New Book Release: Reflections on the Career of David Hovey Sr., FAIA

Hot off the press is the spectacular retrospective of the 40+ year career of David Hovey Sr., FAIA, Optima’s CEO and Founder. David Hovey Sr., released by Images Publishing, is a collector’s item that arrived on bookshelves in January 2022. The monograph opens with a beautiful introductory essay by the late luminary architect Helmut Jahn, who wrote about their decades-long friendship and Hovey’s “staggering” influence on architecture. Entitled “Living Beautifully,” Jahn explains:

“The best thing that can be said about the work of David Hovey Sr. in his chosen field of multi-family and single-family housing is that he builds unique and inventive dwellings for people to live beautifully. That he chooses to play not just the role of the architect but also that of developer, contractor, construction manager, sales and leasing agent, and building operator makes the achievement even more remarkable. As his own client and CEO of his company, Optima, Hovey demonstrates that it’s possible to successfully execute the very different skills of an architect and a developer by applying tremendous knowledge and tenacity and assuming great responsibility. Many who have tried to work as an architect-developer have failed because they did not find the right balance. David Hovey expanded the role of the architect to the level of a master building and in this, he is without equal in his generation.”

A sketch of Optima’s Sterling Ridge

In the words of friend and chronicler, Jahn talks about the arc of Hovey’s career:

“Hovey’s built work is a testament to constant refinement and improvement, each project a step along a path to take on new and bigger challenges, never being afraid of making a mistake by doing something new. The achievements of an architect become more evident with the passing of time. The good buildings become more important, the others will be forgotten.”

In Jahn’s reflections on Hovey’s deep understand of the complex issue of climate change, he shares his thoughts this way:

“David Hovey’s work should be recognized for more than its architectural design. This is particularly evident in his desert buildings where he addresses the important issue of climate change that challenges architecture today. Authorities measure energy consumption as the primary factor in building construction. Looking at energy efficiency alone is the wrong measure. We don’t have an energy problem, we have an emissions problem. Carbon dioxide is the principal culprit in climate change and the building industry contributes a considerable amount of it to the atmosphere.

Optima’s Biltmore Towers

“In Hovey’s buildings, there are strategies that address climate issues. This is demonstrated in the use of many prefabricated lightweight materials for load-bearing or non-load-bearing, enclosing parts. This extends to the use of recycled steel. Hovey regularly employs effective sun-shading devices. His strategies include LED lighting as well as energy-saving heating, air conditioning, and ventilation systems. Sustainability is assured by design and not through additional equipment or devices, which don’t pay off over time. Here, the mind of the architect and developer in one person can best design and build buildings where nothing can be taken away to come closer to perfection. Only through knowledge, determination, and a deep sense of responsibility can these energy goals be achieved, as the buildings show.”

Stay tuned for other inspiring excerpts from David Hovey Sr., along with stunning images of completed structures and his extraordinary sketches. For those who wish to purchase the book, it is available through a number of booksellers online.

Calling all Photo Buffs: Jump into Wilmette’s Sesquicentennial Photography Project

As construction gets underway on Optima Verdana, we continue to connect more strongly with Wilmette and its surroundings. We appreciate how special it is that a village gets to celebrate its 150th anniversary, and Wilmette has packed 2022 with a series of events, happenings and projects that bring the community together. Art fairs, picnics, parades, concerts, garden walks, you name it. The programming is broad, deep and guaranteed to capture the interests of residents and visitors alike.

One of the most engaging programs on the roster for Wilmette’s big birthday year is the Sesquicentennial Photography Project. Behind the project is the desire to invite the community to share their personal reflections and experiences in Wilmette by capturing photographs around the theme “Building Community” to create an important historical record.

The magic of a community photo project is that it provides an open invitation for anyone — and everyone — to participate. Taking photos in today’s world, with the ease of a smartphone, allows people of all ages to capture snippets of everyday life and glimpses of their surroundings that captivate them, and share them with others to enjoy. 

The project is easy for all participants. Simply submit photos to the village — from now until September 30, 2022. A team from the Wilmette Historical Museum will review the submissions and curate an exhibition of photos at the Museum and at other locations throughout Wilmette. Once the exhibitions are taken down, the photographs will be archived by the Museum, and will be accessible for viewing on request. 

Here are some guidelines for photographers. If you have any additional questions regarding the project, please contact Jan Loew at jerryloew@aol.com. Technical questions should be directed to the Wilmette Historical Museum’s curator, Rachel Ramirez, at ramirezr@wilmette.com or 847-853-7714.

