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Tag: culture

Being a Good Neighbor Makes a Difference

Posted on by Hunter

With a commitment to community as one of our core beliefs at Optima®, it’s no surprise that we are tuned into the notion of neighborliness and what it means to be a good neighbor. We take great satisfaction in nurturing the desire for connection and engagement with residents across all of our communities and love to keep abreast with research that lends new insight into why it matters to know your neighbors.

In a recent Axios piece, published on July 27, 2022, Erica Pandey explores “The power of knowing your neighbors.” Drawing data from a Pew Research Center study conducted in 2019, here’s what we’ve learned:

A majority of Americans don’t know most of their neighbors — and they barely talk to the ones they do know.

Why it matters: Strong communities boost the health, happiness, and longevity of their residents. Befriending neighbors ensures a helping hand in times of need and provides new friends to explore your larger neighborhood. But over the last several decades, our connections with our neighbors have been fraying.

What’s happening: We’re leaving our homes with screens in our hands. And since the pandemic made us even less likely than we were before to stop and chat with new folks, most of the people living around us are strangers.

Optima Lakeview’s communal sports lounge, golf simulator and basketball/pickleball court

Thankfully, each of our Optima Communities supports plenty of opportunities to engage with fellow neighbors, whether you know them or not! We design spaces that inherently bring people closer to each other, closer to their environment and closer to themselves. This intention manifests itself from the thought-provoking artwork that fills the hallways of each community to the wealth of communal amenity spaces, including fully outfitted sports areas, movie theaters, party and game rooms and state-of-the-art fitness centers. 

Along with our state-of-the-art amenities, each of our onsite teams carefully curates a variety of social events and programs throughout the year. From hosting food trucks and music and cocktail nights to flower arranging courses and fitness classes, we take the time to understand each of our residents’ interests, so we can thoughtfully tailor our programming around them!

And because we not only see the value in having a tight-knit community within our walls but within our broader neighborhoods, we created the Optima® Connect Program. Through the program, residents in each of our multi-family communities receive exclusive benefits and discounts to local businesses around their larger communities, further fostering a friendly community ecosystem.

Supporting connection among our residents and neighbors is something we care deeply about at Optima. So, what’re you waiting for? Step outside and spark a conversation today!

Women of the Bauhaus

Posted on by Hunter

In “The Other Art History: The Forgotten Women of Bauhaus,” an in-depth piece that was published on July 13, 2018 on Artspace by Jillian Billard, we have the opportunity to understand the enormous impact a group of women visionaries had in shaping the Bauhaus.

We learn from Billard that the Bauhaus was dedicated to “interdisciplinary innovation” by combining design and craft through a new model of fostering community as the basis for learning instead of traditional teacher-student interactions. And with this new model as a defining principle, the Bauhaus community was ripe for welcoming and supporting women artists.

As Billard explains, Walter Gropius, who founded the Bauhaus School of Design in Weimar, Germany in 1919, stipulated that the school would be open to “any person of good repute, regardless of age or sex.” So while women were allowed to study at the school, they were directed into practices commonly regarded as “women’s work” –– textiles and weaving — while their male counterparts were encouraged to be architects, sculptors, and painters.

Photo of Alexa von Porewski, Lena Amsel, Rut Landshoff, unknown by Bauhaus photographers Umbo and Paul Citroen), before 1929. Berlinische Galerie, Photographic Collection.

Billard reminds us that the artists most closely associated with the Bauhaus were men, including Josef Albers, Marcel Breuer, Wassily Kandinsky and Paul Klee. At the same time, history has treated the women in the movement as the counterparts of these great artists. In the past ten years, as many have revisited the Bauhaus participants in a more accurate art historical context, we have had the opportunity to celebrate the incredible women artists and the contributions they made. 

In “The Women of the Bauhaus,” an extensive thesis presented by Corinne Julius in Blueprint on September 3, 2019, we learn of the rise to prominence of Gunta Stölzl, only one of six students certified as a Master weaver. As head of the department from 1929 to 1931, she ushered in the transition from individual pictorial weaving to modern industrial designs, while also implementing the study of mathematics. Her bold artistic experiments include creating the mercerised cotton and Eisengarn fabric for Breuer’s tubular-steel chairs while leading joint projects with the Polytex Textile Company.

