Uncategorized Archives - Page 51 of 62

Chicago’s Bauhaus Movement

Posted on September 28, 2020 by Nancy

With aligning principles, artists and aesthetics, our practice of Modernism and the Bauhaus movements often overlap. Chicago’s Bauhaus movement offered unique contributions to the city’s growth, and continues to inspire. Today, we dive into its past and its present impact.

Troubled Beginnings

During WWII, many artists and instructors involved with the Bauhaus movement were forced to flee Germany (you can read a more in-depth history on our past blog post,100 Years of Bauhaus.) A group of instructors took refuge in the United States, a few taking particular interest in Chicago and the Midwest. Among them was László Moholy-Nagy, who was enlisted by the Chicago Association of Arts and Industries to help open a similar Bauhaus school to attract talent. With Moholy-Nagy’s eccentric leadership, The New Bauhaus was born.

Chicago Landscape #26, 1964, Art Sinsabaugh. Courtesy of the Art Institute of Chicago

An Expansive Practice

Considering its widespread impact on the art world and Chicago, The New Bauhaus was a short-lived school, its formation filled with dramatic disagreements between leadership and changes in locations. Moholy-Nagy and other teachers built an atypical educational experience that produced eccentric, groundbreaking artists; however, the work they produced wasn’t particularly practical or profitable. After his death, the school was absorbed by the Illinois Institute of Technology and transferred to the care of Ludwig Mies van der Rohe.

Despite its turbulent trials, Chicago’s New Bauhaus school influenced many artists and industries, ranging from textiles and furniture to photography and sculpture. Ludwig Hilberseimer, another German immigrant, made notable strides in urban planning. Nathan Lerner and Art Sinsabaugh helped define the visual culture in Chicago. Emmett McBain had a remarkable impact on the representation of Black Americans in advertising. Often overlooked through the lens of history, the women active in Chicago’s Bauhaus movement had impactful careers as well, from Marion Mahony Griffin’s architectural and planning work and Elsa Kula’s colorful, eye-catching work.

From architecture and urban design to painting and sculpture, the legacy of the Bauhaus is evident throughout Chicago. And ultimately, its relationship with Modernism naturally means it’s also reflected in our own buildings and sense of design.

Daniel Burnham’s Plan of Chicago

Posted on September 21, 2020 by Nancy

Much like the city’s history, our love for Chicago runs deep. We’re honored to build communities in a place that houses such a storied architectural history — from being the site of the world’s first skyscraper to being the stomping grounds of so many pioneering figures in our field (Ludwig Mies van der Rohe and Louis Sullivan, to name just a few). But we would be remiss to pay homage to Chicago’s architectural roots without talking about Daniel Burnham’s Plan of Chicago.

The 1909 Plan of Chicago (also known as The Burnham Plan) was co-authored by Daniel Burnham and Edward H. Bennett as a fresh, inventive response to beautify Chicago and improve the efficiency of its commerce. Daniel Burnham was chosen for the project as an already-known architect whose resume included managing the construction of the 1893 World’s Columbian Exposition and creating city plans for Washington D.C., San Francisco and Cleveland. Equipped with these past experiences, Burnham dove into research to discover how large-scale international cities tackled swift growth and infrastructure to increase their economy and mobility.

To address the economic, transportation and social needs of Chicagoans during a time of rapid expansion, the Plan of Chicago was broken into six categories: improvement of the lakefront, a regional highway system, improvement of railway terminals, new outer parks, systematic arrangement of streets and civic and cultural centers.

The 1909 Plan of Chicago, by Daniel Burnham and Edward H. Bennett. Plate CCCI Plan of Existing and Proposed Parks and Boulevards

Despite the plan being slow to implement at first, the impact of Burnham’s vision for each category is throughout the city we know and love today. Chicago is now home to an impressive string of greenspaces along the lakefront and beyond (often referred to as “Chicago’s Emerald Necklace”), which includes iconic fixtures such as Millennium and Grant Park and Northerly Island. Chicago’s transit was indeed transformed, from highways to railways, and streets were introduced or expanded per Burnham’s recommendations: Ogden Avenue, Michigan Avenue, Roosevelt Road, Wacker Drive and Ida B. Wells Drive. We also have Burnham’s intent to introduce cultural centers to the heart of Chicago’s downtown to thank for the Art Institute and Field Museum.

