The History of Landscape Design

Landscape design is an integral part of our communities, from our signature vertical landscaping system to intentionally designed sculpture gardens. Each element in our terraces, courtyards and gardens is placed with careful consideration for the aesthetic, function and enjoyment of our residents — inspired by the thought and evolution of centuries of landscape design that came before us. Today, we’re diving deep into that history of landscape design to understand where the craft came from, and where it’s at today.

Ancient Origins of Landscape Design

At the core of landscape design’s history is agricultural development. Beauty and aesthetic function evolved from there, with ancient Japanese gardens designed to facilitate meditation and spiritual connection and ancient Chinese gardens designed as both reflective and social spaces. The two marked features of landscape design are softscaping, utilizing living elements such as trees and flowers, and hardscaping, utilizing non-living additions such as water features, paths, statues and patios. In Japanese gardens, water features were often incorporated in hardscaping while in Chinese gardens, the plants in softscaping often had symbolic, spiritual meaning.

Popularization of Landscape Design

Despite these ancient origins likely dating even further back, the earliest recorded example of landscape design is said to be the Hanging Gardens of Babylon from the 6th century BC. Even then, landscape design isn’t said to have been popularized until it reached the ancient Romans. Their accreditation for the landscape design’s rise is due in part to the fact that they transformed it from something only done for the elites to a practice applied in every home garden. 

From the ancient Romans, landscape design lost momentum during the Middle Ages and was rediscovered by Italy, France and England, respectively, in the 17th century, and was applied to elaborate piazzas, ornate gardens, large parks and even Versailles. The 17th century also saw the rise of cottage-style landscape design, a compact form of gardening that would eventually serve as inspiration for modern day suburban landscaping.

Landscape design at Optima Camelview Village
Landscape design at Optima Camelview Village

Landscape Design in the US Today

In the late 19th century, Frederick Law Olmstead became known as the “Father of American Landscape Architecture.” His aesthetic incorporated sweeping lawns into building design, influencing the US Capital, Central Park in NYC and city planning in Chicago and Cleveland. In 1988, Olmstead founded the American Society of Landscape Architects and classes in the field began to be offered at Harvard in 1900. 

Between evolving urban and suburban landscapes, people’s desire for increased, organized greenspace led to the development of highly evolved outdoor landscaping, gardens and living spaces. The landscape design at Optima reflects this highly evolved trend, incorporating terraces, courtyards, green rooftops and gardens to provide our residents with ways to connect their living spaces with the natural world.

You can learn more about the landscape design at Optima in our green space spotlights on Optima Kierland Center and Optima Sonoran Village.

The Work of Georgia O’Keeffe

We would be remiss to talk about Modernism without showcasing the women who helped pioneer the movement. One woman in particular, the luminary artist Georgia O’Keeffe, earned herself the nickname the “Mother of American Modernism.” Today, we honor her contributions to Modernism by diving deep into her life and work.

The Life of Georgia O’Keeffe

Born in 1887 in a farmhouse in Wisconsin, Georgia O’Keeffe decided at an early age (10) to become an artist. In 1905, she began her serious formal art training at the School of the Art Institute of Chicago (SAIC). She later denounced formal education, feeling too constricted by the strict guidelines that art should imitate what was found in nature. 

It wasn’t until 1912 that O’Keeffe discovered the work of Arthur Wesley Dow, and was inspired by the way he uniquely interpreted subject matters, rather than following traditional modes of artistic creation. From there, O’Keeffe gave permission to herself to experiment in forms that furthered her self-expression and development of style. 

Georgia O’Keeffe, Series 1, No 8, 1917. Public Domain.

The Work of Georgia O’Keeffe

Georgia O’Keeffe is best known for her abstract oil paintings, including many close-ups of flowers. Though many muse the flowers were a symbol for female anatomy, O’Keeffe rejected that interpretation often. Her work was concerned with emphasizing shape and color to illuminate small details.

In 1929, O’Keeffe moved to New Mexico, attempting to escape the socially and artistically oppression of her fame. Partly inspired by a desire to shake Freudian affixations of meaning to her work, and greatly inspired by the native landscape, there O’Keeffe painted New Mexico landscapes and images of animal skulls. 