Julius describes Marianne Brandt as a brilliant metalwork artist who joined the Bauhaus as a workshop assistant and eventually took over as acting director in 1928 from László Moholy-Nagy. As both artist and administrator, Brandt helped solidify the role of industrial design 

Wera Meyer-Waldeck entered the Bauhaus in 1927, studying with Marcel Breuer in the carpentry workshop making furniture. Over the next several years, she studied in the construction and architecture departments, and went on to establish a distinguished career with a focus on sustainable housing.

And the list goes on. As we shared in Female Weavers and the Bauhaus, virtually every aspect of the Bauhaus and its artistic practices has been informed by a group of women with talent, vision and unapologetic courage. They, along with their male counterparts, continue to inspire the timelessness of Modernist thinking-and-doing. And in every part of our holistic design thinking at Optima, we celebrate their contributions.

Wera Meyer-Waldeck in the carpentry workshop at Bauhaus Dessau in 1930, photographed by Gertrud Arndt. Credit: VG Bild-Kunst, Bonn 2019 / Bauhaus-Archiv, Berlin

For further reading on 45 luminary women of the Bauhaus, Bauhaus Women: A Global Perspective, written by Elizabeth Otto and Patrick Rössler and published in 2019 by Bloomsbury Publishing, is an excellent resource, along with A Tribute to Pioneering Women Artists (Taschen, 2019), written by Patrick Rössler.

Women in Architecture: Lilian Rice

Posted on by Hunter

As part of our ongoing “Women in Architecture” series, we’re spotlighting an eco-conscious architect of the early 20th century, Lilian Rice. Inspired both by the historic Spanish Colonial design she grew up in and the organic philosophy that influenced her throughout college, Lilian Rice left an impressive mark on the architecture of Southern California. Learn more about her extraordinary life and work below:  

The Life of Lilian Rice

Born on June 12, 1889, Rice grew up in National City, California, just south of San Diego and only 10 miles north of the Mexican border. Her father, Julius Rice, was a prominent educator in the state and her mother, Laura Rice, an amateur painter and designer, both empowered her to pursue her interests in education and the arts. 

Growing up, Rice was heavily inspired and influenced by the abundant Spanish Colonial culture and architecture in the area, including the many adobe homes. In 1906, she moved to Northern California, where she started attending school at the University of California, Berkeley, where she studied architecture. Rice joined the school’s Architecture Association shortly after and quickly rose to a leadership position. At school, she also discovered her philosophy of holding a deep respect for each project’s surroundings and striving to protect their natural environments. 

Lilian Rice, The Claude and Florence Terwilliger Home, 1925, Courtesy of Don Terwilliger

Following her graduation in 1910, she moved back home to National City to care for her mother and acquired a job working with San Diego architect Hazel Wood Waterman – the city’s first female architect. While working for Waterman, Rice also spent time teaching at San Diego High School, leaving her influence on many future architects, including Samuel Hamill, FAIA. 

Notable Works and Achievements

In 1921 Rice’s career catapulted when Richard Requa and Herbert Jackson hired her as an associate in their architecture firm. During her first year, Requa and Jackson assigned Rice with designing a Civic Center for Rancho Santa Fe – an up-and-coming subdivision – which she eventually gained leadership over in 1923. 

Lilian Rice, The ZLCA Rowing Clubhouse, 1932, Photograph by Diane Y. Welch

From then on until 1927, the majority of Rice’s work involved developments and expansions within Rancho Santa Fe. Many of the projects she designed in the subdivision are listed in the U.S. National Register of Historic Places, including the Claude and Florence Terwilliger House and the Reginald M. and Constance Clotfelter Row House. In 1928, after she had received her architect’s license from California, Rice made the ambitious decision to open her own architecture firm.

Following the launch of her firm, Rice began working outside of Rancho Santa Fe, allowing her to step away from the Spanish Colonial style she was known for into more organic approaches. Even throughout the depression, Rice’s career excelled in the 1930s when she designed some of her most familiar works, including the Paul Ecke Ranch home, and both a boathouse and a clubhouse for the San Diego ZLAC Rowing Club in 1932.  

Lilian Rice, Mixed-use building holding La Valenciana Apartments and Rice’s office, Rancho Santa Fe, 1928. Courtesy of the Rancho Santa Fe Historical Society

Alongside her work, Rice has been a recipient of many architecture awards and achievements, including: 

  • AIA Honor Award, Chrstine Arnberg Residence, 1928
  • AIA Honor Award, ZLAC Rowing Club, 1933
  • AIA Honor Award, La Valenciana Apartments, 1933
  • 11 buildings listed to the National Register of Historic Places

Through her diverse catalog of architecture projects, Rice filled Southern California with more than 60 unique homes. And while the Spanish Colonial Revival was prevalent at the time, Rice was one of the leading architects who helped make it widespread throughout the state, leaving a reputation little can compare. 

