Autumn in Chicago

Autumn brings brisk weather, parks filled with vibrantly colored leaves, and an endless array of pop-ups, markets and festive events. The residents of Optima Signature have easy access to all of the city’s most bewitching autumn pastimes. Here are a few of the many activities to do this autumn in Chicago. 

Chicago Classics

Chicago is home to many autumn events that are entirely unique to the city. Jack’s Pumpkin Pop-Up is one of them. The one-of-a-kind outdoor experience is home to an axe-throwing range, classic carnival games, a dense pumpkin patch and Chicago’s largest corn maze. Food trucks serving fall cuisine and bars serving seasonal cocktails can be found across the two-acre experience. General admission for Jack’s Pumpkin Pop-Up is $25 and it is open every day through October 31. You can find more information and get tickets here.

Just a few miles East of Jack’s Pumpkin Pop-Up, Navy Pier’s Pumpkin Lights transform the beloved spot into a must-do fall outing. Throughout the month, guests will find Pier-wide deals, festive activities and more than 1,000 decorated pumpkins. 

After finding carving inspiration at Navy Pier, an architectural boat or walking tour featuring Optima Signature is the perfect way to end a fall day. The crisp, breezy fall weather is perfect for a guided tour on foot through the heart of the city or down the Chicago River in one of its famous river cruises. The educational trips cover more than 50 of Chicago’s iconic buildings and are appreciated by tourists and city natives alike. You can learn more about Chicago’s renowned architecture tours here.  

Fall Day Trip

Just outside the city, you can find a handful of farms home to more traditional autumn favorites. Odyssey Fun Farm, located 40 minutes outside of the city in Tinley Park, is one of the many locations perfect for a fall day trip. The prized destination has zip lines, hayrides, a Pac-Man-themed corn maze and a full pumpkin patch. You can visit the farm every Thursday through Sunday from 10 a.m. to 6 p.m through Halloween.  

Apple picking makes for another fun fall activity. Located just outside of Libertyville, Heinz Orchard is Chicago’s closest. The small family-run orchard offers apple picking over other seasonal endeavors. Red and Golden Delicious, McIntosh, Empire and Jonathan apple trees all fill the spirited environment.  In addition to Heinz Orchard, you can find more apple orchards for the perfect day trip around Chicagoland here

Chicago’s autumn months don’t last long. So before time runs out, take advantage of the unique events located in the heart of Chicago, or plan a day trip to one of the many wonderful locations full of seasonal fun outside of the city.

The Health Benefits of Jogging

Jogging is a wonderfully minimalist form of exercise that requires nothing more than a free slot of time, a good pair of running shoes and open space. At Optima, it is our priority to build communities in and around accessible environments, where our residents can head out their doors to enjoy a run. There are many health benefits to the sport that might inspire you to give it a try. 

Getting Started

Jogging is not about speed, nor is it about distance — it’s about movement and a slow-and- steady-wins-the-race attitude. One of the activities’ great advantages is that it can be done both individually or within a group. A running club is a fantastic way to meet other runners, form community and stay motivated. Apps like Nike Run Club and Strava track time, distance, and offer guided runs and training programs for beginners and experienced joggers alike. Road Runners Club of America (RRCA) has branches in cities around the country and hosts groups for runners of all levels. In Chicago, RRCA is a perfect option for residents in our Optima Signature and upcoming Optima Lakeview properties, given their incredible proximity to the lakefront trails. And at Optima Kierland, a rooftop running track offers 360° views of the stunning landscape as residents jog outdoors without leaving the building.

Lifetime Health Boost

While jogging relieves pain and increases endorphins, making you happier in the moment, the long-term benefits are also significant. The stress your body endures while jogging actually improves your bone and muscle strength. It’s also excellent for cardiovascular health, improving circulation and maintaining blood pressure while controlling cholesterol and glucose levels. 

A study conducted by Stanford University found that jogging increases longevity and reduces the risk of disability and chronic illness later in life. The habit of regular jogging has been found to add 1 to 3 years to a lifespan.

Positive Mental Impact

Alongside numerous physical benefits, jogging also supports mental wellbeing and overall neurological health. Jogging releases endorphins, which are mood increasing hormones that help to alleviate stress, depression, and leave one feeling calm and rejuvenated. Jogging can also be a meditative activity that helps clear the mind. And when you take your runs outside, you’re also exposed to vitamin D and fresh air which improve overall well being.

