Women in Architecture Part I

While conversations about the architectural greats center around figures such as Ludwig Mies van der Rohe and Frank Lloyd Wright, there are countless powerful women whose names are left out. At Optima, we’ve celebrated the contributions of everyone from Charlotte Perriand to Ray Eames — and today, we’re spotlighting a few more women in architecture you should know.

Sophia Hayden

Sophia Hayden was born in Santiago, Chile in 1868 and moved to Boston at age six. Hayden discovered her interest in architecture during high school and went on to be the first female graduate of the four-year program in architecture at the Massachusetts Institute of Technology (MIT). She graduated in 1890 with honors. After college, Hayden initially struggled to find work in the male-dominated world of architecture and settled for a position as a mechanical drawing instructor at a local high school.

Only a year later, at just 21, Hayden jumped at the opportunity to enter her design in a competition for the Women’s Building at Daniel Burnham’s 1893 World Columbian Exposition in Chicago. Her design won the competition and Hayden was awarded $1,000, a tenth of what male architects earned for similar buildings.

Women’s building, 1893 World Columbian Exposition in Chicago.
Women’s building, 1893 World Columbian Exposition in Chicago.

During construction, Hayden was micromanaged incessantly and had to make many compromises on her design. The stress of the situation led Hayden to a breakdown and she was placed in a sanitarium for an “extended period of rest.” After the incident, Hayden retired from architecture permanently. Her treatment and diagnosis of hysteria have much to tell us about the challenges women in architecture faced during this time.

Marion Mahony Griffin
Marion Mahony Griffin, photo courtesy of Places Journal

Marion Mahony Griffin

Marion Mahony Griffin was born in 1871 in Chicago, and at nine her family migrated to the suburb of Winnetka after the Great Chicago Fire. Watching a landscape consumed by growing suburban sprawl developed Mahony’s interest in architecture. She went on to graduate from MIT in 1894, becoming the second woman to do so after Hayden.

Artist's Studio (Section). Watercolour and ink by Marion Griffin 1894.
Artist’s Studio (Section). Watercolour and ink by Marion Griffin 1894.

After college, Mahony moved back to Chicago and became the first woman licensed to practice architecture in Illinois. She found work at her cousin’s architecture firm downtown alongside Frank Lloyd Wright. There, she created beautiful watercolor renderings of buildings and landscapes — a signature style which would later be attributed to Frank Lloyd Wright. Mahony worked alongside Wright for fifteen years, contributing greatly to his reputation and success to little recognition. She was also an original member of the Prairie School of architecture.

Fair Lane, Henry Ford’s Dearborn mansion, 1913-1915
Fair Lane, Henry Ford’s Dearborn mansion, 1913-1915

When Wright eloped to Europe, he offered Mahony his studio’s remaining commissions, but she declined. Mahony is even rumored to have said Wright’s habit of taking credit for things, including the Prairie School movement, are what led to the movement’s early death. Later in life, Mahony collaborated with ex-Wright employee, Prairie School member and her husband, Walter Burley Griffin. Throughout her career, Mahony brought to fruition many notable projects, including Henry Ford’s Dearborn mansion and the Gerald Mahony Residence in Elkhart, Indiana.

Stay tuned for more features on women in architecture.

The Architecture of Bertrand Goldberg

Chicago is home to a vast array of architectural diversity, from Modernism to Prairie School and beyond. Although no two city skyscrapers are the same, Marina City is one building that particularly stands out. Built by American architect Bertrand Goldberg, the industrial series of towers represent his unique mark on Chicago architecture. Today, we’re taking a closer look at Goldberg’s life and work.

Bertrand Goldberg presenting a model of Marina City; photo courtesy of BertrandGoldberg.org
Bertrand Goldberg presenting a model of Marina City; photo courtesy of BertrandGoldberg.org

Early Life and Architectural Beginnings

Born local to Chicago in 1913, Bertrand Goldberg left the US for Germany at the ripe young age of eighteen in 1932. There, he studied at the Bauhaus and worked at the small architectural office of Bauhaus director Ludwig Mies van der Rohe. Like many others studying and working in Germany during that period, Goldberg eventually had to flee the country under mounting political pressure and civil unrest. After a brief stint in Paris, Goldberg returned to his hometown in Chicago to continue his career.

