As champions of leading-edge, thoughtfully-designed spaces built to inspire communities, we enjoy sharing the visionary work of others who continue to impact the world’s landscape. In early 2021, Dezeen, the internationally-acclaimed architecture, interiors and design magazine, launched its Redesign the World 2021 competition. More than 100 firms submitted their ideas for rethinking planet Earth, and Dezeen has provided a platform to showcase the 15 most visionary, radical solutions to ending environmental issues.
Dezeen launched the contest in partnership with Epic Games and architectural visualization tool Twinmotion. The competition sought revolutionary solutions and asked contestants several ambitious questions, including: where and how will everyone live; how will vital ecosystems flourish; and most importantly, what would a redesigned planet resemble?
Each proposal consisted of an in-depth narrative, still images and a short video animation depicting the landscape. And, following more than two months of deliberation, Dezeen published all of the top submissions here, including the winning entry: Fernando Donis’ Frame City.
Donis, a celebrated architect known for designing CCTV Headquarters and managing the international architect firm Donis, constructed an idealized environment in which nature and humanity coexist. In his design, Donis established new forms of topography formed by terrace-like structures made of timber, depicting a vibrant natural landscape filled with lush greenery intended to house millions of people. The inspired landscape takes advantage of the most sustainable transportation methods and produces an environment where diverse networks of cultural exchange would thrive.
Like Optima, Donis envisions a world where nature and infrastructure become one, and innovative, thoughtful design leads the direction for an excelling world. You can read more about Fernando Donis and his vision behind Frame City here.
Although winter routinely draws the wrath of Chicagoans and visitors alike, it also brings an abundance of joy and entertainment for all. Chicago residents, especially those at Optima Signature, are particularly fortunate, with convenient access to some of the city’s most sought-after activities and venues. Here are just a few of the many ways you can experience the best of winter in the city.
Daytime Agenda
There is no better way to start your morning than with an invigorating walk along the lakefront, where Chicago’s crisp air will stir your senses. You’ll be dazzled by the views of a snowy Chicago skyline that showcases many of the city’s architectural achievements — including John Hancock Center, St. Regis Chicago, the Mies van der Rohe buildings at 860–880 N Lakeshore Drive and more. And the spectacular sight of towering ice chunks piling up along the Lake Michigan shoreline is not to be missed.
We recommend your morning route takes you to Millennium Park. This iconic Chicago park lights up with vibrant colors and sounds during the winter months. Don’t miss out on winter musts like taking a snowy selfie at The Bean, or popping into the Art Institute to view one of the many blockbuster exhibitions on view.
The festive drinks at JoJo’s Shake Bar
If you’re searching for a unique ice skating experience this year, make your way to the famous Peninsula Hotel, which is only a few blocks north of Optima Signature. Explore the hotel’s exceptional sky rink for the special experience of skating in the clouds of downtown Chicago, surrounded by the city’s skyscrapers and inspiring views. The one-of-a-kind experience is a kid-friendly activity too. If you bring your child, the proceeds for admission ($20 for adults and $10 for children) are donated to two Chicago children’s charities: Ann & Robert H. Lurie Children’s Hospital of Chicago and Hephzibah Children’s Association.
Once you’re ready for a warm-up, head a few blocks North and indulge in a Biggie Shake or a gourmet Hot Chocolate from JoJo’s Shake Bar. You can’t go wrong with any of their famous, over-the-top specialty drinks that are essential to experiencing the best of Chicago’s winter season.
Trees are illuminated with vibrant colors at The Lincoln Park ZooLights experience
Evening Agenda
The fun doesn’t end once the sun goes down! There are countless evening winter activities throughout the city that you can’t miss this year.
Of course, we can’t go without mentioning the legendary Lincoln Park Zoo Lights. Brighten up your night by strolling through the hundreds of holiday light displays. This year, the exhibition introduces new features, including an alluring Enchanted Forest experience and an 18-foot Christmas tree! The beloved holiday tradition runs until the beginning of January and costs $5 for admission, excluding Mondays and Tuesdays, which are free for visitors.
The Nutcracker at the Joffrey Ballet, Photo courtesy of Cheryl Mann
Finally, cap your night by seeing a production of The Nutcracker at the Joffrey Ballet. This is a Chicago must, as it celebrates the culture and history of the city. During the performance you’ll be transported into another world, serenaded by the orchestra’s performance of Tchaikovsky and wowed by the dancers’ performances. Tickets can be found on their website and the production runs from December 4–26, 2021.