A Guide to Chicago Restaurant Week

Posted on by Hunter

Spring is the season of new beginnings and reinvigoration — experiences many of us have been craving for a while. Thankfully, one of Chicago’s most cherished events is back this year, providing residents around the city with a treasured comfort. Here is our guide to Chicago Restaurant Week 2022.

Following last year’s modifications to the beloved event, Chicago Restaurant Week is back in full force for 2022. The 17-day festivity is a celebration of the city’s award-winning culinary scene. From March 25 to April 10, participants will have the opportunity to indulge in an endless list of Chicago’s most delectable eats.

The flavor-filled event features more than 300 restaurants, representing nearly any cuisine imaginable. Participating restaurants are found in both the city and its suburbs. So, whether you’re in Lakeview or Wilmette, there’s sure to be a plethora of choices around. Each restaurant will feature curated prix fixe menus filled with a variety of tasty eats. 

The multi-course meals vary in price, costing $25 for brunch and lunch and $39 or $55 for dinner (depending on the location). Many of the restaurants are also taking advantage of both takeout and delivery options for those looking to enjoy their meals from home. 

Chicago Restaurant Week is also partnering with Chicago Lighthouse’ Immersive Frida Kahlo Exhibit. The one of a kind experience will be held on March 22 from 6 – 8 p.m. and 8 – 10 p.m at Lighthouse Artspace Chicago. Guests will have the opportunity to enjoy snacks and cocktails from eight restaurants while absorbing the extraordinary Immersive Frida Kahlo Exhibit.

For those planning to savor some of the mouth watering cuisines, Choose Chicago has created a list of participating restaurants, complete with menus and the opportunity to book tables throughout the event that you can explore for yourself here.

Angie Chache Team Member Spotlight

Posted on by Hunter

Our passionate team at Optima is the heart and soul behind each of our communities and embodies all of our values daily. We recently sat down with Angie Chache, Optima Lakeview’s Property Manager, to learn more about her journey to Optima Lakeview and what excites her the most about this extraordinary new property. 

Tell us a bit about your background and the role you play at Optima.

I have been in residential property management for almost 20 years, managing different types of communities in a Property Manager and Regional Manager role. With Optima Lakeview, I am the Property Manager, so I oversee the site itself. I’m responsible for the entire building and its system of operations, and because I’m jumping in just as the building is being completed, it will be my first lease up. I am excited about it!

What drew you to Optima initially, and what’s kept you working there?

Initially, a conversation with Ali Burnham, the Marketing Director, introduced me to the vibrant project they were building here. My first experience with an Optima community was actually Optima Old Orchard Woods; I was drawn to its classical modernist architectural style. So when the opportunity to join the team at Optima Lakeview came up, I was very excited. At Optima, there is this wonderful collaboration between all departments. With most companies, the architect/designer and developer/builder are separate entities. So at Optima, where we do everything essentially under one roof, I observe that things go much more smoothly on the operations side of things.

How do you view the concept of community at Optima? How does it differ from other properties/buildings?

Community at Optima means providing exceptional and curated experiences for our residents. The buildings are designed with extensive amenity spaces so they can seamlessly function as an extension of our residents’ homes. Our tagline at Optima Lakeview is Expect the Extraordinary, which I believe speaks for both the building’s outstanding architecture and the rich community we are creating within it. 

One of our philosophies that encompasses our value around relationships and community is called the Optima Way. The Optima Way sets the stage for Optima experiences that are very unique and customized for every one of our residents. We strive to get to know every resident, what they like, what they don’t like, and how we can make all of their experiences unique. It’s about being encouraged by our company culture to create extraordinary encounters for the residents. When you live in an Optima community, it’s more than just living in any generic apartment; it’s about what residents can enjoy when they’re here and what we can do as a team to curate living experiences just for them. 

There are a lot of luxury properties in the market, but what differentiates us is our suite of services. The resident events we frequently host are incredibly special, including fitness classes and kid-focused events (we’re one of the only communities doing this). And our grand amenity spaces are unlike anything I’ve ever seen. Residents at Optima Lakeview are going to feel like these spaces are an extension of their home. Some areas feel private, and others are great spots to gather with friends…because when you have that much space to spread out, it’s going to feel like home.