Modernist Buildings in Chicago Everyone Should Know

Modernist tradition and design practices have been rooted in our identity at Optima for over four decades. The same appreciation for modernism is across countless iconic buildings throughout Chicago, where many of our multi-family residences reside. Here are just a few of the city’s modernist buildings we feel like everyone should know a little about:

Lake Shore Drive Apartments

Built in 1951, the twin residential towers, which reside at 860-880 Lake Shore Drive, exhibit modernist less is more ideology adopted by its architect, Ludwig Mies van der Roh. Originally seen as too complex, the project’s materials don’t stray from the norm as it utilizes steel, glass and aluminum. Not long after their completion, even with the critics at the time, the Lake Shore Drive Apartments became a template for modernist buildings across the globe.

875 N Michigan Ave

875 N Michigan Ave

Previously known as the John Hancock Center, 875 N Michigan Ave is one of the most recognizable buildings in Chicago’s skyline. At the time of its completion in 1968, the modern masterpiece became the second tallest building in the world and the tallest in Chicago – a title it held for over 20 years. Skidmore, Owing and Merill, the architects behind the skyscraper, were pioneers for the new era of skyscraper design at the time and were the same architects behind the Willis Tower. Complementing the building’s basalt-black color, its façade is complete with unique X-bracing and a system of framed tubes which have allowed it to become an architectural icon. 

Marina City

Marina City

Often referred to as “the corn cob”, the mixed-use buildings became the first of their kind when built in 1964. The circular complex was designed by architect Bertrand Goldberg – a student of Mies – as a self-contained town. Each building shares identical floor plans and includes a theater, bowling alley, and various stores and restaurants. One of the most unique features of the towers is the near-complete lack of right angles found in their unique interiors. 

Charnley-Persky House

Charnley-Persky House

One of the oldest houses in Chicago, the James Charnley Residence was built in 1892 and is one of the only surviving residential works of Louis Sullivan. Often referred to as the “father of skyscrapers and modernism”, Sullivan was a mentor to Frank Lloyd Wright and helped establish Chicago School architecture. The building is often considered to be the first modern house in Chicago. Although it has an essentially classic form, Sullivan introduced modern aesthetics, like it’s clean and simplistic design, which separated it from other structures at the time.

S.R. Crown Hall

S.R. Crown Hall

Created to house his alma mater’s – the Illinois Institute of Technology – departments of architecture, planning and design, S.R. Crown Hall is one of Ludwig Mies van der Rohe’s most notable designs. The modern masterpiece was built in 1956 and is often recognized as one of the most architecturally significant buildings of the 20th century. Mies created Crown Hall utilizing basic steel and glass construction styles, creating a one-of-a-kind open space without interior obstructions. The building’s 18-foot-tall extended roof also helps to establish the feeling of universal space. 

While these five of the city’s most iconic modern buildings, our list could go on forever. Next time you find yourself in downtown Chicago or traveling through the midwest, we encourage you to explore the modern masterpieces for yourself. 

Curated Furniture at Optima Lakeview: the Bertoia Side Chair

Our love of mid-century classic furniture can be found throughout all of the Optima communities. And with our soft spot for iconic seating, it’s no surprise that the famed Bertoia Side Chair is a staple in many of our amenity spaces. Let’s take a closer look.

About Harry Bertoia
Born in San Lorenzo, Italy in 1915, Bertoia built an international reputation as an artist, sound art sculptor and modern furniture designer. After leaving his home at the age of 15 to join his older brother Oreste in Detroit, Harry embarked on a career that centered on the exploration of modernist ideas and ideals, often in collaboration with some of the greatest thinkers and visionaries of that era.

In 1936, a one-year scholarship to the School of the Detroit Society of Arts and Crafts allowed Harry to study painting and drawing. He entered and placed in many local art competitions, said to be the most awarded student up until that time. The following year, another scholarship took him to the Cranbrook Academy of Art in Bloomfield Hills, Michigan. Working among some of the most famous artists and designers of the modernist age, including Eero and Eliel Saarinen, Charles and Roy Eames and Florence Knoll, Bertoia’s creativity and mastery of materials flourished.

Bertoia as Furniture Designer
Bertoia was first exposed to furniture design at Cranbrook when Eero Saarinen and Charles Eames entered and won the Organic Furniture Design Competition sponsored by the Museum of Modern Art. In fact, Bertoia developed his initial chair design ideas while working with Charles Eames and others in California in the late 1940s, which he later incorporated into his work.