In addition to shaping the city we know and love, the Plan of Chicago had a profound impact on city planning internationally from there on out. As a Modernist real estate design firm with deep ties to Chicago, we think of Daniel Burnham and his impact each time we traverse through this wonderful city, so influenced by his iconic vision.

Modernist Graphic Design

Posted on September 16, 2020May 24, 2024 by Nancy

Modernism is one of our cornerstones at Optima; it informs everything from our designs to our methodologies. And though the movement is often talked about in reference to architecture, art, sculpture and interior design, Modernism also had a significant impact on graphic art. Today, we’ll dive into Modernist graphic design and its impact on visual communications.

Changes in Vienna

By the end of the 19th century, artists were growing tired of traditional, conservative forms of art. In Vienna, a group of artists led by Gustav Klimt dubbed themselves the Vienna Secession and broke away from the artistic institutions in Austria’s capital at the time. The group explored uncharted territory in form, composition and expression, sparking similar experimentations in other nearby countries such as France and Germany. Rich paint strokes and realism translated into flat color and stylistic typography, expressions that would pave the way for graphic art.

Army recruiting poster, designed by James Montgomery Flagg, 1917. Image in public domain.

The World at War

When World War I began, graphic design was already used for commercial, corporate and aesthetic purposes. Its new role would be political, used in posters and propaganda during the war. Advancements in mass color printing allowed for efficient production of messages to raise funds, encourage enlistment and boost morale. The turmoil and challenges faced in both World Wars would ultimately inspire the first wave of true Modernism within graphic design.

Poster designed by Herbert Bayer, 1930. Credit: kitchener.lord on Flickr Creative Commons, CC BY-NC-ND 2.0 Deed

Modern Experiments

Across Europe and in America, graphic designers took inspiration from broader artistic movements such as Cubism, Futurism, De Stijil and Surrealism. In Germany, the Bauhaus movement also had a significant impact on graphic design; thick lines, primary colors and disrupting white space were just as striking in 2-D format as they were in architecture or sculpture. Eventually, Modernist design was defined by abstract expression, bold type and primary colors and shapes. These designers approached the work objectively, emphasizing the rational over the expressive (and emphasizing the classic Modernist belief that form follows function).

As the Nazis rose to power in the 1930s, Modernist experiments in all practices were denounced, and many artists, architects and designers immigrated to the United States. Although Modernist design was disrupted in its growth, it remains one of the most impactful movements in the history of graphic design. Even our own website has elements of Modernist designs with asymmetry, primary colors and bold typography. Every facet of Modernism inspires what we do, from architecture and sculpture, to the graphic arts.

Bocce 101

Posted on September 14, 2020 by Nancy

At Optima, we don’t just build homes, we build communities — that’s because fostering a sense of connection is an integral part of our process, and an integral part of the resident experience. We aim to create spaces where people can meet, play and entertain, whether that’s with other residents of the building or with their friends and family (or a mix of both). And that’s why at our Chicago community, Optima Signature, we added bocce ball courts to one of our four dedicated amenity floors. The highly social and engaging sport not only provides our residents with competitive fun, but it’s an occasion to connect over, too.

According to the Chicago Tribune, the U.S. has seen an explosion of “social bocce” playing across the country. Those seeking exciting new ways to spend time with family and friends have flocked to the casual sport now being played at restaurants, bars and park districts all over. But perhaps what attracts people to the sport even more is its accessibility. Bocce ball is an incredibly beginner-friendly game, and bocce courts are also easy to maintain for the sites that host them.

Bocce is played on courts made of soil or asphalt, typically up to 90 feet long and between 8 and 13 feet wide. Games are played between two opposing players or teams of 2-4, where players “bowl” bocce balls down the court and attempt to get their ball closest to the “jack.” Bocce balls are hefty, spherical balls made from wood, metal, baked clay or plastic. Players/teams receive one point for each ball that is closest to the jack, with most games ending around 7-13 points scored. Considering the space needed while playing, it’s also a great game for social distancing.