O’Keeffe’s desert escape and reinvention of inspiration mirrors that of Optima’s own journey, when we expanded to Arizona. We know just how transformative the arid landscape, surprisingly lush desert greenery and culture of the southwest can influence one’s creative scope.

Even in her southwestern escape, O’Keeffe remained heavily in the public eye. Featured in one-woman retrospectives at both the Art Institute of Chicago and the The Museum of Modern Art in Manhattan in the 40’s, O’Keeffe became the first woman to ever have a retrospective at the latter. The next three decades saw her style and subject focus evolve, but it was a quiet period until in 1970, when the Whitney Museum of American Art held a retrospective of her work and brought back buzz. 

While O’Keeffe died in 1986, critical acclaim and love for her work remains. In 2014, her 1932 painting Jimson Weed sold for $44,405,000 — more than three times the previous world auction record for any female artist — demonstrating the art world’s acknowledgment of O’Keefe’s unapologetic vision and pioneering a style.

The Sculpture Garden at Optima Sonoran Village

At Optima, our appreciation and curiosity about materials — and how those materials are expressed — extends beyond architecture and into the artistic medium of sculpture. The sculpture garden at Optima Sonoran Village is home to several original sculptures by Optima founder David Hovey Sr., and exemplifies how art can influence and impact the space it resides within.

Silver Fern, an original Optima sculpture by David Hovey Sr.
Silver Fern, an original Optima sculpture by David Hovey Sr.

The garden includes five original David Hovey Sr. sculptures: Curves and Voids, Silver Fern, Triangles, Intersecting Arches and Duo. Originally created as a large and monumental sculpture, Duo is crafted out of steel to create a striking silhouette alluding to a man and a woman gazing at one another. Meanwhile, Curves and Voids expresses steel and its potential through grand, sweeping curves. The voids are laser cut within the sculpture’s steel planes; the holes provide gaps and textures that contrast and play off of the sculpture’s curves.

Intersecting Arches, an original Optima sculpture by David Hovey Sr.
Intersecting Arches, an original Optima sculpture by David Hovey Sr.

Each original sculpture within the garden is just one of many variations of a design. David Hovey Sr. often experiments with color, size and orientation within his sculpture designs to breathe new life into the same form, placing these iterations across Optima communities. At the sculpture garden at Optima Sonoran Village, Hovey Sr. chose to use Corten steel rather than coat the sculptures in bold hues. He did so to ensure that rather than competing with the building’s vibrant facade, the sculptures would complement the community. Of the five sculptures, Curves & Voids is large-scale, and the other four remain of modest size. 

We invite anyone who visits Optima Sonoran Village to take a stroll through the sculpture garden, to immerse themselves in the art form and to discover how sculpture can transform the space it’s within. 

Neighborhood Spotlight: Phoenix

Home to Optima Biltmore Towers and a rapidly evolving city skyline, Phoenix is the vivacious and sprawling city capital of Arizona. Today we’re diving deep into why we love Phoenix, its endless pockets to explore and its bustling arts scene.

Phoenix Art Museum. Credit: Wikimedia Commons licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license

Arts and Culture

Phoenix is thriving in the arts and culture arena, with classic spots like the Phoenix Art Museum whose collection spans from the Renaissance era to the present day and the Heard Museum, showcasing American Indian art, to a burgeoning underground arts scene. Phoenix’s newest walkable arts district, Roosevelt Row, features urban murals, galleries from up-and-coming artists and is the home of First Fridays art extravaganza, a once-monthly neighborhood art crawl.

Taliesin West, designed by Frank Lloyd Wright. Credit: Teemu008 on Flickr Creative Commons, CC BY-SA 2.0 Deed

Architectural Treasures

We’re proud to put down roots in a city that has inspired Modernist architectural masters like Frank Lloyd Wright. Taliesin West is a cornerstone piece of Modernist architecture, designed by Frank Lloyd Wright as his winter home and school, and the now-home of the Frank Lloyd Wright Foundation. The city is also home to the futuristic desert home, Cosanti, designed by Wright’s seminal student, Italian architect Paolo Soleri. 