Chicago’s winter can feel long, so while you can, fill your days and nights with enthralling seasonal activities to brighten your spirit. We promise you’ll feel the magic.
One of Optima’s hallmark design principles is bridging outdoor and indoor environments through thoughtful architecture. Throughout history, many features of design have supported that same principle. Today, we’re exploring an ancient feature of architecture that continues to evolve with time and make its mark in delightful new ways — the skylight.
History
The concept of using natural light to brighten a room isn’t new. The skylight’s origin can be traced back to Ancient Roman architecture and design. The extravagant feature was regularly included in many Roman construction feats and was often referred to as an oculus. One of the most famous skylights of its time, the oculus at the Pantheon in Rome, still welcomes vibrant rays into the church today.
Over time, glass became a sought-after resource for use in grand development features like the skylight. As the industrial revolution began, more and more innovative architectural advancements came into play, including the fabrication of architectural glass work, allowing a growing number of architects to experiment with skylight design.
Architects around the world began incorporating skylights in their designs, which allowed them to play with volume, natural light and interior space in exciting new ways — much to the delight of their patrons who commissioned their work. Many of the most celebrated buildings erected from the mid-18th century through the early 19th century featured skylights, including the opulent Palace of Versailles and the elegant arcades of the Galerie Vivienne and Passage Jouffroy.
Optima Lakeview
Our newest luxury residential development, Optima Lakeview, is dedicated to pushing the boundaries to offer a fresh, elevated sense of home; as part of the vision, we chose to orient the entire building design around a seven-story atrium, replete with a fixed in place, geometric skylight fabricated from steel and coated in our signature Optima Red. Beyond the design itself, the use of skylights floods the interior volume with natural light, offering residents and visitors a constant boost to their health and wellbeing.
Natural light floods into the atrium and other extraordinary amenity spaces at Optima Lakeview
Today
The skylight has continued to evolve and expand its purpose. Modern adaptations, benefitting from new design thinking coupled with sophisticated engineering and materials, allow for more observable connections to outdoor environments and sustainable building standards, including energy and temperature conservation.
Today’s design professionals working on projects ranging from commercial buildings to retail centers to private residences continue to break new ground with skylights that provide exciting new features such as roof windows and other retractable roof lights that expose the outdoors. And with the ongoing research and interest in natural light’s many health benefits by scientists and architects alike, there is no doubt that the iconic skylight will continue evolving, with forward-thinking architects pushing the boundaries.
As we continue to explore the dimensions of Chicago’s Lakeview neighborhood that make it so unique and dynamic, we’re showcasing one of the community’s most significant ongoing projects, a thoughtful offering of public art to the city, the Lakeview Public Art Program.
Because the Lakeview creative community has a long history of celebrating art and culture, even the most casual stroll through the neighborhood reveals an abundance of public art installations. And thanks to the Lakeview Public Art Program, the neighborhood is growing its collection of murals and sculptures, while hosting cultural events and other artistic happenings that support emerging artists.
The Lakeview Public Art Program is run by the Lakeview Public Art Committee, a diverse group of volunteers responsible for finding forward-thinking, culturally-aware artists. Working in collaboration with Lakeview Roscoe Village Chamber of CommerceandSpecial Service Area (SSA) 27, the Committee supports and advances the non-profit Friends of Lakeview, an organization dedicated to improving and enhancing public streets and spaces, creating memorable experiences, and promoting the neighborhood.
Many of the artists whose work has been commissioned by the Lakeview Public Art Committee are Chicago natives themselves, like Anthony Lewellen; you can see his mural titled Lake View in the geographical heart of the neighborhood, at the corner of 3241 N. Lincoln Ave. For this mural, the artist took inspiration from memories of growing up in Lakeview. This 4,000 square foot wall painting displays a girl holding binoculars looking at Lake Michigan with the rest of Chicago behind her. The girl personifies the neighborhood itself, as she looks toward a horizon of opportunity.
Lake View, Anthony Lewellen, Courtesy of Lakeview Public Art Program
Another mural commissioned by the Committee is Felix Maldonado’s Bears on Parade, which can be seen at 3409 N. Ashland Ave. Maldonado drew inspiration from the fact that in the 18th century, this area of Lakeview was once inhabited by the Miami, Ottawa and Winnebago Native American tribes. Featuring a group of bears and cubs walking through a blue forest, this mural celebrates the neighborhood’s culture and history while also subtly referencing the city’s favorite sports teams.