The bocce ball court at Optima Signature occupies an open, inviting space between other amenities on the seventh and eighth floors. These dedicated amenity floors, designed to be a gathering space for residents, include features like a putting green, golf simulator, WELLBEATS cycling studio, indoor basketball court and an open lounge area with Egg chairs, perfect for spectators of the game. Bocce ball is a natural fit in the mix, cultivating a lively environment where residents can come together over fun, shared activities.

The Optima Connect Program

Posted on September 10, 2020 by Nancy

We believe that building community extends beyond architecture and design. Community is a crucial component to how we design our properties — ensuring that residents and neighbors alike feel more connected through what we do. In support of this, we created the Optima Connect program, which encourages truly holistic community connections.

Optima Connect is a program that offers exclusive benefits and discounts at local businesses. Like our Optimized Service program, the goal of Optima Connect is to provide an added everyday convenience that brings ease, comfort and joy to our residents. The program also serves to bolster local businesses and ramp up support, creating a friendly community ecosystem.

Through Optima Connect at Optima Sonoran Village and Optima Kierland Apartments, residents can enjoy exclusive and luxury benefits such as BOGO tickets at Ballet Arizona, discounted fitness classes and up to 20% off at nearby restaurants — just to name a few. To peruse the full list of Optima Connect benefits available to Optima Sonoran Village residents, visit here.

Supporting community growth and connection amongst our residents and neighbors is something we care deeply about at Optima. As Jamie Springer, Regional Manager in Arizona, explains:

It’s really made us a stronger part of the community. It’s a dual partnership that gives discounts to our residents and helps promote local businesses. We seek Optima Connect partners for events — especially virtual events right now, like mixology and cooking classes — to introduce residents to nearby businesses. We want residents to feel connected to the community outside of our buildings and create a neighborhood feel with places they can walk to.

From the Optima Connect program, to the careful and thoughtful selection process that goes into choosing retail tenants at our properties, we know that our relationship to the spaces around us deepens our sense of belonging.

Chicago’s Public Art: Joan Miró’s Chicago

Posted on September 8, 2020May 24, 2024 by Nancy

Our reverence for sculpture and for the cities in which we operate collide to create a deep appreciation for the public art of Chicago. And as we explore the craft in the city we love, we’re doing deep dives into famous public works from downtown to vibrant neighborhood pockets. This week, it’s all about Joan Miro’s Chicago.

History of Miro’s Chicago

This iconic sculpture by iconic artist Joan Miro was first titled The Sun, The Moon and One Star but is known now as Miro’s Chicago. Originally, Miro was commissioned by Brunswick Corporation in 1969 to design a sculpture, but the project halted when Brunswick withdrew funding. In 1979, Chicago’s first female mayor Jane Byrne reinvigorated the project, promising to fund the first half of the project if others would commit to funding the second half. Together, foundations, institutions and individuals rallied to commit that final stretch of funding, and Miro himself reduced the cost of construction by completely donating his design to the city. It’s only appropriate, then, that Miro’s Chicago is an iconic fixture in the city, as it was brought to fruition by collaborative and impassioned locals.

Visiting Miro’s Chicago

The sculpture is tucked modestly away in a narrow plaza between the Cook County Administration Building and the Chicago Temple Building in Chicago’s downtown financial district. The plaza, known as Brunswick Plaza, is directly south of the Daley Center and nearly directly south of another iconic Chicago public art piece, the Chicago Picasso.

Miro’s Chicago, in its modest and peaceful crevice downtown, makes for a serene location for local workers to have lunch outside. The concrete, bronze and ceramic tile façade towers to almost 40 feet tall, and its curving figure has earned the nickname “Miss Chicago.” The large pedestal beneath the sculpture invites passerby to sit and marvel — either at the statue above, or the striking Chicago architecture even farther above. As a piece of public art, it does exactly what we at Optima know and love sculpture for: it elicits an emotional experience from its viewer, while activating the incredible architectural space around it.

Sculpture Spotlight: Silver Fern

Posted on September 3, 2020 by Nancy

As devout fans of Modernism, at Optima we love to experiment with form and function. That’s how Optima Co-Founder David Hovey Sr. got into sculpture. Combining his love of art with his interest in materials, David Hovey Sr. began manipulating steel to create striking sculptural pieces that play complement to Optima’s architectural spaces. Today, we’re examining one of his sculptures: Silver Fern.