Optima has a unique set of values that differentiates it from other company cultures. How does that affect the quality of your work life? What values matter most to you?

My bucket gets filled every day. Yes, there are challenges and days that are hard, but there is also support and fluidity between the departments. We all work for the same company which, on the Property Management side of the business, makes my job so much easier. The two values that speak to me the most are that we build strong lasting relationships and that people are — and always will be — the most important pieces of the puzzle. 

In my career, relationships — whether it be with employees, vendors, or residents — have been at the forefront of my values, and I always want everyone to feel welcomed and appreciated. Optima allows me to curate experiences for people and provide amazing customer service, and it isn’t typical of companies to have the customer at the forefront. Many companies say they value that, but Optima acts on it.

What makes you most proud to be a part of the Optima team?

The beautiful ,innovative designs of our buildings, how we impact our residents’ lives, and the intentional way we work to be a part of the communities we build in. I never really understood the thought put into Optima’s communities before I started working here. We strive to build long-lasting relationships and partner with businesses surrounding our community so our residents and the surrounding businesses can benefit from those partnerships we form.

I’m also proud of the way we give back to the communities where we have built. Recently, we partnered with Lakeview Pantry and worked there for a day, which allowed us to see the lives that are impacted daily by this organization right here in the Lakeview neighborhood. We are excited to partner with them long-term and see how our community can help support such an important cause.

With move-ins scheduled for the spring, what elements of Optima Lakeview should new residents be most excited about?

Everything! We have 198 units with 52-floor plans, which means sometimes there may only be one unit of a particular floor plan, so our uniqueness provides a sense of exclusivity. I can’t wait for residents to see our 7-story atrium that will be filled with an abundance of natural light and the vibrant vertical landscaping that will live inside of it — similar to the vertical landscaping we do on the exteriors of our Arizona communities. We will have 40,000 square feet of amenity space for only 198 residences. Our skydeck with 360-degree views of the city will also have a heated pool and jacuzzi that can be used year-round — even when it’s snowing. And, we’ll have private terraces that range from 300 square feet up to 2,000 square feet, some with private grills and firepits. Our community is like no other in this neighborhood.

New Book Release: Reflections on the Career of David Hovey Sr., FAIA

Posted on by Hunter

Hot off the press is the spectacular retrospective of the 40+ year career of David Hovey Sr., FAIA, Optima’s CEO and Founder. David Hovey Sr., released by Images Publishing, is a collector’s item that arrived on bookshelves in January 2022. The monograph opens with a beautiful introductory essay by the late luminary architect Helmut Jahn, who wrote about their decades-long friendship and Hovey’s “staggering” influence on architecture. Entitled “Living Beautifully,” Jahn explains:

“The best thing that can be said about the work of David Hovey Sr. in his chosen field of multi-family and single-family housing is that he builds unique and inventive dwellings for people to live beautifully. That he chooses to play not just the role of the architect but also that of developer, contractor, construction manager, sales and leasing agent, and building operator makes the achievement even more remarkable. As his own client and CEO of his company, Optima, Hovey demonstrates that it’s possible to successfully execute the very different skills of an architect and a developer by applying tremendous knowledge and tenacity and assuming great responsibility. Many who have tried to work as an architect-developer have failed because they did not find the right balance. David Hovey expanded the role of the architect to the level of a master building and in this, he is without equal in his generation.”

A sketch of Optima’s Sterling Ridge

In the words of friend and chronicler, Jahn talks about the arc of Hovey’s career:

“Hovey’s built work is a testament to constant refinement and improvement, each project a step along a path to take on new and bigger challenges, never being afraid of making a mistake by doing something new. The achievements of an architect become more evident with the passing of time. The good buildings become more important, the others will be forgotten.”

In Jahn’s reflections on Hovey’s deep understand of the complex issue of climate change, he shares his thoughts this way:

“David Hovey’s work should be recognized for more than its architectural design. This is particularly evident in his desert buildings where he addresses the important issue of climate change that challenges architecture today. Authorities measure energy consumption as the primary factor in building construction. Looking at energy efficiency alone is the wrong measure. We don’t have an energy problem, we have an emissions problem. Carbon dioxide is the principal culprit in climate change and the building industry contributes a considerable amount of it to the atmosphere.