With Optima’s commitment to thought-provoking, inspiring art in and around our properties, we are proud to join the Lakeview neighborhood, and celebrate its commitment to public art and talented artists.
At Optima, our appreciation for innovative design and forward-facing architecture runs deep. We continue to be inspired by pioneering design in public structures of all types across the globe, from museums to municipal buildings and everything in between. Today, we’re exploring some of the world’s most celebrated contemporary libraries recognized by Architectural Digest — from their unique futuristic perspectives to their captivating appetite for inventive design.
Tianjin Binhai Library, Tianjin, China
Tianjin Binhai Library is one of Tianjin’s newest developments as part of its emerging cultural district, the Binhai Cultural Center. The future-facing library was designed by the Dutch architectural firm MVRDV in partnership with the Tianjin Urban Planning and Design Institute and opened to the public in 2017. The building features more than 360,000 square feet of space, floor-to-ceiling terraced bookshelves and a massive spherical auditorium that sits in its center — and has earned the library its nickname, The Eye. The unique space frequently serves as a hub for education and performance for Tianjin’s residents and expands the horizons for what the future of shared community attractions and libraries might be.
Helsinki Central Library’s façade and undulating roof, Oodi, Finland. Credit: Ninara on Flickr Creative Commons, CC BY 2.0 Deed
Helsinki Central Library Oodi, Finland
Situated in the heart of Finland’s largest city, Helsinki Central Library Oodi offers unrestrained access and experiences for its guests. Designed by Finnish architectural firm ALA Architects, the library was completed in 2018 and boasts an undulating cloud-like roof that contrasts the harshness of its lower wooden body. The library is assembled with a unique mix of glass, steel and spruce wood and combines various aspects of contemporary design. Its visionary architecture separates the library into three distinct layers: an alive ground level, a tranquil upper level and an in-between space complete with studios, game rooms, meeting spaces and workshops equipped with next-generation technology.
Qatar National Library, Doha. Credit: trevor.patt on Flickr Creative Commons, CC BY-NC-SA 2.0 Deed
Qatar National Library, Doah, Qatar
Qatar National Library is a genuine manifestation of contemporary art designed by Dutch firm OMA. The building opened in 2017 and was designed so its focal point — the Heritage Collection — and its entrance reside at its center. Around the center, each of the building’s corners folds up, revealing terraces of marble bookshelves and its People Mover — a one-of-a-kind transportation system that directs its guests throughout its levels. Qatar National Library contains Doha’s National Library, Public Library and University Library, totaling more than a million collective works of literature.
The Arabian Library’s pre-rusted façade, Scottsdale, Arizona. Credit Ellen Forsyth on Flickr Creative Commons, CC BY-SA 2.0 Deed
The Arabian Library, Scottsdale, Arizona
Recalling the silhouette and architecture of Arizona’s Monument Valley and various slot canyons, local firm Richard Kennedy Architects created The Arabian Library on the edge of Scottsdale — only 15 minutes from the Optima Kierland Apartments. The building’s dramatic pre-rusted steel façade complements its stone roof, which is complete with lush, native vegetation. The library’s interior is uniquely designed to mirror the atmosphere of retail and living environments and incorporates an abundance of sustainable materials and technologies.
All works of art in their own novel ways, from their futuristic architecture to their radical functions, these libraries exhibit the best of the best among the world’s most innovative libraries.
Scottsdale is a diverse community with a deep appreciation for its environment, its history and the arts, which are some of the many reasons we love it. Home to the Scottsdale Arts District, the city recognizes the significant benefits that public art provides to neighborhoods, a value we share in our Optima communities. Today, we’re exploring one of Scottsdale’s most unique public works that highlights an essential aspect of life, Water to Water.
Water to Water was completed in 1999 by Christine Tanz in collaboration with Paul Edwards. Edwards is a renowned designer who received the Concrete Reinforcing Steel Institute Design award in 1990. Both artists are recognized in Arizona for their impressive contributions to public art, including their instrumental involvement in developing a public art plan for Metropolitan Tucson.