Silver Fern in the 7160 tower at Optima Kierland Apartments

Like all original Optima sculptures, Silver Fern is a piece that has many versions, varying in both size and color. But what never changes is the form of the piece: Silver Fern is a uniquely two-dimensional sculpture. Silver Fern’s two-dimensionality allows the sculpture to explore the nature of a flat piece of steel, given depth through other experimental plays. The smooth piece of steel is laser cut with circles and triangles that create depth through shadows and voids. Meanwhile, jagged edges and sharp corners play perfect juxtaposition to the soft, sweeping curve of the steel, further illuminating the material’s multifaceted ways of being.

The sculpture’s many adaptable forms play perfectly in our various communities. In the 7160 tower at Optima Kierland Apartments, two iterations of Silver Fern pose side-by-side, one in brilliant orange and one in striking yellow, their curves blending together to create an undulating pattern. The sculptures are seen through the front glass curtain wall by anyone walking up through the courtyard, activating the space with energy from the get-go. Meanwhile at 7180 Optima Kierland, a Silver Fern piece swathed in neon green plays bold contrast to Modernist red chairs in the lobby.

Whether we’re experimenting with form, function, size or color — at Optima we love to playfully implement sculpture as yet another component of thoughtful design.

Pet-Friendly Amenities at Optima

Posted on August 31, 2020September 1, 2020 by Nancy

Though 68% of all US households own a pet, finding a condo or apartment that allows pets can be quite the treasure hunt. And even when pets are allowed, there’s still a big difference between having a pet policy and being pet-friendly.

To overcome this challenge for renters and owners, pet-friendly buildings are including additional amenities or offerings that welcome and celebrate the community of pet-lovers and their furry companions. Particularly in urban areas, these pet-friendly inclusions become crucial to the convenience and happiness of animal owners and their pets.

At Optima, we constantly push ourselves to innovate and include exceptional features that elevate the resident experience, from installing pickleball courts to carefully choosing retail tenants that meet our residents needs. Over the past few years, improving the resident experience has also meant amping up our amenity offerings for oft-overlooked residents: our four-legged friends. Here’s a closer look at pet-friendly amenities at Optima:

Optima Sonoran Village

Situated in the heart of urban Scottsdale, Optima Sonoran Village makes the optimal home for pet-owners with the inclusion of a community pet park. Beyond this dedicated space, Optima Sonoran Village has several acres of open space with walking paths, making it the perfect place for a morning dog walk. Each apartment at Optima Sonoran Village also features a private terrace, so your pet can get some fresh air at any time of day, without you even having to leave home.

Optima Kierland Apartments

At Optima Kierland Apartments, our pet-friendly amenities at each tower include a dog park and pet spa. Residents and their pet companions can also make use of the sprawling green space that surrounds the properties, where getting exercise for your pet never requires going far — and even better, each unit’s private terrace offers outdoor space right within the bounds of your own home. The community even features a pet spa, so after a day of play, you can make sure your furry companion comes back to your apartment sparkly clean.

Optima Signature

At Optima Signature, our package of pet-friendly extras includes both indoor and outdoor dog parks as well as grooming facilities. We’ve even gone so far as to choose retail tenant GoodVets for our community here — a choice made specifically to respond to residents’ needs. Beyond on-site pet-friendly amenities, Optima Signature’s proximity to the riverfront and lakefront make it easy to take an adventure into the city with your pet.

Particularly in urban areas, we recognize that finding the perfect space for your pets to thrive can be tough, so we strive to make our residents’ lives easier and more enjoyable — for people and pups alike.

A Brief History of the Plaza

Posted on August 26, 2020May 23, 2024 by Nancy

At Optima, we’re believers that exceptional design has the power to inspire awe and wonder, and to enhance the human experience. One such component of design, the plaza, is a perfect example of this: designed as an open, public space, plazas create hubs for community activity and human connection. To learn more about the role this seminal piece of design has in creating public space, we’re diving into the history of the plaza.

