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50 Years of the Chicago Public Art Group

Chicago’s vibrant public art is just one of the many things that make the city so magical. From Cloud Gate and Crown Fountain in Millennium Park to Art on theMART and Lakeview’s storied murals, otherworldly art installations bring life to nearly every neighborhood. Today, we’re spotlighting an organization that has filled the city with meaningful public art and provided a space to foster community engagement for 50 years, the Chicago Public Art Group.

History of the Chicago Public Art Group

The Chicago Public Art Group (CPAG) was founded in 1972 by William Walker and John Weber, inspired by the destruction of a mural Walker had completed in 1967 on the side of a tavern in Bronzeville. The 20-by-60-foot mural, known as The Wall of Respect, was created to protest Black erasure and honor 50 heroes in the Black community. 

The wall featured a montage of portraits, including those of Aretha Franklin, Gwendolyn Brooks and Miles Davis. It featured seven sections that split the public figures: statespeople, athletes, rhythm and blues, religion, literature, theater and jazz. After its completion, the mural instantly became a mark of cultural pride and a popular tourist attraction on Chicago’s South Side. The mural was vandalized in 1971, but its spirit lives on through public art across the country and especially within the CPAG today. 

Mount Greenwood Musical Playground, James Brenner

After the mural’s destruction, Walker and Weber formed the CPAG to forge partnerships with artists and communities across Chicago to transform the urban landscape. From used walls and streets to urban structures, the organization used every tool they had access to amplify their voices. 

Celebrating 50 Years

Today, CPAG is celebrating its 50th year after creating nearly 1,000 works of art throughout the Chicago area. From the Martin Luther King, Jr. Living Memorial in Chicago Lawn to the Mount Greenwood Musical Playground, the organization has completed murals, sculptures, earthworks, playgrounds, mosaics and everything in between. 

Martin Luther King, Jr. Living Memorial, Chicago Lawn, Sonja Henderson & John Pitman Weber

And although each piece resides in a different neighborhood, they are all rooted in the same three core principles: everyone deserves to experience great art, every community deserves a voice and art-making, and public art encourages community investment. CPAG also continues to share the same values they’ve held for 50 years, uniting artists and organizations to produce art that reflects the beauty of the surrounding community. 

For those interested in becoming involved with the organization, CPAG mentors, trains, inspires and supports children and adults across the city and provides everyone with the tools and confidence they need to bring their visions to life. Learn more about how you can get involved and discover more of CPAG’s inspiring art creations here!

Chicago Public Art: Art on TheMART

Chicago is home to a myriad of stunning public art experiences, where each complement their encompassing environment. In this spirit, the city’s largest work of public art, and the largest permanent digital art project in the world, Art on theMART, embraces its surroundings unlike any other installation in Chicago. 

The now-beloved contemporary art project originated in September of 2018 as more than 30,000 fled to the Chicago Riverwalk to watch the historic Merchandise Mart building transform into a work of art. Following its launch, Art on theMart has hosted nightly projects created by countless artists, ranging from the current exhibitioner Nick Cave to the inaugural artist Jason Salavon

Every evening, 34 projects – sprawled across the Riverwalk itself – help project multiple works of digital art across its 2.5-acre facade. TheMART takes advantage of the latest immersive art technology, using various mapping techniques to ensure every projection fits perfectly to the Art Deco details of theMart. 

While all of the projections showcased at Art on theMART utilize the giant facade of theMart to showcase bright colors and complex imagery to catch the attention of viewers, the installations also comprise bespoke audio elements, creating an even more immersive experience.

Art on theMART, THINKING OF YOU. I MEAN ME. I MEAN YOU, Barabara Kruger

Current exhibitions include explore by Jonas Denzel and Billiken by Shkynna Stewart and Wills Glasspiegel beginning at 9 p.m. and at 9:30, Ba Boom Boom Pa Pop Pop by Nick Cave, running concurrently with the Furthermore installation at the Museum of Contemporary Art Chicago. Only a 15-minute walk from Optima Signature, prime locations to witness the marvelous exhibition are found across the river from theMart on Chicago’s Riverwalk and West Wacker Drive.

Chicago Public Art: AMENDS

When people think of public art in Chicago, their minds often wander to Millennium Park, where iconic pieces like Crown Fountain and Cloud Gate live. However, throughout the city, art is discoverable in every neighborhood. Today, we’re exploring the community-art project: AMENDS. In addition to being an interactive project, the expansive goal of AMENDS is to lay the foundation for the eradication of racism.

Created by internationally-renowned artists Nick Cave and Bob Faust, AMENDS is a multifaceted project living at the Chicago creative space, Facility. The collaborators first envisioned the project after the death of George Floyd in 2020. The engaging experience encourages individuals to publicly share confessions and apologies that recognize how they may be independently responsible for the continued expansion of racism.

The adversarial action is simple but an extremely intimate and impassioned way to acknowledge where individuals make change and, with hope, where society can too. AMENDS consists of three dynamic phases, each expanding on the project over time.

The first phase,“Letters to the World Toward the Eradication of Racism,” is an assemblage of letters, quotes and notes brought to life by Chicago community leaders on the windows of Facility. The remarks contain various raw and emotional expressions that are on view to everyone in the public.

“Dirty Laundry,” the second phase of AMENDS, Photo from Facility
“Dirty Laundry,” the second phase of AMENDS, Photo from Facility

“Dirty Laundry,” the second phase of AMENDS, progresses at Carl Schurz Public High School across the street from Facility. “Dirty Laundry” challenges the public to address any roles they have played in advancing racism throughout their lives. The declarations of apology metamorphose into yellow ribbons that are tied to clotheslines, creating a public collection of community remorse.

Building upon the previous phases, “Called to Action” asks for participation on a much larger scale. In the form of a hashtag — #AMENDS — the final chapter encourages people across the world to voice their avowals and invite ensuing change for the near future. Bringing together artists, community leaders and everyday people, AMENDS serves as a beacon for Chicago and pushes to keep the city moving forward. 

The power of public art is rooted in its ability to welcome beauty into communities. At the same time, it can be a driving force for inquiry, engagement and participation. The values inherent in public art are also core to the character of Optima, which we express through our commitment to incorporating thoughtful art programs into each community we build.

Alexander Calder Day

On a fall day in October of 1974, Chicago unveiled a majestic new piece of public art: a grand steel archway in a striking red color. Alexander Calder’s Flamingo officially made its mark on Chicago’s Federal Plaza, and has been an icon ever since. In honor of the sculpture’s debut, October 25, 1974 was dubbed “Alexander Calder Day,” and featured a circus parade to celebrate the artist’s great contribution to the city and to the greater world of art. 

Although Alexander Calder Day officially occurred 46 years ago, Calder’s impact is still monumental, both in Chicago and around the globe. Alexander Calder’s legacy includes collections at notable museums around the world, large scale public works and a posthumous Presidential Medal of Freedom awarded by President Gerald Ford (although the Calder family boycotted the ceremony). And Flamingo has its fair share of fame as well (even earning a scene in the movie Ferris Bueller’s Day Off).

Still shot from Ferris Bueller's Day Off with Calder's Flamingo in the background

Whether it’s his work hanging in our own buildings or his impactful public artwork, we hold Calder’s work and legacy in high honor. From our team at Optima, Happy (slightly belated) Alexander Calder day!

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