Cognitive & Creative Enhancer

As jogging indirectly improves mood and sleep, anxiety and stress levels fall. This leads to sharper thinking and counteracts cognitive disorders like onset dementia. Jogging has also been found to create new brain cells and improve overall cognitive performance. Recent research completed by the British Journal of Sports Medicine discovered that jogging dramatically increases creativity. The more you exercise, the more creative you become. As the activity becomes a regularity, jogging can provide clarity and focus, generating a flow of creativity and new ideas.

Jogging is one of many ways to stay active; it is a wonderful way to maintain your health and get outdoors. For those who jog regularly, the health benefits expand far beyond the immediate moment and leave a lasting impact for years.

The Benefits of Urban Greenspaces

At Optima, we approach every project as an opportunity to explore the best possible ways to create harmony between the built and natural environments to allow our residents to enjoy a wealth of benefits that contribute to a healthier, more sustainable environment.

We understand that greenspaces; parks, gardens, conservatories, roof gardens and residential greenery are crucial to the vitality of urban spaces and the communities where they are found. Population density of urban areas is increasing swiftly. By 2050, it is estimated that 68% of the global population will live in cities. According to the WHO, urban greenspaces promote mental and physical health through the promotion of physical activity, mutual understanding, and mitigating exposure to air and noise pollution as well as excessive heat. 

In the summer, the heat generated by human activity, transport, and industry creates an increased need for energy consumption to cool spaces. Green areas have the ability to absorb that heat and pollution. They also allow urban dwellers to stretch their legs and be outside, improving cardiovascular health and relieving stress. Each space also promotes social cohesion, the coming together of people who would usually not interact with each other due to the individualistic nature of urban living.

Landscaping used to create privacy at Optima Signature
Landscaping used to create privacy at Optima Signature

At Optima we recognize the tremendous advantages greenspaces provide. In Chicago, Optima Signature’s inviting plaza filled with lush landscaping and 1.5 acres of amenity space encourages residents to spend time outdoors. Gardens, landscaped fire pits, swimming pools, and outdoor entertainment all radiate the feeling of an oasis within the larger urban environment.

Landscaped Courtyard at Optima Kierland Apartments
Landscaped Courtyard at Optima Kierland Apartments

Optima Kierland Center embraces its surrounding beauty and builds off of it. Lush greenery fills the more than 7.5 acres of open space connecting Optima Kierland’s buildings in a park-like setting. Similarly, Optima Sonoran Village utilizes more than half of its 10-acre property to house stunning landscaping, sculpture, and pedestrian paths while mitigating the desert’s harsh climate. We utilize rooftop gardens and our signature vertical landscaping at Optima Sonoran Village, Optima Kierland Apartments, and will be bringing it to Chicago at Optima Verdana, to create an oasis inspired by its surroundings that contribute to the greater environment. This type of green space brings both beauty and positive contributions to their communities. 

Greenspaces make urban living refreshing, enjoyable and social. And as our cities become more and more dense, urban greenspaces become a crucial part of the ecosystem — and of our enhanced quality of life.

Chicago History: The South Shore Cultural Center

At Optima, our appreciation for timeless architecture and design runs deep, and there’s no better way to feed that passion than by paying a visit to the historic South Shore Cultural Center. On the corner of 71st St and South Shore Drive sits the large, brick building with landscaped gardens, a golf course, beach access, and unbeatable lake views. Many do not know that the structure exists, and many more drive by every day without realizing the rich history of the center and its grounds. The South Shore Cultural Center is one of Chicago’s hidden gems with astounding architecture, interior design, and a wealth of history.

History

The South Shore Cultural Center was originally founded in 1905 to function as a country club similar to the Athletic and Union League clubs downtown.

Designed in the Mediterranean revival style by the architecture firm, Marshall and Fox, the club initially served the wealthy, white population of the South Shore neighborhood and offered stables, a nine-hole golf course, tennis courts, and a bowling green, along with a ballroom, and a private beach.

In the early 1960s, the demographic of the South Shore neighborhood began to change as black families integrated into the neighborhood, and white families left for the suburbs. Originally only open to white Protestants, by 1967, the club became open to anyone who wanted to join.

By 1973, struggling financially, the club liquidated its assets, and in 1975, the property was sold to the Chicago Park District.

Today

Thanks to a coalition of neighborhood activists and historic preservationists, the club’s original facilities remain standing today and are open to the public.

The Cultural Center serves as the home to the South Shore Cultural Center School of the Arts, an organization that provides community art classes, youth and teen programming, art and dance studios, a kiln, and the Paul Robeson Theatre.

