzled Nails and GoodVets. These amenities enhance the lives of our residents and neighbors, creating onsite amenities and vibrant gathering places that encourage connection and socialization. Not only are our retail tenants adding to Optima Signature, but they contribute to the greater Streeterville community — Egg Harbor is a beloved breakfast staple in the Chicago suburbs, and their Optima Signature location will be their debut in downtown Chicago. And Guidepost Montessori School was the first of its kind for the neighborhood.
At Optima Sonoran Village in Scottsdale, one of our retail tenants, Kaleidoscope Juice, has become a place where people can meet old and new friends over a meal, juice or coffee throughout the day. Residents might meet someone in the gym at Optima Sonoran Village and decide to reconvene on their patio — having the retail space to gather deepens connections within the community, allowing residents to get to know their neighbors.
When selecting our tenants, it’s vital to our mission that the retail we bring to our communities is additive, contributing new spaces for our residents to use and bringing much needed and desired resources to the neighborhoods we call home.
A subtle but enhancing feature of many Optima projects, our sculptures adorn courtyards, amenity floors and common spaces. David Hovey Sr’s devotion to space and form translates from architecture to three-dimensional pieces, which are placed throughout our buildings to add a distinct aesthetic flair to our Modernist spaces.
Greeting both residents and visitors at the entrance of Optima Signature, the sculpture Kiwi was named after the same bird native to New Zealand, where David Hovey Sr was born. Although the sculpture is reminiscent of an animal, Hovey’s vision was something much more abstract. Starting out as a handful of freehand drawings, the sculpture was layered until it formed a tall, stacked piece. Set against the bold red of Optima Signature, Kiwi’s bright yellow color pops amidst the neutral-toned buildings within downtown Chicago.
The finishing touch on Kiwi’s Optima Signature location was installation; the base was carefully cemented into the ground to protect it from the bustle of downtown and the intense Chicago weather. Aside from its prominent location at Optima Signature, Kiwi is also featured at Relic Rock and Whale Bay House.
David Hovey Sr’s passion for sculpture reflects our collective passion for enhancing the spaces we build and exploring new interpretations of form, color and design. Stay tuned for more features on our other sculpture pieces.
An iconic architectural design feature of many Optima projects, the courtyard is a long-beloved piece of home and history. A space designed for peace, socializing and beauty, the courtyard has a rich history that has led to its modern interpretations.
It’s estimated that the first courtyard houses made an appearance around 6000BC in the Jordan Valley, used for purposes ranging from cooking, sleeping, working, gardening or even housing animals. Before courtyards, open fires were used within a central place in a home, with a small hole in the ceiling for the smoke to escape. Gradually, the holes became larger and evolved into open courtyards more similar to what exists today.
Courtyards are an iconic staple in many cultures throughout the world, though they vary in style and function. The central uncovered area in Roman architecture was referred to as an atrium, and would often contain a central pool used to collect rainwater and a garden. In China, the courtyard was a central space for multiple homes and families, and used as a place for privacy and tranquility. The medieval European courtyard was used for working, gathering and protection. With such a rich and diverse history, it’s no surprise that the courtyard continues to withstand the test of time.
Traditionally, courtyard homes are prevalent in temperate climates, since the open space helps maintain a cool temperature. To take advantage of the functional and aesthetic benefits of the courtyard, many of our Arizona projects feature courtyard greenspaces. Our Arizona Courtyard House is even named after the feature that makes it unique; outside and inside flow together to create a seamless layout and beautiful views of the landscape. The home is arranged with the main house to the south and east, and a fitness center and lap pool to the north creating a private courtyard in the center.
The essence of a courtyard is the physical expression of the concept of connection, and ours are built with the hope that they will provide a peaceful oasis in which residents can reconnect to their friends, family and the surrounding environment.
As with most luxury high rises in downtown Chicago, Optima Signature includes spaces specifically dedicated to resident amenities. Unlike most luxury high rises, Optima Signature’s amenity spaces span 1.5 acres across several floors, creating an unparalleled living experience for residents. We curate our amenity spaces with wellness in mind, designing to meet the physical and mental health needs of the people who enjoy our space.
Let the Light In
With floor-to-ceiling windows that show off breathtaking views of our Streeterville neighborhood, our amenity floors are the perfect spot to work from home and soak up some extra Vitamin D. In addition to energizing a space, natural light can help ward off seasonal depression, which is essential for the long Chicago winters. It can also aid in regulating your natural sleep cycle, which can seriously impact your mood. So whether residents are catching up on emails or catching up with friends, our amenity spaces are the perfect place to soak up some sun.
Get Active
Optima Signature features resort-style indoor and outdoor heated swimming pools, a cutting-edge fitness center, basketball, squash and bocce ball courts, golf simulator and putting green, yoga studio and more; needless to say there are plenty of ways for residents to get active and stay in shape. And with spa amenities such as indoor and outdoor saunas and steam rooms, decompressing after a long workout (or a long day at work) is always convenient.