Bertoia eventually left Eames to join the Point Loma Naval Electronics Laboratory. While there, he learned how to study the human body to design control panels and knobs that focused on comfort for reach and grip. This sensitivity to ergonomics contributed significantly to Bertoia’s fascination with designing well-fitting practical chairs.

In 1950, at the invitation of former classmate Florence Knoll and her husband Hans, Harry moved to eastern Pennsylvania to work at their emergent furniture company Knoll, Inc. Florence had seen Harry’s work at Cranbrook, heard he had left Eames, and knew that he had enormous promise as a furniture designer. The Knolls offered him the opportunity to design what he wished with full credit and complete recognition of his work, which was their policy with all designers.

About the Bertoia Side Chair
Once on staff at Knoll, Bertoia was asked to develop hospital furniture, but he preferred to work with healthy bodies. He gravitated towards metal as his material of choice, and he continued to experiment with it until he landed on the concept of the wire grid, which could be shaped at will. with it until arising at the wire grid concept that could be shaped at will to conform to the human body. This was a radical departure from the use of rigid wood, which was characteristic of the late 1940s and early 1950s furniture. He not only created the airy welded metal design of the chairs, but also devised the production molds used for mass manufacture. 

Knoll produced the first Bertoia chairs in 1952 — an amazing collection of furniture that reflects a profoundly beautiful study in space, form and function. As with other designers of his time, including Mies van der Rohe, Bertoia found infinite elegance in an industrial material, elevating it beyond its utility into a work of art. 

Today, the Bertoia collection remains one of the great achievements of mid-century modern furniture design by one of the master sculptors of the last century and a proud part of the Knoll heritage.

Lakeview’s Hidden Architectural Treasures

Filled with an appreciation for arts, culture, and everything in between, Chicago’s Lakeview neighborhood is home to some of the city’s most brilliant and iconic buildings. Forever inspired by the architecture surrounding us, we’ve been out and about to spotlight a few of the many architectural treasures found near our newest development, Optima Lakeview:

Landmark Century Cinema

Landmark Century Cinema, one of the neighborhood’s most opulent structures, opened its doors in 1925 at 2828 N Clark Street. The structure, originally named Diversey Theater, was designed by Edward Eichenbaum of Levy and Klient, a prominent architectural firm that was known for their theater designs at the time. The stunning theater was built with a Spanish Baroque Style façade which has remained in excellent condition throughout the building’s life.

Throughout the building’s nearly century-long existence, it has undergone several renovations and name changes. In honor of the Century of Progress World Fair hosted in Chicago from 1933-34, the building became the Century Theater. With the name change came a complete remodeling of its interior space, which introduced various Art Deco elements to the theater. 

In 2000, the Landmark Theater Chain bought the property, prompting the name change to Landmark Century Cinema. With the purchase came further restorations and renovations across the historic structure. Today, Landmark Century Cinema exhibits its original Baroque terracotta facade and updated neo-Art Deco interior. 

The vibrant interior of Schubas Tavern

Schubas Tavern

What was once a beloved tied house – a bar created to serve only a single brand of beer – is now a historic tavern featuring some of Lakeview’s most stunning interior and exterior architecture. Built by architectural firm Frommann and Jebsen, Schubas Tavern originated as a Schlitz Beer tavern in 1903.  

The company operated the tavern for over 80 years until the building was bought by Schubas in 1989. With restoration at the front of their minds, Schubas refreshed the historic bar’s 30-foot Brunswick mahogany bar, tin ceilings, walnut wainscoting along with exterior fixtures that included the famous Schlitz globe logo. Often frequented for its showstopping concerts and events, one of the most significant renovations for the building was its timber performance stage, which has been host to a variety of big names, including Janelle Monet, Billie Eilish and The Nationals.

The bar’s newest architectural addition, Tied House, exhibits a modern reinvention of the iconic tavern. The new restaurant and bar utilizes traditional tavern materials, including brick patterns, copper accents and ceiling tiles, while transforming them in a modern fashion. 

The Classical Revival Style façade of the Marshfield Trust and Savings Building

Marshfield Trust and Savings Building

Dramatically rising from its compact triangular lot at 3325 N Lincoln Ave, the former Marshfield Trust and Savings Building showcases various unique architectural elements that still radiate today. The historic bank building was constructed in 1924 by Architect William Gibbons Uffendell and Contractor Arthur Brundage, who would later become President of the International Olympic Committee.