Located 15 minutes north of Optima Kierland Apartments, Water to Water sits at the entry of the Scottsdale Water Campus, one of the leading water recycling plants in the world and Arizona’s first potable water reuse facility. While Water to Water is acknowledged as a public art display, it operates as a kind of performance, highlighting the water’s importance to Arizona and its encompassing deserts.
Visitors first witness a pierced metal façade, mirroring the walls in our kitchens, bathrooms and gardens, through which many of us have access to water. Once sensors around the display recognize movement, the installation comes alive, and water sprays from the showerheads and faucets that line the metal wall.
The “interior” of Water to Water revealing its extensive network of pipes
The unique fountain takes advantage of the freshwater stream that stretches across the campus. After the water travels through the extensive network of pipes that lives behind its metal wall and retreats through the various spouts on its other side, it returns directly back into the facility’s stream – a fully-sustainable process. The skeletal framework of the work provides visitors with new understandings of water, a natural element that many take for granted, and tells a powerful, physical story about how life prospers in its barren surroundings.
Scottsdale Water Campus, where Water to Water resides, is located at 8787 E Hualapai Drive and is open from 6 to 5 most weekdays. The art can be viewed at no cost to visitors.
Often unrecognized for her immense contributions to the Prairie School, Marion Mahony Griffin was a leader in the architectural world for many years, paving the way for the countless women who followed her. Today, as part of our ongoing “Women in Architecture” series, we’re exploring the inception of the iconic architect and designer and where her extensive experience led her.
The Life of Marion Mahony Griffin
A Chicago native, Mahony was born in 1871 to Jeremiah Mahony, a journalist, and Clara Hamilton, a teacher. After the tragic events of the Great Chicago Fire, in which her family’s house was destroyed, her family relocated to the Chicago suburb of Winnetka where she spent the majority of her childhood. Inspired by how rapidly the landscape around her was changing — and encouraged by her cousin Dwight Perkins, an American architect — Mahony was drawn to the idea of furthering her education at the Massachusetts Institute of Technology.
Mahony graduated from MIT in 1894 and was only the second woman to receive an architecture degree from the school (after the World’s Columbian Exposision’s Women’s building designer, Sophia Hayden). She soon moved back to Chicago where she became the first woman in modern history to sit for, and be granted, an architectural license in the United States, benefiting from the fact that Illinois was the first state in America to allow women to hold licenses.
Ward W. Willits House, designed by Marion Mahony Griffin. Credit: Teemu008 on Flickr Creative Commons, CC BY-SA 2.0 Deed
While in Chicago, Mahony spent two years working with her cousin Dwight Perkins at his studio in Steinway Hall (which Perkins also designed), where a diverse crowd of innovative artists and architects from the Prairie School could always be found. Soon after she left her cousin’s firm, she discovered another young Chicago architect also working in the building, Frank Lloyd Wright. Hired as Wright’s first employee, Mahony worked on and off with him for the next 14 years and became a significant contributor to his practice.
Ward W. Willits House, Highland Park, Illinois, 1902, One of the numerous intricate watercolor renderings Mahony created for Wright during her employment, Courtesy of Frank Lloyd Wright Foundation
Career and Achievements
While working for Wright, Mohony provided intricate architectural renderings for his designs, becoming an essential participant in his work and leaving her without credit — a recurring theme throughout her career. Today, the renderings are acknowledged as her creations and she is recognized as one of the greatest architectural illustrators.
Mahony completed numerous independent projects while working for Wright including Evanston’s All Souls Unitarian Church. The intimate church featured an abundance of alluring stained glass in its skylights, windows and numerous other light fixtures.
Eventually, Mahony left Wright’s studio to work with her husband, Walter Burley Griffin, a fellow architect and leading member of the Prairie School. Together, Griffin and Mahony created their most renowned work, the design of Prairie School residences in Mason City, Iowa, Rock Crest – Rock Glen. The nationally-recognized historic district features eight elaborate Prairie School homes that surround the city’s Willow Creek.
In 1914 the couple relocated to Australia, where Mahony’s watercolor renderings of Griffin’s design were chosen as the plan for the country’s new capital, Canberra. In Australia, Mahony’s commission’s increased dramatically. One of her final and most well-known works is Melbourne’s Capitol Theatre. The theatre’s opulent decor and avant-garde ceilings and walls were designed to invoke a crystalline cave, and showed a new side of Mahony’s architectural gifts.
