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Then and Now: The Sahara Motor Inn

At Optima®, we deeply appreciate the storied structures that enrich our understanding of local culture. In our “Then and Now” series, we’ve explored the fascinating evolution of significant buildings in Arizona. With our latest post, we delve into the rich tapestry of Phoenix’s past, with a spotlight on the Sahara Motor Inn, a former city icon that once personified the vibrant spirit of the Southwest.

The Sahara Motor Inn opened its doors in 1955, built by an investment consortium led by notable figures, Marion Isbell and Del Webb. This mid-century marvel was much more than a hotel. It was a symbol of a thriving, evolving Phoenix, a testament to the rise of automobile culture, and an emblem of the burgeoning region.

Sahara Motor Inn Illustration
Sahara Motor Inn Illustration. Credit: Brian, Flickr Creative Commons

Designed by Matthew E. Trudell, the Sahara Motor Inn sprawled across a city block, boasting 175 guest rooms, two penthouse apartments, and a host of modern amenities. It wasn’t just the size or facilities that made the hotel stand out. The architecture, a harmonious blend of mid-century styles, utilized popular materials such as red brick, colored art glass, and cast-in-place concrete.

Renowned in its heyday, the hotel attracted a celebrity clientele including Marilyn Monroe, who resided there while filming Bus Stop in 1956. As time went on, the Sahara Motor Inn partnered with the Ramada Inn motel chain, becoming the “Sahara Ramada Inn” in the 1960s. The desert gem gradually faded, overshadowed by the expansion of large hotel chains that promised a consistent guest experience nationwide.

Bus Stop, starring Marilyn Monroe

By 2000, the Sahara Ramada Inn was no longer the crown jewel of downtown Phoenix. The forces of redevelopment were sweeping through Phoenix, with civic leaders and universities envisioning a new era of urban transformation. The hotel was sold to Arizona State University (ASU) in 2010 and was later razed to make way for the university’s Sandra Day O’Connor College of Law.

The story behind Motor Inn is a classic narrative of transformation, encapsulating the spirit of change so familiar in Phoenix. From its birth as a luxury hotel in the heart of the American Southwest to its rebirth as an educational institution, its journey mirrors that of the city itself.

Sandra Day O’Connor College of Law. Photo: Wiki Commons

The story of the Sahara Motor Inn still stands, even as the building itself is no longer a part of the city’s architectural landscape. It remains a tale of a bygone era, a time of profound change and growth, underlining the relentless momentum of progress.

Scottsdale Architecture Spotlight: Hotel Valley Ho

Arizona, and particularly Scottsdale, has long been a hotspot for architectural innovation, blending the region’s natural beauty with groundbreaking design. From Frank Lloyd Wright’s Taliesin West to Paolo Soleri’s Acosanti, the state is home to a variety of remarkable structures that push the boundaries of architectural thought. One standout example is the iconic Hotel Valley Ho, a mid-century modern masterpiece nestled in the heart of Scottsdale. Today, we’re exploring the hotel’s fascinating history, stunning architectural features and commitment to preservation and sustainability. 

Nestled in the heart of Scottsdale, the Hotel Valley Ho opened its doors in 1956. The hotel was designed by Edward L. Varney, a prominent mid-century modern architect and a student of Frank Lloyd Wright, the hotel sought to combine the glamor of Hollywood with the natural beauty of Arizona. Over the years, the Hotel Valley Ho has hosted numerous celebrities and undergone multiple renovations to maintain its charm and relevance. 

The Hotel Valley Ho stands as a shining example of mid-century modern architecture. Its sleek, minimalist design is characterized by clean lines, flat planes, and expansive glass walls that seamlessly integrate indoor and outdoor spaces. The hotel’s iconic cantilevered roof lines and butterfly roofs give it a futuristic appeal while providing shape and protection from the elements. 

The rooms and pool at Hotel Valley Ho. Photo: C.C. Chapman, 2011, Flickr Creative Commons CC-BY-NC-ND 2.0 Deed

One of the most striking features of the Hotel Valley Ho is its use of materials, including concrete, steel, and native Arizona stone, which all pay homage to the state’s desert landscape. Additionally, the interior boasts vibrant colors, geometric patterns, and custom-designed furnishings that embody the essence of mid-century modern design. 

Beyond its architectural prowess, The Hotel Valley Ho offers luxurious amenities to cater to every guest’s needs. The property is home to two separate pools: The OH Pool, which features a lively atmosphere complete with a bar and cabana, and the more serene OHasis Pool, perfect for relaxation. Guests can also enjoy the award-winning VH Spa, a state-of-the-art fitness center, and exceptional dining options, including the ZuZu restaurant, which serves inventive American cuisine. The hotel’s central location provides easy access to Scottsdale’s vibrant art galleries, shopping and outdoor activities. 

Hotel Valley Ho lobby. Photo: C.C. Chapman, 2011, Flickr Creative Commons CC-BY-NC-ND 2.0 Deed

In addition to its luxurious accommodations, the Hotel Valley Ho has demonstrated a commitment to preservation and sustainability over the years. A comprehensive restoration project in 2005 revitalized the hotel’s historic features and expanded its footprint. Modern amenities and sustainable practices, such as energy-efficient LED lighting, solar panels for heating pool water and a robust recycling program have been incorporated throughout the property. This commitment ensures that future generations can experience the magic of this mid-century modern masterpiece. 

The Hotel Valley Ho truly offers an unforgettable experience, seamlessly blending luxury, history and sustainability. Its timeless design and dedication to preserving its heritage make it a must-visit destination for architecture enthusiasts and travelers alike.

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