Blog type: Art & Sculpture

Inside the Phoenix Art Museum

Posted on by Nancy

We know and love Phoenix, home to Optima Biltmore Towers, as an urban oasis and cultural hub, where the arts are everywhere you look. At the center of Phoenix’s ever-evolving and expanding arts scene is the Phoenix Art Museum, an institution that’s been around for sixty years. 

History of the Museum

Although the museum has been around for 60 years, its community ties go even deeper. In 1915, just three years after Arizona achieved statehood, the Phoenix Women’s Club was formed. The club used their platform to establish an art exhibition committee, whose goal was to improve the quality of art offerings at the Arizona State Fair and to purchase one piece of art each year. Their vision, and collection, became the foundational basis for the museum’s collection today, now consisting of more than 20,000 art objects.

Sculptural exhibit at the Phoenix Art Museum
Credit: Tomwsulcer on Wikimedia Commons, made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.

The Museum Today

Today, the Phoenix Art Museum is considered the largest art museum in the southwestern United States, engaging 300,000 local and visiting art lovers alike each year. Their mission? “To ignite imaginations, create connections, and serve as a vibrant destination, a brave space, for all people who wish to experience the transformative power of art.” They don’t just operate as a museum to achieve this — they’re a vibrant community center and host to festivals, live performances, independent art films and educational programs, both inside and outside the museum walls.

For those planning their visit, expect to enjoy American, Asian, European, Latin American, Western American, modern and contemporary art and fashion design, as well as an interactive children’s space, photography exhibitions (held in partnership with the Center for Creative Photography) and a landscaped sculpture garden. 

There’s no shortage of things to discover, whether you’re a first-time or regular visitor. While the museum is temporarily closed due to COVID-19, you can explore their full list of collection onlines here. And when their doors do open once more, you can learn more about planning your visit here, or view a calendar of upcoming events here.

The Work of Georgia O’Keeffe

Posted on by Nancy

We would be remiss to talk about Modernism without showcasing the women who helped pioneer the movement. One woman in particular, the luminary artist Georgia O’Keeffe, earned herself the nickname the “Mother of American Modernism.” Today, we honor her contributions to Modernism by diving deep into her life and work.

The Life of Georgia O’Keeffe

Born in 1887 in a farmhouse in Wisconsin, Georgia O’Keeffe decided at an early age (10) to become an artist. In 1905, she began her serious formal art training at the School of the Art Institute of Chicago (SAIC). She later denounced formal education, feeling too constricted by the strict guidelines that art should imitate what was found in nature. 

It wasn’t until 1912 that O’Keeffe discovered the work of Arthur Wesley Dow, and was inspired by the way he uniquely interpreted subject matters, rather than following traditional modes of artistic creation. From there, O’Keeffe gave permission to herself to experiment in forms that furthered her self-expression and development of style. 

Georgia O’Keeffe, Series 1, No 8, 1917. Public Domain.

The Work of Georgia O’Keeffe

Georgia O’Keeffe is best known for her abstract oil paintings, including many close-ups of flowers. Though many muse the flowers were a symbol for female anatomy, O’Keeffe rejected that interpretation often. Her work was concerned with emphasizing shape and color to illuminate small details.

In 1929, O’Keeffe moved to New Mexico, attempting to escape the socially and artistically oppression of her fame. Partly inspired by a desire to shake Freudian affixations of meaning to her work, and greatly inspired by the native landscape, there O’Keeffe painted New Mexico landscapes and images of animal skulls. 

O’Keeffe’s desert escape and reinvention of inspiration mirrors that of Optima’s own journey, when we expanded to Arizona. We know just how transformative the arid landscape, surprisingly lush desert greenery and culture of the southwest can influence one’s creative scope.

Even in her southwestern escape, O’Keeffe remained heavily in the public eye. Featured in one-woman retrospectives at both the Art Institute of Chicago and the The Museum of Modern Art in Manhattan in the 40’s, O’Keeffe became the first woman to ever have a retrospective at the latter. The next three decades saw her style and subject focus evolve, but it was a quiet period until in 1970, when the Whitney Museum of American Art held a retrospective of her work and brought back buzz. 

While O’Keeffe died in 1986, critical acclaim and love for her work remains. In 2014, her 1932 painting Jimson Weed sold for $44,405,000 — more than three times the previous world auction record for any female artist — demonstrating the art world’s acknowledgment of O’Keefe’s unapologetic vision and pioneering a style.

The Sculpture Garden at Optima Sonoran Village

Posted on by Nancy

At Optima, our appreciation and curiosity about materials — and how those materials are expressed — extends beyond architecture and into the artistic medium of sculpture. The sculpture garden at Optima Sonoran Village is home to several original sculptures by Optima founder David Hovey Sr., and exemplifies how art can influence and impact the space it resides within.