Desert Botanical Garden
Desert Botanical Garden. Credit: Simeon87 on Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

R&R – Both Natural and Manmade

Phoenix also boasts unparalleled access to the natural gems of the Arizona landscape, with options like Desert Botanical Garden, Camelback Mountain (which is also right next to Optima Sonoran Village) and Papago Park all closeby to the urban oasis. When it comes to manufactured R&R, Phoenix is known too for its lush golf courses and luxury spas, where you can while away the day and recenter.

As we continue to expand in Arizona, we look forward to discovering more in our favorite places, and learning about new communities, too. Stay tuned for more neighborhood spotlights on our other Optima communities.

Frank Lloyd Wright Site Virtual Tours

At Optima, we believe that design has the power to inspire awe and wonder — and even to unite us in challenging circumstances. We’re seeing proof of this, as the architectural world makes leaps and bounds to innovate and ensure we can continue sharing our love for exceptional design, even while social distancing. As part of this response, a dozen historic sites designed by Modernist master Frank Lloyd Wright have teamed up to offer a series of weekly virtual tours.

12 Weeks of Frank Lloyd Wright

A collaborative partnership between Frank Lloyd Wright participating sites, with leadership from the Frank Lloyd Wright Building Conservancy, the Frank Lloyd Wright Foundation and Unity Temple Restoration Foundation, the virtual tour series kicked off on April 2. The idea behind the series is to keep the doors to historic Frank Lloyd Wright sites open, at least virtually, so that architecture lovers can continue to experience beauty and inspiration from home. It deeply resonated with our own values when the foundation stated: “Wright’s works bring people together in harmony with the natural world, reminding us that we are all connected, even when we’re apart.”

The series, which will run until at least July 15, brings a new immersive video experience shared every week on Thursday at 1 PM EST, united by the hashtag #WrightVirtualVisits. Participating sites are publishing videos, each to their own social media platforms, in the hopes of introducing the sites to a wider audience and providing interesting and informal glimpses into the sites’ history and design.

For a full overview of the tour series, and to discover participating sites, visit the event page here

Team Member Spotlight: Karl Schneider

At Optima, our values are present in every aspect of our operations, from our high-level, vertically-integrated business model to our daily work routines. They are embodied in our team members, who exemplify how our values withstand the test of time, and in turn, help foster long-lasting careers. Ultimately, we want Optima to be a place where our talent can have rewarding years of growth and development. Recently, we interviewed Karl Schneider, our Senior Vice President of Construction, about his journey at Optima over the past 28 years: how it’s helped mold him as a leader and dynamic thinker, and what he’s learned over almost three decades.

Tell us a bit about your background and the role you play at Optima.

My current role as Senior Vice President of Construction is to oversee the Arizona construction team. I work with a team of talented construction superintendents as well as train new team members, educate our team on safety and writing contract scopes.  I work with the Sales Office and our Leasing Team to turn over our luxury condos and apartments at the highest level possible.  All while building strong, lasting relationships with the Optima team, engineers and local building officials.

How did you first begin your journey at Optima?

I went to college at the Illinois Institute of Technology in Chicago where Optima founder, David Hovey Sr. was an Architecture professor. When I realized David Hovey Sr. was also the owner of Optima, I  knew that I wanted to be hired as an intern while in school.  I started at 19-years-old as a laborer and customer service rep, caulking baseboards and getting houses ready for move-in. From there, I worked my way up, moving to Arizona in 2004, and have been here ever since. 

What drew you to Optima initially, and what’s kept you working there all these years?

I never wanted to go to college, but my parents insisted. I wanted to work with my hands as a carpenter and I was interested in seeing things built, so I thought architecture was the next best thing to keep me close to building buildings. When I found out David was doing both construction and architecture, I wanted to be a part of the Optima team. As an owner/developer, there’s no red tape at Optima like there is at a traditional practice. Our problems take minutes to solve instead of months, and the excitement of the everyday evolution of a building is so rewarding. 

How do you view collaboration within Optima?

The collaboration at Optima is awesome because you can pick up the phone and talk to all different parts of the operations, whether it’s architecture, sales, leasing, or marketing. You have access to everyone and don’t need to go through a chain of command; everyone is viewed as equal. 

Which Optima values really speak to the work you’ve done at Optima and your methodologies?