Today, Mahony’s extensive experience and portfolio speak for themselves, and she is finally recognized as a trailblazer for architecture and design, and as an original member of the Prairie School.
Chicago is fortunate to have a rich architectural tradition. From the city’s first skyscraper built in 1885 to the transcending towers that look over the urban landscape today, architecture is at the forefront of Chicago’s role as a world-class city. At Optima, we are grateful to be part of an ecosystem that appreciates thoughtful and purposeful design. In the spirit of celebrating some of Chicago’s most prominent architects, we are delighted to see an exhibition at Wrightwood 659 that brings two magnificent lost buildings, designed by luminary architects to the public.
Romanticism to Ruin: Two Lost Works of Sullivan and Wright can be seen at Wrightwood 659, located just south of Optima Lakeview. This collection offers a glimpse into the rich history of two buildings designed by renowned architects Frank Lloyd Wright and Louis H. Sullivan. Though few connections are evident between the two structures at first glance, a deeper dive uncovers the rich relationship between the Garrick Theatre in Chicago and the Larkin Administration Building in Buffalo.
The Garrick Theatre, 1891, Photo courtesy of The Richard Nickel Committee and Archive
Reconstructing The Garrick
At the time of its completion in 1892, the Garrick Theatre, with a capacity of 1,300 seats, was among the tallest buildings in Chicago. Sullivan and his firm partner, Dankmar Adler, designed the exquisite structure to reflect the German heritage of its original investors, but made every development choice with careful thought for the theatre’s visitors. As the historic structure faded with time, its decline accelerated, and in 1961, amid much controversy and disagreement, the theatre was razed and replaced with a parking structure.
Reconstructing the Garrick uses stencils, fragments, drawings, photography and narrative to bring the lost architectural treasure back to life. Some of Sullivan’s most opulent designs for the Garrick included numerous terracotta portraits of well-known German men of the arts that protruded from the Theatre’s upper floors. Fragile ornamentation and vibrantly-colored plasters consisting of gold, jade and salmon, salvaged before and after the building’s demolition, are on view as part of the exhibition, offering access to delightful details of this grand structure that have been long-forgotten.
Larkin Administration Building, 1934, Larkin Company photography collection
Reimagining the Larkin
Razed in 1906, the Larkin Administration Building, owned by Darwin D. Martin, was Wright’s first commercially-designed structure and allowed him to apply his innovative and pioneering techniques to a much larger scale. The building, designed and constructed for the Larkin Soap Company, was groundbreaking in its own right as a center where all of the company’s products were both manufactured and mailed. However, at the forefront of Wright’s mind was designing for workability.
Wright and Martin both understood that an ordered, well-lit and harmonious environment would champion the workers. The five-story red brick building included numerous modernized mechanics, including air conditioning, built-in desk furniture and suspended toilets. Wright designed most of the building’s furniture himself, and many pieces are on display within the exhibition. Deemed by critics and architects at the time as the finest commercial building in the world, the Larkin also seamlessly unified technology with the nature that surrounded it with its rooftop garden, recreation areas and water lily ponds.
Unlike the Garrick, after years of deterioration, there was little fight to save the Larkin. However, today both buildings hold greater significance than ever before. The Gerrick and the Larkin prove how transcendent architecture is defined not only by its material and look, but also by the lasting impression it stamps into history.
Romanticism to Ruin is currently open to visitors Fridays and Saturdays through the end of December 2021. You can reserve tickets to the exhibit here.
Mid-Century Modernism defines the Chicago skyline. Organic forms rise from Chicago’s foundation and cast shadows across the Lake while innovative use of glass reflects waves of light onto the city streets. The Willis Tower, Marina City, the Aon Center are all notable examples of the mid-century modern masterpieces towering over the city.
Chicago’s mid-century modern skyline would not be complete without the exceptional contributions of architecture titan Ludwig Mies van der Rohe. Born 1886 in Germany, Mies emigrated to Chicago in the 1930s due to the rise of Nazism in Europe. Already an esteemed architect, in Chicago Mies accepted the position as head of the architecture school at the Armour Institute of Technology (now the Illinois Institute of Technology). At IIT, Mies was commissioned to design buildings for the campus which still stand today. These buildings include Alumni Hall, the Carr Memorial Chapel, and S.R. Crown Hall, some of Mies’ many masterpieces.