Silver Fern, an original Optima sculpture by David Hovey Sr.
Silver Fern, an original Optima sculpture by David Hovey Sr.

The garden includes five original David Hovey Sr. sculptures: Curves and Voids, Silver Fern, Triangles, Intersecting Arches and Duo. Originally created as a large and monumental sculpture, Duo is crafted out of steel to create a striking silhouette alluding to a man and a woman gazing at one another. Meanwhile, Curves and Voids expresses steel and its potential through grand, sweeping curves. The voids are laser cut within the sculpture’s steel planes; the holes provide gaps and textures that contrast and play off of the sculpture’s curves.

Intersecting Arches, an original Optima sculpture by David Hovey Sr.
Intersecting Arches, an original Optima sculpture by David Hovey Sr.

Each original sculpture within the garden is just one of many variations of a design. David Hovey Sr. often experiments with color, size and orientation within his sculpture designs to breathe new life into the same form, placing these iterations across Optima communities. At the sculpture garden at Optima Sonoran Village, Hovey Sr. chose to use Corten steel rather than coat the sculptures in bold hues. He did so to ensure that rather than competing with the building’s vibrant facade, the sculptures would complement the community. Of the five sculptures, Curves & Voids is large-scale, and the other four remain of modest size. 

We invite anyone who visits Optima Sonoran Village to take a stroll through the sculpture garden, to immerse themselves in the art form and to discover how sculpture can transform the space it’s within. 

Ray Eames: A Pioneer in American Architecture

Posted on by Nancy

A talented artist, designer and filmmaker, Ray Eames is a well-known name throughout the architecture and design industries. The name Eames itself carries weight; Ray Eames was half of the husband-and-wife duo that made an enormous impact on modern design. Though her husband, Charles, received most of the praise and spotlight during their partnership due to the gender conventions of their time, Ray was a powerful voice and creative in her own regard. Today, we look back on her life and contributions to the world of design.

Born in Sacramento, California in 1912, Ray was passionate about art from an early age, expressing interest in dance, illustration and art history. After pursuing art as a student for years, Ray eventually found her way to New York, fully immersed in the abstract art scene. By 1940, she decided to pursue a holistic approach to art and design at the Cranbrook Academy of Art, in Michigan, where she then met her husband, Charles. Upon meeting Charles, Ray took her strengths in color, form and structure and applied them to furniture design, and the two began a creative and life partnership that would thrive for decades.

Although Charles had a more public profile, Ray worked full-time and was equally devoted to their work. Together, they explored new, inventive designs for furniture, products, short films and architecture. Their own house is arguably the greatest representation of their architectural work. A structure of steel and glass, the Eames House is an iconic piece of modern architecture, with Ray’s background in abstract art informing the Mondrianesque panels on the front façade.

Eames House. Credit: IK’s World Trip on Flickr Creative Commons, CC BY 2.0 Deed

The Eameses worked as partners from 1941 until 1978 when Charles passed away. Their collaboration and creative vigor continues to inspire to this day, and is even reminiscent of our own David Hovey Sr. and Eileen Hovey, who have built Optima while also building a life and family together. 

To read more about the life and work of Ray Eames, check out a recent feature by The New York Times. 

Chicago’s Public Art: The Calder Flamingo

Posted on by Nancy

Sculptures are art made architectural; dramatic corners, inventive materials and a consideration of space and its voids. At Optima, our appreciation for sculpture runs deep, with Optima co-founder David Hovey Sr. expanding the design reach of Optima to include his own original sculptures. Indulging in our love for the craft, we’re exploring Chicago’s public art, piece-by-piece. This week, it’s all about Alexander Calder’s famous Flamingo.

The Calder Flamingo

Though you might not notice it immediately as a flamingo, every Chicagoan is familiar with the long and graceful arcs of the famous red Flamingo sculpture designed by Alexander Calder. Calder is a seminal Modernist multi-media artist perhaps best known for his many whimsical mobile creations.

The Flamingo, however, is the antithesis of his mobile sculptures set apart by their dynamic motion — he referred to the goliath sculpture as a “stabile,” a freestanding abstract sculpture made in the style of a mobile but sitting rigid and stationary. It is this peculiar approach that gives The Flamingo an inevitable feeling of potential energy, instilling an almost alien vitality to the Federal Plaza where it lives.

Weighing in at 50 tons and made of steel, the sculpture feels anything but heavy in the space it occupies. Its arches and voids invite passerby to walk beneath and through the art on their way to surrounding office buildings in the plaza  — including the Ludwig Mies van der Rohe-designed Kluczynski Federal Building.