Optima’s Biltmore Towers

“In Hovey’s buildings, there are strategies that address climate issues. This is demonstrated in the use of many prefabricated lightweight materials for load-bearing or non-load-bearing, enclosing parts. This extends to the use of recycled steel. Hovey regularly employs effective sun-shading devices. His strategies include LED lighting as well as energy-saving heating, air conditioning, and ventilation systems. Sustainability is assured by design and not through additional equipment or devices, which don’t pay off over time. Here, the mind of the architect and developer in one person can best design and build buildings where nothing can be taken away to come closer to perfection. Only through knowledge, determination, and a deep sense of responsibility can these energy goals be achieved, as the buildings show.”

Stay tuned for other inspiring excerpts from David Hovey Sr., along with stunning images of completed structures and his extraordinary sketches. For those who wish to purchase the book, it is available through a number of booksellers online.

Chicago Skyscraper History: the Merchandise Mart

Posted on by Hunter

Chicago has earned its place on the architectural map with endless distinctions, including being home to the tallest building in the world for 25 years and to numerous acclaimed architects like Mies van der Rohe, Frank Lloyd Wright, Marion Mahony Griffin and Jeanne Gang. But did you know that it’s also home to the world’s largest commercial building? Today, we’re taking a look at the history of the city’s beloved Merchandise Mart. 

How It Came to Be

As dated infrastructure (like the abandoned railroad yards in the downtown area) proliferated in the early decades of the 20th century, more and more land development opportunities opened up. In hopes of beautifying the frontage along the Chicago River, Marshall Field & Co. announced their purchase of one of the largest available sites, at the junction of the River’s branches. The company began construction in 1928 and when the Merchandise Mart opened in 1930, it achieved the company’s dream of becoming a dedicated wholesale center for architectural and interior design vendors and trades serving the entire nation. And, with 4 million square feet on 25 floors under a single roof spanning two city blocks, it became the largest building in the world.

TheMART was imagined as a city-within-a-city. Graham, Anderson, Probst & White, the architects behind the structure’s streamlined look, took inspiration from traditional Art Deco architectural elements, including ribbon piers to define windows, setbacks and pavilions atop each corner to disguise the bulk of the building. Marshall Field himself was involved in the building’s design; his love for art inspired him to employ Jules Guerin to create 17 murals on the interior lobby’s frieze. Each mural details trade throughout the world and depicts the products, transportation and architecture of 14 countries.

TheMART was also a monumental experiment in state-of-the-art engineering and modern materials. At a cost of $26 million, it took advantage of construction techniques normally used in the building of big dams and employed nearly 5,700 workers at the height of the Great Depression.

theMART in the Modern Era

Throughout the latter half of the 20th century, theMART faced a handful of modernization projects. One was designed by Helmut Jahn to connect the building with the Apparel Center located across Orleans Street with a pedestrian bridge. The building was LEED Certified Silver in 2007, followed by LEED Gold Certification in 2013 and in 2018.

In recent years, as the contract furniture industry has evolved from a focus on a wholesale hub and independent manufacturer showrooms, the Mart has repositioned itself as a destination for innovation, creativity, technology and entrepreneurship. Rebranded “theMART,” the building remains the world’s largest commercial building, and has become home to a host of changemakers, including Motorola Mobility, 1871, Yelp, PayPal and MATTER, as well as Fortune 500 companies Conagra, Allstate, Kellogg, Beam Suntory, and Grainger.

Art on theMart, Art Institute of Chicago’s exhibition, Monet and Chicago, April, 2021
Merchandise Mart
Merchandise Mart. Credit: Brandon Olafsson on Flickr Creative Commons CC BY 2.0 Deed

Today, theMART continues to celebrate an appreciation for architecture and art. The building now hosts a digital art display popularly known for “Art on theMART,” to showcase the work of prominent artists on the south façade of the structure. 

With our love for all things “forever modern” at Optima, we are proud to have this magnificent example of design innovation and tireless reinvention in our midst.

A Guide to Frank Lloyd Wright’s Studios Part 1: Taliesin

Posted on by Hunter

Frequently referred to as the father of American modernism through his establishment of the Prairie School of architecture, Frank Lloyd Wright gifted the world with many culturally-significant designs, forever leaving his stamp on American architecture. Many of Wright’s designs are widely celebrated and remain standing today, including Taliesin, one of his most iconic works that altered his life and the lives of those around him while serving as his studio.