Mies aspired to create architecture that represented modernity with clarity and simplicity. In 1951, Mies completed the two residential buildings of 860-880 Lakeshore Drive which are considered Chicago Landmarks and are listed as National Historic Places. Initially, the towers were viewed critically. However, with time the buildings became the prototype for steel and glass skyscrapers around the world.
Mies also designed Chicago’s Federal Center Plaza which is composed of three buildings; the Everett McKinley Dirksen courthouse building, the John C. Kulczynski building, and the Post Office building. The three buildings situate themselves around a plaza with Calder’s red Flamingo sculpture at the center. The plaza serves as one of the main gathering points in the Loop, Chicago’s commercial center.
Kluczynski Federal Building, Chicago, 1973, designed by Mies van der Rohe. Credit: Matt B on Flickr Creative Commons, CC BY-NC-ND 2.0 Deed
Not too far away at 330 North Wabash sits the former IBM Plaza and Building, one of the last American projects designed by Mies. Built in 1973, the building was designed with advanced technology in mind and became well-known for the several atypical features it included as an office space at the time. Today, the Chicago Landmark is known as the AMA Plaza and includes the Langham Hotel, often regarded as one of the best hotels in the nation.
The Promontory, situated at 5530 S Shore Dr, stands 22 stories over Chicago’s Promontory Point and extensive shoreline in the Burnham neighborhood. Mies built the structure with a “Double T” design in which horizontal cross-bars join and the stems of the T’s form wings to the rear. Mies would employ this design in many of his future buildings.
Farnsworth House exterior, Ludwig Mies van der Rohe,1945-1951. Credit: David Wilson on Flickr Creative Commons, CC BY 2.0 Deed
The Farnsworth House, designed as a vacation retreat for Dr. Edith Farnsworth, is located just outside of Chicago in Plano, Illinois. Though the Farnsworth House is not a grand skyscraper, it has left a lasting impact on the Chicago architectural landscape. The house was an exploration for Mies in the convergence of humans, shelter, and nature. Consisting of a glass pavilion raised six feet above a floodplain beside the Fox River, the house has been described as “sublime” an “a poem” and is now a public museum.
Today, Chicago’s skyline has completely transformed from what it was more than 50 years ago when Mies passed. However, even as it continues to evolve with every new development, Mies iconic buildings still stand out as striking, inspiring architectural masterpieces.
When people think of public art in Chicago, their minds often wander to Millennium Park, where iconic pieces like Crown Fountain and Cloud Gate live. However, throughout the city, art is discoverable in every neighborhood. Today, we’re exploring the community-art project: AMENDS. In addition to being an interactive project, the expansive goal of AMENDS is to lay the foundation for the eradication of racism.
Created by internationally-renowned artists Nick Cave and Bob Faust, AMENDS is a multifaceted project living at the Chicago creative space, Facility. The collaborators first envisioned the project after the death of George Floyd in 2020. The engaging experience encourages individuals to publicly share confessions and apologies that recognize how they may be independently responsible for the continued expansion of racism.
The adversarial action is simple but an extremely intimate and impassioned way to acknowledge where individuals make change and, with hope, where society can too. AMENDS consists of three dynamic phases, each expanding on the project over time.
The first phase,“Letters to the World Toward the Eradication of Racism,” is an assemblage of letters, quotes and notes brought to life by Chicago community leaders on the windows of Facility. The remarks contain various raw and emotional expressions that are on view to everyone in the public.
“Dirty Laundry,” the second phase of AMENDS, Photo from Facility
“Dirty Laundry,” the second phase of AMENDS, progresses at Carl Schurz Public High School across the street from Facility. “Dirty Laundry” challenges the public to address any roles they have played in advancing racism throughout their lives. The declarations of apology metamorphose into yellow ribbons that are tied to clotheslines, creating a public collection of community remorse.
Building upon the previous phases, “Called to Action” asks for participation on a much larger scale. In the form of a hashtag — #AMENDS — the final chapter encourages people across the world to voice their avowals and invite ensuing change for the near future. Bringing together artists, community leaders and everyday people, AMENDS serves as a beacon for Chicago and pushes to keep the city moving forward.
The power of public art is rooted in its ability to welcome beauty into communities. At the same time, it can be a driving force for inquiry, engagement and participation. The values inherent in public art are also core to the character of Optima, which we express through our commitment to incorporating thoughtful art programs into each community we build.