Prentice Women’s Hospital, designed by Bertrand Goldberg, in Chicago, IL
Prentice Women’s Hospital, designed by Bertrand Goldberg, in Chicago, IL

The Work of Bertrand Golberg

At only 23 years old, Goldberg opened his own architectural office in Chicago. He was most known for his innovative structural solutions to complex problems, with commissions that included designing an easily transportable structure for the North Pole chain of ice cream shops as well as many prefabricated projects and mobile vaccine laboratories for the US government. 

His work was always experimental, testing out ways to create unconventional forms through extremely conventional and mundane materials. His most popular project is Marina City, often referred to as the “corn cobs,” which stand out in sharp relief against the Chicago riverfront. 

Marina City is a mixed-use complex of five concrete towers, built in 1961-1964, that has continued to change and evolve over time. Goldberg’s original plan was complete with an office building, theater, public pedestrian plaza, an active rail line, a marina, an ice skating rink and a bowling alley. Though the rail line and skating rink are no longer standing, the theater remains, converted in the Chicago House of Blues venue.

The success and critical acclaim of Marina City inspired many of Golberg’s later structures, including River City in Chicago and several hospital structures across the country. Though Goldberg died in Chicago in 1977, he has built a lasting legacy and forever left his mark on the Chicago skyline.

Modern vs. Contemporary Architecture

Whether it’s in reference to decor or design, the terms modern and contemporary are often used interchangeably. While this detail may be easily overlooked, the difference between the two styles is notable, especially in the world of architecture. Today, we’ll break down the distinction between modern vs contemporary architecture, and why it matters.

Simply put, contemporary design refers to styles relevant in the present moment, whereas Modernism refers to a style defined in the past. As we’ve covered in previous posts, Modernism has an expansive history, which was most notably defined between 1900 and 1960. Contemporary design can change based on what’s currently trending, and often changes based on widespread taste. Modernism remains defined by traditions and practices from the original Modernist movement.

So why do these two styles often get confused? Firstly, Modernism is a timeless style that often translates as contemporary because even after almost a century, its elements are still beautiful. It’s why our own use of materials, natural light and structure have stood the test of time at Optima. Secondly, current contemporary design does share some similarities to Modernism. Glass and metal materials, floor-to-ceiling windows and minimal color palettes are all popular architectural details right now. Even curated residential green space, a signature Modernist feature in our projects for decades, are trending with the house plant craze. With contemporary architecture and design borrowing elements from Modernism, it makes sense that they often get swapped out for each other. 

If you want to learn how to spot the difference, it’s worth studying Modernism first so you know what to look for in true Modernt pieces and buildings (our own blog is a great resource for that). Some things to look for: open floor plans, asymmetry, large panels of windows or glass walls, lack of ornamentation and highly functional spaces. Function over form was the mantra of Modernism, and it still informs Modernist interpretations now. If the building or space includes anything trendy or cutting-edge for the year —  like some of Architectural Digest’s 11 Most Anticipated Buildings of 2020 — it’s probably more appropriately categorized as contemporary. 

Although the two styles are similar, there’s no replicating the impact and legacy of Modern architecture. Our love for Modernism inspires us to recognize and appreciate it when we see it, and we hope our readers share the sentiment.

The Legacy of Frank Lloyd Wright

Modernism wouldn’t be the discipline it is today without the greats that defined it. A name well-known throughout the world, Frank Lloyd Wright is heralded as the “greatest American architect of all time” by the American Institute of Architects. His contributions to architecture have touched all of us at Optima and countless others, leaving behind a monumental legacy.