The archetype of Prairie School architecture was built in 1911 by Wright after he had left Oak Park, Illinois to return to his family’s land in Spring Green, Wisconsin. Derived from Welsh mythology, Taliesin was an ancient poet, whose name means radiant brow. Wright built the exemplary estate in a Wisconsin River valley into the brow of his favorite hill from boyhood, hence its name. 

During the process of designing Taliesin, Wright drew inspiration from the patterns and rhythms of his surroundings. He became inspired by the thought of living among his ancestry and the nature that surrounded him as he embodied the idea of organic architecture within his design. Wright refined visions from his previous Prairie School designs, including a lush courtyard and open floor plan, and used local limestone and sand from the Wisconsin River to invite the outdoors indoors — a radical idea at the time. 

Throughout the estate’s history, it suffered a number of accidents, including two fires that sparked Wright to complete two renovations on Taliesin. The first of which, Taliesin II, was completed in 1915 after arson had destroyed one-third of the house, including Wright’s living quarters. The redesign was nearly identical to the architecture in Taliesin I, excluding its new observation deck and, in an attempt to make the estate completely self-sufficient, Wright’s hydroelectric generator. 

Taliesin, Photographed in 1913 before the first of its two fires, Courtesy of Wisconsin Historical Society

Following another destructive fire in 1925, Wright was forced once again to pour new life into Taliesin and went to develop the third rendition of the estate, Taliesin III. Through the devastation, Wright remained committed to his passion for thoughtful architecture and brought a breath of fresh air to the bare structure that surrounded him. While living at Taliesin III Wright also designed some of his more renowned work, including Fallingwater, the headquarters for S.C. Johnson and Jacobs I (the Herberg Jacobs House).

Beginning in 1932, Wright established the Taliesin Fellowship and hosted 50 apprentices at Taliesin on an annual basis, giving them the opportunity to work for him for a lengthy period of time and experience his intensive working environment. Today, the estate is in the hands of the Frank Lloyd Wright Foundation, and the fellowship uses the neighboring Hillside School as its home base. The esteemed property was listed in the National Register of Historic Places in 1973 and was recognized as a National Historic Landmark in 1976. 

Located just a few hours outside of Chicago, the Taliesen estate is the perfect day trip for anyone who appreciates breathtaking architecture and offers visitors a variety of tours designed for every level of interest, which can be booked on their website here. 

Exploring Lakeview’s Theatre District

Posted on by Hunter

Lakeview’s deep appreciation for the arts and support for its thriving creative community are just some of the many reasons we love the neighborhood. In anticipation of Optima Lakeview’s upcoming opening, we’re taking a walk through one of the community’s most vibrant sectors, the Belmont Theater District. 

Star-studded Location

A collaboration between the Lakeview and Lakeview East Chambers of Commerce in partnership with local theaters and businesses, the Belmont Theater District functions as a critical supporter of the immense talent that calls the Lakeview community home.

Located in the heart of Lakeview, the theater district pulses with lively energy through more than 20 theaters that line the streets surrounding Belmont Avenue. Its prime location is within walking distance to hundreds of shops and restaurants, making it the perfect spot to spend quality time with friends, family and everyone in between. The historic venues, some of which are nearly a century old, all bring their own unique contributions to the theater district. 

Standout Performances

With more than 100 live shows every week, visitors can find everything from world-class performances to hole-in-the-wall comedy shows. In the midst of this abundance and variety, the Belmont Theater District — the largest theater district in Chicago — is home to a few showstopping venues and performances that stand out from the rest. 

The Blue Man Group performing at the Briar Street Theater.
The Blue Man Group performing at the Briar Street Theater

One of the neighborhood’s most beloved venues, the Briar Street Theater has provided a constant source of entertainment since its opening in 1985. The renowned theater has hosted several famous guests, including Sada Thompson and Dorothy Loudon, and displays artwork created by Van Gogh and Picasso. Since 1997, it has been the home to the iconic Blue Man Group act, which continues to delight audiences of all ages with its stage productions that incorporate many kinds of music and art, both popular and obscure.

The Music Box Theater found on North Southport Avenue has been standing for nearly a century, making it one of the oldest theaters in the neighborhood. The venue originally opened as a single-screen theater playing everything from independent films to Spanish and Arabic language films. Today, the ornately-designed theater operates as an art-house and revival cinema and is recognized as the largest full-time operating film theater in Chicago. 