The ballroom and banquet facilities can be rented for special events, and the golf course, beaches, and nature center remain open to the public.

A large chandelier is centered in the middle of a pink ceiling in a grand dining room with windows spanning the length of the wall.
South Shore Cultural Center Dining Room. Credit: on Flickr Creative Commons, CC BY-NC 2.0 Deed

Visit

The South Shore Cultural Center is easy to access from downtown on Lake Shore Drive. The Chicago Lakefront Trail also runs past the center, so it is possible to visit by bicycle. Plan a round of golf or bring the family for a beach day and picnic. 

The Cultural Center also functions as a sort of museum with plaques explaining the building’s history and architecture.

Schedule your visit and learn more about the center here

Team Member Spotlight: Rebecca Grossman

As we reflect on our values and character as a company, we always come back to the same truth: our team members represent the best of Optima. Recently, we interviewed Rebecca Grossman, Optima Kierland’s Leasing Manager, about her journey to Optima Kierland, how residents and staff have helped create an extended family for her and the impact she has had on Optima.

Tell us a bit about your background and the role you play at Optima.

Before Optima, I worked in retail management for 15 years – 9 of which were in Philadelphia – before I moved to Scottsdale. When the pandemic  began, I realized retail would never be the same. I struggled to figure out what could be next in my career, and where I could take my experience and interest in customer service to a higher level. As part of my search, I found an opening on LinkedIn at the Optima Kierland apartments. Coincidentally, I live directly across the street from the properties! I did my research and realized that everything Optima stands for aligns perfectly with my values and who I am as a person.

I was hired as a Leasing Consultant in March 2020. Just based on who I am and how I work, it was natural for me to take on leadership roles working with our leasing and resident teams, and was promoted three months later to my current position as Leasing Manager. I now manage two leasing consultants and work very closely with our two resident coordinators and nearly 600 residents daily. 

Tell us a bit about the Optima Way and what it means to the Optima Kierland residents and staff.

Something I love in life is building relationships and connections, so the fact that I get to come to work every day and do just that…well, it doesn’t feel like work at all! And what I have learned since joining the Optima team is that my values around relationships and connections is identical to those of the company. In fact, it’s captured in a companywide philosophy called “the Optima Way.” 

The Optima Way is so successful here at Kierland because our team shows a level of empathy for residents and one another that is unmatched. We make sure both residents and staff at Kierland always feel valued, seen and heard. We also sincerely believe that our residents are extended family to us. We care about everyone and take the time to be thoughtful and considerate during all of our interactions. 

Optima has a distinct set of values that really differentiates it from other companies. Which values really speak to the work you do at Optima?

One of our core values at Optima is there is a solution for every problem, and I feel like our team has embraced that value and demonstrates it every day. I try to lead by example and show my team how critical our work and values are so they can strive to that same level of passion – and they do. 

A line of golfers get ready to tee off on a course
Optima Kierland Apartments Golf Outing at the Westin Kierland

Can you give us a few examples of the great programming your team has been doing of late?

One of our upcoming events is an exciting food tour across the city. The company we’re working with will be taking our residents — by party bus —  to four different restaurants where they’ll be served a cocktail and appetizer at each one. We love to think out of the box for activities, and this is so different from anything I’ve ever seen an apartment community do!

We’ve done flower arrangement courses, fitness classes, cookouts and golf tournaments. We take the time to understand our residents’ interests so we can tailor our programs around them. And because our events align with the things our residents care about, each event that we host helps build that community that we strive to create here at Optima Kierland. 

Can you give us a few examples of ways in which your team has gone “above and beyond” for your residents in ways that really make a difference?

We have a resident who has lived with us for a long time, and her dogs mean the whole world to her. Recently, one of them passed away after a long illness. We knew it would be incredibly stressful for our resident to retrieve her dog’s ashes, so we simply took care of it for her.  I feel moments like these reflect the Optima Way; we act out of genuine kindness, generosity and reciprocity all the time — and not because it’s part of our job description. 

In another case, a couple moved to Optima Kierland from Philadelphia, and it was an enormous undertaking for them. I helped organize many details of the move, from getting their car shipped here to having their apartment custom painted. We also organized a surprise birthday party for a resident’s daughter and surprised residents who were honeymooning in Mexico with champagne at their hotel. Doing these small things is simply practicing the Optima Way, and it all adds up to create a sense of trust and family that we all share.  

What are some things you’ve learned during your time at Optima?