The Life of Frank Lloyd Wright

Frank Lloyd Wright was born in Richard Center, Wisconsin on June 8, 1867 to a preacher father and teacher mother. His young life was spent travelling for his father’s ministry position, and his parents’ divorce when he was 18 set his family back even further financially. To help out, Wright worked at the same university at which he was studying: University of Wisconsin. Despite his commitment to his family, Wright’s dream of becoming an architect pulled him away from school when he left Madison two years later to move to Chicago.

Frank Lloyd Wright Home and Studio, 1967. Credit: Philip Turner, Library of Congress, Prints & Photographs Division, ILL,16-OAKPA,5-2. Image is in the public domain.

In Chicago, Wright tried working for two different firms before landing at Adler and Sullivan, where he worked under Modernist master Louis Sullivan for six years. At 22, Wright married Catherine Lee Tobin and entered into a five-year-contract with Sullivan in exchange for the loan money Wright would need to build him and his wife their home in Oak Park, a Chicago suburb. Tempted by the need to provide for his family, Wright took on independent residential commissions even though it violated his contract with Sullivan. When Sullivan found out, the two parted ways and did not repair their relationship until twenty years later. It was this separation, however, that pushed Wright out on his own and allowed him to grow his prolific independent career.

Fallingwater by Frank Lloyd Wright. Credit: Somach on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

The Work of Frank Lloyd Wright

After his separation from Sullivan, Wright started his own firm in 1893. Wright’s career spanned an impressive seven decades, a time period over which he developed his distinctive point of view and style. Wright saw architects as the poets of their time — an artistic historian of sorts. He believed in creating structures that lived in harmony with the natural world, a point of view which he called “organic architecture.”

Wright brought American design to the forefront and was the leader of the Prairie School movement, a distinctly American midwestern style. Hallmarks of Prairie School design include low-pitched roofs, overhanging eaves and open floor plans. These expansive residences mirrored the endless landscape of the Midwestern prairies, and employed materials such as wood to further integrate the manmade with its environment. 

Ennis House, 1924, Frank Lloyd Wright — a Textile style/Mayan Revival home
Ennis House, 1924, Frank Lloyd Wright — a Textile style/Mayan Revival home. Credit: Mike Dillon on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Later in his career, Wright also worked in the textile style out West, as well as pioneering a new dichotomy with his 60-house Usonian series. The Usonian homes were another way Wright carved out a language that was distinctly American, uninfluenced by any international predecessors. These homes were marked by their flat roofs and cantilevered overhanging — which became the source of the term “carport.” While out West, Wright also established Taliesin West and other structures near the greater Phoenix area, some of which are close to our Optima communities in Arizona. Just as we’re inspired by the desert scape, Wright was similarly enchanted with the surrounding foliage and existing architecture. 

Cedar Rock (Lowell Walter House), 1948, Frank Lloyd Wright — a Usonian house
Cedar Rock (Lowell Walter House), 1948, Frank Lloyd Wright — a Usonian house. Credit: AIA Iowa.

With his 70-year career, 500+ completed projects and numerous accolades, this is only the tip of the iceberg in the legacy left behind by Frank Lloyd Wright. It is all these contributions and more that will forever cement Wright as a master of American architecture.

The Work of SOFTLINE

At Optima, our passion for Modernism shines through in all aspects of design, from the art we hang on the walls to the furniture we select. For Optima Kierland Apartments, we handpicked standout statement pieces from Danish furniture designer SOFTLINE, including the modular sofa and sculptural bench pictured above.

SOFTLINE started in Denmark in 1979 with a commitment to creating innovative, iconic and high-quality furniture. True to the essence of Modernist design, their pieces explore the limits of form and function. While their furniture unabashedly explores sculptural forms, SOFTLINE places an emphasis on modular furniture that’s able to be arranged in a variety of configurations and used for many purposes. And of course, each piece is swathed in a bold color as a finishing touch.

The amenity floor at Optima Kierland Apartments features Pierce, a bench designed by Karim Rashid for SOFTLINE. Rashid describes the bench’s undulating form as sensual and sculptural. Pierce is made up of two interconnected pieces that can’t exist without one another, creating an integral equilibrium that defies gravity. Rashid himself has been dubbed by Time magazine as “the most famous industrial designer of all the Americas” and the “Prince of Plastic.” 