Plaza Mayor, Madrid. Credit: Francisco Anzola on Wikimedia Commons, licensed under the Creative Commons Attribution 3.0 Unported license

The First Plazas

From colonial cities in Spanish America to the Spanish East Indies, there were several types of plazas serving as the center of community life. The plaza mayor often referred to the space centered between several administrative, religious and government buildings. The plaza de armas, meanwhile, served as a rallying space for troops, and the plaza de toros translates, quite literally, to bullring.

Perhaps the most significant example of such plazas is the Plaza Mayor in Madrid, Spain. Dating back to 1619, the plaza was constructed during the reign of Philip III by architect Juan de Herrera. Though the plaza saw several disasters since then and was reconstructed an equal number of times, it remained (and still remains) a pivotal public fixture in Madrid. Plaza Mayor has served many diverse purposes, from being the site of a marketplace, to bullfights, to military parading ground, to public executions, to even trials during the Spanish Inquisition and crowning ceremonies.

Evolving over time to a space of leisure, the Plaza Mayor is now the site of outdoor cafes, restaurants and, inevitably, tourists. It draws people in with yoga workshops, concerts and festivals — a far cry from its dabbles in militant history. The Spanish plaza is also related to the Italian piazza, with both belonging under the umbrella term “town square,” which includes city squares, plazas, piazzas and city greens.

The Modern Day Plaza

Following in the footsteps of Madrid’s adaptable Plaza Mayor, the modern day plaza can refer to a multitude of spaces with a multitude of purposes. Within our own portfolio, a prime example of a plaza is at Optima Signature and Optima Chicago Center. By sliding the podium of Optima Signature North and juxtaposing Optima Chicago Center to the West and South, the buildings create a dynamic plaza space, which features lush landscaping, planters and benches. Kiwi, a large-scale sculpture designed by Optima founder David Hovey Sr, adds to the visual energy of the space.

Aerial view of the plaza at Optima Signature and Chicago Center

Now, plazas refer to open spaces within neighborhoods that boost economic vitality, pedestrian mobility and safety as well as providing aesthetically pleasing areas. No matter the interpretation of the word, there’s always one belief at the core, and that’s gathering and celebrating community.

The Work of Piet Mondrian

Posted on August 25, 2020May 24, 2024 by Nancy

Piet Mondrian is widely regarded as one of the greatest artists and theoreticians of the 20th century. His boldly abstract works exemplified the pinnacle of Modernism’s bare bones, so much so that design historian Stephen Bayley once said, “Mondrian has come to mean Modernism.” Just what shaped Mondrian’s mindset, and what led him to the farthest reaches of abstract art?

The Life (and Work) of Piet Mondrian

Piet Mondrian (Pieter Cornelis Mondriaan) was born in the Netherlands in 1872 into a strict Protestant upbringing. His life was tinged with spirituality even after he left his religious childhood in favor of art school at the Academy for Fine Art in Amsterdam in 1892. His art began as heavily inspired by the surrounding Dutch landscape and impressionist style, including subjects like windmills, rivers and fields. These representational works had Mondrian dabbling in pointillism and the vivid colors of Fauvism.

Throughout the early 20th century, his style evolved to depict abstract trees in broad, sweeping fields. In these paintings, he began experimenting with primary color palettes and emphasizing form over content. In 1908, Mondrian encountered theosophicalism, and this continued search for spiritualism in many philosophies greatly influenced his artistic thinking moving forward.

Composition en rouge, jaune, bleu et noir, Piet Mondrian, 1921. Photo in Public Domain.

Once Mondrian moved to Paris in 1911, he became fascinated with the avant-garde. Influenced by Picasso and George Braque, his paintings began to lean towards geometric shapes and interlocking planes, naturally absorbing Cubist influence. From there, the iconic Mondrian pieces emerged that we’re all so familiar with. His renowned style appeared in 1920, with bold lines and geometric shapes filled with vibrantly hued primary colors (hues which he always mixed himself).

Even after Mondrian left Paris in 1938 to escape rising facism, he continued to refine his geometric, abstract compositions in London and New York, where he lived out the rest of his life. His celebration of simplicity and form was more than just an art form — it was a philosophy. In his own words, Mondrian described it:

I believe it is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.

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Category: Uncategorized