The interior of the Mercury Theater, Courtesy of the Mercury Theater
The interior of the Mercury Theater, Courtesy of the Mercury Theater

Other iconic venues in the community include The Playground Theater, which showcases the Chicago-born art form of improvisation, and Mercury Theater, where melodramatic musicals and plays ranging from Sister Act to Clue are enjoyed by all. 

With a shared appreciation for the arts and community, we couldn’t be more excited to become an official member of the Lakeview community and can’t wait to explore more of the charismatic neighborhood.

Lakeview’s Holiday-Themed Pop-Ups

Posted on by Hunter

With the holiday season comes vibrant lighting, extravagant decorations and joyful crowds. And in these gleeful times, Lakeview is one of the best neighborhoods to partake in festive celebrations. The annual Wrigleyville Wonderland, Chicago’s largest pop-up event, draws visitors from near and far, but Optima Lakeview residents and those living in the area have prime access. 

The beloved tradition returns this year to celebrate the holidays with 20 show-stopping Lakeview locations. Each bar brings its own unique twist on a festive theme. Visitors are promised fully decorated spaces filled with costumed performers, cheery music and holiday-inspired food and drinks throughout the season.

The participating bars will be sure to fulfill your craving to celebrate the holidays over the next few weeks and some long after the start of the new year. Check out the list of Wrigleyville Wonderland’s participants below:

  • The Country Club, 3462 N. Clark St., its original holiday pop-up runs through Feb. 1.
  • Deuces, 3505 N. Clark St., Santa Baby Christmas Bar runs through January.
  • Diver at the Park, 3475 N. Clark St., promises a Tulum holiday inspired experience.
  • Gallagher Way, 3635 N. Clark St., featuring Wrigleyville’s Christkindlmarket.
  • The Graystone Tavern, 3441 N. Sheffield Ave., a Hanukkah themed pop-up, running through Jan. 2.
  • Houndstooth Saloon, 3369 N. Clark St., inspired by the famous Griswold family, running through Jan. 10.
  • HVAC Pub, 3530 N. Clark St., the holiday pop-up runs through Jan. 15.
  • The Irish Oak, 3511 N. Clark St., a mash-up of St. Patrick’s Day and Hanukkah, Leprechanunaka,.
  • Wrigleyville Kilwins, 3519 N. Clark St., serving its 25 Days of Chocolate pop-up through Dec. 31.
  • Lucky Dorr, 1101 W. Waveland Ave., the festive Lucky Lodge pop-up is open through Dec. 31.
  • Moe’s Cantina, 3518 N. Clark St., inspired by the beloved holiday classic The Grinch and Whoville. 
  • Casey Moran’s, 3660 N. Clark St., has transformed into Rudolph’s Christmas Bar, open through Dec. 30.
  • Mordecai, 3632 N. Clark St., the annual holiday pop-up bar, Mistletoe, runs until Dec. 30.
  • NOLA Bar & Kitchen, 3481 N. Clark St., its Very Cajun Christmas pop-up runs through Jan. 20.
  • Old Crow Smokehouse, 3506 N. Clark St., featuring a festive Santa’s Workshop pop-up.
  • Rizzo’s Bar and Inn, 3658 N. Clark St., the holiday-themed pop-up features local singer John Vincent at 7 p.m. Thursdays and 5 p.m. Sundays through Dec. 30.
  • Roadhouse 66 Gas N’ Grill, 3478 N. Clark St., the Jingle Junkie pop-up is open through Jan. 8. 
  • Stretch Bar & Grill, 3845 N. Clark St., its Elf’d Up pop-up runs through Jan. 8.
  • Underground Lounge, 952 W. Newport Ave., inspired by the Island of Misfit Toys, the pop-up is open through Jan. 31.
  • Vines on Clark, 3554 N. Clark St., the holiday pop-up transports customers to an Apres Ski vacation.
The Graystone Tavern’s Hanukkah themed pop-up features traditional food and drinks options with a twist
The Graystone Tavern’s Hanukkah themed pop-up features traditional food and drinks options with a twist

With Wrigleyville Wonderland officially open for the season, don’t miss out on savoring the delicious festive food and drinks served at each immersive location. While some of the pop-ups run through February, others will end with the beginning of the new year. And, due to the popularity of the favorite tradition, many of the participating businesses are reservation only, so make sure to check their availability before making plans for a fun evening out. 

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