Playing perfect complement to Pierce is the striking blue modular sofa, PLANET. The highly adaptable modular sofa was designed for Softline by Stine Engelbrechtsen so that those employing the piece can “create their own universe.” PLANET’s simple design and soft edges embody the ultimate in comfort, while the silver metal legs give the airy effect of the sofa hovering just above the ground. At Optima Kierland Apartments, we configured PLANET’s modular pieces so that residents can privately enjoy a section for quiet time, or convene together comfortably. 

These eye catching pieces are the perfect place for residents to relax or meet with friends, all the while being invigorated by the energy of the vibrant design around them.

A Brief History of Pueblo Architecture

When Optima expanded to Arizona in 2000, with the new territory came a vast and storied architectural culture and history. While the Southwest is home to many distinguished styles, perhaps none is as unique as pueblo architecture. Our Modernist design is in stark contrast with the Pueblo style, yet we still honor the history and modern-day impact of pueblo architecture.

Pueblo architecture comes from the traditional dwellings of the Puebloans, or Pueblo peoples, a southwestern Native American tribe. In Spanish, pueblo translates to “village,” referring to the Puebloans’ iconic style of building. Puebloans first began building pueblo structures between 750-900 CE, but were inspired by the Ancestral Puebloan cliff dwellings dating as far back as AD 1150.

Pueblo architecture is most commonly constructed from adobe, though stone was used when available. Building structures are flat-roofed, with the roof supported by wooden beams, vigas, and small perpendicular beams, latillas. Vigas typically protrude beyond the building structure. In larger communities, many pueblo homes are stacked in multistory terraces with setbacks. These communities also often include kivas, partially underground circular ceremonial rooms, as well as courtyards or plazas

When Spanish colonists arrived to the southwest in the 1500s, they adopted Pueblo architecture for their own buildings, such as haciendas and mission churches. From the colonists, Puebloans began incorporating more manufactured techniques, such as sun-baking adobe bricks, and more manufactured materials.

Optima Camelview Village in Scottsdale, Arizona
Optima Camelview Village in Scottsdale, Arizona

Pueblo architecture continues to permeate the voice and character of southwest design. Although our own Modernist style is vastly different, Pueblo influences still informed many design choices. Optima Camelview Village honors the tradition of terraced dwellings in its stepped, landscaped facade and centralized courtyard. The desert dwellings of Optima contain traits of the traditional Publeoan dwellings, too. At Sterling Ridge, the cantilever roof pays homage to vigas, while the site-sensitive, multilevel design of the structure allows the home to blend into the landscape.

But despite the notable influences, it is Optima’s departure from the dominant southwestern architectural style that attracts people to our work — employees and residents alike.

Zen Gardens 101

Zen gardens are synonymous with peaceful moments, stress reduction and thoughtful design. At Optima Kierland, our exclusive Club One amenity space features a zen garden to encourage those tranquil moments for our residents. To better understand the space and its history, today, we’re taking a look at zen gardens 101.

Purpose and History

As the name suggests, zen gardens were first designed to inspire meditation at Zen Buddhist temples. While Japanese rock gardens (inspired by the Chinese rock gardens that predated them) have been around since at least the Heian period (794-1185), the first rock garden considered a zen garden was built in 1334 by Buddhist monk and zen master Musō Kokushi. The idea was that monks would view the gardens while sitting outside of them and focus on the elements to hone their meditative practice. 

The development of zen gardens also pulled inspiration from Japanese ink landscape paintings at that time. Both art forms focused on winnowing down their composition to include only the essential elements of nature, which was then to be surrounded by an abundance of white space (in a painting, the blank page, and in a garden, the sand or gravel).

Elements of Zen Gardens

Zen gardens are defined by their unique stylized landscaping. The main eight elements are composed in intentional, meaningful arrangements. These elements include rocks (ishi), water elements (mizu), plants (shokubutsu), lanterns (tenkeibutsu), the borrowing from existing landscapes (shakkei) and bridges (hashi).