I thought that after a successful 15-year career in retail I knew everything there was to know about customer service and building relationships. It turns out that I didn’t know the half of it. I have become a stronger person here. I thought I knew my limits, and then I learned to push farther. We’re always striving for better, and sometimes it’s been intimidating, but I feel like my team and I are the best version of ourselves as a result.

A Guide to the Chicago Architecture Biennial: The Available City

The first of its kind in North America, Chicago’s Architecture Biennial, an international exhibition of architectural ideas, projects and displays, began in 2014 with the support of the city’s Cultural Affairs department. Similar to Optima, Chicago’s Architecture Biennial celebrates the relationship that design and nature have with one another in urban environments.

Former Chicago mayor, Rahm Emanual described the Biennial as “an ode to the city’s past and an echo to our future.” This year’s theme, “The Available City” stands true to that sentiment. The 2021 edition of the Chicago Biennial “is a framework for a collaborative, community-led design approach that presents transformative possibilities for vacant urban spaces that are created with and for local residents.” Artistic Director, David Brown, a designer, educator, and researcher based at the School of Architecture at the University of Illinois focuses his work on non-hierarchical, flexible and variable approaches to urban design and has selected a group of accomplished collaborators to reflect his vision of an “Available City.” 

In order to achieve a collaborative and community-led design approach that transforms vacant urban spaces, the Biennial invites artists, architects and designers from Chicago and around the world to come together and share their creations, lead workshops and conversations, and create communal spaces where Chicagoans can come together and appreciate their city. Workshops will be held in neighborhoods across the city in which vacant spaces will be transformed into collective spaces. Digital programming will be used to activate these spaces. 

This year’s lineup of collaborators include creators from around the globe and creators who call Chicago home. Chicago-based architect, designer, and educator, Ania Jaworksi, will present a solo exhibition at Volume Gallery in which she pays homage to Chicago and urban life through the humor, pragmatism, and seduction that can be found in design. Other local contributors include Borderless Studio, a research-design practice that leads community-based projects addressing issues of social equity, Central Park Theater Restoration Committee, a group aiming to revive Chicago’s abandoned Central Park Theater, Englewood Nature Trail, a two-mile green infrastructure reuse project located in the Englewood neighborhood, in care of Black women, a creative initiative launched in Chicago’s south side focused on re-activating vacant spaces and creating “cartographies of care,” Open Architecture Chicago + Under the Grid led by Haman Cross III, Lawndale’s resident artist which leads and promotes design-efforts and creative projects in the Lawndale community, PORT, a public-realm design practice founded by Christopher Marcinkowski and Andrew Moddrell, and The Bittertang Farm, an architectural duo composed of Antonio Torres and Michael Loverich who explore architecture’s connection to living organisms. 

International contributors, ranging from Boston to South Africa to China, include Ana Miljački of the Critical Broadcasting Lab at MIT, Atelier Bow-Wow from Tokyo, Japan, Studio Ossidiana from Rotterdam, Netherlands and Venice, Italy, Matri-Archi(tecture) from Basel, Switzerland and Cape Town, South Africa, and Hood Design Studio from Oakland, California among numerous other designers and creatives from around the country and world. 

The 2021 Chicago Architecture Biennial is open to the public starting September 17.

Chicago Architecture Spotlight: Charles M Harper Center

The Charles M Harper Center at the University of Chicago Booth School of Business ties the historical architecture of its neighboring structures with state-of-the-art technology and modern design. 

Completed in 2004 by Rafael Viñoly, the Charles M Harper Center sits across from the Rockefeller Chapel, a masterpiece of gothic architecture, and Frank Lloyd Wright’s Robie House, considered one of the greatest feats of Prairie style architecture. The Charles M Harper Center serves as a mirror to both structures while creating its own mark on the landscape of the University of Chicago campus.

The Harper Center serves as a favorite gathering place on campus for both researchers and students alike. The building fits into the aesthetic of the university’s campus while also providing updated technology and study spaces for the community. 

Rothman Winter Garden

The Harper Center boasts a six story atrium at its center, dubbed the Winter Garden, covered with arched glass ceilings that mimic the Gothic arches of Rockefeller Chapel to the building’s south. The roof, made of light-filtering glass, serves as an ode to the glass roofs of the Robie House while also providing students with a bright, clean study space. 

Charles M Harper Center at the University of Chicago, designed by Rafael Viñoly. Credit: Michael Barera on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 4.0 International license

Stone

Much of the University of Chicago’s campus is composed of grey stone, and the Harper Center’s mix of glass and grey stone exterior celebrate the historic structures of the campus. Stone facades mimic the straight lines of the Robie house while also celebrating the Gothic design that composes the campus quad. 