The lanky flatiron building, which utilizes Classical Revival Styles of architecture, showcases an ornate terracotta exterior that features various elaborate designs. Two-story arched windows stretch along both sides of the building’s façade and meet in the middle to reveal the building’s main entrance, which is framed with an eye-catching bracketed cornice above its doors. 

With the opening of Optima Lakeview fast approaching, we couldn’t be more thrilled to continue showcasing what makes our new vibrant community so special.

Remembering the 1922 Art Week in São Paulo

With Optima’s love for all things modern, we take great pleasure in diving into the history of modernism around the globe, including how the principles of modernism took hold in Brazil. And as luck would have it, the country is celebrating a huge milestone in February 2022 — the 100th anniversary of the Semana de Arte Moderna that runs from February 10 through 17 — so we are taking a closer look at this pivotal moment in time.

For the people of Brazil, 1922 was a landmark year. It marked a full century of independence from Portugal – and it was also the year that put Brazilian art on the international map, beginning with an idea emerged from a group of artists to host a week-long art celebration around modernism. Dubbed the Semana de Arte Moderna — this game-changing event took the form of exhibitions, lectures, poetry readings and musical performances that brought avant-garde works and ideas to the entire country.

Today, 100 years later, we look back at the Semana de Arte Moderna of 1922 and recognize it as a major turning point in the development of modern art. At the time, however, it was greeted with mockery, anger and fear. There were stories of horrified audiences throwing objects at performers on stage, and critics fuming with negative reviews of art, music and theater they didn’t understand.

Original poster for 1922 Semana de Arte Moderna, Wikipedia

Central to the works presented during the Semana de Arte Moderna was the theme of creating work that drew upon European influences but was uniquely Brazilian. This was a radical approach in 1922, since the European centers of art and culture had a tight grasp on what was considered “art,” and the idea that Brazilian artists had voices of their own was considered shocking. 

Following the Semana de Arte Moderna, the Brazilian Modernism movement blossomed. Throughout the 1930s and ’40s, while much of the world was still in a state of flux about what exactly constituted ‘modern’ art, the country was leading the way into new styles of artistic expressions that were quickly embraced by Brazilians as a unique cultural identity. And with this new-found inspiration and energy, the modernist architecture movement took hold.

The painting A Negra by Tarsila do Amaral was part of an exhibition of her work at Semana de Arte Moderna. From Caixa Modernista, Edusp / Editoria UFMG / Imprensa Oficial, São Paulo, 2003.

In the 1950s Brazil decided to found Brasilia, a new capital city heralded as a great experiment in modernist architecture, to help develop Brazil’s interior. Led by the vision of Brazil’s most famous architect and designer,  Oscar Niemeyer, the country began to define itself by its modernist aesthetic, with buildings characterized by their use of concrete and free-flowing curves.

As we reconsider the impact the 1922 Semana de Arte Moderna had on the rise of modernist architecture around the globe, we can’t help but recognize how the forever modern principles we practice at Optima fit into a larger context. It is Optima’s pleasure and privilege to be such an esteemed and vital company.

The Future of Sustainable Design in Architecture

At Optima, sustainable design has always been part of our ethos, as we strive to create vibrant communities built with the surrounding natural environment at the forefront. And as technology continues pushing the boundaries of sustainability in architecture, we wanted to explore what the future might possibly hold. 

Historically, sustainable architecture has focused on lush outdoor environments, and at Optima, we know the benefits of urban greenspaces, which is why we have incorporated them into our communities for decades. Urban greenspaces and vertical landscaping are just some of the many sustainable features found in many of our Optima communities that help promote mental and physical health, while mitigating pollution and emulating the feeling of oasis. 

Today, as new age modernism continues to evolve and environmentalism exceeds formalism, designers and architects are developing new ways to create built environments that also benefit the Earth. The newest approach to sustainable architecture is found within regenerative building. 

Regenerative building looks beyond lessening harmful impact; it seeks ways to repair and restore the surrounding environment. In the regenerative design process, innovators conceive ways for each building to produce its own energy, treat its own water and emit a net-positive impact on the environment. 

The Centre for the Built Environment’s living wall which features 24 plant species and 7,000 plants, courtesy of Nova Scotia Community College
The Centre for the Built Environment’s living wall which features 24 plant species and 7,000 plants, courtesy of Nova Scotia Community College

While global contests like Redesign the World are encouraging designers to envision radical solutions to end environmental issues through built communities, some architects have begun to bring regenerative building to life. 