Each element is a meaningful symbol in Japanese culture, and their arrangement in the garden represents and honors that. Typically the gardens are brought together by gravel or sand, which is raked to represent rippling water. Emphasis is also placed on the principles of naturalness (Shizen), simplicity (Kanso), and austerity (koko).

At Optima, we’re honored to borrow from this deep and meaningful tradition. The zen gardens at Optima Kierland seamlessly blend the ancient tradition with the Modernist discipline, utilizing water, landscaping and open space to bring meaningful moments of zen and tranquility to our residents. 

The Legacy of Walter Gropius

The legacy of the Bauhaus is an essential thread in Modernism, past and present. But the Bauhaus — both the movement and the school — never would have been possible without the man behind it all: Walter Gropius. Today, we’re paying our respects and exploring the legacy of the Bauhaus founder, also known as one of the the pioneering masters of Modernism. 

Fagus Factory (Faguswerk), designed by Walter Gropius and Adolf Meyer in Alfeld, Germany. Photo: Matthias Süßen on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

A Promising Start

Born Walter Adolph Georg Gropius in May of 1883, the German architect was destined for great things from the start of his earlier career just 25 years later. In 1908, after studying architecture in Berlin and Munich, Gropius began working with renowned architect and industrial designer Peter Behrens, alongside other powerhouses: Ludwig Mies van der Rohe and Le Corbusier. From that point onward, Gropius’s career accelerated at an upward trajectory, with accomplishments such as Faguswerk, the Fagus Factory that truly put his name on the map in 1913. 

The Bauhaus building in Dessau, Germany, designed by Walter Gropius.

The Bauhaus

In 1919, Gropius succeeded the previous master of the Grand-Ducal Saxon School of Arts and Crafts in Weimar — and Gropius then transformed this academy into the Bauhaus. Gropius’s founding philosophy behind the Bauhaus was revolutionary. On a flyer from that time, he stated: “Art and the people must form an entity. Art shall no longer be a luxury of the few but should be enjoyed and experienced by the broad masses. The aim is an alliance of the arts under the wing of great architecture.” The Bauhaus’s legacy became the extension of beauty and quality to every home, through well-designed, industrially-produced products. Though Gropius left the Bauhaus in 1928, the impact of the school remains prevalent across Modernist design today. 

Story Hall at Harvard University, part of the “Gropius dorms” designed by The Architects’ Collaborative.
Story Hall at Harvard University, part of the “Gropius dorms” designed by The Architects’ Collaborative. Photo: John Phelan on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

American Footprint

Facing threats under the Nazi regime, Gropius first landed in England and then made his way to the U.S. in 1937. There he became a professor at Harvard and eventually, the Director of the Department of Architecture. In 1946, he founded The Architects’ Collaborative (TAC), another manifestation of his belief in collaboration and teamwork. Alongside the likes of other young architects in Cambridge, the group rose to prominence (with their most well-known work being the Graduate Center at Harvard) and they quickly became one of the most well-known and respected architectural firms in the world.

Today, the legacy of Walter Gropius remains in each structure he created during his lifetime, as well as in the profound impact he had on the architectural world. 

The Folly Bench by Ron Arad

It’s no secret that we take pride in showcasing statement Modernist furniture throughout our communities, from the Wassily chair to the Egg chair to the Barcelona chair. That’s why we get excited when fresh designs are added to the mix. The Folly bench, designed by Ron Arad for Magis, exemplifies new furniture being designed in the Modernist discipline — and makes a great addition to our space at the new 7140 Tower at Optima Kierland Apartments. 

Ron Arad was born in Tel Aviv and studied at both the Bezalel Academy of Art and Design in Jerusalem and at the Architectural Association in London. He has established the design practice One Off Ltd., design and architecture firm Chalk Farm and opened his own studio in Italy, Ron Arad Studio. He’s best known for unique and sculptural chairs that meld high-tech materials with found objects. Of his own practice, he says, “Some people confuse function with being practical. You can make a chair that’s totally impractical, but it’s still a chair because it’s about sitting.”