Parts of the building are open to the public, so next time you find yourself in the Hyde Park neighborhood, make sure to experience this cutting-edge and unique piece of architecture for yourself.

The New York Times Style Magazine’s Modernist Beauties

The New York Times Style Magazine released an article in early August compiling a curated list of twenty-five of the most significant works of postwar architecture. Of the buildings selected, three hold deep connections to Chicago and the city’s architectural legacy; The Farnsworth House, Amanda Williams’ “Color(ed) Theory,” and the Johnson Publishing Company Building.

Farnsworth House

The Farnsworth House, considered one of Ludwig Mies van der Rohe’s masterpieces, sits on the isolated floodplains facing the Fox River in Plano, Illinois. Designed in 1945, the house was used as a retreat from the urban world for Edith Farnsworth, a native Chicagoan. The Farnsworth House was brought up repeatedly by the New York Times Style Magazine jury as many of its members admired the discipline displayed by the house’s design.

A vibrant blue house is surrounded by leafless trees and a blanket of white snow.
Color(ed) Theory: Ultrasheen, Amanda Williams, 2014-2015. Credit: Art Institute of Chicago

“Colored(ed) Theory”

Chicago based artist, Amanda Williams’, “Color(ed) Theory” series was also selected as one of the most significant postwar pieces of architecture.

Williams spent two years on the South Side of Chicago painting abandoned and condemned houses based on colors she found in products targeted towards Black communities. The series provokes observers to think about the many complex forces that shape cities and their relationship to color. Using vibrant violets, teals, and turquoise, Williams metamorphosed the almost destroyed houses into works of art. The eight illuminating houses continue to encourage future discussions on the complexities of race, place, and value in Chicago today.

Johnson Publishing Building, 820 South Michigan Avenue, Chicago, designed by John Moutoussamy. Credit: Paul R. Burley on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 4.0 International license.

Johnson Publishing Company Building

John W. Moutoussamy’s 1971 Johnson Publishing Company Building located in downtown Chicago also made the New York Times Style Magazine list. The eleven-story building housed the offices of iconic magazines including Jet and Ebony, which represented the culture and style of America’s black community in the late nineties. The interior of the Johnson Publishing Building is filled with an art collection as well as opulent colors and textures reflecting the decorating styles of the 70s. Even today, the Johnson Publishing Company Building is one of the few urban skyrises designed by a black architect.

The entirety of the article can be read here.

A Brief History of Modernist Furniture

The modernist architecture movement gained traction in the late 19th century and was influenced by the post-war notion of practicality and eliminating excess. 

Notable modernist architects include Ludwig Mies van der Rohe, Frank Gehry, and Zaha Hadid. Along with designing structures, these architects also designed furniture that would harmonize with their buildings, while making their works more accessible to many.

Prior to the modernist movement, furniture was seen as ornamentation. Rather than taking comfort and practicality into consideration, the value of furniture was determined by the amount of time and level of craftsmanship that went into its production. The Industrial Revolution enabled the mechanization of furniture production, enabling furniture to become affordable and functional rather than ornaments reserved for the wealthy.

Modernist principles of furniture considered the interaction of the design and the user, creating designs that fit with the human form rather than forcing bodies to conform to the furniture.

Two Barcelona Chairs sit next to each other in front of glass windows.
Barcelona Chairs, designed by Mies van der Rohe

Ludwig Mies van der Rohe’s 1929 Barcelona Chair was inspired by the simplicity of ancient folding chairs. Supported on each side by two chrome-plated flat steel bars, the Barcelona Chair is upholstered in leather and combines simple elegance with comfort. Mies van der Rohe designed the Barcelona chair to sit in the lobbies of his buildings, where they accent the architecture and blend in with the surrounding space. 

The Eames Lounge Chair sits in front of a marble fire place.
Eames Lounge Chair, designed by Charles and Ray Eames

The Eames Lounge Chair, another iconic piece of modernist furniture, was released in 1956 and designed by Charles and Ray Eames. The Eames Lounge Chair is a rare example of modernist furniture that was not designed to be mass-produced and affordable. Yet, the chair still relied on the principles of simplicity, practicality, and comfort core to modernist furniture design. The chair, inspired by the English Club Chair, is composed of molded plywood and leather and became a cultural icon for its un-design-like appearance that invites sitters to rest for hours within the chair’s leather cushions.