Kendeda Building For Innovative Sustainable Design
Kendeda Building For Innovative Sustainable Design. Photo: Jonathan Hillyer, 2019. Flickr Creative Commons Attribution-NonCommercial-NoDerivs

Buildings like The Kendeda Building For Innovative Sustainable Design found on Georgia Tech’s campus and Portal High School in Irvine, California use green roofs and water collection systems to reduce reliance on negative forms of energy. Other buildings like Nova Scotia Community College’s Centre for the Built Environment take advantage of multiple sustainable design features like living walls, geothermal systems and solar and wind energy to regenerate and restore their surroundings. 

As sustainable approaches to design continue to expand over time, we can’t wait to continue exploring how – through architecture – we can change contribute to a healthier, more sustainable environment.

Optima Communities: Exploring Wilmette’s Rich History

With groundbreaking underway for Optima Verdana in Wilmette, IL, we’re discovering this vibrant community and all it has to offer — including its rich history.

Bordering Lake Michigan and located 14 miles north of the Chicago Loop, Wilmette is recognized as one of the most prestigious communities in the nation. It started as a small settlement on Chicago’s North Side in 1872 and by the mid-twentieth century, it emerged as a distinctive, desirable suburb with unique vitality, extraordinary walkability along tree-lined, brick streets and a character all its own. 

Fast forward to today, when Wilmette, with a population of nearly 30,000, has fully matured into a vibrant community. Small businesses and lively restaurants flourish, each bringing a refreshing offering to this thriving, 21st century livable village. The lakefront, parks and gardens are all within easy reach. Culture abounds with music, theater, art and cinema. And the Wilmette schools are considered among the best in the country.  

As luck would have it, 2022 marks the 150th anniversary of Wilmette. As celebrations for this important milestone continue throughout the year, Wilmette is proud to showcase its reputation as future-facing while showing a deep appreciation for the past, including a host of events that shine a light on its delightfully eclectic history.

Bahá'í House of Worship
Bahá’í House of Worship

Mark your calendars…

To start the sesquicentennial year, all are welcome to the Wilmette Historical Museum’s  annual meeting and lecture via Zoom. John Jacoby, former Village President and Wilmette Beacon columnist, will discuss his recent book Wilmette at 150, a collection of essays on Wilmette. Mr. Jacoby’s talk will explore the lost landmarks of Wilmette. Learn about the stories of the significant buildings and other structures that are no longer in existence, including some of the oldest in Wilmette, such as the Big Tree and the Unity Church. Hear fascinating tales of Dr. Martin Luther King’s visit to the North Shore, the German POW camp in Harms Woods, the colorful history of No Man’s Land, the perseverance of world pushup champion Chick Lister and Public Enemy Number One Baby Face Nelson’s demise on Walnut Avenue.

You can stay connected to all the sesquicentennial happenings on the Wilmette at 150 website. And to attend the meeting and lecture, which will take place Sunday, January 30, 2022, from 2:00pm – 3:30pm,

Register HERE.

Team Member Spotlight: Amanda Johnson

At Optima, our communities would not thrive without the outstanding work from our spirited team of individuals. We recently sat down with Amanda Johnson, Marketing Associate at Optima, to discuss why she loves being part of such a passionate team and what she has learned throughout her experience here.

Tell us a bit about your background and the role you play at Optima.

Before joining Optima, I held various Marketing and Graphic Design positions for a handful of industries including Interior Design, Travel & Tourism, Hospitality, and Commercial Real Estate. Today, I’m the Marketing Associate at Optima and work alongside the Marketing Director, Ali Burnham, to manage and implement all aspects of the company’s marketing and brand management strategy on both a corporate and property level.

What drew you to Optima?

Tarryn, Optima’s wonderful People Experience Recruiter, reached out to me on LinkedIn and spoke with such positivity and excitement about the role and company, so I naturally had to learn more. Immediately after meeting with Ali, I became even more excited about the opportunity and the wide variety of projects I could potentially work on ranging from resident event flyers to presentations and digital advertisements to demographic research. It seemed like a job I could never get bored with where there was always something different to work on.

But the projects weren’t the only thing that drew me in. Optima’s culture, values, and mission stood out to me. To me, it’s always been important to find a company that aligns with my own values and beliefs (i.e. good work-life balance, volunteer opportunities, relationship-building events, etc) and Optima seemed like a great fit. The rest is history!

How do you view the concept of community at Optima? 

The concept of community is more-so a feeling at Optima. It’s easy for people to work together or live under the same roof, but it’s the strong sense of community that we strive for– we want them to feel at home. We’re constantly looking for ways to improve the everyday lives of our residents and team members.