“Exceptional design inspires everything” is one that definitely resonates; all of us are encouraged to speak our mind during the design/build process. If we see something that isn’t ‘Optima-esque’, we can speak up and impact change. For example, we have some wood paneling going in on an amenity level and our team has varying opinions on if it looks good. David Hovey Sr. listens to our feedback and personally checks it out. In a lot of organizations, you lose that level of interest from the principals. 

“Building long, lasting relationships” is another; we will forego being ‘right’ to keep our relationships with subcontractors healthy. 

And “there’s a solution to every problem”…there’s nothing more true! Vertical integration gives us vast knowledge through different disciplines that make problem solving easy. Design, construction, or marketing all look at problems through different lenses and we all collaborate throughout the process.

What are some things you’ve learned over the last 28 years? And how do they inform the work you’re doing now? 

Moving to AZ and not having ‘long lasting relationships’ to start was difficult. You never work alone; it’s the whole team that makes a success, and back in 2004, I learned that the hard way. As good as you think you are, you’re only as good as the team around you.  At Optima, we have an incredible team.

Chicago’s Public Art: The Calder Flamingo

Sculptures are art made architectural; dramatic corners, inventive materials and a consideration of space and its voids. At Optima, our appreciation for sculpture runs deep, with Optima co-founder David Hovey Sr. expanding the design reach of Optima to include his own original sculptures. Indulging in our love for the craft, we’re exploring Chicago’s public art, piece-by-piece. This week, it’s all about Alexander Calder’s famous Flamingo.

The Calder Flamingo

Though you might not notice it immediately as a flamingo, every Chicagoan is familiar with the long and graceful arcs of the famous red Flamingo sculpture designed by Alexander Calder. Calder is a seminal Modernist multi-media artist perhaps best known for his many whimsical mobile creations.

The Flamingo, however, is the antithesis of his mobile sculptures set apart by their dynamic motion — he referred to the goliath sculpture as a “stabile,” a freestanding abstract sculpture made in the style of a mobile but sitting rigid and stationary. It is this peculiar approach that gives The Flamingo an inevitable feeling of potential energy, instilling an almost alien vitality to the Federal Plaza where it lives.

Weighing in at 50 tons and made of steel, the sculpture feels anything but heavy in the space it occupies. Its arches and voids invite passerby to walk beneath and through the art on their way to surrounding office buildings in the plaza  — including the Ludwig Mies van der Rohe-designed Kluczynski Federal Building.

The sculpture was designed specifically for this space, to add a lightness and balance to the severity of the Federal Building’s Modernist lines. Unveiled on October 25, 1974, at the same time that Calder’s Universe mobile was unveiled at the Willis Tower, the momentous, art-filled occasion was declared “Alexander Calder Day” and even featured a circus parade. 

The festivity, spirit and joy of this sculpture and its history are apparent to all that visit it on display in Chicago, adding yet another meaningful and momentous sculpture to our city’s iconic and artful culture.

Chicago’s Public Art: The Picasso

Sculptures are the ultimate exploration of materials and their expression. With Optima Co-Founder David Hovey Sr. having expanded the design reach of Optima to include sculpture, the medium is one that hits close to home for us. To indulge in our love for the craft, we’re exploring Chicago’s public sculpture art, piece-by-piece. First up is an iconic staple in Chicago: The Picasso.

The (Chicago) Picasso

The monumental, larger-than-life sculpture created by Pablo Picasso situated in downtown Chicago goes unnamed by the artist. However, the work is affectionately referred to as The Picasso and even The Chicago Picasso. The sculpture is now a globally-renowned landmark, standing 50 feet tall and weighing in at 162 short tons.

The Chicago Picasso was commissioned by the architects of The Richard J. Daley Center in 1963. Occupying the beloved Daley Plaza alongside the skin-and-bones International Style Modernist skyscraper, the sculpture stands out as a whimsical and abstract piece that invites plaza visitors to jump, climb and slide upon its smooth, COR-TEN steel surface. The interactive sculpture cost the modern day equivalent of $2.8 million, with three charitable foundations shouldering the cost. And although Picasso himself was offered $100,000, he refused the payment, insisting that he wanted to make the work as a gift.