The Noguchi Table
Noguchi Table, designed by Isamu Noguchi

Japanese-American artist and industrial designer, Isamu Noguchi, designed the famed Noguchi Table for the furniture company, Herman Miller. The Noguchi Table is a sleek glass-topped table supported by two curved pieces of wood at the base. The table became popular for its ability to fit both in the domestic and corporate spaces. 

The ability for modernist furniture to fit effortlessly into any space combined with its practicality made modernist designs into classic pieces recognized across generations. Modernist furniture can be found in suburban households and steel office buildings alike. Families gather around Noguchi Tables for chess games and curl up into Eames Lounge Chairs with long novels. Business moguls and architects meet in Barcelona Chairs and sign documents over Noguchi Tables. The versatility of modernist furniture and ease with which it is produced revolutionized how the general public views furniture and furniture’s place in the spaces it takes up.

Women in Architecture: Zaha Hadid

Breaking boundaries as the first woman to be awarded the prestigious Pritzker Architecture Prize in 2004, Zaha Hadid is recognized as one of the most exceptional designers in history, forging a legacy of innovation and individuality. Despite Hadid’s unexpected death in 2016, her legacy continues through the projects she designed.

Born October, 1950 in Baghdad, Iraq, Hadid studied mathematics as an undergraduate and went on to enroll at the Architectural Association School of Architecture. Hadid was advised under Dutch architect, Rem Koolhaas, who would later describe Hadid as one of the most exceptional students he ever taught.After graduating, Hadid moved to Rotterdam where she worked for Koolhaas at the Office for Metropolitan Architecture (OMA). In 1980, after becoming a naturalized citizen of the United Kingdom, Hadid opened her firm, Zaha Hadid Architects, which has developed high-profile and illustrious projects around the world. Hadid and her firm introduced audiences to a new way of conceptualizing modern architecture through extremely detailed sketches rather than postmodern designs.

After graduating, Hadid moved to Rotterdam where she worked for Koolhaas at the Office for Metropolitan Architecture (OMA). In 1980, after becoming a naturalized citizen of the United Kingdom, Hadid opened her firm, Zaha Hadid Architects, which has developed high-profile and illustrious projects around the world. Hadid and her firm introduced audiences to a new way of conceptualizing modern architecture through extremely detailed sketches rather than postmodern designs.

Vitra Fire Station, designed by Zaha Hadid. Credit: Mondo79 on Flickr Creative Commons, CC BY 2.0 Deed

Vitra Fire Station

The very first building complex designed by Hadid was the Vitra Fire Station, eventually launching her career. One of Hadid’s clients, Rolf Fehlbaum, the president-director of the furniture design firm, Vitra, invited her to design a fire station for his design museum. Building from 1991-1993, Hadid used raw concrete and glass that defined the sculptural building. The station, famous for the dramatic effect of its sharp diagonals converging at its center, only remained functional for a short period and now serves as an exhibit space.

The front of the MAXXI Museum.
MAXXI Museum, Zaha Hadid, Rome, 2010. Credit: Artur Salisz on Flickr Creative Commons, CC BY-NC 2.0 Deed

National Museum of Arts of the 21st Century (MAXXI)

One of Hadid’s more recent designs, the MAXXI was built between 1998 and 2010. The structure appears to be moving and flowing through space in spots, animated by Hadid’s ambition to create movement through the design. Hadid achieved this movement through curving, white walls and the placement of the building extending precariously out over five, thin pylons. Hadid explained that she wanted the design to invoke “confluence, interference, and turbulence.”

The Aquatic Centre in the Queen Elizabeth Olympic Park in Stratford, designed by Zaha Hadid, used for the 2012 Olympics, London, England, United Kingdom. Credit: Arne Müseler on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Germany license

London Aquatic Center

Tasked to design the aquatic center for the 2012 Summer Olympics, Hadid again turned to fluidity, this time the convergence of geometry and liquidity found in water. Hadid’s iconic design covers three stadium pools with a complex roof the shape of a parabolic arch dipping into the center that anyone would recognize. The structure was praised by critics for its success in mimicking the “floating” and “undulation” of water, as stated by Rowan Moore.

In addition to receiving the Pritzker Prize, Hadid was recognized with numerous other prestigious awards, including the Royal Institute of British Architecture’s Royal Gold Metal Award, an honor approved by Her Majesty The Queen, and the Jane Dew Prize; she was also appointed Commander of the Order of the British Empire and was honored with a retrospective at the Guggenheim Museum.

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