For example, we have a growing number of families at our properties with young children. Of course, we have many events that cater towards adults, but we wanted more ways to get the kids involved. In efforts to do so, we came up with a Kids’ Club at each of our properties which includes a rotating calendar of events, giveaways, and a move-in folder full of goodies (i.e. property treasure hunt, Optima coloring book, crayons, Kids’ Club passport, etc). Whether it’s through experiences, conveniences, or a change in design or features, we encourage feedback and take the initiative to go above and beyond.

Optima has a unique set of values that differentiates it from other company cultures. How does that affect the quality of your work life? What values matter most to you? 

“Speed and detail set us apart” is the value that resonates the most with me. I work on projects for all properties plus our corporate office that have different priorities and deadlines, so it’s essential that I stay organized and don’t lose sight of the mission and end goal.

I collaborate with each team, whether it’s the Architect, Construction, or Leasing & Management teams, while taking account of team member and resident feedback to develop strategies and marketing materials or collateral from those conversations. It’s important to be detailed throughout the entire process— from the ideation phase to the final design or solution.

What are some of the things you have learned in your time at Optima? 

Where do I even begin? I’ve learned so much at Optima and am constantly learning every day, which is something I don’t think I’ll ever get tired of. New knowledge is so valuable.

I’ve learned that when more people are involved in a project, the longer the process is. But, in return, the result is the best that it could be. Solo creating and editing is fun, but to be able to collaborate and bounce ideas off one another is extraordinarily beneficial.

What makes you most proud to be a part of the Optima team?

What makes me most proud to be a part of Optima is everyone’s genuineness and respectfulness towards one another. I always feel heard and appreciated.

This stretches to the resident-side of things as well. We have a passion for making living at our properties an unmatched experience through the relationships we build, services we provide, amenities we have, and innovative design that we create.

What do you hope to accomplish in the year ahead?

In the year ahead, I plan to support my teams as much as possible, design exceptionally, and learn more—especially from my first lease-up at Optima Lakeview!

Curated Furniture at Optima Lakeview: the Womb™ Chair

One of the ways we honor the Forever Modern promise and keep it relevant at Optima is by curating both public and residential spaces in our communities with timeless furniture. As we put the finishing touches on the furniture selections for the lobby and model apartments at Optima Lakeview, it’s a perfect time to take a closer look at the Womb™ Chair.

In 1946, Florence Knoll, the pioneering architect who led the furniture empire Knoll Associates with her husband Hans, reached out to friend and fellow architect Eero Saarinen to design a lounge chair for the company. In numerous interviews following the release of the chair, Knoll explained, “I told Eero I was sick and tired of the one-dimensional lounge chair … long and narrow … I want a chair I can sit in sideways or any other way I want to sit in it.” She envisioned “a chair that was like a basket of pillows … something I could really curl up in.”

Originally named No. 70, the chair quickly took on its more intuitive name as people raved about its countless positions and the deep sense of comfort and tranquility it provides. “There seemed to be a need for a large and really comfortable chair to take the place of the old overstuffed chair,” Saarinen explained. “Today, more than ever before, we need to relax.” 

Apart from its novel appearance, the Womb™ chair is also highly innovative from a structural perspective. To achieve a balance between comfort and a modernist silhouette, Saarinen wanted to construct the chair out of a single piece of material. This led him to a groundbreaking new material that had recently been developed to produce minimalistic, yet-durable hulls for Navy vessels during World War II. He then turned to a New Jersey boat builder to use this reinforced-fiberglass-and-resin to produce a prototype of the cropped, folded cone shape he had designed. The final result — a padded and upholstered fiberglass shell that sits on a polished chrome steel frame — combined simplicity of shape with true comfort and flexibility.

A sketch of the Womb™ chair, designed by Eero Saarinen, courtesy of Bob Ewing

Once released, the Womb™ chair quickly became a cultural icon. A 1958 Coca-Cola advertising campaign showed Santa Claus drinking a Coke in a Womb™ chair. The chair also made an appearance in a New Yorker cartoon as well as a Saturday Evening Post cover by American Painter, Norman Rockwell.

Discover the iconic Womb™ Chairs as part of our invitation to “Expect the Extraordinary” when you visit Optima Lakeview. Experience for yourself what it means to lounge in absolute comfort and modernist simplicity, just as Eero Saarinen and Florence Knoll imagined 75 years ago.

person name goes here

Maintenance Supervisor

Glencoe, IL





    Acceptable file types: *.pdf | *.txt | *.doc, max-size: 2Mb