Picasso’s inspiration remains a mystery, though some muse that the armadillo-esque figure is actually an abstracted portrait of the French woman, Sylvette David – now known as Lydia Corbette. The sculpture’s abstract nature was met with tough criticism initially. In a city where most sculptures were famous figures, some didn’t take kindly to the strange public art newcomer. But it was only a matter of time before The Chicago Picasso rightly became a revered piece of Chicago’s vibrant public art collection, brightening the Daley Plaza and the city with its presence. 

Staying Connected Amidst COVID-19

At Optima, we operate with an intense passion for creating together. Ours is a highly collaborative team, often communicating in real time to share ideas and inspiration as part of our vertically-integrated business model. With collaborative systems already in place, our team is staying connected as ever during COVID-19, across states, offices, communities and jobsites, with some currently operating from home. 

Beth Maher heads up Learning and Development at Optima, placing emphasis on the wellness of our team along the way. We sat down (digitally) with Beth and asked her to share how she’s guiding our team through continuing to stay connected, and continuing to stay well, during this time.

Sharing Wellness Resources

Wellness has always been pivotal in our culture, but Beth shares, “It’s become a priority now more than ever. We want to provide additional wellness support to all our coaches and team members to help guide them through the changes many are experiencing from this new environment.” Wellness resources are being offered universally across our team — from architects to property managers to the construction team — giving all access to meditation and yoga guidance and other activities that can be done no matter where you are. Through our partnership with GROW LMS, we recently rolled out a set of online wellness courses that are available for our entire team.

Staying Connected

“Connectedness is at the core of Optima,” Beth explains. The Optima Wellness Page in the company intranet is just one source of connectivity where many resources are located. All teams continue to communicate seamlessly by regularly hopping onto Microsoft Teams, where we continue to share ideas in real time. We also use the Yammer app, which is a messaging board where we share inspirational quotes and ideas. We continue to engage at a safe distance over video chat too, whether that’s for a quick brainstorming session or to come together for a company-wide trivia night or virtual book club discussion.

Looking to the Future

The current state of the world may prove to be a challenge in some ways, “but we have the resources to keep everyone connected no matter what,” Beth affirms. “I’ve never worked in an organization that has such strong connectivity between its team members and coaches.” Human connection is important now more than ever, and it is this connection we have at Optima that will enable us to stay agile, strong and able to tackle this challenge together. 

Taking Art Online: How to Visit Fan-Favorite Museums Digitally

As art enthusiasts, we know a trip to the museum can provide much needed inspiration and solace. While many physical cultural institutions have closed their doors as we shelter-in-place, their doors remain very much open online. Today, we’re sharing how our favorite museums have been taking art online, and how you can visit iconic global institutions digitally.

J Paul Getty Museum

Take a trip to sunny LA with digital museum tours offered by the J Paul Getty Museum in Los Angeles, California. Their expansive collection of 6,000+ works makes the museum worth the visit on any ordinary day, but through Google Arts and Culture, you can actually physically “mouse” your way through the galleries via an interactive online museum tour, or scroll through three online exhibits and 15,000+ artistic works.

Vatican Museums

While sheltering-in-place, the options for online exploration are limitless. Traverse internationally across the interwebs to place yourself via computer into the Vatican Museums in Rome, Italy. Explore the Sistine Chapel, impressive architectural details, intricate murals and an astounding array of artwork via their online virtual tours featuring expansive, 360-degree views. Afterwards, you can even take an “outdoor stroll” around the Vatican City with You Visit.

Picasso Museum

In keeping up with our love of Picasso, we recommend spending a few hours online at the Picasso Museum in Barcelona, Spain. A seemingly-endless digital archive of Pablo Picasso’s most renowned works is accompanied by some of the best-preserved Medieval architecture in Barcelona. Enter the museum through its ancient and rustic patios to discover the digital treasures within via this digital interactive tour.

Art Institute of Chicago

Missing visits to your local favorite? Have no fear, because the Art Institute of Chicago is bringing the comforts of a familiar gallery to your couch. Their array of online resources include ways to surf the entire museum collection, new and highly-detailed interactive features, a digitized version of their current special exhibit and more. 

As we continue to spend our days at home, virtual trips to explore the arts and culture provide a much needed vibrant reprieve. Stay tuned for more Optima features on how to stay engaged, connected and inspired at home. 

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