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Exploring the Mitchell Museum of the American Indian

Located in Evanston, the Mitchell Museum of the American Indian is a testament to the deeply entrenched histories and cultures of North American indigenous peoples. For Optima Verdana® and Optima Lakeview® residents, the museum is a treasure trove, making it an ideal destination for a weekend visit or a day of exploration.

At its core, the museum is a dedicated guardian of indigenous cultures, dedicated to preserving the stories, arts, and traditions of the diverse cultures that make up North America’s historical fabric. 

The museum boasts an impressive collection, with artifacts from the Paleo-Indian period to present day. This vast arc of time provides an educational experience for visitors of all ages. For children, it’s a unique opportunity to connect with rich histories through hands-on exhibits, such as the full-sized birchbark canoe in the Woodlands Gallery, that offer tactile experiences that make learning immersive and engaging. Meanwhile, adults can appreciate the deeper nuances and intricate details of indigenous artistry and traditions across various tribes and regions.

Birchbark canoe in the Woodlands Gallery. Photo: Central Street Evanston

As with all great museums, there’s joy and discovery in visiting often. Its collections, encompassing regions from the Woodlands to the Arctic, ensure there’s always something new to discover. whether you’re captivated by the beadwork designs of the Plains or the stone carvings from the Arctic.

The museum is a place to connect, understand, and appreciate a vital part of America’s heritage. With its mix of education, preservation, and continuous innovation, it stands out as a vital cultural destination for all. The Mitchell Museum of the American Indian, is open Monday-Friday from 10am-5pm and Saturday from 10am-3pm. For ticket information, click here.

Women in Architecture: Mary Colter

In the late 19th century when few women were to be found in the architecture field, Mary Colter disrupted the landscape with lasting impact. Her career was founded on lifelong passions that began with deep curiosity about Native American culture and a love of Arts and Crafts architecture that she was exposed to as a young girl. Learn more about her inspiring life and work below:

The Life of Mary Colter

Colter was born on April 4, 1869, in Pittsburgh, Pennsylvania, where she was raised by her merchant father, William Colter, and milliner mother, Rebecca Colter. As a child, Colter moved across America with her family, living in towns from Colorado to Texas before calling St. Paul, Minnesota home for the rest of her youth. In St. Paul, she acquainted herself with the large Sioux community in the city, immersing herself in their art and culture while profoundly influencing her architectural practice. 

After graduating high school at just 14 years old, Colter moved with her mother and enrolled in Oakland’s California School of Design, where she studied art and design. In California, she not only advanced her drawing skills but discovered an appreciation for architecture, thanks to an apprenticeship at a local firm. In 1891, she returned to St. Paul, where she found herself teaching art, design and architecture at Mechanics Arts High School for more than 15 years. Students of Colter later found themselves winning awards at the 1893 World’s Columbian Exposition and the 1904 Saint Louis World’s Fair. 

Hopi House, Grand Canyon National Park, Mary Colter, 1905. Credit: NPS Copyright, courtesy of the National Park Service

Notable Works and Achievements 

In 1902, with her newfound recognition, Colter was appointed Chief Architect at the Fred Harvey Company in St. Paul, where she completed designs for 21 hotels, shops and rest areas along numerous railways across the Western United States. Many of Colter’s designs featured characteristics she quickly became known for, including narrow windows, low ceilings, courtyards and being built into the Earth. 

Throughout her career, Colter designed a series of buildings in the Grand Canyon National Park, including the most recognized of the series, Hopi House, in 1905. In the build, Colter employed various indigenous builders, artists and craftsmen in the area to help with her “re-creation.” The completed design exhibits a rectangular, Hopi pueblo structure, finished with stone masonry, mud-coated ceilings and other precise details that model the traditional dwelling type. Hopi House and three other buildings designed by Colter in Grand Canyon National Park were later named National Historic Landmarks in 1987.

The interior of La Posada Hotel, mixing Spanish Colonial Revival with Native American influences, Mary Colter, 1930, Courtesy of La Posada Hotel

Outside of Grand Canyon National Park, Colter left her mark on other famed designs, including what she stated was her masterpiece, La Posada Hotel in Winslow, Arizona. Completed in 1930, the hacienda-style hotel features Spanish Colonial Revival characteristics in its design. Colter’s say in La Posada’s design stretched from the building’s facade and gardens to its interior and dishware. 

Although she grew up in the Midwest, Colter had an enormous influence across the western states, thanks to her curiosity and drive. Blending Spanish Colonial Revival style with Native American cultural elements, Colter helped shape much of the architecture that remains intact in the Southwest today and became a voice for many who didn’t have one at the time.

How Arcosanti is Still Evolving Today

Although 50 years old, Paolo Soleri’s visionary planned city, Arcosanti, is still thriving today. For the last five decades, the magnificent community exhibited the best of Soleri’s philosophy, fusing architecture and ecology and providing a home for many educational resources. However, currently the famed property is entering a new era, pushing the boundaries of Soleri’s philosophy further than ever. 

Liz Martin-Malikian, CEO of Arcosanti under the Cosanti Foundation states that while the community’s first half-century focused on Soleri’s vision, the next half-century will focus on the collective. Not only does the community aim to unearth more behind arcology, but they also plan to collaborate and partner with various groups, including local Indigenous populations. 

Shiro, a shelter by TSOA student, Micehle Yeels. Credit: Designboom®

Many of Arcosanti’s resources are provided to students of The School of Architecture, a crucial feature of the community. One of the key programs constantly bringing new life to the planned city is The Shelter Program. The capstone design project encourages students to design and build single-occupancy structures for future students throughout the community. 

While preserving Arcosanti’s historic past, Martin-Malikian is embracing the future by decoding Soleri’s philosophy of arcology – starting by reframing the community’s vision around its cultural landscape. Along with debuting a Cosanti Indigenous Residency, a new Indigenous co-design program provides a new opportunity to combine sustainability with passive and culturally diverse designs. 

Biopod 1, a shelter by TSOA student, Soloman Edelmen. Credit: Designboom®

Arcosanti has always existed as a hub for innovation and inspiration. And today, with a spotlight on collective, the planned city is preparing to embrace its regional heritage more than ever before. To explore more about Arcosanti, and stay up to date on their events and programming, head to their website here.

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