The sculpture was designed specifically for this space, to add a lightness and balance to the severity of the Federal Building’s Modernist lines. Unveiled on October 25, 1974, at the same time that Calder’s Universe mobile was unveiled at the Willis Tower, the momentous, art-filled occasion was declared “Alexander Calder Day” and even featured a circus parade. 

The festivity, spirit and joy of this sculpture and its history are apparent to all that visit it on display in Chicago, adding yet another meaningful and momentous sculpture to our city’s iconic and artful culture.

Chicago’s Public Art: The Picasso

Posted on by Nancy

Sculptures are the ultimate exploration of materials and their expression. With Optima Co-Founder David Hovey Sr. having expanded the design reach of Optima to include sculpture, the medium is one that hits close to home for us. To indulge in our love for the craft, we’re exploring Chicago’s public sculpture art, piece-by-piece. First up is an iconic staple in Chicago: The Picasso.

The (Chicago) Picasso

The monumental, larger-than-life sculpture created by Pablo Picasso situated in downtown Chicago goes unnamed by the artist. However, the work is affectionately referred to as The Picasso and even The Chicago Picasso. The sculpture is now a globally-renowned landmark, standing 50 feet tall and weighing in at 162 short tons.

The Chicago Picasso was commissioned by the architects of The Richard J. Daley Center in 1963. Occupying the beloved Daley Plaza alongside the skin-and-bones International Style Modernist skyscraper, the sculpture stands out as a whimsical and abstract piece that invites plaza visitors to jump, climb and slide upon its smooth, COR-TEN steel surface. The interactive sculpture cost the modern day equivalent of $2.8 million, with three charitable foundations shouldering the cost. And although Picasso himself was offered $100,000, he refused the payment, insisting that he wanted to make the work as a gift.

Picasso’s inspiration remains a mystery, though some muse that the armadillo-esque figure is actually an abstracted portrait of the French woman, Sylvette David – now known as Lydia Corbette. The sculpture’s abstract nature was met with tough criticism initially. In a city where most sculptures were famous figures, some didn’t take kindly to the strange public art newcomer. But it was only a matter of time before The Chicago Picasso rightly became a revered piece of Chicago’s vibrant public art collection, brightening the Daley Plaza and the city with its presence. 

Taking Art Online: How to Visit Fan-Favorite Museums Digitally

Posted on by Nancy

As art enthusiasts, we know a trip to the museum can provide much needed inspiration and solace. While many physical cultural institutions have closed their doors as we shelter-in-place, their doors remain very much open online. Today, we’re sharing how our favorite museums have been taking art online, and how you can visit iconic global institutions digitally.

J Paul Getty Museum

Take a trip to sunny LA with digital museum tours offered by the J Paul Getty Museum in Los Angeles, California. Their expansive collection of 6,000+ works makes the museum worth the visit on any ordinary day, but through Google Arts and Culture, you can actually physically “mouse” your way through the galleries via an interactive online museum tour, or scroll through three online exhibits and 15,000+ artistic works.

Vatican Museums

While sheltering-in-place, the options for online exploration are limitless. Traverse internationally across the interwebs to place yourself via computer into the Vatican Museums in Rome, Italy. Explore the Sistine Chapel, impressive architectural details, intricate murals and an astounding array of artwork via their online virtual tours featuring expansive, 360-degree views. Afterwards, you can even take an “outdoor stroll” around the Vatican City with You Visit.

Picasso Museum

In keeping up with our love of Picasso, we recommend spending a few hours online at the Picasso Museum in Barcelona, Spain. A seemingly-endless digital archive of Pablo Picasso’s most renowned works is accompanied by some of the best-preserved Medieval architecture in Barcelona. Enter the museum through its ancient and rustic patios to discover the digital treasures within via this digital interactive tour.

Art Institute of Chicago

Missing visits to your local favorite? Have no fear, because the Art Institute of Chicago is bringing the comforts of a familiar gallery to your couch. Their array of online resources include ways to surf the entire museum collection, new and highly-detailed interactive features, a digitized version of their current special exhibit and more. 

As we continue to spend our days at home, virtual trips to explore the arts and culture provide a much needed vibrant reprieve. Stay tuned for more Optima features on how to stay engaged, connected and inspired at home. 

The Work of Pablo Picasso

Posted on by Nancy

One of the world’s most iconic creators, Pablo Picasso is globally known as one of the most influential artists of the 20th century. His brightly-colored work adorns the walls of our Optima buildings, and today we dive into his life and work.

Pablo Picasso
Pablo Picasso, 1912. Photo in Public Domain

A Promising Start

Born in Spain in 1881, Picasso was a gifted artist from a young age, receiving lessons early on from his father, who was also a painter. While trained and mentored in academic realism, by the time Picasso was sixteen, his interpretation of Modernism began to attract attention within the art world. Picasso struggled with the close influence of his father, who he fought with frequently, and eventually bounced back and forth between Spain and France to pursue his own distinguished style.