The Folly bench, designed for Magis by Ron Arad, in the 7140 Tower at Optima Kierland Apartments
The Folly bench, designed for Magis by Ron Arad, in the 7140 Tower at Optima Kierland Apartments

Arad exemplifies just that philosophy with the Folly bench, designed for Italian design firm Magis. The sculptural form of the bench provides immediate intrigue with its dramatically sweeping, undulating curves. Despite its drama, the bench’s seat and back surfaces merge seamlessly, creating an undeniably comfortable place to sit any which way. Furthermore, the bench is molded in “nearly indestructible polyethylene,” making it available for both indoor and outdoor use.

Gracefully dotting the amenity floor in the new 7140 Tower at Optima Kierland Apartments, the Folly bench beckons as an artful installation, and a truly functional piece of furniture. 

An Inside Look at Architect Lingo, Part III

Our love for Modernist architecture at Optima is a language all its own — in more ways than one. As we discuss all things design, keywords in architect lingo begin to permeate the vocabulary of everyone in our offices, from architects to property managers and beyond. In honor of the passion and language we all share (and in follow up to Part I and Part II), today we’re taking another inside look at words you might hear in a day at Optima. 

Clerestory

Clerestory refers to the windows in a structure. Also known as a clearstory or an overstory, a clerestory is any high section of the wall that contains windows above eye level. The purpose of these windows (and their altitude) is to invite in sunlight, fresh air or both. 

Historically, clerestories were included in large structures such as cathedrals with expansive central halls. While the technique is thought to have originated in ancient Egypt, and carried over to the Byzantine era, this architectural detail is most widely seen in architecture from the Romanesque and Gothic periods. Clerestories are also employed in many transportation vehicles, such as train cars, to provide additional lighting, ventilation and headroom. 

At Optima, clerestory windows prove an invaluable tool when creating open-floor-plan Modernist buildings. Employing windows at multiple levels, we’re able to ensure spaces that are flooded with light and that exude an open, airy atmosphere. 

Rectilinear design at Optima Camelview Village in Scottsdale, Arizona.
Rectilinear design at Optima Camelview Village in Scottsdale, Arizona.

Rectilinear

Stripped back to its most basic definition, rectilinear is an adjective referring to anything in a straight line. In architecture, however, a rectilinear form then becomes anything that consists of only straight lines. Rectilinear design creates a sense of order and structure within design, and therefore plays well into the Modernist philosophy.

That being said, originally rectilinear style originates from the third historical division of English Gothic architecture (also called The Perpendicular Gothic, or simply, perpendicular). Contradictory to paired back rectilinear form in Modernist design, the rectilinear style of Gothic architecture includes lavish, ornate geometric detailing. 

In our own structures, we often employ rectilinear design as an expression of our Modernist sensibilities. The bold, simple geometry of straight lines allows us to best explore ideas of form and function, creating spaces that are at once complex in thought but simple in application.

The Optima DCHGlobal Building System at Whale Bay House, Optima DCHGlobal, in New Zealand.
The Optima DCHGlobal Building System at Whale Bay House, Optima DCHGlobal, in New Zealand.

On the Module

Modular architecture refers to the design of any system utilizing separate components that can be connected together to create one, cohesive whole. A highly flexible system, the building-blocks nature of modular architecture allows individual pieces to be easily replaced or repurposed as needed. Building on the module, then, refers to the process of creating a structure out of a module system.

Optima President and Principal Architect, David Hovey Jr., designed his own modular system: the Optima DCHGlobal Building System, a patented structural system that is based on 7’-0” x 7’-0” horizontal module, a 1’-3” vertical module, and a 21’-0” x 21’-0” structural bay with connectors, beams, and column components that are joined together with tension controlled bolts to create a 3-dimensional structural grid allowing for design flexibility in both vertical and horizontal directions. You can see the system employed throughout our Optima DCHGlobal projects, Relic Rock, Arizona Courtyard House and Whale Bay House.

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