Be Social
Along with physical wellness, Optima Signature’s amenities also provide resources for social wellness, which research shows increases mindful habits and lowers depression rates. Club 52, a residents-only club and amenity floor, features an outdoor kitchen, wine lockers, community lounge, and an outdoor terrace, allowing residents to mingle and get to know each other. On Level 20, the coffee bar, library, movie theater, demonstration kitchen, business center, conference room and coworking space encourages residents to connect with their friends and family.
From pools to green spaces, each of our projects feature aspects of healthy living. Helping our residents stay well is part of how we enhance the lives of those who live in our buildings, and how we stay connected to each of our projects.
At Optima, we are in perpetual pursuit of integrating the fundamentals of design while exploring new approaches. Our design process is rooted in the Modernist tradition, whose own roots go back to the middle of the 17th century.
The First Modernist Structure
The Crystal Palace, designed by Joseph Paxton in 1851, is often regarded as the first Modernist structure. Created to house the Great Exhibition in Hyde Park, London, the exhibition palace showcased the premier components of Modernist architecture design: a sheet glass and structural metal exterior.
The Modernism Movement
However, the Modernist movement developed in the highly tumultuous and rebellious times of the early 18th century. Many people were disillusioned by the control and stagnancy of European culture, where the 19th century academic belief system reigned supreme. Much of art, architecture, literature and philosophy were rooted at that time in reality, with the highest and most respected forms of art being those that most closely mirrored realism in style.
Modernism embraced disruption, particularly of realism and a culture bogged down by academic truths. Inspired by the groundbreaking philosophy of Freud and even by Einstein’s theory of relativity, Modernism sought to dismantle traditional forms and seek truth in new and progressive ways. Most important to Modernists was their freedom of artistic expression.
Modernism in Architecture
In architecture, progressive and liberated artistic expression came in the form of rejecting ornament and embracing minimalism. In direct contrast to the ornate stylings of Victorian architecture, Modernist architecture demanded that form follows function. Modernism in architecture was first and foremost a design principle, with style following after. Architects came at projects with an analytical approach to the function of buildings, and how they could create a structure to meet its purpose using rational, affordable materials. For this reason, many architects at the time believed Modernism could be the housing solution to end urban poverty.
One of the most renowned Modernist architects is Ludwig Mies van der Rohe—the man who changed the architecture program at IIT where Optima founder David Hovey Sr. studied. Mies was known for designing with clarity and simplicity, utilizing industrial steel and plate glass to define interior spaces. His minimal framework created unobstructed, free-flowing open space in his buildings.
At Optima, we are constantly inspired by the Modernist design philosophy. A large part of our design process is the utilization of ready-made materials, because as the owner, architect, developer and general contractor of all our own projects, function has never been more important. But most important to us is the idea of freedom — the freedom to innovate and express design in new and exciting ways. And like in Modernism, style inevitably follows.
At Optima, one of the cornerstones of our design process is the green space in our communities. With Optima Sonoran Village situated on a ten acre site in downtown Scottsdale, there was an abundance of space to become green. Of the ten acres, six of them are open space that not only mediate the harsh desert climate but also create visually stunning landscaped areas to be enjoyed by residents and the community.
Lush Landscaping and Pedestrian Paths
Courtyard walking paths wind throughout the property, guiding public pedestrians into and through the development and its centralized courtyards. Surrounding the paths is a varied palette of plantlife. This colorful landscaping against the signature Optima pops of color provides a vibrancy and complement to the more subdued, natural hues of the surrounding desert.
Original Public Art
Placed within the courtyards are five original David Hovey sculptures, which range in size up to ten feet. As expansive and evocative pieces of public art, these sculptures activate the spaces that they occupy, and enhance the experience of those passing through.
Green Space as Mediator
The greenspace at Optima Sonoran Village also serves to mitigate the heat island effect, where dense urban areas experience warmer temperatures due to human activity. To reduce the urban heat island experienced in Scottsdale, the abundant landscaping throughout the courtyards provides shade and cooling through evapotranspiration — the release of water into the atmosphere from plant surfaces.
Outdoor Amenities
Nestled within the courtyards and their intricate spread of walking paths are exceptional outdoor amenities. A large fountain serves as a dazzling display and a centerpiece around which to lounge and relax. Farther in, an outdoor resort pool with lounge chairs, umbrellas and firepits is made private by the surrounding landscaping.
The greenery continues, drawing the eye upward to the building’s spectacular vertical landscaping and creating a whole immerse experience. The effect of walking through the property’s greenspace, backdropped by dusky desert mountains, is one of entering a lush oasis.
As an installation in downtown Scottsdale and with paths open to the public, the greenspace at Optima Sonoran Village is enhancing not only the community of the development, but of its surrounding area too.