An Expansive Body of Work

Throughout his life, Picasso became known for his range of distinctive styles and contributions to various art movements. His work covered Cubism, Surrealism, Neoclassicism, as well as his famous Blue Period and Rose Period. Having lived in Europe through both World Wars, Picasso’s work is reflective of a world changing rapidly and drastically. While living in a German-occupied Paris during World War II, Picasso continued to create paintings and sculptures, despite the fact that his work did not fit the Nazi ideal of art. By the time Paris was liberated, he was already an international celebrity within the art world, a reputation that continued to grow.

Picasso sculpture in Daley Plaza, 1967. Credit: Dan DeLuca on Flickr Creative Commons, CC BY 2.0 Deed

A Lasting Legacy

Throughout his life, Picasso refined his mastery of painting, sculpting, printmaking, ceramics and stage design, while also dabbling in poetry and film. His art came with a turbulent personal life, including a web of muses, mistresses, wives and grandchildren, which proved complicated when it came to his estate after he passed away in 1973. His legacy was one of rigorous exploration and zealous creativity, solidifying his name as one of the world’s greatest artists.

 

Sculpture Spotlight: Windsong

Posted on by Nancy

A striking piece that complements the surrounding green space at Optima Camelview Village, Windsong creates a bold statement that both contrasts with and engages its environment. As with Kiwi, Duo and other original Optima sculptures, Windsong was designed by David Hovey Sr., and today we dissect its form and how it integrates into a larger context.

To stand out against its colorful backdrop, Windsong stands more than 15 feet tall, providing a dramatic addition to the Arizona desert foliage. The sculpture is oriented around a rotating turntable, allowing the top pieces to move with the flow of the wind. Through movement and size alone, Windsong celebrates and embraces the elements, subtly alluding to Scottsdale’s connection to and love of nature. 

With a mixture of color and shapes, Windsong also evokes a playful and enthusiastic energy. Each piece of the sculpture is composed of both sharp corners and rounded edges, a culmination of form that emits joy. 

Optima’s passion for public art, both inside and outside our building, is a reflection of our dedication to engaging, beautiful spaces. Whether it’s through architecture, design or sculpture, we’re in constant pursuit of creating meaningful homes that have a lasting impact. 

The Work of Le Corbusier

Posted on by Nancy

Modernism is an approach that has roots going all the way back to the 1920s. Modernist architecture was pioneered by the inventive and contentious Le Corbusier, a Swiss-French architect, urban planner, painter and furniture designer. To better understand Modernism, we’re diving deep into his life, and highly controversial work.

A Controversial Figure

Born Charles-Eduoard Jeanneret-Gris, architect Le Corbusier built chiefly with steel and reinforced concrete, paring design down to its simplest, elemental geometry and form. He developed his famous theory of modern form and minimalist materials when envisioning affordable, prefabricated housing to help rebuild communities after World War I. His vision for prefabrication was only the tip of a strong, nearly utopian, approach to urban planning and architecture.

Villa Savoye Exterior
Villa Savoye in Poissy, Le Corbusier. Photo Timothy Brown, Flickr Creative Commons

His architectural philosophy was groundbreaking and completely contrary to the dominant narrative of the 1920s. Once he established his ideas, he shared them by publishing the seminal L’Espirit Nouveau (1920), where he revealed his famous “five points of architecture.” Three years later, he published Vers une architecture (Towards a New Architecture) (1923), in which he espoused a new, modern architecture informed by applying principles of cars, planes and ships to buildings. Le Corbusier embraced the conflict that arose to his ideas head-on, making bold declarations such as “a house is a machine for living in” and “a curved street is a donkey track; a straight street, a road for men.”

Chair designed by Le Corbusier at Optima Camelview Village
Chair designed by Le Corbusier at Optima Camelview Village

Form, Function, Furniture

Le Corbusier also designed furniture, his approach following suit to his approach to architecture. His furniture, co-designed with Pierre Jeanneret and Charlotte Perriand, utilized tubular steel that projected a new rationalist aesthetic. Le Corbusier broke down furniture into three types: type-needs, type-furniture and human-limb objects. His rational approach was not without romanticism, as he said, “Certainly, works of art are tools, beautiful tools. And long live the good taste manifested by choice, subtlety, proportion and harmony.” 

At Optima, we employ Le Corbusier furniture in our communities, like those in each of the three building lobbies at Optima Old Orchard Woods in Skokie. The furniture functions just as the artist would’ve wanted — as bold, artistic statement pieces, and as functional, rational furniture.

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